...Throughout much of the novel Grendel faces a defining struggle- one between good and evil. He spends much of his years attempting to discover, and even fight his destiny. Grendel starts out the same as all humans, innocent and curious. He spent his childhood alone, his mother being the only creature that would keep him company. Grendel repeatedly tries to communicate with the humans, but consistently failed. As he becomes older and wiser, he starts to realize that he will not ever be able to get the Shieldings to see eye to eye with him. They will always see him as a disgusting, terrible monster. Eventually, Grendel is able to embrace this and fulfill his destiny as the Destroyer and Wrecker of Kings. At first, Grendel is a young, naïve creature, exploring the world around him just as young creatures do. He is not yet aware of his evil destiny; he is just lonely. Upon his first interaction with the Shieldings, Grendel is stuck in a tree, dying. The men discover him, and decide that he is hungry for pig. They are unsure if he is friendly or not: “‘Pig!’ I tried to yell. It scared them… the king snatched an ax from the man beside him and, without any warning, he hurled it at me” (113). The humans attacked until Grendel’s mother saved him, and Grendel came to a horrible realization ”The world resists me and I resist the world… That’s all there is…I exist, nothing else” (115). At this point, Grendel is starting to view the world very differently, and is discovering...
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...That is why the original Beowulf tale Grendel is very different from the one described by Gardner and Grigsby. While the common sense would argue that the eating flesh monster of the dark ages has very little to offer the contemporary audience, the reality is that the character of Grendel became quite popular in the modern culture (Farrell 934). Jennifer Farrell argues: “Part of Grendel’s allure is the fact that he remains a mystery. His past is...
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...2015 Beowulf Essay Beowulf is an Anglo-Saxon Epic, narrative poem. Meaning that it is a story of the battles between warriors and monsters consisting of long and descriptive speeches from each character. It follows the great and honorable Beowulf in his numerous conquests as he instills hope through the destruction of many a foe. Beowulf was passed down orally before being written down and ultimately becoming the national epic of England as it is today. Beowulf itself can be described as a story of dual ordeal, that showcases both an internal battle with human weakness and an external fight between a champion and evil monsters. Right from the beginning of the story part of the external half of the dual ordeal is outlined in these following lines: “A powerful monster, living down in the darkness, growled in pain, impatient.” (Beowulf 1-2). These couple lines showcase the first of several monstrous threats that the heroic warrior will have to soon face. Grendel is described as powerful and in darkness. This depicts that the hero, Beowulf, will have a worthy opponent to face in the battle between good and evil. Later on in the poem when Beowulf arrives to do battle with Grendel he faces Grendel unarmed to maintain his honor due to the fact that Grendel does not use weapons. The outcome of said battle is described in Beowulf, lines 330 through 338. “Grendel's one thought was to run from Beowulf, flee back to his marsh and hide there: This was a different Herot than the hall...
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...Beowulf is an epic poem written in Old English encompassing the mythical tale of the eponymous character of Beowulf. The tale includes his heroic struggles with monstrous beings such as Grendel, Grendel’s Mother, and an avaricious dragon. The primary of those, beast Grendel, serves as the protagonist of a philosophical novel of the same name, Grendel. Written by Anglo-Saxon Scholar John Gardner, the novel presents the fictitious tale of Grendel in the world of Beowulf as he struggles to find meaning and purpose in its life. Grendel is a bastard of man and monster. Yet, he feels himself separated from both. This lust and yearning for purpose sets out on his adventures. His purpose is to find purpose. Now, naturally Grendel is monstrous, but...
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...Trails of heroic fate of Beowulf Introduction The narrative of epic poem Beowulf consists of three episodes in which the hero is engaged in the peculiar mission of fighting with three fabulous monsters (Fisher 1958, p.173). The first monster Grendel is quickly defeated; the second, Grendel’s dam is depicted with greater elaboration but also ends in demise at the hands of Beowulf; and the eventual dragon, distanced from the previous two in a span of fifty years, brings the heroic career of aging Beowulf to an end. The unity of Beowulf’s three fights from ease to death, perceived by some researchers like Klaeber (1950), holds the epic together. Others see the epic poem more than a collection of three different fights in a hero’s life, but it is united and intertwined by two parts—the fights with Grendel and his dam and the final dragon fight—signaling “the opposition of hero and king, youth and age, the beginning and ending of a life achievement” (Tolkien 1936). On the basis of this premise, Fisher (1958) conceives the theme of the epic as the “doom of Beowulf”, the integration of “redemption and judgment treated in a way which skillfully blends the Germanic hero with the Christian saint” (p.171). Wrenn (1958) states the similar notion, arguing Beowulf, a Germanic hero, shows his greatest splendor “ not alone in winning glory by victory, but rather by finding his supremely noble qualities especially in the moment of death in battle”. The essay aims to analyze the three fights...
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...Within the tale of “Beowulf” four character traits can be found which define the Anglo Saxon Hero. The first is loyalty, as demonstrated by the relationship between Lord and thane. According to page 23 of the “Beowulf” introduction, “a relationship based less on subordination of one man’s will to another than on mutual trust and respect.” The second and third characteristics are strength and courage. The importance of these specific traits to the Anglo-Saxon people is clearly presented during the reciting of Sigemund’s tale within Heorot. As the song states, “He was adventurer most famous, far and wide through the nations, for deed of courage – he had prospered from that before, the protector of warriors – after the war-making of Heremod had come to an end, his strength and his courage” (38). The final piece which comprises the Anglo-Saxon hero is the notion of fame. The only after life a warrior could ever aspire to have was immortality through fame. One again this is explained by the introduction to the story, “Beowulf’s chief reward is pagan immortality the memory in the minds of later generations of a hero’s heroic actions” (24-25). By understanding what defines a hero it is a simple matter to comprehend why Beowulf is considered by some to be the greatest of all. He posses unfaltering loyalty to his king and allies, and save for his final battle his thanes show the same devotion to him. His strength is unparalleled, as he is able to defeat each of his opponents and perform...
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...Dominic Bowen Beowulf Archetype Hero essay Within the tale of “Beowulf” four character traits can be found which define the Anglo Saxon Hero. The first is loyalty, as demonstrated by the relationship between Lord and thane. According to page 23 of the “Beowulf” introduction, “a relationship based less on subordination of one man’s will to another than on mutual trust and respect.” The second and third characteristics are strength and courage. The importance of these specific traits to the Anglo-Saxon people is clearly presented during the reciting of Sigemund’s tale within Heorot. As the song states, “He was adventurer most famous, far and wide through the nations, for deed of courage – he had prospered from that before, the protector of warriors – after the war-making of Heremod had come to an end, his strength and his courage” (38). The final piece which comprises the Anglo-Saxon hero is the notion of fame. The only afterlife a warrior could ever aspire to have was immortality through fame. One again this is explained by the introduction to the story, “Beowulf’s chief reward is pagan immortality the memory in the minds of later generations of a hero’s heroic actions” (24-25). By understanding what defines a hero it is a simple matter to comprehend why Beowulf is considered by some to be the greatest of all. He posses unfaltering loyalty to his king and allies, and save for his final battle his thanes show the same devotion to him. His strength is unparalleled, as he is...
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...Christian woman named Bertha, demonstrates this. A passage states, “For he [king Ethelbert] had heard of the Christian religion, having a Christian wife, of the royal family of the Franks, called Bertha, whom he had received from her parents upon condition that she should be permitted to practice her religion with the bishop, Luidhard” King Ethelbert was supportive of his wife practicing her faith which makes it clear that he believed that different faiths should be accepted. This demonstrates that his culture also supported a variety of beliefs. Even before King Ethelbert, Roman pagans had no barriers to marrying Christians, but the Church refused to support the practice. Overall, there were benefits to the practice of politicians marrying between faiths, as displayed in King Ethelbert’s marriage to a Christian wife, which expresses support for different kinds of beliefs unlike the...
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...OLD ENGLISH LITERATURE • Palaeolithic nomads from mainland Europe; • New inhabitants came from western and possibly north-western Europe (New Stone Age); • in the 2nd millennium BC new inhabitants came from the Low Countries and the middle Rhine (Stonehenge); • Between 800 and 200 BC Celtic peoples moved into Britain from mainland Europe (Iron Age) • first experience of a literate civilisation in 55 B.C. • remoter areas in Scotland retained independence • Ireland, never conquered by Rome, Celtic tradition • The language of the pre-Roman settlers - British (Welsh, Breton); Cornish; Irish and Scottish Gaelic (Celtic dialect) • The Romans up to the fifth century • Britain - a province of the Roman Empire 400 years • the first half of the 5th century the Angles, Saxons, and Jutes (N Germany, Jutland) • The initial wave of migration - 449 A. D. • the Venerable Bede (c. 673-735) • the Britain of his time comprised four nations English, British (Welsh), Picts, and Scots. • invaders resembling those of the Germans as described by Tacitus in his Germania. • a warrior race • the chieftain, the companions or comitatus. • the Celtic languages were supplanted (e.g. ass, bannock, crag). * Christianity spread from two different directions: * In the 5th century St Patrick converted Ireland, in the 7th century the north of England was converted by Irish monks; * in the south at the end of the 6th century Aethelberht of Kent allowed the monk Augustine...
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...ENGLISH LITERATURE ITS HISTORY AND ITS SIGNIFICANCE FOR THE LIFE OF THE ENGLISH-SPEAKING WORLD A TEXT-BOOK FOR SCHOOLS BY WILLIAM J. LONG, PH.D. (Heidelberg) TO MY FRIEND C H T IN GRATITUDE FOR HIS CONTINUED HELP IN THE PREPARATION OF THIS BOOK CANTERBURY PILGRIMS From Royal MS., 18 D.ii, in the British Museum PREFACE This book, which presents the whole splendid history of English literature from Anglo-Saxon times to the close of the Victorian Era, has three specific aims. The first is to create or to encourage in every student the desire to read the best books, and to know literature itself rather than what has been written about literature. The second is to interpret literature both personally and historically, that is, to show how a great book generally reflects not only the author's life and thought but also the spirit of the age and the ideals of the nation's history. The third aim is to show, by a study of each successive period, how our literature has steadily developed from its first simple songs and stories to its present complexity in prose and poetry. To carry out these aims we have introduced the following features: (1) A brief, accurate summary of historical events and social conditions in each period, and a consideration of the ideals which stirred the whole nation, as in the days of Elizabeth, before they found expression in literature. (2) A study of the various literary epochs in turn, showing what each gained from...
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...Министерство образования и науки Республики Казахстан Кокшетауский государственный университет им. Ш. Уалиханова An Outline of British Literature (from tradition to post modernism) Кокшетау 2011 УДК 802.0 – 5:20 ББК 81:432.1-923 № 39 Рекомендовано к печати кафедрой английского языка и МП КГУ им. Ш. Уалиханова, Ученым Советом филологического факультета КГУ им. Ш. Уалиханова, УМС КГУ им. Ш. Уалиханова. Рецензенты: Баяндина С.Ж. доктор филологических наук, профессор, декан филологического факультета КГУ им. Ш. Уалиханова Батаева Ф.А. кандидат филологических наук, доцент кафедры «Переводческое дело» Кокшетауского университета им. А. Мырзахметова Кожанова К.Т. преподаватель английского языка кафедры гуманитарного цикла ИПК и ПРО Акмолинской области An Outline of British Literature from tradition to post modernism (on specialties 050119 – “Foreign Language: Two Foreign Languages”, 050205 – “Foreign Philology” and 050207 – “Translation”): Учебное пособие / Сост. Немченко Н.Ф. – Кокшетау: Типография КГУ им. Ш. Уалиханова, 2010 – 170 с. ISBN 9965-19-350-9 Пособие представляет собой краткие очерки, характеризующие английскую литературу Великобритании, ее основные направления и тенденции. Все известные направления в литературе иллюстрированы примерами жизни и творчества авторов, вошедших в мировую литературу благодаря...
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