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John Keats When I Have Fears

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Vivid images in John Keats’ sonnet, “When I have Fears” convey the speaker’s desire to understand the mysteries of human existence. Pressured by the finite time on earth, Keats’ speaker expresses a longing to know the eternal ideals of love and fame before he ceases to exist. Although the poem is expressed in one breathless sentence, the speaker’s anxiety is resolved; the fear of not achieving these ideals becomes, when the speaker is alone and thinks, insignificant.
In the first quatrain of the lyric poem, the pensive speaker expresses his worries about dying before fulfilling his potential as a writer:
When I have fears that I may cease to be
Before my pen has glean’d my teeming brain,
Before high piled books, in charact’ry,
Hold like rich …show more content…
Paired with the temporal indicators--“when” and “before”-- he reveals his sense of urgency to complete “high piled books” worth of work. However, his ambiguous fear of “ceas[ing] to be” is more distressing than a fear of death, since it also opens the possibility of his legacy dissolving into nothingness. This thought dissatisfies him; that the ideas from his “teeming” brain to a “full ripen’d grain,” may all disappear after his finite time on earth.
In the second quatrain, the speaker gazes up at the vast night sky--an image of eternity--and vividly reflects upon his anxieties for his …show more content…
In a state of alienation, the speaker abruptly stops and thinks, realizing that his worries of “ceas[ing] to be” are solved: then on the shore
Of the wide world I stand alone, and think
Till Love and Fame to nothingness do sink.
Standing “on the shore,” or at the edge of a boundary reminds the speaker of the limitations of time in the natural world. Perhaps he crosses it--the threshold between two worlds, land and sea--and then accepts that his peace of mind depends on how he views himself instead of the feedback, the “Love and Fame” he receives from others. Recognizing that to understand the mysteries of world corresponds with understanding his own soul, the speaker creates euphony with soft and harmonious “s” and “t” consonants to convey his tranquil self-assurance. The irregular syntax of the last line emphasizes the “nothingness” the seemingly eternal ideals of love and fame will “sink” into; thus, the speaker comes to accept that during the passage of time comes an ending, in which everything--his fame, love, and life--will disappear.

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