...In the Symposium, Plato presents many points on Love (Eros) which are laid out by different speakers in the honor of Agathon. Phaedrus, Aristodemus, Pausanias, Socrates, Agathon, Aristophanes and Eryximachus all dedicated their symposium to the understanding of love by giving their opinion of how a person should commend it. Near the ending of the speech by Socrates, a beautiful, wealthy and drunk Alcibiades enters the event. This triggers the beginning of Alcibiades speech of travesty, which is disguised in praise, reciting the “secret nature” of Socrates to the guests at hand. The purpose of adding Alcibiades’ speech at the end is to display the nuisance with social expectations for love and the inability to meet them. The character of Alcibiades is used to portray the tragic nature of good merit and the tragedy. He is unable to gain virtue through sexual relations, and there for is forced to remain mortal. The purpose of the speech at whole is to celebrate the fertility of heterosexual relationships and how they are justified in giving birth to children. Alcibiades wants to engage in a relationship with Socrates which in terms is a homosexual relationship. To justify homosexual relationships, they would have had to prove them as productive as a heterosexual relationship. Meaning if what a heterosexual relationship can justify through Diotima’s speech is a child and a relationship which can be carried on in the future has to be the same of what a homosexual relationship can...
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...In this society, it is usually assumed that one is either single or in some form of monogamous relationship. At best, it is sometimes considered acceptable to play the field if one is not in a committed relationship. If one is in a committed relationship, it is with one person only, and any sexual and/or romantic involvement outside the relationship is cheating. Both of these situations, playing the field and cheating are still often subject to the classic double standard of being more acceptable for men and women. Long before written history, primitive clans and tribes were living within small, highly inter-dependent social structures. Many of these groups had some type of ceremony marking the forming of a union or marriage between two opposite sex partners. It appears that since we began living in structured social groups, humans have adhered to the belief that formal unions of two people work best for maintaining a healthy, functioning society. Within different societies, independent unions of two people were considered the best way to secure food and shelter, defend against outside aggressors, and raise offspring. As societies evolved, the marriage bond took on increased significance within each culture. One of the most universal aspects of the marriage union to be perpetuated cross-culturally was monogamy. Yet despite this proclivity towards marriage, and insistence that the marriage partners remain monogamous, human beings have been engaging in non-monogamous activities...
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...of the beautiful geranium, had a natural beauty to share: love and happiness. But as her life went on, it looked as though she did not benefit from her congenital quality. She was not able to use her happiness to receive the love she expected Spoon River to reciprocate. This resulted from the few flaws in her procedure that immobilized her chances to obtain the results she wanted. These flaws included her inability to express her feelings, and her inability to take the plunge and tell Spoon River her situation and desires. Her valuable beauty faded when she assumed Spoon River understood her emotions, and when she waited her whole life for the same emotions in return. One’s frailty to apply one’s beauty, in conjunction with physical force, results in the inability to obtain one’s yearning. Mrs. Williams and Ethan Frome, with rough experience, realized that this was the only way to obtain what they desired. Osborne made it seem as though she had an acceptable reason to why she never took action to express her feelings. She claimed that she could not speak due to her purity and simplicity. “[I] withered before your eyes, Spoon River, thirsting, thirsting, voiceless from chasteness of soul to ask you for love” (Masters 14-16). Osborne characterized herself as a celibate and simple woman who is limited to her desires. Because she does not show distinctiveness, she can not get the awareness of who she loves. This demonstrates the importance of individuality and distinctive...
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...Motherly Love In Toni Morrison’s novel Beloved the mother-daughter cycle of perceived abandonment, betrayal, and recovery is played out through Sethe and her relationships with her mother and daughters. Sethe's past is one of pain and betrayal in which she was deprived of a loving mother and mistreated as a slave on the plantation known as Sweet Home. Her agonizing past precipitates her overbearing desire to love and protect her children in the present. Unwilling to relinquish her children to the physical, emotional, and spiritual trauma that she endured as a slave, she tries to murder them in an act that is, in her mind, one of motherly love and protection. Sethe, however, does not understand that her swift decision is conveyed as selfish and overbearing in the minds of her family and community, suggesting that her maternal instincts were poorly communicated to the people around her. The ghost of Beloved (Sethe’s murdered daughter) haunts her until her living daughter, Denver, assumes a maternal role of protection and love. Morrison uses the haunting past of slavery to reveal that Sethe’s scarring experience with personal abandonment may be the reason she cannot fully communicate with her daughters and correctly assume the maternal role in her family. The inability for parents to effectively nurture their children first occurs in Sethe’s life when she realizes that her own mother may have abandoned her on the slave plantation. She remembers that her own mother was...
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...uninspiring characters. Louis Nowra’s play ‘Cosi,’ depicts the time in the 1970s where the majority of society valued war and politics over love and fidelity due to the ongoing war in Vietnam. Nowra describes a time where societal moral needed to be boosted and thus people took to the streets a protest called the moratorium. Nowra does not criticize the values of society, but rather condemns individuals who act on their own accord to achieve success. Such characters do not show inspiration as they act selfishly to further their cause. In addition, the loneliness of characters who fail to embrace change and admit wrong are revealed as they lose their companions. Nowra divulges the loneliness of individuals who refuse to admit wrong when confronted by the truth. Nick, a representation of society, refuses to adapt his ideologies when he faces truth. At the beginning, Nowra conveys how Nick is given a chance to right his wrongs. The fact he is in the ‘dark’ symbolizes his ability to embrace a new change. Regardless of the option, he labels the patients as “madmen” from a “funny farm” and rejects them from being ‘normal’ individuals. When the lights are turned on and Roy is standing there, he is given the option to embrace ‘change’ through which Roy will “direct.” However, he chooses to follow Lucy and exit the theatre, symbolizing his inability to confront the truth and flee, hence demonstrating his stubborn nature. Later on, he is displayed giving orders to Lewis on how to direct...
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...How is love portrayed in ‘Heart and Mind’ by Edith Sitwell? In the poem, ‘Heart and Mind’ by Edith Sitwell, love is portrayed in a variety of ways, in fact portraying a couple of different types of love. The poem has no rhyme scheme, hence is in free verse to demonstrate the irrevocable difference of our minds and heart when it comes to love. This is presented by the analogy where the lion is speaking to the lioness. The love we observe is an erotic love, also supporting the theory that the lion symbolizes men and their inability to love from the heart, their preference of lust being made clear. This is expressed by the metaphor “raging fire” which exhibits the passion and consuming power of lust in regards to eroticism men display. Through the continuation to the next stanza, we now notice the change to heartfelt and pure love. From the quote “greater than all gold, more powerful…is the heart”, we observe how love created in the heart is more powerful than lust. Pure love from the heart warms us due to the personification “that fire consumes” us. The next stanza also supports the heartfelt love as described by the analogy of Hercules and Samson. True love is “more powerful than all dust”, the dust refers to lust and how it is a fleeting feeling that is blown away easily. However, real love is constant and stays forever as it is as “strong as the pillars of the seas”. By using Greek mythology through Hercules and a bible reference to Samson, Sitwell portrays how even strong...
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...flame of his madness is Vivaldo’s worry which, frankly, is an inefficient one. The reality of Vivaldo and Rufus’ love was that it was fairly incomplete despite the time and patience that they had both devoted to fostering it. What was unfortunate about their love was that due to the mindset in which it was fostered, the country to which it was born, it could not be completed. Vivaldo’s inability to express a complete love for Rufus surely played a part in Rufus’ suicide, but this is likely only one reason among many. On the other hand, for Vivaldo this inability to commemorate their friendship with, sex or some romance as he expressed with Eric, troubled Vivaldo uniquely due to his stance as a white liberal. Rufus needed badly to be loved by Vivaldo, but Rufus was also deeply tormented by the country he lived in—before his death he was already killed by America. Baldwin wrote him in this way, and the story is not unfamiliar, many Black queer men contemplate suicide. Even Hilton Als recalls, in his Book White Women, starring starkly in his mirror, mouth brimmed with pills of some sort, until, finally, he burst into laughter bouncing the pills off his reflection upon coming to the resolve that as his mother did he would die slowly and elegantly by the hand of American ideology. Once Rufus dies and only by sleeping with Eric, does Vivaldo realize that he deeply needs the love of another man to satiate an, at first unquenchable, loneliness; And so, as we see, the anxiety which weighed...
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...can eventually be escaped. In the novel, Oscar is the main character who has been seen as dorky throughout his life, and who could never get a girl to like him. Oscar’s inability to obtain love is the curse that hovers over him throughout his life. In the end of the novel, Oscar finally breaks his curse when Ybón falls in love with him and his virginity is taken. Oscar dies soon after his love with Ybón is formed, which shows that even if a person breaks a curse, the curse will prevail until death. By looking at a passage on pages 286-287, the reader can analyze how falling in love breaks Oscar’s curse, and changes his life...
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...Shakespeare’s “Othello” is a whirlwind of a story as it follows the emotional roller-coaster of an army general in the midst of love. The role-character, Othello, is an articulate, passionate and intelligent African-American who finds himself unable to trust the love that he and his wife Desdemona have for one another. Although Othello seemed to many as the epitome of strength and confidence, every superman has their kryptonite. Othello was punctual, knew just the right words to say at the precise moment – he was a romantic warrior, and intellectually sound. Nevertheless, as the story unfolds, Othello’s confidence is slowly transformed by his betrayer, Iago, to reveal Othello’s deep insecurities, lack of ability to manage relational uncertainty...
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...Andrew Katz 1984 Control: The government wants it; the people fight against it. In the book 1984, by George Orwell, people are losing the fight. Oceania will forever be enslaved by Big Brother, due to the dependence Oceania citizens have for their government, physical and intellectual control the Party has over the people, and the inability to think against Big Brother. Government dependence will forever enslave the people of Oceania. People simply cannot live without Big Brother. Orwell writes, “a member of the Outer Party received only three thousand clothing coupons annually” (Orwell 31). The Party provides clothing for the people, thus ensuring government dependence. In the book, people work at different ministries such as the Ministry of Peace, the Ministry of Love, and the Ministry of Plenty. Big Brother is the sole employer, and, as a result, the government is the only means of support. Recreational rewards such as smut movies, cigarettes, and gin are all part of the Party’s incentives as well. They capitalize on society’s weakness to addiction. Thus, if the people wish to feed their addictions, they must obey Party rules. If people were to revolt against the Party, they lose these benefits. The Party creates these addictions to ensure the citizens compliance. Above all, the Party provides food. This guarantees dependence on the Party. Without food, there is simply no way to live; in this way, the...
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...leading it. When the definition of happiness is applied, the failure to achieve it in a long lasting way is evident regardless of the socio-economic status of the individual. The Great Gatsby by F. Scott Fitzgerald reflects the inability of humans to achieve happiness through the three main characters Gatsby, Nick, and Daisy. Throughout the novel, F. Scott Fitzgerald perfectly exemplifies how each character in their diverse reality experiences the same universal issue; lack of happiness. Gatsby has dedicated his entire life to one single goal, Daisy. Daisy is not just the woman he loves,...
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...thus their tragedy is the journey they must endure to regain sight. It is clear that although, Lear can physically see, he is blind, and lacks understanding, insight and pure intentions. It seems that the characters who had and kept their “healthy eyes” throughout the entire novel, could see both the evil and distorted world with which they live in. Ironically, while characters such as Gloucester, whose eyes were physically seized from him, and metaphorically Lear, both can now recognize their true selves. Blindness is not only a physical impairment for Gloucester and a forced lesson for King Lear ,but also a mental defect that some of the characters possess. They both share the inability to see the other characters true-selves ,and can only “see” the surface of things. Shakespeare uses Lear’s inability to see with his heart and Gloucester’s vulnerability to portray one of his themes, blindness. In the beginning of the play, Lear is seen to be a vain, conceited old man. He sees age as an opportunity to shirk his responsibilities, “ Know that we have divided In three our kingdom, and 'tis our fast intent, To shake all cares and business from our age, Conferring them on younger strengths while we, Unburdened crawl toward death” (1.i.35-39) He has a need to be dependent on others around him, and at the same time wants to be recognized as a “king”. Because of his position he was supposed to be...
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...experience is shaped by individual’s attitudes, morals and perceptions. Orson Welles Citizen Kane explores this complexity through its portrayal of media tycoon Charles Kane, highlighting the centrality of ambition and corruption in an individual’s pursuit of power and relationships. Wells employs avant grande cinematography to engage and persuade the audience of the instability of the human experience. Citizen Kane demonstrates how despite the individuals desire for relationships; their ability to forge connections can be undermined by their personal perceptions and ideals. Kane’s moral vacuity and ambitious nature is central to his inability to sustain meaningful relationships. Leland apathy notes, “All he (Kane) ever wanted out of life was love”, with this desire for love resonating in the motif of ‘Rosebud’, emblematic of his mothers love. Nonetheless, Kane’s superficial pursuit of transient pleasures and ambition results in the corruption of his relationships. This is accentuated in the breakfast montage, which depicts Kane and his wife Emily at progressive breakfasts throughout the course of their marriage. To begin with Kane seems to be the ideal husband – he compliments her, spends time with her, and smiles at her. This is visually and aurally reflected by the physical closeness of the two, as well as the light, romantic violin music. However throughout the montage the two become progressively tenser and terser, as they grow gradually further apart, both emotionally...
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...Being in love can place one into a world where action is given no second thought. In the story Romeo & Juliet by William Shakespeare, the two lovers’ lives end by the irrational actions caused by immaturity, ability to control one’s anger and misguidance conveying that one must think before they act. One can find it challenging to control their own feelings towards others because of immaturity. Romeo’s lack of maturity in being able to control his feelings is inconsistent thus, leading to the tragedy of the deaths of Juliet and himself. His approach to women is based on appearance which can be seen when he states, “Did my heart love till now? Forswear it, sight, /For I ne’er saw true beauty till this night.” (Romeo and Juliet 1.5.59-60). Romeo falls in and out of love quickly in a short duration of time. At first, he is infatuated with Rosaline but, the thought of her suddenly vanishes from his mind when his eyes are laid on Juliet as if it was ‘love at first sight’. Due to Romeo’s immaturity and approach towards those that appeal to his eyes, he could still be infatuated...
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...The two star-crossed are Juliet from the Capulets, and Romeo from the house of Montague. At the beginning of the play, Romeo is lovesick over a requited love and is advised to look upon other beauties. In the Capulet household Juliet is already set to marry Count Paris and is preparing for the Capulet ball. Romeo and Juliet eventually meet and instantly fall in love without knowing the other’s true identity. This love soon leads them to rush into a marriage along with some help from Romeo’s friend Friar Laurence. Shakespeare uses the motif of sight and blindness to illustrate Romeo’s flaws, which lead to his downfall. In Shakespeare's play Romeo’s major flaw is that he is impulsive and makes quick decisions based off his instinct. This is shown at the beginning of the play when Romeo is in love Rosaline. He quickly changes his mind when he catches a glimpse of Juliet claiming “Did my heart love till now? forswear it sight!”(I, v, 50). He instantaneously forgets about Rosaline and when Friar Laurence inquiries where he was, he states “With Rosaline, my ghostly father? No. I...
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