...A Hawaiian movie about sexuality, the expressive touching between each other is needed to stop divisions. Due to the fear of homophobia they keep it conservative, meaning they are conservative scared. They want to keep their family strong, therefore, they teach their children to accept each other without denigration so everyone is accepted. (Hawaiian music playing). How you say words is important to the two-spirit individual. Mahoo; give things labels to be put in boxes meaning to describe feminine or masculine gender. Hawaiian culture is sexually and freely expressive. The film illustrates the realization of expression, and Mahoo shows the level of acceptance. Finding a place in society is a role even with the racism in the Hawaiian history....
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...HS-404 Homosexuality in Popular Hindi Cinema Abstract:India is a country with vibrant popular culture. Nowhere is the collective consciousness of the nation probably better essayed than in the cinema, which is viewed with passionate enthusiasm. Taking Popular Hindi Cinema as a mainstay of Indian culture, this article tries to create a link between the depiction of homosexuality in Popular Hindi Cinema and the society. Different viewpoints are looked from and observed in Indian popular culture, such as the non – acceptance of homosexuality by some quarters, the crude stereotyping and the slowly emerging new wave of thought that treats the subject with a compassionate eye, and gives it a humane treatment. Submitted by : Vivek Maheshwary 0800206 INTRODUCTION : Many Bollywood movies have explored various social issues such as child marriage, polygamy, dowry system, casteism and terrorism. However, homosexuality, a taboo subject in Indian society and religion, has yet not been fully explored in Bollywood. “Homosexuality refers to sexual behaviour with or attraction to people of the same sex or to a homosexual orientation.” Gay refers to male homosexuality whereas lesbian refers to female homosexuality. Jab pyaar kiya to darna kya, Jab pyaar kiya to darna kya, Pyaar kiya koi chori nahi ki, Chhup chhup aahein bharna kya.. The above song is from the movie Mughal-E-Azam can be translated as ‘What is there to be afraid of if you have loved? You have only loved someone and not...
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..."In A Streetcar Named Desire, Williams seeks to portray the nature and effects of sexuality." How effectively does the film capture this central concern? Elia Kazan’s 1951 film adaptation of Tennessee William’s 1947 play, A Streetcar Named Desire was forced to dilute the primary concern of sexuality to make it more suitable for a broader American audience. Due to anticipated and unanticipated interjections of the conservative Production Code Administration (PCA) of America, headed by strict Roman Catholic Joseph Breen, Kazan was not allowed to remain strictly faithful to William’s original portrayal of sexuality. Kazan instead employed creative cinematography solutions, to address Breen’s objections while at the same time, preserving the artistic integrity of the film. Yet due to these restraints, Kazan both succeeded and failed when seeking to replicate William’s complex portrayal of the nature and effects of sexuality. The film fails to demonstrate the manipulative potential of female sexuality; however Kazan accurately portrays raw, masculine sexuality. The film’s direction concerning the interaction of sexuality with religion is modified to line up with religious ideals and the film’s forced nebulousness on homosexuality changes the narrative’s overall portrayal of sexuality. The film is limited in its portrayal of women using their bodies to control men through sexuality. In the play, it is clear that Blanche wants to ‘make [Mitch] want [her],‘ not because Blanche...
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...in film and television stems from the idea that homosexuality is a perversion that must not be displayed publicly (“Homosexuality in Film”). To avoid total non-representation, characters are, instead, martyred. In many cases, which will be briefly explored in this essay, gay characters are victims of other people. In other cases, which will also be explored in this essay, gay characters experience a slow and torturous victimhood before ultimately taking their own lives or succumbing to some disease. The latter type of martyrdom in film and television can be more dangerous than the former because it normalizes the self-inflicted plight of the gay man. This sends a...
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...“Take It Like A Man” What do we get when we drop marginalized people, specifically homosexual men, into positions of social prominence? The answer, contradictory in its own right, is quite simple: martyrdom. The martyrdom of homosexual men in film and television stems from the idea that homosexuality is a perversion that must not be displayed publicly (“Homosexuality in Film”). To avoid total non-representation, characters are, instead, martyred. In many cases, which will be briefly explored in this essay, gay characters are victims of other people and are killed. In other cases, which will also be explored in this essay, gay characters experience a slow and torturous victimhood before ultimately taking their own lives or succumbing to some...
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...“Monster in the Closet:Homosexuality and the Horror Film” Harry M. Benshoff, the book examines the historical figure of the movie monster in connection to different medicinal, mental, religious and social models of homosexuality. Set in 1930’s Paris, starving musical vocalist Victoria (Julie Andrews) is supported by gay men club entertainer Toddy (Robert Preston). At the point when...
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...Out of the fourteen million HIV-positive patients documented worldwide, in 1993, two and a half million were diagnosed as AIDS cases. These statistics are tangible evidence that explain society’s fear and concern about the looming epidemic in the 1980’s and 1990’s that caused various stigmas and fostered so much discrimination. Jonathan Demme’s 1993 film Philadelphia explores the moral and ethical issues manifested by AIDS and its relation to homosexuality. This drama suggests AIDS was viewed as a crime against the self and society as a whole. The film depicts people who believed punishment was the only viable resolution for the promiscuous conduct associated with AIDS. These symbols were also discussed in Susan Sontag’ s essay “AIDS and its Metaphors.” After viewing Philadelphia in class, I thought it would be interesting to read the script in order to analyze the director’s notes and commentary. In studying Demme’s intentions for the scenes, I was able to better understand the language and relationships between the actors. I found many intriguing pieces of dialogue I had originally missed; for instance, Joe Miller is often seen in the background advertising his law firm with the line, “if you or someone you know has been injured through the fault of others, you may be entitled to legal remedy.” Andrew’s laughter after watching Miller’s commercial in the hospital is an ironic reaction to a statement that questions guilt or innocence among the ill. Joe essentially says that...
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...Allan Grey JQ Excelsior Williams’ A Streetcar Named Desire and Kazan’s film adaptation shared not only the same characters, but also the same themes, reactions and other literary techniques Williams had created throughout his play. However, for Elia Kazan to have produced the film, some scenes were eliminated or changed to fit what was known as the Hay’s Code. One of the scenes that was not so much vital to the play, was when Blanche DuBois explains to Mitch about her ex-husband. Allan Grey, Blanche’s ex husband, was found in bed with another man and by no other than his wife, Blanche herself. In the play both Blanche and Allan pretended that nothing happened after that night. Allan was probably being tortured and was already fragile as Blanche describes him, “There was something different about the boy, a nervousness, a softness and tenderness which wasn’t like a man’s, although he wasn’t the least bit effeminate looking- still- that thing was there…” (Williams 95). That along with a deadly silence put upon him was more than Allan could bare. After, one night, they all three went out and were conveniently drunk. In the middle of dancing at a casino, Blanche had brought up what had happened. She expressed herself about Allan’s doings and how she felt about them to him. Allan had then ran out on her and a bit after, a shot was heard. This was told to our readers towards the end of scene six of Williams play. Blanche had not taken into consideration the way Allan was feeling...
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...across from him and tells Oliver that throughout the many years of his parent’s marriage, his father has secretly been gay. Oliver’s father, Hal, has been living in secrecy for the entirety of his life, because homosexuality was not socially accepted when he was younger and later his marriage prevented him from being free. Hal, now that he is unbound, tells Oliver “I don’t want to be just theoretically gay, I want to do something about it” (Beginners, 2010). Confronted with this Oliver reflects on his life growing up with two parents that never seemed to be the way he thought they should have. Writer and director Mike Mills experienced precisely this, when his father, shortly after his mother died because of brain cancer in 1999, opened up to him about being gay throughout his entire life. At this point, Mills’ father was at the age of 75 years and had been married to his wife for 45 years. Five years later, his father died due to cancer of the lungs. Mills wanted to share this story with the world, because he was so baffled by the adventure that he had lived through, as well as the uplifting and humorous sides that go hand in hand with even such sad topics as death. “The concrete details of my father’s life, the real struggles, and all the real humor gave the film an authenticity that I hope will make it more powerful and more emotional for all kinds of people” (Mills, 02.2011, para. 2). While writing the movie, Mills tried to make sense of things that did...
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...A good leader should lead a society to prosperity, but if a leader fails, then a rebel rises. In a world where good and evil coexist, we presume that the leader is virtuous and those who oppose the leader are atrocious, but these films: “The Vikings”, “Becket”, “The Lion in Winter”, and “The Adventures of Robin Hood” beg to differ. The films cast the monarchs in a negative light by using different themes including social conflict, and conflict between state and central government. Social conflict is displayed all throughout the movies “Becket” and “The Lion in Winter” by characterizing the monarch King Henry II as being homosexual. In “Becket”, King Henry’s homosexuality is revealed in the scene which takes place after the family dinner when the king is drinking with his barons. A drunken King Henry then breaks down into tears and confesses his love for Beckett, his once loyal servant. Based on an article entitled “Never Having to Say You’re Sorry” by D. Desser and G. Studlar , Sigmund Freud’s Mechanism of Repression is mentioned, where when a traumatic experience occurs, the person tries to repress the memory. The memory is then stored in the person’s subconscious. Even though the person may not be able to remember the event, the emotions are still there. King Henry was homosexual and in love with Becket, and couldn’t accept that the man he loved so much betrayed him, thus he tried to repress his feelings. In front of his family he kept denying the part of himself that...
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...Bill Kraus, who was a homosexual man himself, stated in a Democratic platform that he only ask that the American government recognize that homosexual men are human as well. However, even though Kraus fought for the rights of the gay community, he too was on board with the idea of closing the bath houses. During the late 1970s to the mid 1980s, bathhouses were used by homosexual men to seek pleasure from other men. He did this to campaign for safe-sex and bring about an awareness that the bath houses were causing this disease to spread easier. Many people felt as though their rights to obtain pleasure however they see fit was being taken from them strictly on the basis of their homosexuality. This led to an increase in the gay rights movement across America. The LGBT movement began in 1924, but was not widely recognized until The Stonewall Riots of 1969; the incident that occurred shaped the gay right movement forever. On June 28, 1969, police raided a popular gay bar known as the Stonewall Inn and began...
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...The significant beginning of progressive inclusion of queer themes in film found its start in the 1940’s; not in the mainstream media but rather through low-tiered, independent filmmakers, such as 17-year-old Kenneth Anger, who created the homoerotic film ‘Fireworks’ (1947) in his parent’s home. The film stars Anger as he explores themes of homosexuality through a dream-like state of consciousness, using images and context with implications to the United State Navy and Fourth of July. Outside of those involved in the community, the film was labeled as “obscene” and “lewd” due to its themes and inevitably led to Anger’s arrest after it’s release, and a lawsuit filed against manager Raymond Rohauer of the Coronet Theatre (where ‘Fireworks’ was first screen). Despite the backlash of the film, it is claimed as one of the first to open the door to a new...
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... According to the American Psychological Association, the largest association of psychologists in the world, homosexuality is an enduring emotional, romantic and sexual attraction among people of the same gender. Homosexual is the general term referring to a person with homosexuality, however, usually used for a man sexually attracted to people of the same sex when lesbian is the term for a woman whose sexual orientation is expressed only towards women. Homosexuality, according to psychologists, psychiatrists and other mental health professionals, does not cause any illness, mental disorder or emotional problems. It has also been proved not to attach with mental disorders or emotional or social problems. In Vietnam, nowadays, homosexuality is no longer a rare phenomenon. However, it is not easy to notice homosexual people in Vietnam since most of them are trying to hide their homosexual orientation for fear of being discriminated. Many Vietnamese people have believed that homosexuality is no less than a disease. In their opinion, those with sexual feelings towards people of the same sex are abnormal, weird and degenerate. Some people even consider homosexuality as a social evil. The following contents will deal with four main parts to clarify if all those things are true about homosexuality: homosexuality throughout Vietnamese history; homosexuality in Vietnamese laws, arts, scientific researches and studies; the coming out of homosexuals...
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...heavy viewers do not have much tolerance for those with mental illnesses. In contrast to the stable image of mental illness, the representation of gay and lesbian characters became more positive and more normalised since the 1980’s. Earlier cultivation studies found that heavy viewers were more inclined to say that homosexuality was wrong. Calzo and Ward (2009) observed that males and religious students who were heavy viewers were more accepting of homosexuality. The opposite was the case for females and those who were less religious which resulted in a clear mainstreaming pattern. Riggle and Colleages (1996) carried out research on the attitudes of students after they watched a documentary about Harvey Milk, a renowned politician who was murdered in a hate crime. They found that the students had less prejudiced attitudes in the post-test after watching the film. Similarly, Mazur and EmmersSommers (2002) found individuals to have a greater acceptance of homosexuality after they watched a film about a non-traditional family with homosexual characters. Over the course of a week, German adolescents viewed talk show segments that featured discussions about homosexuality which resulted in more accepting attitudes than adolescents in the control group. Bonds-Raacke, Cady, Schlegel, Harris, and Firebaugh (2007) found that participants of these studies that prepared to evaluate a positive representation of a gay character later expressed a more accepting attitude towards gay men than...
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...My understanding of the cultural and contextual considerations of the novel was deepened through the interactive oral process and class discussion we had about psychological factors in prisoners and films influence on the characters. One interactive oral describes psychological factors found in prisoners such as depression, PTSD, phobias, anxiety issues and most importantly hallucinations. These factors are mostly caused by isolation from society, lack of purpose, lack of privacy and lack heterosexual personality. Some of these factors can be found in Molina and Valentin. For example, Molina and Valentin experience hallucinations because they are traumatized and hurt by isolation from the people they love. Since Valentin participated in a revolution...
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