...Cassius and Brutus. Both characters committed suicide in these scenes, but the way they each did it exposed their morals. Without the use of dramatic effect, the play would not have been as effective in developing its major concepts. Julius Caesar consistently provoked the question of whether fate or free will controls our lives. Ultimately the plot determined that fate and free will do not work individually, but in conjunction. In Act 5 Scene 3 after Cassius sends Titinius off to discover whose tents have been set on fire and Pindarus to watch uphill he declares,” This day I breathed first. Time is come round, / And where I did begin, there shall I end. / My life is run his compass.” (5.3.24-26). Cassius expresses that he will die on his birthday because his life has made a complete circle. Here the reader may infer that Cassius is just listening to his inner wisdom that he will die today. However, Cassius took it upon himself to ask Pindarus to stab him with his sword after being misinformed that Titinius has been captured by their opposing force. His actions are a complete contradiction because initially Cassius believed he was going to die because of his fate, but then committed suicide which is an act of free will. Cassius’ decision shows that he is a coward because he was too afraid to be killed the opposing army. In Act 5 Scene 5 Brutus asked his old friend Volumnius to assist him in his suicide by holding his sword so he can run directly into it. Brutus reveals...
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...play we must look deeper in to the roles of the only two women in the play; Calpurnia, wife of Caesar, and Portia, wife of Brutus. Both of these women are key in foreshadowing the murder of Caesar. After Caesar's murder we do not hear much of either of them. The main thing Caesar's wife, Calpurnia does in the play is tell Caesar to stay at home on the day of his murder because of many unnatural events that have taken place the night before and because she has had nightmares about his assassination. On the morning of the ides of march is the first time we meet Calpurnia, her entrance is act 2 scene one when she tells Caesar "You shall not stir out of your house today." Caesar decides he shall "forth" until Calpurnia tells him why he shouldn't go to the capitol today. Some of the reasons she included were: A lioness "whelped" in the streets. Graves opened and showed their dead people. Warriors of fire fought on the clouds and drizzled blood upon the capitol. Horses neighed and dead men groaned. Ghosts shrieked in the streets. She than showed her discomfort with these things by saying "O Caesar, these things are beyond all use, / and I do fear them." Caesar says these are just as much to him as to the world in general, but Calpurnia insists that when beggars die nothing happens, but when princes die the heavens are ablaze. Caesar says that cowards die many times before their death and death will come when it will come. Then Caesar asked a servant what the augurers say about...
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...“Ay, marry, was’t, and he put it by thrice, every time gentler than other; and at every putting-by, mine honest neighbors shouted.”(1.2.239-241) Casca exposes Caesar's private face as he tells Brutus and Cassius that although he denied the crown three times, it was obvious that he was doing it rather to sway the crowd than for himself. He did this to try and show that he was not greedy for power and did not care to be leader of Rome. However, the idea that each time was harder for him to give up his desire to be leader, uncovered his “private face”, and his true intentions. Caesar creates this bold and courageous reputation for himself in front of the Romans, which he continues to build on, eventually leading him to his death. One night, Calphurnia, Caesar's wife, is awoken after having a nightmare about his death. She vividly goes into detailing persuading Caesar to stay home, for she fears if he goes out he may die. “Mark Antony shall say I am not well,/And for thy humor I will stay at home.” (2.2.59-60) He comforts his wife by deciding he will stay home, for his own well-being. Soon after he makes up his mind about staying home,...
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...good orator, but not a good man lies beneath the speeches of Marcus Brutus and Marc Antony. In William Shakespeare's Julius Caesar, Caesar’s friends are faced by an equal amount of hatred from the Plebeians with the aftermath of respected Julius Caesar’s death. There is a great struggle for the title of the noblest Roman between Brutus and Antony to reveal the most powerful and honorable man. The speedy fight for power are exposed quickly from each side of these Roman figures. After the assassination of Caesar, both Antony and Brutus relay speeches at the funeral that contain a significant amount of rhetorical techniques to their audience....
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...him, and some even took down celebration decorations. Cassius was among those who were disapproving of Caesar, and he even plotted to kill him. For the success of his plot, Cassius acted as though Caesar’s death would be in Rome’s best interest, but he needs credibility, which is why he reached out to Brutus, a beloved and patriotic...
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...defeated Pompey’s forces and entered Rome, triumphant and unchallenged. * Upon his return, Caesar made himself dictator and absolute ruler of Rome and its territories. * In 44 B.C.E. Julius Caesar ordered the senate to make him dictator for life. (Caesar’s actions threatened to end the Republic once and for all. * Fearing this change, a group of senators plotted and executed the murder of Caesar on the Ides of March. * Although the senators succeeded in ending Caesar’s life, they did not realise at that time that the Republic had died with him. Rome would now become an empire. Power Although the biggest argument in Julius Caesar is the change of power in the rulers of Rome, Shakespeare tries to show us many different kinds of power and the use of it. As we can see during the play, people with power use power just for their convenience. During the first part of the play, Shakespeare introduces the characters and the situations. He makes us notice how powerful everyone is. Throughout the different meetings and the dialogues, we can feel the power of the personalities of some characters, which in the nearly future is going to make a difference. The rulers of Rome have so much power that they can control the freedom of the people as we can see when...
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...However, Decius Brutus is trying to be sly and insisting him to go or not he will let the others down. This shows that both Brutus and Calpurnia are trying to persuade him in a both positive and negative way; but it’s all up to Caesar to know if it’s great idea. Calpurnia is very frightened that a war might go on and Caesar might get hurt; therefore she’s insecure of letting him go to the Capitol because she has overheard other men talking about how it can get. For example, Calpurnia says, “The noise of battle hurtled in the air, Horses did neigh, and dying men did groan,” This is describing how those wars are like and what it can lead too. Her plan is too try to get Caesar not to go. On the contrary, Decius is doing the opposite he wants Caesar to attend the Capitol and tells him if he doesn’t go the people will be disappointed. This is important because, he is in two situations and both of them have their pros and cons. Furthermore he states that at the end if God’s choose he will die. Another essential point is that Calpurnia not just overheard from the men but also she seen horrible things happen when that starts. According to Calpurnia she states, “Recounts most horrid sights seen by the watch.” In addition she believes that if he goes that might happen to him. Nevertheless, Decius explains that if Caesar doesn’t go that that the mind might change of other and he will not become king. This is important because, he is putting the people against him and how they...
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... · Play genre · Tragic drama, historical drama language · English time and place written · 1599, in London date of first publication · Published in the First Folio of 1623, probably from the theater company’s official promptbook rather than from Shakespeare’s manuscript publisher · Edward Blount and William Jaggard headed the group of five men who undertook the publication of Shakespeare’s First Folio narrator · None climax · Cassius’s death (V.iii), upon ordering his servant, Pindarus, to stab him, marks the point at which it becomes clear that the murdered Caesar has been avenged, and that Cassius, Brutus, and the other conspirators have lost in their attempt to keep Rome a republic rather than an empire. Ironically, the conspirators’ defeat is not yet as certain as Cassius believes, but his death helps bring about defeat for his side. protagonists · Brutus and Cassius antagonists · Antony and Octavius setting (time) · 44 b.c. setting (place) · Ancient Rome, toward the end of the Roman republic point of view · The play sustains no single point of view; however, the audience acquires the most insight into Brutus’s mind over the course of the action falling action · Titinius’ realization that Cassius has died wrongly assuming defeat; Titinius’ suicide; Brutus’s discovery of the two corpses; the final struggle between Brutus’s men and the troops of Antony and Octavius; Brutus’s self-impalement on his sword upon recognizing that his side is doomed; the discovery...
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...Marcus Brutus: Noble Hero with a Tragic Fate In his influential work Poetica, the Greek philosopher Aristotle wrote “The aim of art is to represent not the outward appearance of things, but their inward significance.” According to his analytical studies of literature which this quote appears in, successful tragedies achieve that deeper effect by arousing internal sensations of pity and fear in their audience through intricate character development of a virtuous and respectable protagonist. However, even a seemingly ideal character requires relatable flaws for their audience to connect on an emotional level with them; thus, authors of tragedies also give their heroes a hamartia, which Aristotle defines as a weakness in character. This single...
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...in Rome. Caesar was made Dictator and Consol after he chased Pompey and his forces out of Rome in an attempt to obtain ultimate power. Caesar’s ultimate goal was to become Rome’s first king and he remained focus on this goal until his death in 44BC. His death was as a result of fate and his refusal to acknowledge the many signs and omens that foreshadowed his fall. Brutus a very good friend of Caesar also took part in his assassination. Brutus feared that Caesar would become a tyrant and harm the people of Rome. In an attempt to ‘save’ the people Brutus helped Cassius to take Caesar’s life. After Caesar’s death he is avenged by his loyal servant Antony who skillfully manipulates his way into the band of conspirators. Later, after winning the love of the people Antony pursues and conquers Brutus’ and Cassius’ forces. Refusing to be taken back to Rome in shame Brutus and Cassius kill themselves in a similar yet ‘completely’ different way. The play is not just a tragedy because of the death of numerous characters but also because of Brutus’ reasons for becoming apart of the conspiracy. It is the fact that Brutus falls because of his love for his country and its people that also make the play Julius...
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...Chapter II: literature of the renaissance (End of the 15th - beginning of the 17th century) In the 15th - 16th centuries capitalist relation began to develop in Europe. The former townspeople became the bourgeoisie. The bourgeoisie fought against feudalism because it held back the development of capitalism. The decay of feudalism and the development of capitalist relation were followed by a great rise in the cultural life of Europe. There was an attempt at creating a new culture which would be free from the limitation of the feudal ideology of the Middle Ages. The epoch was characterized by a thirst for knowledge and discoveries, by a powerful development of individuality. It was then that great geographical discoveries of Columbus, Magellan and other travelers as well as astronomical discoveries of Copernicus, Bruno, Galilei were made. The invention of the printing press (Fyodorov in Russia, Guttenberg in Germany, Caxton in England) contributed to the development of culture in all European countries. Universities stopped being citadels of religious learning and turned into centers of humanist study. There was a revival of interest in the ancient culture of Greece and Rome ("Renaissance" is French for "rebirth"). The study of the works of ancient philosophers, writers, and artists helped the people to widen their outlook, to know the world and man's nature. On the basis of both the ancient culture and the most progressive elements of the culture of the...
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...Home > Why Hamlet Delays His Revenge Why Hamlet Delays His Revenge (Excerpt from Quintessence of Dust: The Mystical Meaning of Hamlet) Kenneth Chan ... Hamlet is finally alone, and the stage is set for the soliloquy that gave rise to one of the most persistent mysteries in literature: Why does Hamlet delay his revenge? Hamlet Ay, so, God buy you. Now I am alone. Oh, what a rogue and peasant slave am I! Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his whole conceit1 That from her working all his visage wanned, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing! For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do Had he the motive and the cue for passion That I have? He would drown the stage with tears, And cleave the general ear with horrid speech, Make mad the guilty and appal the free,2 Confound the ignorant, and amaze indeed The very faculties of eyes and ears. Yet I, A dull and muddy-mettled3 rascal, peak Like John-a-dreams,4 unpregnant5 of my cause, And can say nothing--no, not for a king, Upon whose property and most dear life A damned defeat was made. Am I a coward? Who calls me a villain, breaks my pate across, Plucks off my beard and blows it in my face, Tweaks me by the nose, gives me the lie i'th'throat As deep as to the lungs? Who does me this? Ha, 'swounds, I should take...
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...CATCHING FIRE The Hunger Games Book 2 Suzanne Collins Table of Contents PART 1 – THE SPARK Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 PART 2 – THE QUELL Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Chapter 17 Chapter 18 PART 3 – THE ENEMY Chapter 19 Chapter 20 Chapter 21 Chapter 22 Chapter 23 Chapter 24 Chapter 25 Chapter 26 Chapter 27 PART I “THE SPARK” I clasp the flask between my hands even though the warmth from the tea has long since leached into the frozen air. My muscles are clenched tight against the cold. If a pack of wild dogs were to appear at this moment, the odds of scaling a tree before they attacked are not in my favor. I should get up, move around, and work the stiffness from my limbs. But instead I sit, as motionless as the rock beneath me, while the dawn begins to lighten the woods. I can't fight the sun. I can only watch helplessly as it drags me into a day that I've been dreading for months. By noon they will all be at my new house in the Victor's Village. The reporters, the camera crews, even Effie Trinket, my old escort, will have made their way to District 12 from the Capitol. I wonder if Effie will still be wearing that silly pink wig, or if she'll be sporting some other unnatural color especially for the Victory Tour. There will be others waiting, too. A staff to cater to my every need on the long train trip. A prep team to beautify me for public appearances...
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...CATCHING FIRE The Hunger Games Book 2 Suzanne Collins Table of Contents PART 1 – THE SPARK Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 PART 2 – THE QUELL Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Chapter 17 Chapter 18 PART 3 – THE ENEMY Chapter 19 Chapter 20 Chapter 21 Chapter 22 Chapter 23 Chapter 24 Chapter 25 Chapter 26 Chapter 27 PART I “THE SPARK” I clasp the flask between my hands even though the warmth from the tea has long since leached into the frozen air. My muscles are clenched tight against the cold. If a pack of wild dogs were to appear at this moment, the odds of scaling a tree before they attacked are not in my favor. I should get up, move around, and work the stiffness from my limbs. But instead I sit, as motionless as the rock beneath me, while the dawn begins to lighten the woods. I can't fight the sun. I can only watch helplessly as it drags me into a day that I've been dreading for months. By noon they will all be at my new house in the Victor's Village. The reporters, the camera crews, even Effie Trinket, my old escort, will have made their way to District 12 from the Capitol. I wonder if Effie will still be wearing that silly pink wig, or if she'll be sporting some other unnatural color especially for the Victory Tour. There will be others waiting, too. A staff to cater to my every need on the long train trip. A prep team to beautify me for public appearances....
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...The Hacker’s Underground Handbook Learn What it Takes to Crack Even the Most Secure Systems By: David Melnichuk http://www.learn-how-to-hack.net http://www.MrCracker.com 1 Copyright Notice This report may not be copied or reproduced unless specific permissions have been personally given to you by the author David Melnichuk. Any unauthorized use, distributing, reproducing is strictly prohibited. Liability Disclaimer The information provided in this eBook is to be used for educational purposes only. The eBook creator is in no way responsible for any misuse of the information provided. All of the information in this eBook is meant to help the reader develop a hacker defense attitude in order to prevent the attacks discussed. In no way should you use the information to cause any kind of damage directly or indirectly. The word “Hack” or “Hacking” in this eBook should be regarded as “Ethical Hack” or “Ethical hacking” respectively. You implement the information given at your own risk. © Copyright 2008 Learn-How-To-Hack.net. All Rights Reserved. 2 Table of Contents A. Introduction..............................................................................................5 1. How can I use this eBook? 2. What is a hacker 3. Hacker Hierarchy 4. What does it take to become a hacker? 5. Disclaimer B. Programming............................................................................................9 1. Do I really need it? 2. Where should I...
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