...How Are Power and Corruption Related? by Sebastian Sandoval "Power corrupts and absolute power corrupts absolutely." – Lord John Dalberg-Acton Macbeth and Lord of the Flies depict power and corruption. However in Macbeth's case it is his fear of being forgotten that leads to his ambitions for power and in turn corrupts him. In Lord of the Flies we see Jack's ambition to become chief corrupt him into doing whatever it takes to achieve that position. Both works seem to coincide with Hobbes theory that "man is naturally savage" and that savagery combined with the notion of power can only lead to one thing, corruption. In this essay the relationship between power and corruption will be explored through the lens of three texts: Macbeth by William Shakespeare (1623), Lord of the Flies by William Golding (1954), and Of Man, Being the First Part of Leviathan by Thomas Hobbes (1651). Let us begin with The Tragedy of Macbeth. Throughout the play, we see Macbeth change from a noble and brave soldier into a shadow of his former self. In the beginning we see an internal struggle with the decision to kill King Duncan. This is most clearly depicted in act I when Macbeth says, "We will proceed no further in this business. He hath honored me of late,"(1.7. 28-30 ). It is after the murder of Duncan that we begin to notice a sinister change. Macbeth begins to murder anyone who has or could get in his way even his friend Banquo. In act 3 Macbeth's plan is first revealed in his conversation...
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...Symbolism in Lord of the Flies Symbolism is all around us, even if we don't know about it. Think about how many times you have used the heart emoji or the thumbs down emoji while texting. These two examples stand for something beyond their appearance. The heart emoji stands for love, while the thumbs down emoji is associated with disapproval and dislike. The same way we use those symbols in our everyday lives, Golding uses them in his novel, Lord Of The Flies, to show the transition of the characters from their civilized background, to the rise of destruction, and their descent into savagery. These changes are made evident by symbols, such as the fire going out, the beast and lord of the flies. These three symbols contribute to the novel by...
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...it in their novels Lord of the Flies (Golding) and Heart of Darkness (Conrad). These novels exemplify the methods by which humans have placed checks upon their savage nature, checks which prove to be diaphanous when challenged by true hardships. In both of these stories, the authors attempt to demonstrate the savage nature of the human spirit by utilising symbolism and irony. Both Lord of the Flies and Heart of Darkness are intensely allegorical novels and emphasise the use of symbols. However, these symbols are not merely the characters, but also include their actions and the settings of the stories. For example, the characters of Kurtz and Jack are symbols for the ancestral instincts of humankind. Though they are two separate characters, they are both symbols for the same idea. They are contrasted with Marlow and Ralph, who are also separate apparitions of the same philosophy. Kurtz, the quintessential ivory hunter from Heart of Darkness, is consumed by the desire for ivory and allows his primal nature to dictate his actions. He even goes so far as to proclaim himself a god and order the natives to attack his fellow Europeans. “He informed me, lowering his voice, that it was Kurtz who had ordered the attack to be made on the steamer” (Conrad.145). This shows how far Kurtz had fallen, that he, like Lucifer, would prefer to reign in hell (the Congo) than serve in heaven (Europe). Likewise, Jack, the chief of the hunter clan in Lord of the Flies,...
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...The novel Lord of the Flies by William Golding follows the story of a group of boys who are stranded on a tropical island and must fight to survive. Led by the charismatic and attractive protagonist, Ralph, and his intellectual ally Piggy, the boys are initially successful at creating a new order on the island. Soon, however, an ambitious boy called Jack presents himself as the main antagonist. Jack’s return to savagery and the subsequent unravelling of order on the island results in multiple deaths and the destruction of the island. The book allows the reader to view the ways in which order and society break down in an uncivilized environment, as well as how easy it is to return to savagery. As this work is allegorical, symbols play heavily...
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...In William Golding’s The Lord of the Flies, a plane crash strands schoolboys on an island—without supervision or leadership, left only with a memory of civilization. Quickly, many of them had forgotten their connections to civilization and had become savage: “The world, that understandable and lawful world, was slipping away" (Golding 91). Ralph is realizing that, despite his efforts, the boys are slipping into a ferocious state of mind and are becoming wild. Ralph recognizes their chances of survival are tied to their civility and that the boys’ humanity is swiftly disappearing with every new act of savagery. My symbol represents the boys’ rapid descent into ferocity. As shown by the breaking of the symbol’s barrier, if under the right (or...
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...the behavior of people will regress to their savage beginnings. William Golding’s Lord of the Flies explores the theme of civilization to savagery through the usage of symbolism to portray the premise that children are savages by nature and without adult guidance or supervision; their entire darker side will manifest itself in full force. The consequential regression of the boys from civilization to savagery is symbolized by the use of the conch, fire, and Piggy’s glasses. First of all, the conch shell manages to demonstrate civilization to savagery through its ability to establish order to build a civilization, lose its power and deteriorate civilization, and shatter to eliminate civilization. In the beginning, the conch is used to establish and uphold order and peace on the island, playing a key role in forming and maintaining a civilization. Ralph uses the conch and his leadership to summon the others, have meetings and delegate positions, assign power, and set rules such as: “[Giving] the conch to the next person to speak” (Golding 31). By adhering to the set of rules regarding the conch shell, the boys still maintain their civilized way of living back at home where there is the existence of government and laws to be adhered to regarding to the existence of social order. However, as time passes by, the conch begins to lose its power and significance and boys begin to succumb to savagery. When Ralph tries to convince the other boys to return to his tribe instead of joining...
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...Power and Abuse Leaders with high authority have a potent influence on society. Power can either nurture subordinate people or ravage their self-worth through rules and demands. Abuse occurs because malicious impulses are not repressed nor denounced. Dictators notoriously kill several civilians, yet because of their position, they avert castigation from civilians. In Lord of the Flies, by William Golding, a group of boys descend into savagery as Jack’s power ascends. “The Struggle for Iraq” by John Schwartz describes the process by which normal college students turn spiteful when they become prison guards. Lord of the Flies and “The Struggle for Iraq” illustrate how boundless authority often leads to sadistic behavior. Jack Merridew, a stubborn and fascist teenager in Lord of the Flies, represents man’s descent into savagery and brutality. After being elected as leader of the hunters, he tries to emulate Ralph’s position as chief. As he gradually gains power, the hunt -- along with violence -- turns into an unhealthy obsession. He convinces other boys to hunt because of the thrill; eventually, nearly every survivor chants, “Kill the pig. Cut her throat. Bash her in” (75). As more boys join the assembly, Jack’s thirst for barbarism becomes immense: “The forest near them burst into uproar. Demoniac figures with faces of white and red and green rushed out howling...star naked save for the paint and a belt was Jack” (140). As Jack exalts, he starts abusing the boys for no apparent...
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...Death can cause different responses in people. When someone you know dies, many thoughts go around your mind. Some people become murderous in revenge, others become sad and depressed and shut out the world. The Lord of the Flies is a novel about a group of boys that are in a plane crash and became stranded on an island. The boys are forced to adapt to their environment and struggle to survive and in the process, several of the boys are lost. Simon’s death is the most important event in the Lord of the Flies because it leads to character development in Ralph and Jack, it also emphasizes the depravity of man. Simon’s death is the most important event because it is a significant event in the plot that adds to themes and helps character's develop. Simon’s death is the arrival of evil on the island within the boys, this is where they begin to realize they are becoming mad. After Simon was killed on the stormy night down on the beach the...
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...AS ENGLISH 91479: Develop an informed understanding of literature and/or using critical lens. Literature/text: Lord of the Flies Critical lens: Freudian psychoanalytical criticism Take away parents and society and you are left with mere children, who have the instinct to only pleasure oneself. This is what Sigmund Freud theorizes in his psychoanalysis. Lord-of-the-Flies by William Golding is a novel that uses Freud’s work. The Lord-of-the-Flies is a novel that depicts a microcosm of society. A plane-full of boys are stranded on a desert island, away from civilisation. Freud’s theory is that if you eliminate rules, “children are completely egoistic” – they only care about themselves. Without any parental guidance, a child relies on its instincts and this is where Freud’s theory of personalities are cleverly conveyed: id, super ego and ego. The use of Freud’s theories exceptionally allows us to have a great depth of understanding of the characters. The first part is the id. This is the “primitive impulses” of the human being. Golding used the character of ‘Lord-of-the-Flies’ to represent the id. Freud’s theory is that the id is based upon pleasing oneself.1 The Lord-of-the-Flies is the instinct that tells the boys that they do not need civilisation anymore and thus this is when savagery prevails. Golding uses Roger to represent the id. The Lord-of-the-Flies, inside Roger, turned him from a young-civilised boy to a killer, when he violently kills Piggy, as a release of his...
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...Savagery in The Lord of the Flies William Golding’s novel ‘The Lord of The flies’ presents us with a group of English boys who are isolated on a desert island, left to try and retain a civilised society. In this novel Golding manages to display the boys slow descent into savagery as democracy on the island diminishes. At the opening of the novel, Ralph and Jack get on extremely well. We are informed Jack, “shared his burden,” and there was an, “invisible light of friendship,” between the two boys. Jack changes considerably throughout this novel. At first he tells us, “I agree with Ralph we’ve got to have rules and obey them,” This shows us that at the beginning of the novel, just like Ralph, he wants to uphold a civilised society. We are also notified, “Most powerfully there was the conch.” As the conch represents democracy we can see that at the beginning of the novel the boys sustain a powerful democratic society. This democratic society does not last very long as the children (especially Jack) have a lack of respect for the conch and the rules. We can see this when Jack decides, “We don’t need the conch anymore, we know who should say things.” As the conch represents democracy we can see that civilisation on the island is braking up and savagery is starting to take over. We can also see a brake up in society when Jack says, “Bollocks to the rules!” Here we can see that Jack contradicts himself while managing to diminish the assembly and the power of the conch. Golding...
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...Lord of the Flies, by William Golding, follows the survival of a group of young boys on an island unbound by rules. Two boys, Jack and Piggy, respectfully represent savagery and civilization by the book's finale through their behaviors. Piggy is logical and authoritarian while Jack is primal and violent. Jack and Piggy teach us that ultimately, savagery will always overthrow civilization. Savagery adapts better to unknown environments than civilization. Civilization is built upon established ideas and advancements made by previous humans while savagery is based on primal instincts, causing savagery to not require anything besides qualities of human nature. Piggy is a product of civilization with his asthma, impaired sight, and corpulent...
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...William Golding, author of Lord of the Flies, lived through and experienced the thick of World War II, and he personally saw how destructive humans could be. How someone could go from a functional, civilized member of society, to a savage. In Lord of the Flies, William Golding uses the theme of human nature to demonstrate his believe in how fragile society is, and how easily it can collapse. Moreover, what better way to show this than through impressionable young boys? A prime example of Golding’s view of human nature is Jack Merridew, more specifically, his encounters with the pigs on the island. At the beginning of the novel, Jack, Ralph and Simon go to survey their new home, and it is there they first discover a piglet caught in the vines....
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...By likening the group of boys to a creature, Golding is foreshadowing that the specific group of boys will become a force of savagery. The quote creates a mood of mysteriousness and suspense as the boys change from an unknown monster to a group of boys. Due to the boys walking and being dressed in an orderly fashion, the group contrasts with the setting of a savage island. The author chooses to emphasize the heat because it will be a continual challenge for the boys. Because the boys are British, the group is not used to excessive heat. By comparing the heat to a continual challenge, the author foreshadows the difficulties that the boys will face. The boys strip off their clothes to express their new freedom. Because no one is there to...
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...Ralph went for the end of innocence, the darkness of man's heart, and the fall through the air of true, wise friend called piggy" In the dystopian novel, "Lord of the Flies" written by William Goulding, a group of young British boys are struggling to survive on an untouched and deserted island after their plane is attacked during the nuclear war of World War 1, causing the plane to crash. Without adults in control, they try to govern themselves to maintain order and stability but ultimately fail resulting into violence and brutality. Throughout the novel, a presence of a dark force becomes more evident as the story progresses, exemplifying the inner darkness within the children. With these young boys, Goulding proposes a shocking revelation...
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...A Guide to Writing the Literary Analysis Essay I. INTRODUCTION: the first paragraph in your essay. It begins creatively in order to catch your reader’s interest, provides essential background about the literary work, and prepares the reader for your major thesis. The introduction must include the author and title of the work as well as an explanation of the theme to be discussed. Other essential background may include setting, an introduction of main characters, etc. The major thesis goes in this paragraph usually at the end. Because the major thesis sometimes sounds tacked on, make special attempts to link it to the sentence that precedes it by building on a key word or idea. A) Creative Opening/Hook: the beginning sentences of the introduction that catch the reader’s interest. Ways of beginning creatively include the following: 1) A startling fact or bit of information Example: Nearly two hundred citizens were arrested as witches during the Salem witch scare of 1692. Eventually nineteen were hanged, and another was pressed to death (Marks 65). 2) A snatch of dialogue between two characters Example: “It is another thing. You [Frederic Henry] cannot know about it unless you have it.” “ Well,” I said. “If I ever get it I will tell you [priest].” (Hemingway 72). With these words, the priest in Ernest Hemingway’s A Farewell to Arms sends the hero, Frederic, in search of the ambiguous “it” in his life. 3) A meaningful quotation (from the book you are analyzing...
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