...Death (lynched figure above) presents the contorted figure of an African America man hanging from a rope supported by a rectangular armature. Its brutality of the form shocked critics at the time (1930s), particularly Henry McBride, who called it “a little Japanese mistake.” The offsetting critics of Noguchi’s sculpture were simply acts of justification in order to divert attention from the ethnic minorities who had important social messages to convey in the 1930’s. The fascination with modern abstraction after WWII turned the public eyes away from art that appeared to have social messages or overt ethnic connections. Art produced by Asian Americans and other minorities displayed such markers at the time and were overshadowed by the interest in abstraction. Noguchi confronted spectators directly with the horrific figure that emphasized the sadistic cruelty of the act. The sculpture of the lynched figure open our eyes to the racial issues going on, but an expression of the artist himself to show the agony many have to go through as a minority...
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