...In William Golding’s captivating novel, Lord of the Flies, fear of an unknown and menacing beast drives a group of boys to violent tendencies. The fabled beast begins as a rumor among the littluns, eventually manifesting itself as an unspoken terror in the boys’ minds. As the beast becomes more and more tangible, fear begins to dictate their everyday lives and tear their society apart. Fear possesses the power to alter civilizations, disperse figures of authority, deliver irrational power to others, and wear down civilized behavior until people resort to murder. Fear first establishes itself through whispers of the littluns. The littluns have dreams about the beast and one says he “...saw the beastie. It came and went away again an’ came...
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...In the novel Lord of the Flies by William Golding, the main theme portrayed is power. Throughout the novel as the boys progress into their lonely states, it becomes evident that power is beginning to embrace the inhabitants of the island. One way that power is shown in the novel is when Jack decided to take the rest of the boys except Ralph, Piggy, and a couple others and started a new tribe. Jack grew tired of how serious Ralph was as a leader, and he also wasn’t very fond of following Ralph’s orders. Jack’s cruel and overbearing nature caused most of the older and younger boys to follow Jacks lust for power. Another way that the theme power is shown in Lord of the Flies is through mob mentality. In chapter nine of the novel, one person started...
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...the rage and before anyone knows it, fights break out over causes that no one even understands anymore. Teeth fly, blood sprays the walls like a fresh coat of crimson paint, over causes that will soon be long forgotten. The minds of the fans are stolen by this mentality that forms in the group. Innocent bystanders get wrapped up into these rioting mobs and police are left to wonder who is responsible...
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...“What is an adult? A child blown up by age.” (Simone de Beauvoir). Is William Golding saying anything about the adult world in Lord of The Flies? William Golding says so much about adults it was an adult world he placed the boys in and the boys react in a way that adults very well can react. And In a way the power struggle, mob mentality, fear and violence represented in Lord of The Flies has played out many times over history. William Golding was not just comparing the two worlds they were one and the same represented by boys because really adults can be just as vulnerable and volatile they simply hide behind the idea of maturity which can quickly disintegrate when scared. This of course happened in Lord of The Flies the maturity disintegrated and they descended into savagery. It is simply human nature “I believed that the condition of man was to be morally diseased creation…trace the connection between his diseased nature and the international messes he gets himself into”. (Pg. 253) The symbolism in Lord of The Flies represents so many different aspects of society. The conch represents democracy and power it being the object that brings them together to vote, assemble and speak freely. As long as the conch exists the island is a place of order and fairness and with the conch comes Ralphs reign as chief. But when the boys begin to ignore the conch does Jack gain more power though he is still not equal to Ralph until the conch is destroyed the conch represented Ralphs authority...
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...Although there is a lack of light imagery in Lord of the Flies by William Golding, because of the frequent use of dark imagery to give an impending sense of despair, both light and dark imagery are still crucial to this novel. Light and dark imagery is an archetype that is used to give readers a better understanding of a story in some writer’s works. In the case of light vs. darkness, light usually suggests hope, renewal, or intellectual illumination; darkness implies the unknown, ignorance, or despair. Light can also be associated with the color white, which can represent the following: “innocence”, “goodness”, and “morality,” (Archetypes). Darkness can be associated with the color black, allowing darkness to represent the following: “the unknown”, “death”, “the unconscious”, or “evil” (Archetypes). All of these things can also be linked to morality- the id, ego, and superego. The id can be classified as “the primitive and instinctive component of personality”; ego can be classified as the part of the personality that “develops in order to mediate between the unrealistic id and the external real world”, and superego can be classified as the part of the personality that incorporates the values and morals of society which are learned from one's parents and others.” (McLeod). In Lord of the Flies, Many of the evil deeds in the story are committed at night, representing darkness. A perfect example of an evil deed that is committed at night would be the murder of Simon by all...
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...In William Golding's Lord of the Flies, a group of boys have survived a plane crash and have landed on an island. Without any grownups, the boys are forced to learn how to survive and cooperate by themselves, but the boys will soon be uncoordinated. The boys lose their innocence, and most will turn into savages. In developing the theme of the predatory, bestial atavistic nature of man, Golding employs numerous symbols using characters, symbolic acts, and objects. Of the groups of symbols, characters in Lord of the Flies symbolize different aspects of man. Some characters represent the different personalities that are involved with Sigmund Freud's id, ego, and superego. Piggy, a fat boy who wears spectacles, represents the superego as he is...
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...Ralph went for the end of innocence, the darkness of man's heart, and the fall through the air of true, wise friend called piggy" In the dystopian novel, "Lord of the Flies" written by William Goulding, a group of young British boys are struggling to survive on an untouched and deserted island after their plane is attacked during the nuclear war of World War 1, causing the plane to crash. Without adults in control, they try to govern themselves to maintain order and stability but ultimately fail resulting into violence and brutality. Throughout the novel, a presence of a dark force becomes more evident as the story progresses, exemplifying the inner darkness within the children. With these young boys, Goulding proposes a shocking revelation...
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...society, etc. The second definition is being polite; well-bred; refined. And the third is easy to manage or control; well organized or ordered. We are at a stage of social, culture ,and moral devolvement that is considered to be more advanced but at what cost to others? You read in the news every day of murders and genocide for the “good” of a nation. Take the events in Thailand recently. Many children were killed during anti-government protests. These children were not causing any harm to anyone but where killed for voicing their opinion. Also in order to answer the question fully we need to first to separate people from persons. People which refers to a group of persons they are unintelligent. They operate as a hive mind using mob mentality usually with the loudest most unintelligent one being the leader, while person is a singular unit capable of reason and well organized thought. The greatest example of course being the red scare which occurred between 1947 and 1957 and was a modern day witch hunt. But instead of witches they were hunting communists. The government was able to evoke so much fear that most citizens that most people saw no problem with the actions they were taking. They threw the 4th amendment out the window and broke many civil liberties. The people, the president, and Supreme Court where all okay with it. We also need to look at why people continue to be civil or give the appearance of being so. Do they do it because they are generally good people or...
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...The Final Quest by Rick Joyner The Hordes of Hell Are Marching (Taken from "The Morning Star," Vol. 5, Nos 2-4, by Rick Joyner) The Evil Army I saw a demonic army so large that it stretched as far as I could see. It was separated into divisions, with each carrying a different banner. The foremost and most powerful divisions were Pride, Self righteousness, Respectability, Selfish Ambition, and Unrighteous Judgment, but the largest of all was Jealousy. The leader of this vast army was the Accuser of the Brethren himself. I knew that there were many more evil divisions beyond my scope of vision, but these were the vanguard of this terrible horde from hell that was now being released against the church. The weapons carried buy this horde had names on them: the swords were named Intimidation; the spears were named Treachery; and their arrows were named Accusations, Gossip, Slander and Faultfinding. Scouts and smaller companies of demons with such names as Rejection, Bitterness, Impatience, Un-forgiveness and Lust were sent in advance of this army to prepare for the main attack. I knew in my heart that the church had never faced anything like this before. The main assignment of this army was to cause division. It was sent to attack every level of relationship-churches with each other, congregations with their pastors, husbands and wives, children and parents, and even children with each other. The scouts were sent to locate the openings in churches, families or individuals that rejection...
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...Chapter 1 At 10:30 a.m., sharp, James Eckert pulled up in front of Stoddard Hall on the Riveroak College campus, where Grottwold Weinar Hansen had his lab. Angie Farrell was not, however, ready and waiting at the curb. Of course. It was a warm, bright September morning. Jim sat in the car and tried to keep his temper un- der control. It would not be Angie's fault. That idiot of a Grottwold undoubtedly had dreamed up some- thing to keep her working overtime in spite of-or perhaps because of-the fact he knew she and Jim were supposed to go home-hunting this morning. It was hard not to lose his temper with someone like Grottwold, who was not only one of the world's non- prizes but who had been very patently trying to take Angie away from Jim and get her for himself. One of the two big doors on the front of the Stoddard Hall opened and a figure came out. But it was not Angie. It was a stocky young man with bushy reddish hair and mustache, carrying an overstaffed briefcase. Seeing Jim in the car, he came down the steps over to the car and leaned on the edge of the opened win- dow on the curb side of the front seat. "Waiting for Angie?" he asked. "That's right, Danny," said Jim. "She was supposed to be out here to meet me, but evidently Grottwold's still hanging on to her." "That's his style." Danny Cerdak was a teaching assistant in the Physics Department. He was the only other Class AA volleyball player on campus. "You're going out to see Cheryl's trailer?" "If Angie ever...
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...'Vhat'Ve Can't A Guide J. Budzisze wski WHAT WE CAN’T NOT KNOW J. BUDZISZEWSKI WHAT WE CAN’T NOT KNOW A Guide Revised and Expanded Edition IGNATIUS PRESS SAN FRANCISCO First edition published by Spence Publishing Company, Dallas, Texas ©2003 by J. Budziszewski All rights reserved Cover illustration: Comstock/Fotosearch.com Cover design by Sam Torode ©2004 Spence Publishing Company Used by permission Published in 2011 by Ignatius Press, San Francisco ©2003, 2011 J. Budziszewski All rights reserved ISBN 978-1-58617-481-1 Library of Congress Control Number 2010927673 Printed in the United States of America To my grandparents Julian and Janina Budziszewski, long departed, not forgotten The mind of man is the product of live Law; it thinks by law, it dwells in the midst of law, it gathers from law its growth; with law, therefore, can it alone work to any result. —George MacDonald CONTENTS PREFACE TO THE SECOND EDITION A New Phase of an Old Tradition ix PREFACE TO THE FIRST EDITION Whom This Book Is For xix ACKNOWLEDGMENTS xxiii INTRODUCTION The Moral Common Ground 3 I THE LOST WORLD Things We Can’t Not Know 1 2 What It Is That We Can’t Not Know 3 Could We Get By Knowing Less? II EXPLAINING THE LOST WORLD 4 The First and Second Witnesses 5 The Third and Fourth Witnesses 6 Some Objections vii 19 29 54 83 93 116 viii WHAT WE CAN’T NOT KNOW III HOW THE LOST WORLD WAS LOST 7...
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...1 CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV CHAPTER XVI Chapter XVIII CHAPTER XVII CHAPTER XVIII CHAPTER XIX CHAPTER XX CHAPTER XXI CHAPTER XXII CHAPTER XXIII CHAPTER XXIV CHAPTER XXV CHAPTER XXVI CHAPTER XXVII CHAPTER XXVIII CHAPTER XXIX CHAPTER XXX CHAPTER XXXI The Art of Public Speaking BY 2 The Art of Public Speaking BY J. BERG ESENWEIN AUTHOR OF "HOW TO ATTRACT AND HOLD AN AUDIENCE," "WRITING THE SHORT-STORY," "WRITING THE PHOTOPLAY," ETC., ETC., AND DALE CARNAGEY PROFESSOR OF PUBLIC SPEAKING, BALTIMORE SCHOOL OF COMMERCE AND FINANCE; INSTRUCTOR IN PUBLIC SPEAKING, Y.M.C.A. SCHOOLS, NEW YORK, BROOKLYN, BALTIMORE, AND PHILADELPHIA, AND THE NEW YORK CITY CHAPTER, AMERICAN INSTITUTE OF BANKING THE WRITER'S LIBRARY EDITED BY J. BERG ESENWEIN THE HOME CORRESPONDENCE SCHOOL SPRINGFIELD, MASS. PUBLISHERS Copyright 1915 THE HOME CORRESPONDENCE SCHOOL ALL RIGHTS RESERVED TO F. ARTHUR METCALF FELLOW-WORKER AND FRIEND Table of Contents THINGS TO THINK OF FIRST--A FOREWORD * CHAPTER I--ACQUIRING CONFIDENCE BEFORE AN AUDIENCE * CHAPTER II--THE SIN OF MONOTONY DALE CARNAGEY * CHAPTER III--EFFICIENCY THROUGH EMPHASIS AND SUBORDINATION * CHAPTER IV--EFFICIENCY THROUGH CHANGE OF PITCH * CHAPTER V--EFFICIENCY THROUGH CHANGE OF PACE * CHAPTER VI--PAUSE AND POWER * CHAPTER VII--EFFICIENCY THROUGH INFLECTION * CHAPTER VIII--CONCENTRATION IN DELIVERY...
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...W.B. Yeats's "The Second Coming" W.B. Yeats' poem "The Second Coming" was written in 1919, just one year after WWI ended. The beginning of this poem reflects on how evil has taken over the minds of good Christians, and the world has turned into chaos. It is apparent that Yeats believes that a Second Coming is at hand, and he spends the last half of the poem discussing what that Second Coming could look like. Turning and turning in the widening gyre (line 1) Yeats imagines the world in a cyclical sphere known a gyre (shape of a cone). In Yeats' note on the text, he states that "the end of an age, which always receives the revelation of the character of the next age, is represented by the coming of one gyre to its place of greatest expansion and of the other to that of its greatest contraction" (2036). Yeats believes that the two thousand years of Christianity will be coming to an end, and after a violent reversal a new age will take its place. The widening part of the gyre is supposed to connote anarchy, evil, and the loss of innocence. The falcon cannot hear the falconer; (2) The falconer in this analogy is most likely God (or Jesus), and the falcon is the follower (or devotee). Humanity can no longer hear the word of God, because it is drowned out by all of chaos of the widening gyre. A wild falcon can symbolize an unconverted Gentile; someone who has sinful thoughts, and does sinful things. A tame falcon (one who listens to the word of God) is a Christian convert. In the...
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...Gibreel II Mahound III Ellowen Deeowen IV Ayesha V A City Visible but Unseen VI Return to Jahilia VII The Angel Azraeel VIII The Parting of the Arabian Seas IX A Wonderful Lamp Satan, being thus confined to a vagabond, wandering, unsettled condition, is without any certain abode; for though he has, in consequence of his angelic nature, a kind of empire in the liquid waste or air, yet this is certainly part of his punishment, that he is . . . without any fixed place, or space, allowed him to rest the sole of his foot upon. Daniel Defoe, _The History of the Devil_ I The Angel Gibreel "To be born again," sang Gibreel Farishta tumbling from the heavens, "first you have to die. Hoji! Hoji! To land upon the bosomy earth, first one needs to fly. Tat-taa! Taka-thun! How to ever smile again, if first you won't cry? How to win the darling's love, mister, without a sigh? Baba, if you want to get born again . . ." Just before dawn one winter's morning, New Year's Day or thereabouts, two real, full-grown, living men fell from a great height, twenty-nine thousand and two feet, towards the English Channel, without benefit of parachutes or wings, out of a clear sky. "I tell you, you must die, I tell you, I tell you," and thusly and so beneath a moon of alabaster until a loud cry crossed the night,...
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...Nihilism!!! What is Nihilism? A common (but misleading) description of nihilism is the 'belief in nothing'. Instead, a far more useful one would substitute 'faith' for 'belief' where faith is defined as the "firm belief in something for which there is no proof." A universal definition of nihilism could then well be the rejection of that which requires faith for salvation or actualization and would span to include anything from theology to secular ideology. Within nihilism faith and similar values are discarded because they've no absolute, objective substance, they are invalid serving only as yet another exploitable lie never producing any strategically beneficial outcome. Faith is an imperative hazard to group and individual because it compels suspension of reason, critical analysis and common sense. Faith is "don't let those pesky facts get in the way of our political plan or our mystically ordained path to heaven"; faith is "do what I tell you because I said so". All things that can't be disproved need faith, utopia needs faith, idealism needs faith, and spiritual salvation needs faith. Fuck faith. The second element nihilism rejects is the belief in final purpose, that the universe is built upon non-random events and that everything is structured towards an eventual conclusive revelation. This is called teleology and it's the fatal flaw plaguing the whole rainbow of false solutions from Marxism to Buddhism and everything in between. Teleology compels obedience towards the...
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