...enjoyed writing characters as tragic heroes. In Shakespeare’s play, The Tragedy of Julius Caesar, the tragic hero is Brutus. Although the play is named after Caesar, Marcus Junius Brutus the Younger is the main character. The literary work focuses on the emotions, actions, and decisions made by Marcus Junius Brutus the Younger. Brutus is the best friend of Titular character, Julius Caesar. Gaius Julius Caesar is a member of the first Triumvirate of Rome, a form of government that is run by three people. Traditionally, a tragic hero is a character in a literary work who is usually of noble birth or who has notable ancestry. The character that is the tragic hero also has another distinguishing characteristic. The tragic hero has to have...
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...In William Shakespeare’s woeful play Julius Caesar, Roman nobleman and friend of Caesar Marcus Brutus embodies the customary role of tragic hero, a flawed character solely responsible for his own downfall resulting from a series of unfortunate and poorly made choices. As a first example, Shakespeare illustrates Brutus’ nobility, a prime and essential characteristic of a tragic hero, when conspirator Casca describes him as “ ‘sit[ting] high in all the people’s hearts. . . . His countenance, like richest alchemy, / Will change to virtue and worthiness’ ” (Shakespeare I.iii.157, 159-160). Certainly, through Casca’s description of Brutus’ honor, status, and aristocracy, Shakespeare confirms his social standing within Roman society, a key trait...
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...William Shakespeare’s The Tragedy of Julius Caesar, set in Rome in 44 B.C, focuses on the character of Julius Caesar and his gruesome assassination by the members of the Roman Senate. Mark Antony, Caesar’s best friend, plots his revenge and incites a riot, causing the exile of the conspirators and their impending defeat. The tragic hero with a tragic flaw can be found in the character of Julius Caesar, an example of this being Caesar’s prominence in society as well as his fatal flaw of hubris. Another example is Caesar’s recognition of his fatal flaw following his betrayal and downfall. A third example is Caesar’s redemption, when his death is fully grasped by Marcus Brutus, who was once Caesar’s friend but betrayed him. The tragic hero is Julius Caesar because of his fatal flaw of hubris, his recognition of his flaw in his...
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...A tragic hero is a person of noble birth and high status with heroic or potentially heroic qualities. Though fated the hero makes choices which bring about his destruction. In order for us to eventually feel sorry for this hero, he is initially introduced as one with the same moral standards as us so that when his downfall occurs we would feel pity. In shakesperean tragedies the hero climbs a ladder of power but in the end falls from his position and dies due to some irreversible mistake known as a tragic error. He has the potential to be good or bad and can win either side by his own actions and intentions. His tragic error leads to his downfall but he redeems himself by the end of the play. Brutus is the tragic hero of this play. Brutus’ tragic flaw was being naive which led him to his death. All that he trusted deceived him at one time or another during the play. He allows others, like Cassius and Antony to manipulate him. His first mistake was in Act 2, Scene 1 when the fake letters are sent to him from the conspirators. This was all a lie to get Brutus to join in on the conspirator for Cassius knew he could not do it without Brutus’ support as he is of high status, a feature of the tragic hero. Brutus believes these letters are from the people of Rome and therefore agrees to the death of Caesar. Another example of his naiveness is in Act 3, Scene 2 where Brutus decides to allow Antony to speak to show honor to Caesar. This is his tragic error. Antony sways the crowd into...
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...written by William Shakespeare, shows the relationships between the conspiracy members, more specifically Marcus Brutus. He comes from noble ancestry and is a politician in the Roman capital. One of Shakespeare’s most used ideas in his plays is the idea of a tragic hero. A tragic hero is a character usually of noble birth and has a tragic flaw. Shakespeare uses Brutus and not Caesar as the tragic hero. To fit the criteria of a Shakespearean tragic hero the character must be a person of noble birth and have a tragic flaw. Brutus has an ancestor who is of noble importance. Lucius Junius Brutus was the...
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...Marcus Brutus: Noble Hero with a Tragic Fate In his influential work Poetica, the Greek philosopher Aristotle wrote “The aim of art is to represent not the outward appearance of things, but their inward significance.” According to his analytical studies of literature which this quote appears in, successful tragedies achieve that deeper effect by arousing internal sensations of pity and fear in their audience through intricate character development of a virtuous and respectable protagonist. However, even a seemingly ideal character requires relatable flaws for their audience to connect on an emotional level with them; thus, authors of tragedies also give their heroes a hamartia, which Aristotle defines as a weakness in character. This single...
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...In William Shakespeare's play ¨The Tragedy of Julius Caesar¨ a group of conspirators came together to plan assassinated Julius Caesar. Brutus was a tragic hero because he faced major challenges with his loyalty to his friends; loyalty to his country. His relationship with Caesar was strong, bit his love for Rome and the people of Rome was stronger. Noble Brutus is considered a tragic hero because he was destined for a downfall. At the end of the play he called victory too soon, and a little while after he did that he knew he was defeated so he committed suicide. Marcus Junius Brutus was Brutus ancestor. He was important because he fought for a democracy so that no one would rule. He would want the Senate to make decisions. Rather than a King....
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...Peter Delich Italian 230 Research Paper Julius Caesar Julius Caesar; he came, he saw, and he conquered. Caesar is one of the most well-known Emperors of Rome and one of the most influential historical figures. Caesar was a politician and general of the late Roman republic, who greatly extended the Roman Empire before seizing power and making himself dictator of Rome, paving the way for the imperial system. The story of Caesar’s rise to power and fall from grace is one that has been told since the time of the Romans. His accomplishments and contributions to Roman society and the world will surely never be forgotten. Julius Caesar was a distinguished general, influential politician, and a fierce dictator. Julius Caesar was born in Rome around July 13, 100 BC. Although, he hailed from Roman aristocrats, his family was far from rich. When Caesar was 16 his father, Gaius Caesar, died. “His family was closely connected with the Marian faction in Roman politics” (Historical Figures, Julius Caesar par. 2). At around the time of his father's death, Caesar made a large effort to side with the country's nobility. “His marriage to Cornelia, the daughter of a noble, had drawn the ire of Rome's dictator, Sulla, who ordered the young Roman to divorce his wife or risk losing his property” (Caesar Julius, par 5). Caesar refused and found escape in the military, serving first in the province of Asia and then in Cilicia. Following the death of Sulla, Caesar returned to Rome to begin his...
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...Chapter Fifteen The Roman Empire at its Zenith (to 235 CE) In retrospect we can see that a decline of the Roman empire began in the reign of Marcus Aurelius (161-180), when the Germanic barbarians along the Rhine and especially the Danube discovered that the Romans were not well equipped to fight wars on two fronts. When the emperor, that is, was preoccupied with a war against the Parthians in Mesopotamia, the Roman frontier along and beyond the Danube was poorly defended, and the barbarians could make raids deep into the Roman provinces. Despite the danger of wars on two fronts, the Roman empire was able to manage well enough from the 160s until 235, when the decline became precipitous, and brought with it radical economic, cultural and religious changes. This chapter, therefore, will look at the empire in its relatively golden period, from the first century until the death of Alexander Severus, the last of the Severi, in 235. The classes This was a stratified, hierarchical society in all ways. In civic status the top of the pyramid was the emperor, followed by Roman provincial governors, senators and other officials, then by the local gentry, and next by the rank and file of Roman citizens. Of all the free men in the empire, only about a third ranked as Roman citizens. Right behind the Romans were the Hellenes (in the Greek-speaking eastern provinces the Hellenes were enrolled as such in the municipal census), then came Judaeans, and finally the other barbarians. So in...
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...A STUDY OF FULVIA by Allison Jean Weir A thesis submitted to the Department of Classics In conformity with the requirements for The degree of Master of Arts Queen’s University Kingston, Ontario, Canada December 2007 copyright © Allison Jean Weir 2007 Abstract Who was Fulvia? Was she the politically aggressive and dominating wife of Mark Antony as Cicero and Plutarch describe her? Or was she a loyal mother and wife, as Asconius and Appian suggest? These contrasting accounts in the ancient sources warrant further investigation. This thesis seeks to explore the nature of Fulvia’s role in history to the extent that the evidence permits. Fulvia is most famous for her activities during Antony’s consulship (44 BC) and his brother Lucius Antonius’ struggle against C. Octavian in the Perusine War (41-40 BC). But there is a discrepancy among the authors as to what extent she was actually involved. Cicero, Octavian and Antony, who were all key players in events, provide their own particular versions of what occurred. Later authors, such as Appian and Dio, may have been influenced by these earlier, hostile accounts of Fulvia. This is the first study in English to make use of all the available evidence, both literary and material, pertaining to Fulvia. Modern scholarship has a tendency to concentrate almost exclusively on events towards the end of Fulvia’s life, in particular the Perusine War, about which the evidence is much more abundant in later sources such as Appian and...
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...Essays Essays Part II. 2, 2.] Part II. 2, 2.] Essays The Project Gutenberg EBook of Essays, by Ralph Waldo Emerson This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Essays Author: Ralph Waldo Emerson Editor: Edna H. L. Turpin Release Date: September 4, 2005 [EBook #16643] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK ESSAYS *** 1 Essays Produced by Curtis A. Weyant , Sankar Viswanathan and the Online Distributed Proofreading Team at http://www.pgdp.net ESSAYS BY RALPH WALDO EMERSON Merrill's English Texts SELECTED AND EDITED, WITH INTRODUCTION AND NOTES, BY EDNA H.L. TURPIN, AUTHOR OF "STORIES FROM AMERICAN HISTORY," "CLASSIC FABLES," "FAMOUS PAINTERS," ETC. NEW YORK CHARLES E. MERRILL CO. 1907 CONTENTS INTRODUCTION LIFE OF EMERSON CRITICAL OPINIONS CHRONOLOGICAL LIST OF PRINCIPAL WORKS THE AMERICAN SCHOLAR COMPENSATION SELF RELIANCE FRIENDSHIP HEROISM MANNERS GIFTS NATURE SHAKESPEARE; OR, THE POET PRUDENCE CIRCLES NOTES PUBLISHERS' NOTE Merrill's English Texts 2 Essays 3 This series of books will include in complete editions those masterpieces of English Literature that are best adapted for the use of schools and colleges. The editors of the several volumes will...
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...1 CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV CHAPTER XVI Chapter XVIII CHAPTER XVII CHAPTER XVIII CHAPTER XIX CHAPTER XX CHAPTER XXI CHAPTER XXII CHAPTER XXIII CHAPTER XXIV CHAPTER XXV CHAPTER XXVI CHAPTER XXVII CHAPTER XXVIII CHAPTER XXIX CHAPTER XXX CHAPTER XXXI The Art of Public Speaking BY 2 The Art of Public Speaking BY J. BERG ESENWEIN AUTHOR OF "HOW TO ATTRACT AND HOLD AN AUDIENCE," "WRITING THE SHORT-STORY," "WRITING THE PHOTOPLAY," ETC., ETC., AND DALE CARNAGEY PROFESSOR OF PUBLIC SPEAKING, BALTIMORE SCHOOL OF COMMERCE AND FINANCE; INSTRUCTOR IN PUBLIC SPEAKING, Y.M.C.A. SCHOOLS, NEW YORK, BROOKLYN, BALTIMORE, AND PHILADELPHIA, AND THE NEW YORK CITY CHAPTER, AMERICAN INSTITUTE OF BANKING THE WRITER'S LIBRARY EDITED BY J. BERG ESENWEIN THE HOME CORRESPONDENCE SCHOOL SPRINGFIELD, MASS. PUBLISHERS Copyright 1915 THE HOME CORRESPONDENCE SCHOOL ALL RIGHTS RESERVED TO F. ARTHUR METCALF FELLOW-WORKER AND FRIEND Table of Contents THINGS TO THINK OF FIRST--A FOREWORD * CHAPTER I--ACQUIRING CONFIDENCE BEFORE AN AUDIENCE * CHAPTER II--THE SIN OF MONOTONY DALE CARNAGEY * CHAPTER III--EFFICIENCY THROUGH EMPHASIS AND SUBORDINATION * CHAPTER IV--EFFICIENCY THROUGH CHANGE OF PITCH * CHAPTER V--EFFICIENCY THROUGH CHANGE OF PACE * CHAPTER VI--PAUSE AND POWER * CHAPTER VII--EFFICIENCY THROUGH INFLECTION * CHAPTER VIII--CONCENTRATION IN DELIVERY...
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...www.it-ebooks.info www.it-ebooks.info E L E V E N T H E D I T I O N MARKETING MISTAKES AND SUCCESSES 3 0 T H A N N I V E R S A RY Robert F. Hartley Cleveland State University JOHN WILEY & SONS, INC. www.it-ebooks.info VICE PRESIDENT & PUBLISHER EXECUTIVE EDITOR ASSISTANT EDITOR PRODUCTION MANAGER PRODUCTION ASSISTANT EXECUTIVE MARKETING MANAGER ASSISTANT MARKETING MANAGER MARKETING ASSISTANT DESIGN DIRECTOR SENIOR DESIGNER SENIOR MEDIA EDITOR George Hoffman Lise Johnson Carissa Doshi Dorothy Sinclair Matt Winslow Amy Scholz Carly DeCandia Alana Filipovich Jeof Vita Arthur Medina Allison Morris This book was set in 10/12 New Caledonia by Aptara®, Inc. and printed and bound by Courier/Westford. The cover was printed by Courier/Westford. This book is printed on acid-free paper. Copyright © 2009, 2006, 2004, 2001, 1998, 1995, 1992, 1989, 1986, 1981, 1976 John Wiley & Sons, Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, Inc. 222 Rosewood Drive, Danvers, MA 01923, website www.copyright.com. Requests to the Publisher for permission should...
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...ROBERT F. HARTLEY • Cindy Claycomb 12th Edition T W E L F T H E D I T I O N MARKETING MISTAKES AND SUCCESSES Robert F. Hartley Late of Cleveland State University Cindy Claycomb Wichita State University VICE PRESIDENT & EXECUTIVE PUBLISHER SENIOR EDITOR PROJECT EDITOR EDITORIAL ASSISTANT ASSOCIATE DIRECTOR OF MARKETING MARKETING MANAGER MARKETING ASSISTANT DESIGN DIRECTOR PRODUCT DESIGNER SENIOR PRODUCTION MANAGER ASSOCIATE PRODUCTION MANAGER PRODUCTION EDITOR COVER DESIGNER George Hoffman Franny Kelly Brian Baker Jacqueline Hughes Amy Scholz Kelly Simmons Marissa Carroll Harry Nolan Allison Morris Janis Soo Joel Balbin Eugenia Lee Kenji Ngieng This book was set in 10/12 New Caledonia by Aptara®, Inc. and printed and bound by Courier/Westford. The cover was printed by Courier/Westford. This book is printed on acid-free paper. Founded in 1807, John Wiley & Sons, Inc. has been a valued source of knowledge and understanding for more than 200 years, helping people around the world meet their needs and fulfill their aspirations. Our company is built on a foundation of principles that include responsibility to the communities we serve and where we live and work. In 2008, we launched a Corporate Citizenship Initiative, a global effort to address the environmental, social, economic, and ethical challenges we face in our business. Among the issues we are addressing are carbon impact, paper specifications and procurement, ethical...
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...62118 0/nm 1/n1 2/nm 3/nm 4/nm 5/nm 6/nm 7/nm 8/nm 9/nm 1990s 0th/pt 1st/p 1th/tc 2nd/p 2th/tc 3rd/p 3th/tc 4th/pt 5th/pt 6th/pt 7th/pt 8th/pt 9th/pt 0s/pt a A AA AAA Aachen/M aardvark/SM Aaren/M Aarhus/M Aarika/M Aaron/M AB aback abacus/SM abaft Abagael/M Abagail/M abalone/SM abandoner/M abandon/LGDRS abandonment/SM abase/LGDSR abasement/S abaser/M abashed/UY abashment/MS abash/SDLG abate/DSRLG abated/U abatement/MS abater/M abattoir/SM Abba/M Abbe/M abbé/S abbess/SM Abbey/M abbey/MS Abbie/M Abbi/M Abbot/M abbot/MS Abbott/M abbr abbrev abbreviated/UA abbreviates/A abbreviate/XDSNG abbreviating/A abbreviation/M Abbye/M Abby/M ABC/M Abdel/M abdicate/NGDSX abdication/M abdomen/SM abdominal/YS abduct/DGS abduction/SM abductor/SM Abdul/M ab/DY abeam Abelard/M Abel/M Abelson/M Abe/M Aberdeen/M Abernathy/M aberrant/YS aberrational aberration/SM abet/S abetted abetting abettor/SM Abeu/M abeyance/MS abeyant Abey/M abhorred abhorrence/MS abhorrent/Y abhorrer/M abhorring abhor/S abidance/MS abide/JGSR abider/M abiding/Y Abidjan/M Abie/M Abigael/M Abigail/M Abigale/M Abilene/M ability/IMES abjection/MS abjectness/SM abject/SGPDY abjuration/SM abjuratory abjurer/M abjure/ZGSRD ablate/VGNSDX ablation/M ablative/SY ablaze abler/E ables/E ablest able/U abloom ablution/MS Ab/M ABM/S abnegate/NGSDX abnegation/M Abner/M abnormality/SM abnormal/SY aboard ...
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