...“There are many different voices created by McEwan in ‘Atonement’. The language a character uses can tell us more about their personality than can be demonstrated in other ways.” How far and in what ways does your chosen passage from ‘Atonement’ support this assertion? (pages 50-52) In Ian McEwan’s novel ‘Atonement’, each character has been given a different style of language and voicing, which gives the reader a more in depth understanding of the character traits, allowing a larger window for empathy throughout the novel. McEwan has woven in different language features to help us grasp the character and to assist our understanding of the key events in the novel. When listening to Paul Marshall, Cecilia becomes unobservant and her thoughts trail off. She begins to assess his suitability to wed her, thinking of marrying Paul Marshall gives Cecilia a “pleasant sinking sensation”, the sibilance used here adds to the seductive voice Cecilia possesses in the first section of the novel, as we discover later in part one she is a sexual character; her relationship with Robbie is formed by sexual misunderstandings and experimentation. She depicts a marriage to Paul Marshall as being “deliciously self-destructive” and “almost erotic”. McEwan has quickly given us crucial information about Cecilia through use of voice, allowing the reader to understand Cecilia’s naïve attitude towards sex; using sexual language to describe a man “so unfathomably stupid”. As Cecilia’s mind continues to...
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