...Myranda Bregel Sociology 100 Dr. Loyd Ganey July 21st 2013 Graffiti, a deviant behavior? When someone walks down an alley way, under a bridge, or by a railway car what are they most likely to see? Graffiti. Graffiti is the deviant act of vandalism; it appears in many places, and in many forms. The artists that create these sometimes beautiful masterpieces are often overlooked, but their murals live on to be seen and added on to day after day. Most people feel that graffiti on any type of property is vandalism. If someone marks up an object it is distasteful and deviant, but sometimes it can be a work of art that gets overlooked. Janice Rahn, author of Painting without Permission also thought this, until she was given a project with her art students to graffiti garbage cans. After she was given this project Janice saw graffiti as artwork. She even took her friends and family around to sites that she found around her city, including an old set of warehouse businesses that had beautiful murals on them. Graffiti can be seen as an act of vandalism when it is used to deface public property. Many gangs like to mark their territory by putting their signs on things like buildings and street signs. When this is done it is not art it is wrong. People who are trying to make art get scorned because of people like this. When I am running I love to stop and look at what people create under bridges. I also like to see what cool works of art are painted on the sides of railroad...
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...How to grow your own Moss Graffiti http://www.permaculture.co.uk/readers-solutions/how-grow-your-own-moss-graffiti Rozie Apps | Friday, 26th April 2013 Art and creativity can be used in powerful ways. They can cause happiness and sadness, anger and joy. But best of all they can unite communities and rejuvenate old or forgotten areas of cities and towns. Graffiti tends to have a negative impact on communities. Many people do not see it as art, but vandalism to their towns, cities and society. It can cost councils a huge amount of money to remove graffiti and this money could be much better spent. A new style of graffiti has been spreading through the cities of the world, turning brown, white or dull brick walls into greener, brighter and more beautiful spaces for people to see. It is called Moss Graffiti. Also known as Eco-Graffiti or Green-Graffiti, it can be seen as a new style of guerrilla gardening. Instead of using harmful toxic chemicals to make art, moss can be used to make beautiful and harmless pieces of art. It is ecologically sound and can be easily removed by spraying lime juice on the design, which kills the moss spores. A moss zebra If you have a wall at home you'd like to brighten up, or permission from the council to rejuvenate an area in your community, follow this recipe to create some green art. You will need: 1 or 2 clumps (small handful) of moss 2 cups of buttermilk, or you can use yogurt (even vegan yogurt) 2 cups of water Half a teaspoon...
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...EXAM II ORGANIZATIONAL BEHAVIOR—MBA Semester I, 2010-2011 True and False (1 point each) _____1. Every employee in the organization is individually responsible for the success of change. _____2. During a conflict, persons should be expected to explain their unintended remarks. _____3. Political players often rely on outside consultants to further their agenda. _____4. Visibility is an important power technique. _____5. Reducing uncertainty assists change, but can create greater individual power. Multiple Choice. Three points each. _____6. When interpersonal problems emerge, your boss brings everyone together to work out problems. He will go along with any solution selected, so long as it is at all reasonable. This style of handling interpersonal conflict can be described as: a. avoidance. b. compromise. c. accommodation. d. none of the above. _____7. The sale of your company’s super-computer to one of your major customers has not been progressing well. You are well-aware that the super-computer is a very expensive product. Your customer has given you one last chance to explain the merits of your product. What method of communication would you use to do this explanation? You would: a. send the customer a well-written letter, and then you would call her up and check if she needs any clarification. b. Make a video-tape in which you explain the merits of your product as clearly as possible. c. Meet with the customer...
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...EXAM II ORGANIZATIONAL BEHAVIOR—MBA Semester I, 2010-2011 True and False (1 point each) __T_1. Every employee in the organization is individually responsible for the success of change. __F_2. During a conflict, persons should be expected to explain their unintended remarks. __T_3. Political players often rely on outside consultants to further their agenda. __T_4. Visibility is an important power technique. __T_5. Reducing uncertainty assists change, but can create greater individual power. Multiple Choice. Three points each. B_6. When interpersonal problems emerge, your boss brings everyone together to work out problems. He will go along with any solution selected, so long as it is at all reasonable. This style of handling interpersonal conflict can be described as: a. avoidance. b. compromise. c. accommodation. d. none of the above. C_7. The sale of your company’s super-computer to one of your major customers has not been progressing well. You are well-aware that the super-computer is a very expensive product. Your customer has given you one last chance to explain the merits of your product. What method of communication would you use to do this explanation? You would: a. send the customer a well-written letter, and then you would call her up and check if she needs any clarification. b. Make a video-tape in which you explain the merits of your product as clearly as possible. c. Meet with the customer and...
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...Good typography is invisible With over 100,000 different type faces available right now and over 560 years of type face designing there is a large number of influential and important font designers to research. I was lucky to find the a great guide to typefaces: the “Periodic table of type faces” from , which lists 100 of the most popular, influential and notorious typefaces today. It not only gives the name of the designer and the year when it was first published, but also groups it into families and classes like serif, sans-serif, display, grotesque, didone or geometric, which helps to get a clearer picture. I found that a good start for research and googled many of the mentioned designers. I stopped at Erik Spiekermann (the type”face” behind Audi, Bosch, Sky TV, Nokia, …) Matthew Carter (internet/screen standard fonts Verdana/Tahoma, Georgia), Max Miedinger (Neue Haas Grotesk = Helvetica), Edward Johnston (ITC Johnston, P22 Underground for the London tube), Paul Renner (Futura), Tobias Frere-Jones (Gotham - Obama election campaign 2008, Asphalt Black), Adrian Frutiger (Linotype Didot, Univers, Frutiger, Avenir), Stanley Morison (Times). These are mainly type faces which serve in headlines as well as in the body copy. If chosen for the right reasons (style of typeface fitting style of article, text, ...) the quality of these fonts have a chance to deliver what the Craig Ward poster on top of this text asks typography to do – to be invisible – meaning to fit a purpose so...
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...Maria Hyldelund Bloch. Månedsopgave 2011. Indhold Fagtekst! 2 Boganalyse… 2 Billedanalyse! 2 Nina… 2 Litteratur liste… Hjemmesider: Jeg har brugt www.google.dk og www.wikipedia.dk . Bøger: Hiphop der: Skrevet af Peter Bejder og Kim Boye Holt. Udgivet af forlaget Manana.7 Chappers hiphop manual: Skrevet af Tormod Holm og Chapper. Udgivet af Politikens forlag. Electric boogie og break: Skrevet af Kevin Madsen. Udgivet af forlaget Stavnsager. Breakdance og hiphop funk: Skrevet af Mark Ray. Udgivet af Dr. Break Produktions, Inc. Den sejeste: Skrevet af Renee Toft Simonsen. Udgivet af Politikens forlag. Fagtekst! Hiphoppens historie... Hiphoppen startede i midten af 1970érne i USA. Der er ikke rigtig en person der har, fundet på hiphoppen, det var egentlig bare nogen der fandt på at holde fester i gaderne. Man spillede meget højt musik, og det gjaldt om at finde på nye moves. På den måde opstod dansen Hiphop. Musik og Dans... Der er mange forskellige stilarter både i Hiphop musik og dans. Det hele startede med. Oldschool: I dans betyder Old School det første der var. Man begyndte med at man enten gik i krappe gang eller dansede som robotter. Imens de dansede klappede alle i takt til musikken. I musik er det også det første musik man brugte. I 1970´erne flyttede DJ Kool Herc til New York. Der forsøgte han at improvisere over raggae beats. New Yorkerne var ikke så vilde med raggae den gang, så han måtte finde på noget nyt. Derfor begyndte han at...
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...Proceeding for the School of Visual Arts Eighteenth Annual National Conference on Liberal Arts and the Education of Artists: Art and Story CONTENTS SECTION ONE: Marcel’s Studio Visit with Elstir……………………………………………………….. David Carrier SECTION TWO: Film and Video Narrative Brief Narrative on Film-The Case of John Updike……………………………………. Thomas P. Adler With a Pen of Light …………………………………………………………………… Michael Fink Media and the Message: Does Media Shape or Serve the Story: Visual Storytelling and New Media ……………………………………………………. June Bisantz Evans Visual Literacy: The Language of Cultural Signifiers…………………………………. Tammy Knipp SECTION THREE: Narrative and Fine Art Beyond Illustration: Visual Narrative Strategies in Picasso’s Celestina Prints………… Susan J. Baker and William Novak Narrative, Allegory, and Commentary in Emil Nolde’s Legend: St. Mary of Egypt…… William B. Sieger A Narrative of Belonging: The Art of Beauford Delaney and Glenn Ligon…………… Catherine St. John Art and Narrative Under the Third Reich ……………………………………………… Ashley Labrie 28 15 1 22 25 27 36 43 51 Hopper Stories in an Imaginary Museum……………………………………………. Joseph Stanton SECTION FOUR: Photography and Narrative Black & White: Two Worlds/Two Distinct Stories……………………………………….. Elaine A. King Relinquishing His Own Story: Abandonment and Appropriation in the Edward Weston Narrative………………………………………………………………………….. David Peeler Narrative Stretegies in the Worlds of Jean Le Gac and Sophe Calle…………………….. Stefanie Rentsch...
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