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Good Vs Evil Analysis

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Samantha Hoppe – The Good, the Bad, and the Ugly
Good versus evil, the primary plot to numerous literary genres, is concretely displayed in every Western text. Whether it is cowboys versus Indians, the law versus outlaws, or cattlemen versus cattle rustlers, the audience always sides with one side, and it is always the side of “good”. The Western genre is carefully crafted to influence the audience in siding with a certain character. Authors and directors develop distinct yet similar characters to show the relationship between good and evil.
In general, the respectable guys consist of the hero, generally cowboy, and his woman. The hero is written in as a complex character with several sides to resonate with a wider variety of readers/watchers. …show more content…
There are two types of villains that seem to be prevalent in the Western genre: the domestic villain and the western villain. The domestic villain serves as a real-life example of the dangers that one may face. These characters are usually members of the community who consider themselves of high status. Their minds are twisted, and they tend to harm others in the community for their own benefit. The western villain is feared much more than the domestic villain. They are almost legendary to the townspeople due to the way that they are talked about. These villains practice harsh strategies which shock the audience into hating them.
Riders of the Purple Sage (1912) and Stagecoach (1939) are two texts that show how evident the plot of good versus evil is, and the characters in both of them have been developed to ensure that good always wins. The texts form characters in the same way, but they are given their own twists and characteristics. The influences of this may include the differences in time period, the differences in the form of text, or simply the differences in the …show more content…
The domestic villain, the banker, can be found in every western settlement or development town. He represents greedy people who swindle others for their own benefit. His character comes as a warning to not trust society. The western villain, the Indians, is portrayed as the fearsome villains in the West. They are almost legendary to the townsfolk. They are made a villain through the talk of the town, not necessarily through their actions. The Indians in the film do nothing more sinister than Ringo, yet the audience still believes that they are a dangerous

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