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Matrix and the Cave

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The 1999 film the Matrix by the Wachowski brothers is full of a host of interesting philosophical questions but one of the overriding themes of the film is an interesting reversal of Plato’s allegory of the cave.
Anderson lives in world, which is controlled by the matrix agents just like Plato's prisoner lives in a cave being controlled by the puppeteers. Both Anderson and the prisoner of the cave manage to escape from the world, as they know it and come to know the world as it really is. Anderson, with some help from Morpheus, comes to realize that the life he has been leading so far is nothing but the life of a slave, shaped under the control of the Matrix, protected by the agents. Plato's prisoner comes to realize first that the shadows he is looking at are not the truth, they are just shadows cast on the wall by the people and animals. The characters, simultaneously experience shock and then a feeling of when they first perceive what is real. Neo (the name he assumes after the experience) is able to see how humans are "grown", hooked on wires, an element which symbolizes control just like the chains, which tie the prisoners in Plato's cave.
Unlike Plato’s prisoner, who manages to find his way out of the cave without any help from others, Morpheus helps Neo. When Neo is faced with a moment of choice: would he take the blue pill and stay in the world of senses (Matrix) or take the red pill and start his “tumbling down the rabbit hole” and come to know reality as it objectively exists. He chooses the red pill thus giving himself the opportunity to experience the world of the mind, the real world and finds it as mind-blowing as Plato’s prisoner finds the illuminated world outside of the cave.
There is no turning back after experiencing what is real. However, there is a need for both characters to share the truth with the others. Just as Plato supposed his prisoner would try to free his fellow prisoners, the free humans in The Matrix have a similar goal. So, the movie Matrix can be considered a modern reread of the allegory of the cave.

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