...by Kenneth Branagh. No other actor, producer, writer, and director has done the preeminent Bard more justice and honor than Kenneth Branagh, and he pushes this theater production to epic proportions. With lavish sets and lush costume design changing the setting from medieval to the 19th Century, this tale of a son's revenge for the untimely death of his father at the hands of his father’s brother delves into humanity's fundamental questions of: What does it take to be an honorable man? An honorable king? An honorable father? An honorable son? This story involves all levels of drama, including violence, intrigue, sex, and madness. The movie begins in the middle of a story. The King of Denmark has died and his brother is taking the throne and the Queen as his bride for the sake of the country. Two guards see an apparition coming in the night. The apparition is seemingly like that of the deceased King, so the guards callto Horatio and the son of the King, Hamlet, to confirm their visions. When Hamlet arrives, the apparition takes him away and demands that he put his father’s soul to rest for his "most horrible and foul murder." Alone, he is faced with the duty of exacting revenge for his father's death on his uncle, and the commission likely throws him into insanity. The character of Hamlet is wrought with complexity and divisions. He is the height of Shakespeare's character sketches and is every thespian’s desired role in the theater. Kenneth Branagh played this role in...
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...It’s one of those plays that I never get tired of watching on and off of the stage and I always find something new every time I see it. With that being said, many adaptations have come out over the years with many big names actors most notably for me the filmed stage version with David Tennant and Catherine Tate released on the West End in 2011. However, two versions in particular have set themselves in the public eye as being the definitive film translation of the play. much_ado_about_nothing_movie_posterFirstly in 1993, we got Kenneth Branagh’s version of “Much Ado About Nothing”. Coming off of the success of “Henry V” and with the big name of “Hamlet” waiting in the wings, this is Branagh’s second in a long line of self-directed Shakespeare films and it comes with all of the bombast and passion that is very typical of...
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...Brilliant! Kenneth Branagh's version of the timeless William Shakespeare classic is a great rendition of the film, making it accessible to everyone, even those who do not like Shakespeare. Let me first say that I am a great fan of Shakespeare's works. In college I was an English literature major, with a minor in theater, and so Shakespeare is found in both. Theater people state that Shakespeare was never literature at all, which in the purpose of the plays is true, however because of the prose that he wrote in is a poetic form, he is literature as well. Whatever you do, never get in between two people arguing this point, your head might blow up! Reading the comments on this page, the basic attack on this movie is that Branagh cuts lines and shaved parts. Yes, of course he did. Nothing is sacred, not even the works of Shakespeare, people. I myself was in a Shakespeare play, and over half the script was cut from it. With a Shakespeare play, the question is what to cut. If this play had been presented in it's entirety, it would have been close to five hours long. And today's movie audience just does not have that kind of patience. "Titanic" was stretching it a little, in terms of time. Shakespeare's original audience would have had no problem, because they...
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...powerful and influential tragedies in the English language, with a story capable of "seemingly endless retelling and adaptation by others." The play was one of Shakespeare's most popular works during his lifetime It has inspired writers from Goethe and Dickens to Joyce and Murdoch, and has been described as "the world's most filmed story after Cinderella". Shakespeare based Hamlet on the legend of Amleth, preserved by 13th-century chronicler Saxo Grammaticus in his Gesta Danorum as subsequently retold by 16th-century scholar François de Belleforest. He may also have drawn on or perhaps written an earlier Elizabethan play known today as the Ur-Hamlet. He almost certainly created the title role for Richard Burbage, the leading tragedian of Shakespeare's time. In the 400 years since, the role has been performed by highly acclaimed actors and actresses from each successive age. Three different early versions of the play are extant, the First Quarto, the Second Quarto, and the First Folio . Each version includes lines, and even entire scenes, missing from the others. The play's structure and depth of characterisation have inspired much critical scrutiny. One such example is the centuries-old debate about Hamlet's hesitation to kill his uncle, which some see as a mere plot...
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...UNIVERSAL PICTURES and EMMETT / FURLA FILMS Present A MARC PLATT Production In Association with OASIS VENTURES ENTERTAINMENT LTD / ENVISION ENTERTAINMENT / HERRICK ENTERTAINMENT / BOOM! STUDIOS A BALTASAR KORMÁKUR Film PAULA PATTON BILL PAXTON JAMES MARSDEN FRED WARD and EDWARD JAMES OLMOS Executive Producers BRANDT ANDERSEN JEFFREY STOTT MOTAZ M. NABULSI JOSHUA SKURLA MARK DAMON Produced by MARC PLATT RANDALL EMMETT NORTON HERRICK ADAM SIEGEL GEORGE FURLA ROSS RICHIE ANDREW COSBY Based on the BOOM! Studios Graphic Novels by STEVEN GRANT Screenplay by BLAKE MASTERS Directed by BALTASAR KORMÁKUR –1– CAST Waitress Margie . . . . . . . . . . . . . . . . . . . . . LINDSEY GORT Roughneck #2 . . . . . . . . . . . . . . . . . HILLEL M. SHARMAN Robert “Bobby” Trench . . . . . . . . . DENZEL WASHINGTON Roughneck #3 . . . . . . . . . . . . . . . . . . . . . . . . AARON ZELL Marcus “Stig” Stigman . . . . . . . . . . . . MARK WAHLBERG Roughneck #4 . . . . . . . . . . . . . . . . . . . . . . . HENRY PENZI Deb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . PAULA PATTON CREW Earl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BILL PAXTON Admiral Tuwey . . . . . . . . . . . . . . . . . . . . . . . FRED J. WARD Quince . . . . . . . . . . . . . . . . . . . . . . . . . . JAMES MARSDEN Directed by . . . . . . . . . . . . . . . . . BALTASAR KORMÁKUR Papi Greco . . . . . . . . . . . . . . . . . EDWARD JAMES OLMOS Screenplay by . . . . . . . . . . . ...
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