...“The Black Cat” by Edgar Allan Poe and “A Rose for Emily” by William Faulkner is religion. “The Black Cat” is about a man who is at a crossroads between the religion he knows and the new scientific theories of the day. “A Rose for Emily” is about a woman caught between her Episcopalian beliefs and the Baptist beliefs of the community she lives in. Both stories use isolation and murder to illustrate the main character’s struggle with religion. However, while Faulkner’s Emily is dealing with outside isolation of her beliefs, Poe’s narrative is an internal struggle with religion versus scientific theory. According to Laura J. Getty, author of "Faulkner's A rose for Emily," “A Rose for Emily” immediately addresses the recurring theme of religion by referencing the carved rose on the confessional booth Emily visits. The Episcopalian Emily visits a confessional while her Baptist neighbors do not (Getty 232). Faulkner further refers to religion by explaining “When we saw her again her hair was cut short, making her look like a girl, with a vague resemblance to the angels in colored church windows—sort of tragic and serene” (par 29). Emily’s struggle with the townspeople’s Baptist beliefs and her Episcopalian background maintain the religious theme. The ladies of the town coerce the Baptist minister to intervene by calling on Emily when she shows a romantic interest in Homer Barron. This action by the ladies extends the struggle Emily has with religion. “The men did not want...
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...“frightening, feral scenarios in which mysterious secrets, extreme isolation, grotesque images, and characters’ duress combine to create a dark and horrid image for its bold readers” (Renaldo 2). Generally presenting the same themes and tropes, Gothic literature discusses madness, isolation, disease, nightmares, and death. Although in some stories, it also explores unmentionable topics such as murder, suicide, and incest. William Faulkner’s “A Rose for Emily” is a story of a spinster woman who has killed her lover and lain for years beside his decaying body. The story deals with a murder caused by possessive love, and it elucidates the face of death which results in repulsion and compassion. “A Rose for Emily” represents Southern Gothic literature through descriptions of Emily, her house, necrophilia, and the theme of death. To begin with, the narrator portrays Emily Grierson as a once prominent member of the community. However, after the death of her father, she is pitied and often irritating, demanding to live life on her own terms. In the beginning of the story, the author describes her as looking “bloated, like a body long submerged in motionless water, and of that pallid hue. Her eyes, lost in the fatty ridges of her face, [look] like two small pieces of coal pressed into a lump of dough” (Faulkner 53). Being isolated from the outside world since her father died and Homer Barron, her lover, went missing, Emily becomes a muted and mysterious figure. She begins to enforce her...
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...A Rose for Emily Can you imagine being so lonely that you would do something unbelievable to prevent you from being alone? That is just what Miss Emily did. Miss Emily came from a wealthy family with a father who made decisions for her. He did not think the men that tried to date her were good enough for her, so he ran them off. John McDermott states, “In “A Rose for Emily,” Emily Grierson’s overbearing father forces her to live without love.” After her father died, Miss Emily became a loner. In "A Rose for Emily," William Faulkner uses Miss Emily’s funeral at the very beginning to show the separation between Miss Emily and the townspeople when he states, "When Miss Emily Grierson died, our whole town went to her funeral: the men through a sort of respectful affection for a fallen monument, the women mostly out of curiosity to see the inside of her house, which no one save an old man-servant a combined gardener and cook--had seen in at least ten years.” From there, the house, her servant, and the bad smell are used to symbolize her secluded life. Miss Emily’s inherited her house, but nothing else according to the narrator, “When her father died, it got about that the house was all that was left to her; and in a way, people were glad.” She lived alone for many years, except for her servant. People moved out of the neighborhood over the years and finally Miss Emily’s run down house is the only one left on the street. This is noted early in the story, “But garages and...
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...Literary Analysis of “A Rose for Emily” In the story “A Rose for Emily,” by William Faulkner, Emily Grierson is well known for her sorrowful background due to the loss of her governing father and status of isolation. In addition to Faulkner’s one-of-a-kind narration, he constructs a complex chronology that allows the reader to gradually become aware of facts, motivations, events, and emotions. Though Faulkner’s technique in “A Rose for Emily” may initially be a bit confusing, it reminds the reader this story is not one that can necessarily be told with simplicity, for there can be many answers to one question and many questions to one remark. One may think that the townspeople could easily be considered the antagonist, and while this may be true, Faulkner provides perspectives of all characters allowing the readers to perhaps question if there could be more than one. The townspeople made Miss Emily the talk of the town, making sure she was constantly being secluded. They eventually stopped sending their children to her China painting lessons, and pressured her to the point where she killed her lover in order to feel she had not lost her dignity. Essentially, they played a significant role in the death of Homer Barron, ruining their relationship with talk of disapproval. The townspeople could have possibly been well informed of their action, which can lead the to fact that it was not chosen to investigate Homer’s disappearance or prosecute Emily for that matter. The town antagonizes...
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...Comparative Literature Paper Selfishness and revenge are woven through “The Cask of Amontillado” by Edgar Allan Poe and “A Rose for Emily” by William Faulkner like a fine silk thread, supporting the theme of death in each. In the short story, “A Rose for Emily” by William Faulkner, the cause of death is never obviously revealed but lightly hinted upon Emily as the cause. “The Cask of Amontillado,” a short story by Edgar Allan Poe, the cause of death is revealed but no one knew the cause of Fortunato’s disappearance. These stories contain many differences as well as similarities ranging from imagery, symbolism, theme, and tone. The recognizable commonality of the two is the theme of death. Each of these stories portrays death, or murder, as a result of vengeance, revenge and betrayal. “The Cask of Amontillado” deals with the death of Fortunato and “A Rose for Emily” deals with the death of Homer and Emily. William Faulkner never admits that Emily is the cause of Homer’s death but gives the audience clues that suggest Emily was indeed responsible. Emily’s death seemed to be of natural causes (Faulkner, 1931, p 531). Edgar Allan Poe, in “The Cask of Amontillado” tells the audience of Montresor’s plot of revenge and murder of Fortunato. Betrayal and revenge are obvious throughout both stories. In “A Rose for Emily,” Emily first betrayed Homer after he did not take her for his wife after the whole town saw the two of them together. In “The Cask of Amontillado”...
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...way society views the character’s actions. In “The Yellow Wallpaper” by Charlotte Perkins Gilman and “A Rose for Emily” by William Faulkner the time period and physical location confines characters and affects the outcome of the story. Gilman and Faulkner limit their characters in temporal and spatial setting to show the limitations of women in the physical, mental, and social aspects of life. First, Gilman...
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...A Close Reading of William Faulkner’s “A Rose for Emily” William Faulkner’s “A Rose for Emily” portrays itself as sort of a gothic sort of story. The elements of a gothic novel are meant to fashion a sense of trepidation, obscurity and unknown, which are vital in creating compelling stories. It has its fill of suspense and madness throughout its entirety, resulting in fastidious conventions in its type of writing structure, characterization, point of view, theme, and setting. Gothic novels are also known to contain an element of romance, which are often exaggerated to the extremes. I would say that the main point of view of this selected passage comes from an unknown narrator, told in the first person, who clearly is a resident of the town of Jefferson and knows the little-known life of the protagonist, Miss Emily. The “they” that is in the second sentence refers to the group of townsfolk who arrived at her house. The emotions of the crowd are a mixture of respectful condolences and curiosity. The men are present merely out of respect, giving off an air they only attend because it is an expected behavior and not because she was popular in the community. The women go out of curiosity to see the inside of the house. There certainly seems to be a general consensus among the group that she was living almost a secret life which was clearly meant to stay that way. The phrase “would have to be forced” makes it clear the group is anxious about finding out what has been kept from the...
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...Gothic Elements Used in A Rose for Emily Southern Gothic became popular in the 19th century by famous short story writers such as Edgar Allan Poe, Nathaniel Hawthorne, and Ambrose Bierce. Unlike traditional gothic writing, Southern Gothic is unique to the American South and goes in depth about unpleasant Southern Characteristics. It focuses on details such as death, violence and grotesque aspects. These are all used to “explore social issues and reveal the cultural character of the American South (Wikipedia).” Authors use Southern Gothic writing to show the brokenness of a character by giving them qualities such as isolation, freakishness and people that are “not right in the head (Oprah).” Authors analyze their character and want you to make your own decision about who they are by using characteristics that make them seem insane, though to the character, they are normal. Mortality is usually a possibility to most characters. Although authors point out a certain type of innocence, desperation usually overpowers any type of innocence given to a character. The sense of place in Southern Gothic is usually related to a dusty home with a front porch wrapped around, a screen door swinging on creaky hinges and your someone sitting in a rocking chair swatting at flies. The town would be small with a general store that is barely hanging on and the town drunk works there. The sense of place is a strong characteristic in Southern Gothic writing. It sets the feel for the writing...
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...Freud and Faulkner A psychoanalytic Reading of “A Rose for Emily” Abstract Undoubtedly Sigmund Freud is the father of psychoanalysis. He was an influential thinker of the early twentieth century who elaborated the theory that the mind is a complex energy-system and the structural investigation of which is the proper province of psychology. Freud articulated and refined the concepts of the unconscious, infantile sexuality and repression and he proposed tripartite account of the mind ‘s structure, all as part of a radically new conceptual and therapeutic frame of reference for the understanding of human psychological development and the treatment of abnormal mental conditions. Freudian approach can be analyzed well in The short story “A Rose for Emily” which is one of the great stories by an American novelist William Faulkner. In this essay I ‘m going to analyze this short story and the characteristics of its protagonist ( Emily Grierson) from Freudian and psychoanalytic criticism. Introduction Miss Emily Grierson, the main character in William Faulkner’s short story “A Rose for Emily,” is certainly strange by any average reader’s standards and a character analysis of Emily could go in any number of directions. It is nearly impossible not to examine her in a psychoanalytical and Freudian criticism specially about: Phallic stage, Oedipus Complex and the role of Id, Ego and Superego. The Phallic Stage According...
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... despite their genuine intentions, are often unaware of the negative effects that their dominating influences have on the women they love. Women in these societies often experience alienation, isolation, low self-esteem, and even insanity. The protagonists in Charlotte Perkins Gilman’s “The Yellow Wallpaper” and William Faulkner’s “A Rose for Emily” both portray the subordinate position of women in late nineteenth-century society. “A Rose for Emily” is an unsettling tale of an aging spinster, Miss Emily, who clings to the past and lives in a world of her own making. Miss Emily is a mysterious character who was once a hopeful young woman from an affluent family but is transformed into a reclusive, eccentric old woman through the acts of her controlling father. Her community views her as having “a sort of hereditary obligation upon the town” (Faulkner 30); and she is a monument to the past in a small, modernizing southern town in the late nineteenth century. Throughout her life, her father routinely dismisses all of her potential suitors until the day of his death. Alone and betrayed, Emily is unable to accept his passing; and it is several days until the body is removed. She lives alone for many years until she meets a man, Homer Barron, who becomes her first true suitor. In time Emily realizes that Homer is not willing to commit and is faced with the prospect of living a lonely, solitary life. She takes action, poisoning him with arsenic from the druggist, and tucks him into...
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...Maryana Kovalchuk Intro to Literature ENG-125F-S02 Professor Lewis 04 October 2014 Emily Grierson: A Fallen Monument William Faulkner’s short story “A Rose for Emily” shows the effect of Emily Grierson’s gruesome mental health as a result of relationships with Homer Barron and her father. In addition, Emily Grierson lives according to her own disturbing ideas of situations and goes against societal norms and expectations. Although she may be an outsider from the community, her deserted private life remains a mystery among the community, with her life being a “trending topic” discussed periodically by her neighbors. Within the five sections of the story, we can grasp and understand Emily’s outstandingly yet mysterious life and personality as a result of her father, Homer and her isolation from the community. Emily’s character and personality can be widely characterized as a result of the numerous events that took place in her life. First, we learn the Grierson’s always thought highly of their selves more than they actually were (158). We would think Emily would have lived a confident, happy life without no worries or troubles. She was lucky enough to be remitted from her taxes from Colonel Sartoris (156), thanks to her father lending money to the community (156). However, her father played a huge role in why she remained single till she was thirty years old. Her father was a “spraddled silhouette in the foreground (159)” in her life, symbolizing how her life was filled...
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...Bad Meets Evil In the gothic literature short stories “Prey”, “The Devil and Tom Walker”, “The Black Cat”, and “A Rose for Emily” composed by Richard Matheson, Washington Irving, Edgar Allan Poe, and William Faulkner exercise their knowledge of gothic themes of entrapment and ambiguity to create a persuasive sense of exasperation and apprehension for the reader. Authors such as Richard Matheson, Washington Irving, and William Faulkner predominantly use the gothic theme entrapment in their writing. In fact, in “A Rose for Emily” by William Faulkner the central character Emily “no longer went out at all” (Faulkner 1066). This caused her to become extremely lonely in the later years of her life. This is due to the loss of her husband Colonel Sartoris. Faulkner states “A deputation waited upon her, knocked at the door through which no visitor had passed since she ceased giving china-painting lessons eight or ten years earlier.” (Faulkner 1068) in light of demonstrating the entrapment she created for herself as a means of dealing with her husband's death by...
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...Drew Burgelin Mr. Campbell AP LIT 12 April 2014 The Significance of Death and Change in “A Rose for Emily” In “A Rose for Emily,” by William Faulkner, Emily Grierson’s strange actions and macabre, mysterious character qualities convey the story’s central themes of death, despair, and change. Faulkner’s modernist style and use of detail, flashbacks, and time shifts capture the reader as the narrator jumps from Emily’s death in the “present” to specific scenes of her past. The story depicts death as the powerful aspect that controls Emily’s actions in order to show the profound potential that death has to change people’s lives cataclysmically. At the same time, the story also evokes change through Emily’s refusal to give up her old-fashioned ways in order to show that the only way to avoid radical change is to be isolated, and even in the end, that cannot stand in the way of modernization. The thematic potential of death is introduced by the speaker’s recurring references to death throughout Emily’s life in order to explain Emily’s odd, mysterious nature. The speaker firsts introduces the reader to Faulkner’s fictional Jefferson, MI in Yoknapatawpha County where Emily Grierson’s funeral is being held at her home, which no one in the entire town had been inside for “at least ten years.” Then, the speaker goes back in time and describes that Emily’s taxes were “remitted” by Colonel Sartorisas as a result of her father’s death, which further isolated her from the community...
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...“A Rose for Emily” Tajia Kelly English 201 Prof. Elise Denbo “A Rose for Emily” To many resistance to change is the underlying theme of American author William Faulkner’s short story entitled “A Rose for Emily”. To others, resistance to change merely did not exist at all, Tyriese Simone states “the main idea of Emily was to show the willingness to change, changes brought on by the post-Civil war, death, change in society and loss of wealth”. Upon review, the real theme of this story is the resistance to change yes, but especially when it comes to adults modeling their relationship’s base on the relationship that they had with a parent of the opposite sex. Faulkner himself stated “Given a choice between grief and nothing, I'd choose grief” yet he wrote this story of this egotistical, impractical, isolated old woman, Miss Emily, who not only have mental and emotional problems but who is also unable to come to terms with the idea of death and suffers great deals of denial. Unlike Faulkner, Emily chooses grief, but nothingness came along with it due to the attachment with her father. The relationship she had and had always known with her father altered any relationship she had all her life. After the death of her beloved father she was very adamant about not changing and keeping things the way she knew. From a Psychoanalytical perspective, It is very much accurate to state that Emily “the monument of society” not only resists change but she models her relationships with the...
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...Dorie Love-Ashby P. Elmore Composition II 1302-7420 5/25/11 FAULKNER Faulkner was born in 1897, to a genteel southern family. His father, Murry Cuthbert Falkner, was a railroad worker, owner of a cottonseed oil and ice plant, livery stable operator, hardware store employee, and secretary and business manager at University of Mississippi. His mother was Maud Butler Falkner. Falkner grew up and spent most of his life, off and on, in Oxford, Mississippi. He trained for the Royal Air Force in Canada, and later the British Royal Air Force during World War I, but the war was over before he saw action. After the war he briefly attended the University of Mississippi. He married Lida Estelle Oldham Franklin, June 20, 1929. The Faulkner works were greatly influenced by his family history. The area in which he lived had a great deal to do with his sense of the doleful position of Black and WhiteAmericans. This also influenced his sense of humor and is said to be the legacy of earlier writers like Mark Twain. Faulkner was best known for his novels, but he also wrote short stories, poetry and occasional screenplays.. Film versions have been made of several of his works: Sanctuary (1961), Intruder in the Dust (1949), The Sound and the Fury(1959), The Reivers (1969), and Pylon (1957; or Tarnished Angels). Others (Requiem for a Nun, 1951, and "Barn Burning") have been filmed for television. (Pierce, Constance, and Heller) Faulkner received the 1949 Nobel Prize for Literature for "his...
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