...Blurred Morality in “A Farewell to Arms” by Ernest Hemingway and TS Eliot’s “Wasteland” Morality, as defined by Microsoft word, are principles concerning the distinction between right and wrong or good and bad behavior. Mortality, or the state of being subject to death, is also something most people see as straight forward. These definitions and most people’s general knowledge would make it seem as all decisions are either right or wrong and all behavior is good or bad but both “A Farewell to Arms” by Ernest Hemingway and “Wasteland” by TS Eliot blur these defined lines. Ernest Hemingway uses a combination of detached prose, random changes from first to second person viewpoint and from the events taking place to keep the reader from questioning the morality of his actions. Henry’s relationship with Catherine is what initially causes his morality to be called into doubt. The loss of Catherine’s fiancé makes her desperate for some type of love again which leads to the first questionable moral act by Henry. After just their first few meetings Catherine asks, “You did say you loved me, didn’t you?” Henry replies “yes” but follows it by thinking “I knew I did not love Catherine Barkley nor had any idea of loving her. This was a game, like bridge, in which you said things instead of playing cards.” (Hemingway, 30) Whether he was unsure of his true feelings or they changed rapidly is unknown but within just a few short chapters any free time he has while away from Catherine...
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...for my targeted audience. The purpose of the story is to elicit an emotional repose as a warning of loss and devastation that evolving new technology and war could bring towards people. The audience is targeted towards young adults due to strong conflict and ideas of war. However, the story also hopes for people to consider change to war, especially with the dangers of new developing technology which reflects the idea about the use of technology during the 1920’s, which Fitzgerald comments on throughout his book The Great Gatsby. Through the initial planning of the story the concept was to expose the effects of war on people. I took inspiration through the people impacted by the Hiroshima bombings during WWII, which is represented by the bombing which turning the town into a desolate wasteland, by reading firsthand accounts of the bombings. This helped me create my initial concept, which focused of the long-lasting effects of war, like cancer,...
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...THEOLOGICAL BOOK CRITIQUE: GOD IN THE WASTELAND A Theological Book Critique Submitted in Partial Fulfillment Of the Requirements for the Course Systematic Theology I - THEO 525 By Chad Stafford ID# 22235852 28 September 2008 TABLE OF CONTENTS Introduction Brief Summary Capitulation Keys to reformation Critical Interaction Jesus and McGuire Modernization Displacement of God Loss of God’s transcendence and holiness Loss of God’s authority Moral Irrelevance Regaining our voice Conclusion 1 1 2 2 3 3 3 5 6 7 9 9 10 ii. Introduction God in the Wasteland: The Reality of Truth in a World of Fading Dreams is authored by David F. Wells, a distinguished seminary professor and theologian at Gordon-Conwell Seminary in South Hamilton, Massachusetts. No Place for Truth was his first significant treatise on the subject of evangelicalism’s theological corruption which grabbed the attention of the evangelical community. God in the Wasteland is a continuation and his second treatment of the subject, in a four-volume series, where the author seeks to further define the origins and problems of evangelicalism’s theological compromise while proposing solutions like radical resistance to modernity and restoration of God-centeredness as central to regaining ground that has been lost to modernity within the church. In this critique I will seek to primarily interact with Wells assessment of evangelicalism’s compromised condition, and secondarily, I will respond to his proposed cures for...
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...self-knowledge 2. Nice to Eat With You: Acts of Communion a. Whenever people eat or drink together, it’s communion b. Not usually religious c. An act of sharing and peace d. A failed meal carries negative connotations 3. Nice to Eat You: Acts of Vampires a. Literal Vampirism: Nasty old man, attractive but evil, violates a young woman, leaves his mark, takes her innocence b. Sexual implications—a trait of 19th century literature to address sex indirectly c. Symbolic Vampirism: selfishness, exploitation, refusal to respect the autonomy of other people, using people to get what we want, placing our desires, particularly ugly ones, above the needs of another. 4. If It’s Square, It’s a Sonnet 5. Now, Where Have I Seen Her Before? a. There is no such thing as a wholly original work of literature—stories grow out of other stories, poems out of other poems. b. There is only one story—of humanity and human nature, endlessly repeated c. “Intertexuality”—recognizing the connections between one story and another deepens our appreciation and experience, brings multiple layers of meaning to the text, which we may not be conscious of. The more consciously aware we are, the more alive the text becomes to us. d. If you don’t recognize the correspondences, it’s ok. If a story is no good, being based on Hamlet won’t save it. 6. When in Doubt, It’s from Shakespeare… a. Writers use what is common in a culture as a kind of shorthand. Shakespeare...
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...Jo tells Nick that Tom has been having an affair with Myrtle Wilson, a woman who lives in the valley of ashes, an industrial wasteland outside of New York City. After visiting Tom and Daisy, Nick goes home to West Egg; there, he sees Gatsby gazing at a mysterious green light across the bay. Gatsby stretches his arms out toward the light, as though to catch and hold it. Tom Buchanan takes Nick into New York, and on the way they stop at the garage owned by George Wilson. Wilson is the husband of Myrtle, with whom Tom has been having an affair. Tom tells Myrtle to join them later in the city. Nearby, on an enormous billboard, a pair of bespectacled blue eyes stares down at the barren landscape. These eyes once served as an advertisement; now, they brood over all that occurs in the valley of ashes. In the city, Tom takes Nick and Myrtle to the apartment in Morningside Heights at which he maintains his affair. There, they have a lurid party with Myrtle's sister, Catherine, and an abrasive couple named McKee. They gossip about Gatsby; Catherine says that he is somehow related to Kaiser Wilhelm, the much-despised ruler of Germany during World War I. The more she drinks, the more aggressive Myrtle becomes; she begins taunting Tom about Daisy, and he reacts by breaking her nose. The party, unsurprisingly, comes to an abrupt end. Nick Carraway attends a party at Gatsby's mansion, where he runs into Jordan Baker. At the party, few of the attendees know Gatsby; even fewer were...
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...Trusting someone new can be difficult depending on the circumstances of the meeting. Throughout Cormac McCarthy's The Road, a father fights to see his son survive in a post-apocalyptic world. Although he is unsure of his own chances of survival, and does not think they are particularly strong, the father does his best to hide his fears from his son. The father's love for his son and his desire to protect him outweigh his own fear of their bleak situation. However, as the two face more obstacles to their path, the man becomes increasingly less trusting of the fellow survivors they encounter. Furthermore, the challenges they face forces him to question their likelihood of survival. Cormac McCarthy determines that intense situations can impair...
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...I weaved a web of lies, creating a persona of the rich, successful Jay Gatsby that she wanted me to be. I became old money. I crafted the persona and the background because I had thought and believed that it was the only way to win Daisy back. I wanted it in every way to have it become true. By changing my name and by creating this character , I was trying to become this ultimate being with Daisy being my ultimate prize. I was never able to claim that prize, even yesterday with all the events that I had thought to have gone in my favor. With that day gone, any chance of being with Daisy were gone. Why did I do that? Why did I have so much faith in her? It must have been misplaced this whole time. My quest for Daisy, my spiritual quest is...
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...The father’s absence triggers Tom to struggle with finding a place in society, to live in a world “which is a wasteland and a prison house, a world of constrictions and confinements filled with artificial objects that are corroding or turning into junk,” ( Williams 363). Tom’s admiration for his father and comparisons from his mother drive him to abandon his family. His father’s absence leads his mother to use Tom as a financial replacement causing pressure and unhappiness in his life. He idolizes the picture of his father wearing a soldier’s uniform on the picture in the living room causing him to idealize the idea of war and to equate World War II with his chance to escape and for adventure. Tom fell victim to his pure admiration of his father, following in his father’s footsteps in an attempt to escape the hardships that were ultimately triggered from his father’s...
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...work. The Decline of the American Dream in the 1920s On the surface, The Great Gatsby is a story of the thwarted love between a man and a woman. The main theme of the novel, however, encompasses a much larger, less romantic scope. Though all of its action takes place over a mere few months during the summer of 1922 and is set in a circumscribed geographical area in the vicinity of Long Island, New York, The Great Gatsby is a highly symbolic meditation on 1920s America as a whole, in particular the disintegration of the American dream in an era of unprecedented prosperity and material excess. Fitzgerald portrays the 1920s as an era of decayed social and moral values, evidenced in its overarching cynicism, greed, and empty pursuit of pleasure. The reckless jubilance that led to decadent parties and wild jazz music—epitomized in The Great Gatsby by the opulent parties that Gatsby throws every Saturday night—resulted ultimately in the corruption of the American dream, as the unrestrained desire for money and pleasure surpassed more noble goals. When World War I ended in 1918, the generation of young Americans who had fought the war became intensely disillusioned, as the brutal carnage that they had just faced made the Victorian social morality of early-twentieth-century America seem like stuffy, empty hypocrisy. The dizzying rise of the stock market in the aftermath of the war led to a sudden, sustained increase in the national wealth and a newfound materialism, as people began to spend...
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...Experiment in Modernist Fiction Modernism is a current which defines everything that is new in matters of art, literature or music. The main focus of our interest is modernist literature which is a subdivision of modernism and begins during the early stages of the 20th century, being seen in opposition to the traditional values promoted until the first World War. Many branches develop during this period (psychology, philosophy, political institutions etc.) and the realism of the earlier times is now rejected and replaced by the idea that everything is relative. Things take a new shift and the absolute truths vanish, leaving room for multiple interpretations and personalized opinions which are presented now, in writing. But how can one define something that has no clear conclusion? An element of this sort cannot have a finality, therefore, it is understood according to one’s personal background and experience. Modernist literature will always raise serious issues concerning the purpose and form of literature, questioning its former aspects. What are the reasons for writing a novel and what should a novel consist of? For example, the notion of “novel” becomes ambiguous in the mind of Virginia Woolf, who declared after writing “Mrs. Dalloway” that “I’m glad to be quit this time of writing a novel, and hope never to be accused of it again.” Next to Virginia Woolf which is believed to be one of the greatest modern authors, the faithful readers come across names like James Joyce...
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...Independent Study Novel Sarah Driedger The Droughtlanders Part A 1. Carrie Mac is an award winning author who wrote the Droughtlanders series. Carrie is a writer, storyteller and an artist. She’s written countless books, many that are award winning her very first book ‘The Beckoners’ won the Arthur Ellis YA Award, is a CLA Honour book, and is being adapted for film. Carrie is able to hold the interest of many teenagers with her griping novels. 2) The novel ‘The Droughtlanders’ is set in a futuristic world where disease and death are kept outside city walls and is spread by the Droughtlanders- people who try to survive on the parched land between the keys. The characters in the novel want to destroy the keys so that all the Droughtlanders may have a chance at living without the fear of death. The main issues the characters face in this story are the erupt changes of lifestyle that they must undergo in order to survive. Also they seek approval from their family this proves to be an issue when nothing they do makes them happy so they push themselves to their limit and at the same time uncovering new traits about themselves. 3. Character | Physical Description | Psychological Description | Motivation | Static or Dynamic + Proof | Eli | He is the smaller twin of Seth but becomes more physically fit as he works in the circus with the Droughtlanders. Tan skin, darker hair then Seth. | He is very timid and shy. Very wimpy. But after escaping to the Droughtland, Eli...
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...Question Bank in Social Science (History) Class-IX (Term-II) 5 PASTORALISTS IN THE MODERN WORLD CONCEPTS NOMADISM AS A WAY OF LIFE The Mountain Nomads The Gujjar Bakarwals of Jammu and Kashmir — They are pastoral nomads who move in groups called ‘Kafila’. Their movements are governed by the cold and snow. In winters when the high mountains are covered with snow these Gujjars move down to the low hills of the Sivalik range. On the onset of summer, when the snow melts and the mountains become lush and green, these pastoralists move back to the mountains. The Gaddi Shepherds of Himachal Pradesh have a similar cycle of movement. They also spend the winter on the low Sivalik hills and the summers in Lahul and Spiti. The Gujjar cattle herders of Kumaon and Garhwal spend their summers in the ‘bugyals’ and their winters in the ‘bhabar’. The Bhotias, Sherpas and Kinnauri follow the cyclic movement which helps them to adjust to seasonal changes and make best use of pastures. On the plateaus, plains and deserts — The Dhangars of Maharashtra : The Dhangars stay in the central plateau of Maharashtra during the monsoon. This is a semi-arid region. By October they begin their movement towards Konkan. Here their cattle help to manure the fields and hence they are welcomed by the Konkani peasant. As soon as the monsoon sets in, they retreat back to the semi-arid land of Maharashtra. The Gollas who herd cattle and the Kurumas and Kurubas who reared sheep and goat are ...
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...have dismantled the republic, liquidated the opposition and replaced out present political system with a quasi-military infrastructure,” (Kendall 149). Atwood brings up such issues as money, a predominantly male government, the environment, and the value of a woman’s body throughout the text in an effort to bring to light some of the typical controversies of present time. “Yet the book just does not tell me what there is in our present mores that I ought to watch out for unless I want the United States of America to become a slave state something like the Republic of Gilead whose outlines are here sketched out,” (McCarthy 150). Atwood makes her warnings clear through the Tale she has written. Atwood uses a common middle class woman, in an effort to sympathize with the majority of women in the United States, also known as Offred, to paint the picture of the futuristic, or dare I say historical, times. “[Offred] is simply a warm, intelligent, ordinary woman who had taken for granted the freedoms she was to lose—the freedom to love, the freedom to work, the freedom to have access to knowledge,” (Johnson 149). All of us take these things for granted as we meander day to day. As we had our eyes opened as a nation with the events of September 11, we were cocky with a sense of power and security unable to be penetrated. Is this what Atwood is saying about women? Are we, as women, breaking...
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...presentations, a fellow panelist was astonished that I didn’t deploy it. My research on native New England whaling history made me more globally comparative, but it also forced a reckoning that many places experienced colonialism without an influx of foreign settlers. As scholars parse settler colonialism into its multiple manifestations, colonialism itself remains undifferentiated. One of settler colonialism’s leading theorists, Lorenzo Veracini, juxtaposes the two completely. “Colonialism and settler colonialism are not merely different, they are in some ways antithetical formations,” he wrote in the 2011 founding issue of the journal Settler Colonial Studies. For Veracini, “colonialism” apparently refers to the late 19th-century European scrambles for Africa and Asia—in popular imagery, plantation colonies where members of a white ruling class dressed in white linen lounge on the edge of a cricket field, sipping cocktails served up by dark-skinned natives. Indeed, most of the literature on colonialism explores the history of the plantation colonies of that era. Instead of casting colonialism and settler colonialism as antithetical categories, however, settler colonialism could be considered one variant of colonialism. In that case, what are colonialism’s other forms? There seem to be many. Taking my cue from settler colonial studies, I have made a list of colonialisms distinguished mainly by colonizers’ motivations. I define colonialism as foreign intrusion or domination...
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...Characters: The man (the father, called Papa) travels the road with his young son. He believes he has been appointed by God to protect the boy, and he does so at all costs, even killing another human being in order to save his son. Unlike his son, the man remains deeply suspicious and even paranoid of other individuals and their intentions, understandably. He is loath to approach other travelers on the road to offer them assistance, while the boy often wishes that he would. The man grows sicker throughout the novel, and his illness is manifested in his persistent cough and bloody spit. At the end of The Road, the man dies next to a stream in a clearing in the woods. The boy is born into the post-apocalyptic world. He knows nothing about the world before the catastrophe. He travels the road with his father and believes that he and his father are the "good guys" who carry the fire. In various encounters with other travelers on the road, the boy continually displays his faith in humanity and his humbling trust in others. Despite their near brushes with brutal violence and death, the boy consistently pleads with his father to help others in need. After his father's death, the boy is rescued by a family of people who assert that they are also the good guys. The wife of the man who is the protagonist has already died, and her situation is only described in flashbacks. She chose to avoid rape and murder, which she believed were inevitable, by committing suicide. She used a...
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