...Pleasure and pain: Representations of illegal drug consumption, addiction and trafficking in music, film and video It is a safe assumption that when the term ‘drug’ or ‘use’ is mentioned, many automatically associate this with something rather unpleasant, a negative experience. This is due to the fact that individuals throughout most of their lives are warned of the destructive, detrimental and the horrendous nature of drugs and the consequences that arise from one’s involvement with them. This message is conveyed through many platforms, one of them being the media/entertainment industry. It is the same media portrays the image of illegal drug consumption as highly pleasurable. In the article Pleasure and pain: Representations of illegal drug consumption, addiction and trafficking in music, film and video (Fraser, S and Moore, D, 2011), composer Susan Boyd thoroughly explores through qualitative research the role music, film and video playing in creating meanings and images of drug consumption, addiction and trafficking and- in doing so, shapes up our perspective on drug use. This essay will discuss ways within which music, film and video represents illegal drug consumption, addiction and trafficking and how this influences our perspective and understanding of drug use. Media in today’s contemporary society is viewed as a necessity, it is held on the same level of importance as food and clothing (Stoddart, T, 2014). Individuals are exposed to the media throughout all aspects...
Words: 607 - Pages: 3
...Sound, by Alexandra Harmon 4. Aztlán and Viet Nam: Chicano and Chicana Experiences of the War, edited by George Mariscal 5. Immigration and the Political Economy of Home: West Indian Brooklyn and American Indian Minneapolis, by Rachel Buff 6. Epic Encounters: Culture, Media, and U.S. Interests in the Middle East,1945–2000, by Melani McAlister 7. Contagious Divides: Epidemics and Race in San Francisco’s Chinatown, by Nayan Shah 8. Japanese American Celebration and Conflict: A History of Ethnic Identity and Festival, 1934–1990, by Lon Kurashige 9. American Sensations: Class, Empire, and the Production of Popular Culture, by Shelley Streeby 10. Colored White: Transcending the Racial Past, by David R. Roediger 11. Reproducing Empire: Race, Sex, Science, and U.S. Imperialism in Puerto Rico, by Laura Briggs 12. meXicana Encounters: The Making of Social Identities on the Borderlands, by Rosa Linda Fregoso 13. Popular Culture in the Age of White Flight, by Eric Avila 14. Ties That Bind: The Story of an Afro-Cherokee Family in Slavery and Freedom, by Tiya Miles 15. Cultural Moves: African Americans and the Politics of Representation, by Herman S. Gray Cultural Moves African Americans and the Politics of Representation Herman S. Gray UNIVERSITY OF CALIFORNIA PRESS Berkeley . Los Angeles . London Chapter 1 appeared as “The New Conditions of Black Cultural Production, Or Prefiguring of a Black Cultural Formation,” in Between Law and Culture: Relocating Legal Studies...
Words: 98852 - Pages: 396
...RESEARCH PAKISTANI SINGER’S EYE ON INDIAN MUSIC INDUSTRY (IMI) FOR EXPOSURE (-research by MADHU VIJHANI) TABLE OF CONTENTS SNo. | Particulars | Page no. | 1. | Introduction | 6-8 | 2. | Problem | 89-10 | 3. | Significance of the research | 11-14 | 4. | Objectives of the research | 15 | 5. | Hypothesis | 16 | 6. | Review of literature | 17-33 | 7. | Methodology | 34-36 | 8. | Data processing and analysis | 37-38 | 9. | Data representation | 39-48 | 10 | Conclusion | 49 | 11. | Bibliography | 50 | 11. | Annexures | 51-55 | Table of Data Analysis& Reppresentation SNo. | Particulars | Page no. | `1. | Number of people inclined towards music | 39-40 | 2. | Preference of music by people for different genre | 41-42 | 3.(i) | Number of people preferring Indian singers/music | 43-44 | (ii) | Number of people preferring Pakistani singers | 45-46 | 4. | Number of people favouring Pakistani singers in IMI | 47-48 | Introduction The term 'mass' denotes great volume, range or extent (of people or production) and reception of messages. The term 'mass' suggests that the recipients of media products constitute a vast sea of passive, undifferentiated individuals. With the advancement in Media Technology, people are no longer receiving gratification without questioning the grounds on which it is based. Instead, people are engaging themselves more with media products such as computers, cell phones and Internet. These have...
Words: 11730 - Pages: 47
...to no surprise that gender has also influenced MCs and their work. In fact gender identifications have been so impactful they help determine an artist’s success in the music industry. MCing is known to be a male dominated art form and it is very difficult for females to become successful without having to conform to the preconceived notions about women in the music industry. In the Hip-hop world many male artists have created stereotypes for both men and women and their place in the Hip-hop music (NHP 06-11-2012). For some male artists these stereotypes have made success more achievable while, on the other hand, these stereotypes have made it harder for female MCs to rise to success. There’s no denying that Hip-hop stereotypes are an important component of Hip-hop performance (NHP 06-13-2012) in fact many artists today feel the need to utilize these stereotypes in order to get ahead in the game. For example, Big Sean is one talented MC in mainstream Hip-hop that doesn’t refrain from having half naked women dancing around in his music videos. His videos emphasize the most popular stereotypes which refer to women as “hoes”, “bitches” and “gold-diggers” (NHP 06-13-2012). Although these names are degrading and disrespectful to women, it is quite unfortunate that they have become acceptable in the music industry. It is also unfortunate that an artist’s work is based on the number of video vixens they have dancing in their videos; but that’s what sells. These notions have definitely...
Words: 826 - Pages: 4
...but the art has expanded to become a multi-billion dollar industry (Atkinson & Halliday, 2003), mostly due to the success of rap music, the most widely publicized and marketed aspect. Media such as television and magazines are responsible for hip-hop’s global recognition today, allowing everyone from the United States to Germany and Korea to embrace the culture (Bennett, 1999). Hip-hop culture has made an enormous transition from its beginning stages to its current state. Early hip-hop reduced inner-city gang violence, as aspects such as the break dancing and rapping acted as positive outlets for at-risk youth, but the emergence of “gangsta” and commercial rap during the 1990s severely lessened the emphasis on non-violence (Watkins, 2001). Today, media associate hip-hop culture with drugs, sex, and violence (Yousman, 2003). This research paper will analyze advertisements in hip-hop magazines, with the aim of discovering how women are depicted. Specifically, this paper will examine how the majority of advertisements within three major hip-hop magazines in the United States depict women in a manner that both reinforces male dominance in American society and depicts women as sexual objects. This paper will also explain and demonstrate how the media images are functioning according to Professor George Gerbner’s cultivation theory. Several scholarly sources deal with hip-hop culture and gender biases, as well as the media that stereotype females (Baileyl 2006; Bennett 1999; Boyd...
Words: 3194 - Pages: 13
...GCE Media Studies Advanced Subsidiary GCE Unit G322: Key Media Concepts (Television Drama) Mark Scheme for June 2011 Oxford Cambridge and RSA Examinations OCR (Oxford Cambridge and RSA) is a leading UK awarding body, providing a wide range of qualifications to meet the needs of pupils of all ages and abilities. OCR qualifications include AS/A Levels, Diplomas, GCSEs, OCR Nationals, Functional Skills, Key Skills, Entry Level qualifications, NVQs and vocational qualifications in areas such as IT, business, languages, teaching/training, administration and secretarial skills. It is also responsible for developing new specifications to meet national requirements and the needs of students and teachers. OCR is a not-for-profit organisation; any surplus made is invested back into the establishment to help towards the development of qualifications and support which keep pace with the changing needs of today’s society. This mark scheme is published as an aid to teachers and students, to indicate the requirements of the examination. It shows the basis on which marks were awarded by Examiners. It does not indicate the details of the discussions which took place at an Examiners’ meeting before marking commenced. All Examiners are instructed that alternative correct answers and unexpected approaches in candidates’ scripts must be given marks that fairly reflect the relevant knowledge and skills demonstrated. Mark schemes should be read in conjunction with the published question papers and...
Words: 2522 - Pages: 11
...certainly be familiar with the phrase “ you have to be twice as good to get half of what they have”. This is a proverb of black culture that has embedded itself into every corner of the black experience, especially the music industry. The United States and black Americans have had a tumultuous history, with entanglements that have withered into trauma lasting for generations. The very livelihood that blacks were able to retain from their homelands, the music, chants, dancing and entertaining has been whitewashed into a form more suitable for mass media. Icons such as Prince and Michael jackson, two iconic performers, represent much more than themselves or their music, but instead they symbolize...
Words: 1350 - Pages: 6
...strong argument suggests that audiences may be passively affected by the sexist, violent representations in GTAV as it is a more realist text than other shoot em' up action adventure games. Young audiences ultimately may begin to view women differently and think that the aspirational violence is acceptable as a means to an end". Andy Medhurst (Representation Theory) Stereotyping is Shorthand for Identification: "One way that texts like Waterloo Road and Skins for example allow for audience identification is through stereotyping and giving characters an extreme representation". Angela McRobbie (Gender Theory) Post Feminist Icon Theory: "Lara Croft, Lady Gaga and Madonna for example could be identified as post feminist icons as they exhibit the stereotypical characteristics of both the male and female strength, courage, control and logic but also are willing to be sexualized for the male gaze. This control element of their own representation is crucial in understanding the theory". Baudrillard Hyper Reality: "Some texts are difficult to distinguish in terms of the representation of reality from a simulation of reality e.g. Big Brother. The boundaries are blurred as codes and conventions create a set of signifiers which we understand but in fact the representation is a copy of a copy". Uses and Gratifications Theory: "Different audiences gain different pleasures from a media text e.g. Gravity can be enjoyed via diversion or escapism, it can use surveillance to give...
Words: 2075 - Pages: 9
...The goal of this project was to create a space where the community could re-imagine the lyrics of their favorite Regional Mexican song to emphasize why and how are these songs problematic (sexist, racist, violent). This kind of music is traditional and popular in Mexico. People who follow this trend tend to be from rural communities, low-income, and have low educational backgrounds. The Regional Mexican Music industry is primarily dominated by males, resulting in sexist lyrics. Furthermore, since the drug business is recruits members from communities desperate for a financial income -- low income people who are also most likely to like banda -- the Regional Mexican Music produces songs about the drug business resulting in violent music. In...
Words: 304 - Pages: 2
...An analysis of the representations of Afro-Peruvians in national television Introduction Despite the ethnic and cultural diversity that exists in Peru, the establishment of racial ideologies have influenced the ways in which these minorities are located in society and the levels of discrimination and systematic exclusion that they have suffered through time. This discrimination has affected them at a social level, but also at an institutional level, since they have been systematically marginalized and denied of their basic human rights. Although racial and ethnic discrimination might be manifested in multiple ways, the current research proposal will focus on the Afro-Peruvian population , one of the groups that are most vulnerable to experience racism and discrimination, and that has been invisible both to society and to the Peruvian government for decades. Because of it, the proposal will analyze the ways in which this...
Words: 1730 - Pages: 7
...Essays on Computers Economics Essays Education Essays English Essays Georgaphy Essays Marketing Essays Mythology Essays Philosophy Essays Psychology Essays Shakespeare Essays Essays on Social Issues Sociology Essays Essays on Theater Best free essay resources. Daniel Bagwell Ms. Waggoner English 111 15 November 2000 A View on Music and the Government The censorship of music and other forms of entertainment by the government have long been the topic of discussion among social and political circles. Some forms of censorship such as warning labels for parents can be helpful. However the censorship of music is just not right, and the government has no right to do so. All too often the government gets on a self righteous feeling and thinks that it is it’s right to control what goes in or out of this so called “free nation’s” minds. Censorship in music falls into one of those categories in which the American people and the American government, which is supposed to be a representation of the people, have extremely conflicting ideas on the subject. Some say that the government should regulate the music industry. They say that the American people don’t know what is best for them as a whole. Their proof is in the increase in violence, crime, Unadulterated sex and other “taboos” that have been on the rise in recent years. There are those that say that the government should only slightly be involved. These are the proponents of warning labels and the like, and that...
Words: 1429 - Pages: 6
...Citron, argues that there has been an exclusion of women in the musical professions, which has inevitably had a correlation on how we continue to limit women representing the canon. She touches on subjects such as the patriarchal objection of music, stating how the French composer Cecile Chaminade’s father discouraged her pursuit of development of her musical talents. She also includes evidence of the sexism that had occurred throughout history of music patrons who disregarded music if they knew a woman had composed it and thus, forcing women to conceal their femininity through gender neutral names just to have their work listened to. Constant critique created a stigma of inferiority towards woman music if they showed or if they didn’t show femininity. She closes her discussion about the importance of representation of women in the music field by acknowledging the consequences that can result from thinking that if work is not existing in modern day, then it must not be important. Inclusion of women works in music can result in better representation, validity, and...
Words: 678 - Pages: 3
...I don’t think that art rock is pretentious or arrogant music at all. The type of music that an individual or a band chooses to create does not define their intelligence level or how well educated they are. The art rock is a genre that is just like any other genre of music that faces some negativity from different sections of people or fans. Art Rock gets the controversy because of the images of the bands or individuals and the message that they pass in their sings. The controversies however do not narrow down that the individuals are pretending or are not intelligent enough.it is just a new way of creating new music for the world and hence it should not be seen as if the bands or individuals are pretending in their passing of the message. For most of the artists that were involved rock, they hardly opened up about their actual sexual preference until later on in their careers. Much of their affiliation with homosexuality was actually assumed by the media, critics and their fans. Some of these assumptions were however proven to be correct when the artists later on actually came out as homosexuals but initially this had just been speculations. Early in glitter rocks artists’ expression about being homosexuals was part of their image, part of the wow factor and a way in which they would be able to receive more attention from the media for being something new different which might have received either good or bad reactions from their initial fan base. The...
Words: 384 - Pages: 2
...In a 2008 interview for a British radio station, the rapper Kanye West compared his contribution to music to Michael Jordan’s contribution to basketball with the announcement: "I realize that my place and position in history is that I will go down as the voice of this generation. Of this decade, I will be the loudest voice.”i The public responded to West with outright rejection. A notorious South Park episode titled “Fish Sticks” portrays West as the only person in the world too dumb to understand a joke who repeatedly calls himself the “genius voice of a generation,” poking fun at both his egotistic personality and his lack of skill at giving interviews.ii The well-known entertainment blog The Mo’Kelly Report snapped, “Don’t compare yourself to Michael Jordan if...
Words: 469 - Pages: 2
...Welcome to the wonderful World of entertainment Where art imitates life And people get famous Welcome to the world Of show-biz arrangements Where "lights, camera, action" Is the language. -Jurrasic 5 Performance studies in the last few years has begun to reject essentialist notions of live performance as ontologically distinct from the influence of recorded media, or mediatization. Philip Auslander deconstructs the traditional binary of live versus mediatized forms in his recent study, Liveness: Live Performance in a Mediatized Culture. Since hiphop culture and rap music originated in a post-industrial urban setting, they have always been inherently mediatized to some degree. However, if there is no unmediatized performance in hiphop culture, a huge premium is still placed on immediacy. Since the appearance of rap records in the late seventies and MTV rap music videos in the mid-eighties it has become increasingly easier for rap artists to achieve success without having to first build a local following. In response to this phenomenon, music critic Nelson George has made a political analogy: recorded media "has made rap more democratic--but is democracy good for art? Hiphop was, at one point, a true meritocracy"(George 113).i Hiphop culture struggles between its status as meritocracy and its status as democracy, and this dichotomy has created an aesthetic division, manifested both in the lyrics and in the critical response. For those who see hiphop as a meritocracy...
Words: 5766 - Pages: 24