...A Doll’s House – Being More Than Just A Doll June 15, 2015 Dr. Ozichi Alimole A Doll’s House – Being More Than Just A Doll In A Doll’s House, Ibsen uses many literary conventions such as realism and symbolism to convey his message about marital inequality and the rights of individuals. His play is powerful, requiring imagination on the part of both the author and reader to experience wholly. Additionally he very effectively shows the conservative way in which women were treated and expected to behave, as well as the consequences for standing alone or taking action. In addition to feeling that Mr. Ibsen’s depiction of marriage in 1870’s Norway was likely very relatable for women I also agreed with a description of A Doll’s House in his biography where it says: This 1879 play set tongues a-wagging throughout Europe for exploration of Nora's struggle with the traditional roles of wife and mother and her own need for self-exploration. Once again, Ibsen had questioned the accepted social practices of the times, surprising his audiences and stirring up debate. (“Ibsen,” n.d., para. 9) He uses realism in delivering his ideas as evidenced by the fact that there are limited numbers of similes and a dearth of flowery language, and in capturing a subject that is accepted as an every day norm ("Realism," n.d., para. 4). The effect this has is to cast a fairly strict tone, one free from enhancement with a very matter of fact representation. The strong social criticism issued...
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...strangeness between the name of the title character and her name in the play. In the play Hedda is Tesman's wife, but the title suggests that she is the independent daughter of the late General Gabler. Thus, Ibsen introduces the reader to this difficult character before the curtain is drawn. We instantly ask the question: why is the title "Hedda Gabler" and not "Hedda Tesman"? Perhaps Ibsen is suggesting Hedda's independence from her present situation, the situation in which she is introduced. We are drawn into speculation over Hedda's past life, the life of Hedda Gabler. Ibsen's play is rich in random glimpses into Hedda's past. Hedda is the product of upper-class birth. She is, as I mentioned earlier, the daughter of General Gabler, whose portrait hangs over this play. And in case we have looked over the significance of the portrait in the stage directions or have overlooked it as an audience member, Miss Tesman pins our attention to it and the reality of Hedda's upper-class life: "Well, you cant's wonder at that--General Gabler's daughter! Think of the sort of life she was accustomed to in her father's time. Don't you remember how we used to see her riding down the road along with the General? In that long black habit--with feathers in her hat?" (Ibsen 2). Her upper-class birth and her past is contrasted by her choice of a husband who has neither noble blood nor lots of money. We are told that this motherless child of an upper-class general often gave...
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...examples Literature – Henrik Ibsen Abstract: In this essay, Ibsen’s plays, The Wild Duck, and Ghosts are considered in relation to themes of illusions and realities. In both plays, families are held together by illusions, yet torn apart by truths that have been concealed to protect the children. Ibsen’s use of artistic realism is an ironic art form where illusions and realisms are contradicted to reveal the deeper conflicts of ordinary lives. Ibsen presents the complicated realities of ordinary lives and emphasizes the fact that there are always many realities -- just as there are many illusions. Title: Illusions and Realities in Ibsen’s Plays The Wild Duck and Ghosts Introduction In Ibsen’s The Wild Duck, illusions and reality are set into a conflict within the story of a son’s personal desire to confront idealism. Throughout much of the play, the son, Greger, argues the value of truth with the reluctant Dr. Relling. Relling insists on the importance of illusions, but fails to discourage Greger’s intentions and a play that begins as a comedy quickly turns into a tragedy because of these conflicts. At the heart of the illusions in this play are the ways that people assume many roles in a family, impersonating multiple ideals as ways for managing their relationships. This theme of impersonation is also developed in Ibsen’s Ghosts, where family relations are slowly undone as the illusions and deceptions are stripped away. In both plays, deceptions are...
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...women were treated during the Victorian era. I feel that the main idea of the author Ibsen’s work is all about metaphor that he uses in this drama The Doll’s House. In the begging Nora follows her childlike or housewife role that she plays. After sometime Nora speaks to Torvalds and realizes that he feels that Nora should only be the housewife and mother of his children. She should not be able to know or find out who she is as a person. Nora goes from a very immature person or just went along with what she was told to a very dependent, and very self-sufficient person. She now shows the idealized “doll” role of a woman but also keeps away from the limitations and social constraints of that time period. In the beginning of this drama Nora is a house wife and very childish person that she feels she needs to be. Growing up she had a father that was very dominant. She then married Torvalds who was also very dominant towards Nora. With the way Torvalds was it showed Nora’s Physical growth but her immaturity and emotional dependence hasn’t changed of a small child. For example, While Nora puts up the Christmas decoration, the audience realizes the “Her childishness creates her charm, her danger, and her destiny” (Salome). She not only accepts her nicknames of squirrel and skylark, but she also plays along with Helmer, replying “and the pretty little sky-lark would sing all day long...”(Ibsen), I feel that even though she was able to...
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...Is Anything Really as it Seems Marion Graham Eng 125 Dr. Dolores Kiesler February 18, 2013 Is Anything Really as it Seems “A Doll’s House” is a play where nothing is as it seems; the play written by Henrik Ibsen was an extremely controversial play in that time. Many thought that Ibsen wrote as part of a feminist movement but when asked about this, Ibsen said that this wasn’t so he meant it to be about humanism. He saw it as, every person has the right to be who they wanted to be no matter what their gender was. In “A Doll’s House” everyone is keeping some kind of secret from some other character, that is till the very end where everything comes out and it causes hard feelings between some characters and some to come together. “A Doll’s House” is set during the holiday season. The Helmer is in the midst of getting ready for the Christmas season, buying presents and Christmas trees. Christmas and New Year’s celebrate the birth of Jesus and the renewal of the New Year. This is symbolic of the rebirth that the characters go through during the course of the play. Nora is awakened and brought to a realization that her marriage is in some ways, what one might call a sham. She realizes that to her husband she is not another person, not really. She is seen as most women at that time were as a second rate human being, somebody to satisfy man and take care of his needs, as well as help him in reproducing more human beings. She is unable to be her own person as long...
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...A Doll's House's Symbolism A Doll’s House by Henrik Ibsen was written in the late 1800’s and uses symbolism to get the writer’s ideas and descriptions across to the reader in greater detail. We will examine four of the writer’s uses of symbolism. The first is actually the title of the play and sets the stage for everything that transpires in the play. The second symbol is the Christmas tree that is brought into the first scene by Nora. The third use of symbolism that Ibsen uses is the macaroons that are only introduced in the first scene. Finally, the Tarantella can be interpreted as one of the most symbolic parts of the whole play. The title of Henrik Ibsen’s play, “A Doll’s House,” is symbolic in itself. The doll in the play would be Nora. Nora is in a mindless role of a plaything that first belongs to her father and then to Torvald. Nora play’s her part in the life but secretly wants more and is constantly reminded of how little control over her own life she has. An example of this is that after 8 years of marriage and three children, Torvald Helmer wags his finger at Nora and asks “Hasn’t Miss Sweet-Tooth been breaking the rules in town today ?” (Ibsen, 1897, p.)_Torvald speaks to Nora as a parent would speak to child in a condescending tone throughout the play. The title “A Doll’s House” is an ironic metaphor for what could be considered as more of a prison than a home for Nora who is really not expected to ever make decisions for herself or think for herself. In the...
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...English 102 How A Doll Became A Master Henrik Ibsen, author of A Dollhouse, creates a play that reflects a woman, named Nora, who when faced with certain difficulties decides to choose a path according to her own particular fulfillment in life. Nora is determined to venture upon a journey at the end of the play with a sole purpose of finding her true identity and meaning in the world. Ibsen illustrates what appears to be a typical marriage of love and loyalty during a time when women were restricted from certain actions and tasks. This marriage between Nora and Torvald Helmer, appeared on the surface to be quite normal, but beneath the surface lingered deceit and self-fulfillment thus providing Nora with the personal growth required to become an independent adult. Nora possesses a conscious where individuality and independence lie dormant, and as a result of a three day experience that stemmed from a secret business loan, her conscious is provided with the ability to flourish. Nora’s childish demeanor, naiveness and inexperience in life is clearly represented early in the play, but as the story unfolds, Nora evolves and becomes an individual adult due to the problems which include the secret business loan, as well as the realistic lessons and impact Krogstad, Mrs. Linde, and Dr. Rank unknowingly contribute in her life. The business loan Nora acquired from Krogstad, behind Torvald’s back, and the threats he made upon her is the beginning of her evolvement to becoming...
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...In the play, “A Doll’s House”, by Henrik Ibsen, the drama deals with the underlying issue of parental obligation and its effect on the lives of the children involved. The play was written in 1879, during a time where it was believed by society that a mother should stay home and take care of the children, while the father provided for the family but had little or no responsibility at home. Although the story is centered around the unhappy, controlled life of Nora, who chooses to leave her family and her role as a mother in order to find herself, her concealed problems stem from her father. Nora’s husband, Torvald, hints at the true issues with fatherhood when he states, “It seems most commonly to be the mother’s influence, though naturally a...
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...tiresome you are.’ The main thing is that people should understand this. When they do, they will surely create a new and better life for themselves”. Realistic playwrights stood on the shoulders of the giants of theatre who preceded them by continuing to look at their times and people, but shattered new earth by asking audiences to look in to themselves. Realism is theatre in which people move and talk in a similar manner to that of our everyday behavior. The style has been dominant for the last 120 years. It holds the idea of the stage as an environment, and not just an acting platform. Some of the ideas flourishing in realism’s formative years were Charles Darwin’s Origin of Species and Karl Marx’s Communist Manifesto. Both of these works profoundly impacted the intelligentsia. They called into question the foundations on which the people of the world had built their truths. Marx, especially, can be seen as an important figure of the realistic movement as he sought to awaken the working class to the squalor of their condition and the power that they possessed to lift themselves from that condition. As the world began to awaken to new ideas, playwrights began to look for a new way to ask the question. As British philosopher Bertrand Russell once said “The greatest challenge to any thinker is stating the problem in a way that will allow for an answer.” Thus, the art of realism...
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...Reflection Paper and Fiction: Drama 1 Reflection Paper and Fiction: Drama A Doll’s House by: Henrik Ibsen Judy Headlee August 10, 2014 ENG/125 Literature in Society Natasha Whitton Reflection Paper and Fiction: Drama 2 This play was written in a time when it was considered outrageous for a woman to leave her husband to gain her freedom as well as show she had a mind of her own. That is just what Nora does in the end. Nora was breaking the way women were supposed to behave to show she could take care of herself and her family. Henrik Ibsen wrote this play in 1879. It was considered one of his more realistic problem plays. At the time women were not really allowed to think for themselves or go against their husbands. Nora does both by fixing a problem that arises without the assistance of her husband. Nora has found a way to help her husband overcome a situation that is taking a toll on his health. She does so without the help of Torvald or her father. She did not go to her father because he is dying and she does not want to make his life seem less important than that of her husbands. When the play first begins the audience seems to think Nora and Torvald have a great marriage and they love each other. They seem to be a happy couple. Torvald speaks to his wife in a demeaning way but she does not seem to mind. So they go on with the charade of a happy couple who love each other. In a way Nora does love her husband just as...
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...Explore the ways in which Ibsen presents romantic relationships in the play “A Doll’s House,” and how this affects your understanding of the play. Compare the ways in which romantic relationships are presented by Wilde in the novel “The Picture of Dorian Gray,” and by Ibsen in the play “A Doll’s House,” in light of the opinion that “all Victorian romantic relationships were superficial.” There are strong arguments that suggest that all Victorian romantic relationships were superficial in numerous ways, as presented by Ibsen in the play “A Doll’s House,” and Wilde in the novel “The Picture of Dorian Gray.” In Ibsen’s play, all relationships are tainted by the theme of superficiality via the stereotypical roles of the sexes and appearances. In Wilde’s novel, superficiality is similarly portrayed through appearances and art, however more through physical aesthetics, rather than social appearances. A strong example of this idea is the marriage between Nora and Torvald in “A Doll’s House.” A major theme that runs throughout the play, is the idea of performance in marriage. Both Nora and Torvald put on a facade, to present themselves as an ideal husband/wife. One example is Torvald’s shallow role as a stereotypical male following the revelation of Nora’s secret; that she withdrew a loan from Krogstad in order to pay for a trip to heal Torvald’s illness. At the initial exposé he exclaims “you have ruined all my future,” establishing himself as the dominant man, as this expression is...
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...Culture Conveyed Through Pastor Manders Ghosts by Henrik Ibsen is a very culturally centered play that takes place during the 1880’s in Norway when Lutheranism was the dominant religion. The culture and religion is evident in many aspects of Ghosts, but is shown mostly through Pastor Manders who helps guide the Aving family through their troubling times. Ibsen was able to easily relate the culture, morals and situations in his play to the culture he lived in because it was during his life (March 20, 1828 to May 23, 1906) - he published Ghosts in December, 1881. Although Ghosts was not the most adored or coveted play to see, it was probably the most infamous among all of Norway; and so Ibsen accomplished what he set out to do when he originally started writing Ghosts. He saw the evil and corruption of society in Norway and spoke out against it through his writing. His play was criticized for being “a loathsome sore unbandaged; a dirty act done in public,” by the Daily Telegraph (and many others) and Ibsen’s criticisms weren’t much better, such as when the king of Sweden and Norway said that his play was not a good play. He exposed social problems that had been considered a sin to talk about. This created problems since theatre at this time was centered on promoting strict morals of family life and propriety, which was a requirement in European theatre. Ibsen’s characters ignored theatrical requirements of Europe in the 1800’s. The main characters in the play are...
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...English A: Literature The conflict between social Status and individualism in A Doll’s House Candidate Name- Harssh Padharia Candidate code- School name- Vishwashanti Gurukul School code- Word count- The conflict between social Status and individualism in A Doll’s House A very common theme found in this play is the dominance of the strong and rich on the weak and poor. All the characters in the play are affected by the need of money and this itself has become the base of the sculpture of their lives and the way they think. There exists a barrier defined by money and social standing. The power dynamics in the play is such that the powerful characters in the play attempt to pass this barrier whereas the weaker class strives to come to a level closer to doing so, which indeed either pushes them towards individualism or pulls them away from it. Hence I am going to explore how Ibsen’s distribution of power amongst the characters in the play goes against the Marxist theory in this essay. In the beginning of the play Nora the protagonist returns from shopping with an “number of parcels” and a boy following her with a Christmas tree. This tells the readers that her material wealth and her financial condition dominated her thinking and her life. The society saw her as the wife of Torvald Helmer, therefore she had some regard and recognition in the society. She asks Helen to hide the tree from the kids and she also asks Helmer for more money. Helmer in response makes fun...
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...metaphors and other symbolic representations. Henrik Ibsen’s “A Doll’s House” takes a look at the position of a woman in the domestic setting and how the protagonist makes a lot of sacrifices without her efforts being appreciated. Kate Chopin’s “The Storm” explores how a woman endures an unexciting marriage as she reflects on her past maiden days. Sharon Olds’ “The Victims” discusses divorce and domestic abuse and how these two issues affect the way children in a home grow up. The three authors reveal their inner feelings towards various issues that affect people in societies they are living in. In the “Doll’s House”, Ibsen shows the constant sacrifices Nora has to make to make all family members happy. She reduces the amount of money she spends on herself to make her husband and children live in comfort. She says, “For myself? Oh, I am sure I don't want anything” (Ibsen 1447) In “The Storm”, Calixta yearns for a more passionate relationship and she feels that her husband is not a perfect match for her. She misses the moments she spent with her lover, Alcee who is now married to Clarissa. She is miserable because she is in love with someone else yet social norms forbid a woman from loving another man who is not her husband. In “The Victims”, Olds begins to focus on her dysfunctional American society where divorce is becoming...
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...Character Analysis In A Doll’s House by Henrik Ibsen there is a controversial argument about whether or not Nora Helmer the main character is a hero or not. Throughout the play Nora carries out certain acts of behavior that wouldn’t be considered heroic on the surface but underneath they would. Throughout the play Nora is treated like Torvald’s pet or property not his wife, he looks at her as nothing more than a belonging. Nora is the “doll” wife of Torvald meaning she is just playing a roll and has no say. Little does he know she is actually caring, independent, and brave not just a pet. In the first act when the audience is first introduced to Nora you get the illusion that she is a perfect wife and the only problem she has is spending her husband’s money by shopping a lot. By giving the image of her being a perfect wife it is comparing her to a doll, because dolls have no flaws. As Nora and Torvalds dialogue proceeds you get the sense that Nora is viewed as a pet to Torvald. He calls her pet names such as “his little lark”, “squirrel”, “spendthrift”, and “sweet tooth” (Ibsen 1281-1283). In Torvalds eyes Nora is not viewed as his equal but his property. By Torvald talking to Nora like this he is degrading her. Also in the first act it is revealed that Nora has made some arrangements to keep the household afloat without informing Torvald. Nora lied to her husband not because she wanted to but because she had too. Torvald is a typical man of the 1800th century. Men during...
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