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George Melies

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The 18th century has marked the commencement of the innovation of cinematography. The invention of cinema owes its existence to a few investors and scientists who are broadly known for laying down its foundation. Among those pioneers are the Lumiere brothers who were some of the earliest contributors to cinema, Thomas Edison and George Melies. Melies was a part of inventing filmmaking but did not invent it on his own. George Melies, he was a pioneer from the earliest days of cinema. In fact, he is considered the father of film special effects, having invented many of the tricks that are still used today, and was the first filmmaker to send men into outer space. This sometimes forgotten cinéaste was a true giant in the earliest days of the medium. He was amazing in recognizing the possibilities of the medium for narrative and spectacle. He created the basic vocabulary of special effects, and a few years after Thomas Edison had built the Black Maria film studio, Melies built a glass-house studio, which proved to be the prototype of European studios of the silent era. The success of his films contributed to the development of an international market in films and did much to secure the ascendancy of French cinema in the pre-1914 years. Besides this historical contribution, Melies' films are the earliest to survive as a total, coherent artistic creation with their own validity and personality. His films had a visual style as distinctive as any French painter, and they retain a sense of fantasy, fun and nonsense whose exuberance is still infectious after a century. He was sent to London in 1884 to perfect his English and there he discovered stage illusion. He became very interested in magic and apprenticed with a magician. When Melies' father retired, George sold his share of the footwear business to his older brothers and bought the famous, but

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