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Is Shrek a Traditional Fairytale Prince?

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Submitted By kaylz
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In traditional fairytales, ogres are man eating beasts. The prince usually rescues the princess and they live happily ever after. 18.10.10
The main themes in a traditional fairytale are always either based on Romance/Magic & Evil. The main elements always are the antagonist (the bad guy), the protagonist (The good guy) and mainly sometimes the helper. In traditional fairytales the antagonist, the protagonist and the helper are often stereotypical, take Cinderella for example the princess is warm hearted, beautiful, nice and kind. The prince is always often handsome, charming, brave and wealthy
The film ‘Shrek’ begins in a traditional way by using the most common phrase ‘Once upon a time’ that gives you an idea that the film has used some traditional phrases.
Well you can tell by the opening scene that ‘Shrek’ is different to a traditional fairytale on how it shows Shrek doing his own thing.
Shrek is very not like a stereotypical prince. Shrek is an Ogre which straight away puts a picture in your mind of like a dirty, scary and ugly and also could be the enemy.
The music when we first meet Shrek is a contrapuntal sound. It doesn’t really match the things he was doing. For example, when Shrek is in a mud bath. The music gave you a happy/exciting feeling and quite a good/bad impression; it also sets the mood throughout the scene.
Shrek threatens the villagers in the film. On this scene you see Shrek as a dangerous monster, which looks ugly and also very angry; with his loud raw he scares away the villagers.
The way Shrek acts, it makes out that he is very violent and aggressive and also the he could harm the villagers.
In the scene with the villagers, a close up is used to show the detail of Shrek’s face and how large he looks and what he actually looks like close up.
I do think Shrek is a stereotypical ogre at this point because he fits with his personality well on how a scary, evil person he sometimes can be.
When Shrek meets Fiona he drags her out by her arm which is not a prince like thing to do. This shows you Shrek does act like an Ogre.
Princess Fiona responds in a shocked way, She thought that Shrek would come in and sweep her of her feet instead he done the opposite and just dragged her out and also he didn’t defeat the dragon which is not like a rescue Princess Fiona expected.
The music we hear when we first meet Lord Farquard is non digenetic and also parallel. It matches on how we first see Lord Farquard.
When we first hear the music it suggests that Lord Farquard is strong and powerful almost like a stereotypical prince.
When Lord Farquard threatens the Ginger Bread man it makes us think this is not how a stereotypical prince would act. Stereotypical princes act sweet and caring and Lord Farquard acts evil, nasty and demanding.
Lord Farquard acts disgusted when he finds out Princess Fiona is an ogre. You can tell Lord Farquard is shocked and can’t believe his eyes.
The impression Lord Farquard gives the audience is that he is not a stereotypical prince and is more like an evil controlling prince which makes us see his true colours.
I think Lord Farquard is not a stereotypical prince because he is not handsome, charming or kind and shows he is only after marrying Princess Fiona to becoming king.
Shrek’s swomp is what I think of how an ogre’s home would look like. It’s daunting. a ruin, decayed and grubby.
Lord Farquard’s castle is what I’d expect a castle to look like it’s appealing, gigantic, impressive and stylish.
Shrek is not like a stereo typical ogre at the end of the film because you see the real side of him which is sweet, caring and loving.
‘Shrek’ is not like a traditional fairytale because every character is not like its stereotypical character. You wouldn’t usually find a princess which becomes an ogre or an ogre that marries a princess also Lord Farquard who you would expect to be the protagonist is actually the antagonist.

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...In-Class Exercise: Discovering the Structuralist Framework at the Heart of Texts and Interpretation   Identify the common conventions and text organization of narrative writing in the context of traditional fairy tales. I invite you to pretend that you have just read a hundred fairy tales (you may also consider films – contemporary or dated – that embody the fairy tale paradigm). Jot down a few characteristics you would find in more or less all one hundred tales. Do not worry about odd or uncharacteristic features, which we will get to momentarily. Synchronic features: archetypes (characters, symbols), binary oppositions, plot conventions, tropes/motifs, etc. For example:          A character is jealous of another’s beauty or goodness          Main character is a virtuous woman who is put to a test (she is helpless in the face of external predicaments, setting up the need for a “knight in shining armor”)          Heroine is afflicted by evil female (archetypal “bad mother”)          Heroine is helped out by magical creature(s) – Godmother as archetypal “good mother”          Heroine is poor, both defined by and imprisoned within the domestic space          Because of her virtue, she is rewarded          Goodness is always rewarded; foolishness or evil are punished          Lessons are learned therefore          Heroine marries into royalty          Heroine is transformed into something better          Good characters live happily ever after          Heroine...

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