...Another of Mozart’s greatest compositions is Symphony No. 40 in G minor, KV. 550, which was composed in 1788. Often this piece is called the "Great G minor symphony." This is an attempt to distinguish it from the "Little G minor symphony," No. 25. Both of which were composed by Mozart and are the only two works in extant minor keys that he composed. The exact date that this piece was completed was recorded by Mozart. The 10th Symphony was recorded on the 25th of July in 1788. There was work done on the symphony throughout a time period of a few weeks, also during this time Mozart completed the 39th and 41st symphonies on the 26th of June and the 10th of August, respectively. It is speculated that Mozart composed these three symphonies as...
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...Wolfgang Amadeus Mozart’s Symphony No. 40 in G Minor, K. 550, completed in 1788, is arguably one of his most popular works. It is one of only minor symphonies composed by Mozart, and is commonly referred to as the “great G minor symphony.” The theme of the opening movement is instantly recognizable, even by non-musicians. The second movement features a largely contrasting work in Eb major. This lengthy andante movement is entirely in 6/8 time. The piece features many instances of accompaniment ostinato in both the upper strings and horn. This can be seen within the opening page of the score. The first 4 measures feature a melodic line for string bass while the violas and violins have an eighth note ostinato. Then in the following measures...
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...dress code, no special handshake. But there are unspoken rules. The recurring theme muttered about at this year's Edinburgh international festival had to do with noise: not that made by performers on stage, which they had paid to hear, but the noise made by audiences. Edinburgh, it turns out, is a pretty loud crowd. Take the last movement of Mahler's Ninth Symphony: that tender, faltering statement of resignation and frailty. As conductor Daniele Gatti held the Royal Concertgebouw Orchestra in a breathtaking suspended whisper, the moment should have been utterly transporting – unfortunately, the piercing sound of an unadjusted hearing aid went ringing round the hall like a tiny, whiny theremin. A couple of weeks earlier, Mariss Jansons and the Bavarian Radio Symphony Orchestra had to compete with a cheerful volley of dry coughs ricocheting around the Usher Hall. And there were phones ringing while Nikolai Lugansky played Janáček, not to mention shuffling and chatting as Ensemble musikFabrik played Cage. It's not just Edinburgh, of course. In his review of the BBC Symphony Orchestra's Proms performance of Górecki's Symphony of Sorrowful Songs, the Guardian's Martin Kettle picked up on the (invariably Proms-specific) issue of clapping between movements. "Górecki's solemn spell was only violated by the insistence of part of the Proms audience on applauding at the end of each movement," he wrote. Commenter James Welford replied: "Whilst...
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...Sina Valizadeh Concert Report 2 03/19/14 Classical Music Concert Report The concert took place in Balboa Park at Spreckels Organ. I was there for about an hour and they played 7 songs. #1: Jared Jacobsen: Toccata from Symphony No.5, Opus 42 from Charles-Marie Widor (1844-1937) From the start of the song tempo was presto. It has a 1,2 rhythm and it is very simple overall until it goes toward the end of a song and you hear more different melodies. it had an amazing finishing. during the middle of the song you could've hear the middle parts with louder and harder melodies. #2: Jared Jacobsen: Toccata in D Minor, S. 565 from Jonathan Sebastian Bach (1685-1750) This piece almost took 10 minutes and by far i can say is one of the best classical songs I've ever heard. it seems like a happy song. a lot of high pitch sounds and melodies were used in this song. tempo was combination of presto and moderato and it seems like its a dramatic song. #3: Sam Rudenberg: Prelude in G minor, BWV 556 from Jonathan Sebastian Bach (1685-1750) Very relaxing song, decent speed and largo tempo. i can say it is esspresione and it gets loud at the end of a song. #4: Sam Rudenberg: Finale from Janet Correll (b. 1942) Its a romantic era, it has a story line and a song like melody, usually it narrates a story about some one or a specific event that happened in the history. kind of slow tempo and a 1.2 rhythm. i heard a little bit of syncopation as well. #5: Jared Jacobsen: oh Danny boy...
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...violin, which is very longato, and then soothes the listener, and then makes the piece more and more forte and appassionato. The theme of the piece is played. Rimsky-Korsakov is a Russian composer, and uses very Russian-like technique, for example, the beginning, which is very dark and gloomy, but strong like Russians. The piece gets very thrilling which is why it is so famous. When the piece is played, it experiments in different tones and volume at surprising times; at one moment is very soothing and longato, but at the next moment, it will be very thrilling and many sforzandos. It is also famous because Korsakov composed this off of arabian nights, which was famous, and that he was at first an opera composer, but then wrote a piece for symphony orchestra. The era was right before the Russian imperialism, and Alexander III was the ruler. Alexander III was a peaceful man, making Russia not involved in major foreign affairs or major wars/battles; consequently, the country did not have many despair in war. This made it possible for the composer, Rimsky-Korsakov, to create a non war-like piece, but a romantic, hateful towards love piece. This was the Romantic era in music, and this piece is somewhat romantic, since some parts are very romantic, but some parts aren’t romantic, but mean, at all. This made people love it more, and were intrigued by it. All of these things make the piece very famous since this piece is mainly romantic, however, the first two movements are not mainly romantic...
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...Individualism, which some claim dates back centuries in America and other western cultures. Individualism, which some claim dates back centuries in America and other western cultures. Sonata form (also sonata-allegro form or first movement form) is a large-scale musical structure used widely since the middle of the 18th century (the early Classical period). Sonata form (also sonata-allegro form or first movement form) is a large-scale musical structure used widely since the middle of the 18th century (the early Classical period). Symphony is an extended musical composition in Western classical music, normally thought of as being written for orchestra Symphony is an extended musical composition in Western classical music, normally thought of as being written for orchestra Lyricism-gentle or romantic emotion, expressed in writing or music. Lyricism-gentle or romantic emotion, expressed in writing or music. Symmetrical is not restricted to the visual arts. Its role in the history of music touches many aspects of the creation and perception of music. Symmetrical is not restricted to the visual arts. Its role in the history of music touches many aspects of the creation and perception of music. Classical are generally accepted as being between about 1750 and 1820. However, the term classical music is used in a colloquial sense as a synonym for Western art music, which describes a variety of Western musical styles from the ninth century to the present, and especially...
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...The concert I visited was Beethoven’s 7th Symphony on Sunday April 6; the conductor was Edo De Waart. Included in the concert there was a performance of Symphony of Wind Instruments, this was created by Ivor Stravinsky there were multiple different wind instruments used in this piece, there was three flutes; two oboes; English horn; three clarinets; three bassoons; four horns; three trumpets; three trombones; tuba. John Adam’s violin concerto was played in the concert, this had instruments from many different groups it consisted of, two flutes; two oboes; two clarinets; two bassoons; two horns; trumpet; percussion; two keyboard samplers; strings. As for Beethoven’s Symphony he used multiple different instruments, two flutes; two oboes; two clarinets; two bassoons; two horns; two trumpets; timpani; strings. The event was held at the Pabst Theatre, the Pabst was built in 1895, and is actually the fourth oldest continually operating theatre in the United States. The Pabst Theater was previously called Das Neue Deutsche Stadt-Theater and was built by Captain Pabst, this theatre was burnt down, and Captain Pabst immediately started rebuilding the theatre, as it only took eleven months, and that is why it is called Pabst theatre today. One very prominent soloist at the concert was a woman named Leila Josefowicz who “is the chosen interpreter of several leading composers” . Some of these composers include: John Adams, Oliver Knussen, Thomas Ades, and Esa-Pekka Salonen. Josefowicz...
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...Haydn with the Vienna Philharmonic Orchestra in Bavaria in 1873, making our experience of attending a performance by the same ensemble in Carnegie Hall more than 140 years later all the more special. The program directed by Latvian Andris Nelsons also included, besides the aforesaid work, Joseph Haydn’s Symphony No.90 in C Minor, Johannes Brahm’s Symphony No. 3 in F Major, Op.90 and Johann Strauss’s waltz Seid Umschlungen, Millionen (“Be Embraced, You Millions”) –which was actually dedicated to Brahms- as a surprise encore. Also known as Saint Anthony Variations, Brahms composed his Variations during a summer stay in Lake Starnberg near Münich during a time where he had finally, after the premiere of A German Requiem in 1868, achieved recognition throughout Europe. He based his work on a theme in Chorale Saint Antoni originally attributed to Haydn, although in the nineteenth century this was questioned and the piece remains unattributed to this day. Brahms composed two versions of this work –one for two pianos, the other for orchestraboth of which consist on a theme on B-flat major, eight variations and a finale in passacaglia form. The night started with Joseph Haydn’s Symphony No.90 in C Major, a piece in sonata form composed for one flute, timpani, viola, cello, bass and two oboes, bassoons, horns, trumpets and violins. The first movement –the Adagio- introduces, the listener to the piece by a sharp contrast between forte and an eight descending notes in piano. We are then presented...
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...1 – The symphony is an important genre that was created during the Classical period. Using examples of symphonies by Haydn, Mozart, Beethoven and Brahms, describe two [2] main features of the genre, and describe two [2] important changes or innovations that took place by the time Brahms composed his Symphony no. 1. Two main features of the genre are that there are four movements: sonata allegro, theme and variation, minuet, and then finale or rondo.Fast, usually an allegro and in what became known as sonata form. Slow and often in a simple form such as ternary form. Minuet and trio, a dance borrowed from the Baroque period and in ternary form. Fast and usually an allegro, often light-hearted in style and in a form such as rondo form, theme and variations or sonata form. strings, a woodwind section of a flute, two oboes, two clarinets and two bassoons, with some brass instruments, two French horns, sometimes two trumpets and normally only timpani from the percussion section. symphony no. 5 by Beethoven. Haydn, “Father” of the Symphony, Symphony No. 104 In D Major, “London” and Mozart, Symphony no. 40 in g-minor all focused on absolute music. Brahms began composing his Symphony no. 1 in 1854 and completed it in 1876 which was during the romantic period. The range of musical materials used by composers expanded enormously. Romantic composers looked for a greater freedom in the design and structure of their music, and more intense and personal expression of emotion. Melodies...
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...3-8 Romantic 1817-1827: The establishment of new forms and a personal style which was much more Romantic on paper and in feel. Symphony No. 9 7 Beethoven is known as the developer of the symphony. His extensive development of musical material, themes and motifs usually by modulation resulted in his works being very long and expressive. He also continued to expand the “development” section of his works, adding not only length but also substance.8 This essay will set out to discuss the aspects of the symphony that Beethoven developed with regards to: the programmatic aspects of his symphonies, which instruments he used/added to the symphony (instrumentation), the structure of the symphony, his use of forms and how he used his instruments (orchestration). Programmatic aspects of his symphonies Programme music is purely instrumental (without words) music which is based on an extra-musical stimulus and a programme symphony is a symphony which has a programme. The whole work usually has a subtitle and sometimes each movement has a subtitle as well.9 Programme elements can be seen in Beethoven’s 3rd Symphony (Eroica) which is associated with the concept of heroism, his 5th Symphony which can be seen as an overcoming of his fate (deafness) and the 6th Symphony (Pastoral) which has a subtitle for each movement.7 Beethoven said of his 6th that the “work can be perceived without description”, because it clearly has depictions of bird...
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...Wolfgang Amadeus Mozart Symphony 40 in G minor KV 550 http://www.youtube.com/watch?v=AQVsvDt-KPA This symphony is composed by the well known music composer Wolfgang Amadeus Mozart in 1788. It is a classical and first movement (Molto allegro) symphony. In this symphony percussions, brass and keyboards are not used. Only strings and woodwind instruments are used to compose this symphony. This symphony is mainly dominated by String instruments. It is a tensed music. The arrangement of this symphony is slow tempo, fast tempo, slow tempo, fast tempo. Instruments Used In This Symphony 1. Violin 2. Oboe 3. Flute 4. Double Bass 5. Cello 6. Bassoon 7. Clarinet My Personal Opinion Regarding This Symphony I personally found this symphony to be relaxing and tensed at the same time as it follows both genres gradually. We can experience soft temp as well as in high tempo, which really catches the attention of the one who is listening to it. This symphony has the capability to change one’s mood. As it is very well composed and the way the musicians have synchronised the instrument sounds, it really makes a good composition, as a listener, I really got involved in the music as it relaxed me. But if I would have been tensed, it would have made me more tensed. I really like the way the Maestro/Conductor was making them play the symphony, as he knew what to do and how to make them follow the rhythm and tone. As the tone in this symphony was really important...
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...Variations in C minor for the piano on a march by Earnst Christoph Dressler. By the age of 12, he was providing for his family by playing the organ and composing music. In Bonn, he studied with Christian Gottlob Neefe. Neefe once wrote about Beethoven in the Magazine of Music saying, “If he continues like this, he will be, without a doubt, the new Mozart.” For a while he also studied with composer Wolfgang Amadeus Mozart. In 1792, Vienna became his permanent residency where he studied with Austrian composer Joseph Haydn. In the early 1800’s, Beethoven’s hearing started to decline. 1814 was his faming peak. Two of his most famous works were: Wellington’s Victory op. 91 in 1813 (otherwise known as the Battle Symphony) and The Glorious Moment op. 136 in 1814. His works done between 1818 through 1826 included: the Sonara in B-flat major op. 106 in 1818, the Missa Solemnis in D-major op. 123 in 1823, the Thirty-Three Variations on a Waltz by Diabelli in Cmajor op.120 in 1823, the Symphony No. 9 in D-minor op. 125 in 1824, and his last string quartets. Throughout his life he wrote: one opera, five piano concertos, nine symphonies, thirty-two piano sonatas, and string quartets. MUSIC One of Beethoven’s famous piano sonatas is entitled the Moonlight Sonata. The Moonlight Sonata is remembered best for it’s dream-like opening. This work was composed in 1801 and dedicated to Giulietta Duicciardi, a student of his. This sonata is divided into three movements, otherwise known...
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...Since the classical period, Franz Joseph Haydn is known to be the ‘Father of Symphony’ and the ‘Father of the String Quartet’. He was a divine composer and was able to create symphonies at different heights. Because of him, symphonies are extended in length and are an actual musical form. Haydn was very well-known at his time. It’s impressive to know that he had written over one hundred symphonies, more than any other composer! I think he is one of the greatest composers to have ever lived; to be able to be close friends with Mozart and teach Beethoven himself is an extraordinary thing. Mozart and Beethoven were the greatest musical artists during their time, so for Haydn to share his talents and teach them things shows that he was an amazing composer. He even had a list of string quartets dedicated to him by Mozart. Haydn contributed to the development of music tremendously. Symphonies were made before he began to write them but he created an orchestral repertoire out of them. Making music for a wealthy family, Haydn learned and became more skilled in his music. Being asked to compose music at the age of eighteen with only two violinists, a cellist, and a violist, Haydn perfected what is known to be the string quartet. He’s written many of them and since his day people challenge themselves to compose a string quartet, since it’s very limited with no other instruments. He was a kindhearted, optimistic, and a funny man. Haydn had a great personality and loved practical...
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...Ariana Duenas Wednesday, 17 October 2012 Music Report “Rhapsody in blue” On September 29, 2012, the symphony Orchestra at Moorpark College had their first concert of the fall semester with special guest the horn player, Jennifer Bliman and Esther Keel on Piano. The Symphony Orchestra collectively performed three pieces during the concert. The hall was much more crowded than I expected. At the beginning of the concert, the orchestra was seated on the stage; the men wore tuxedos, and the women wore black dresses or pants. The concertmaster came out to tune the orchestra, and then the conductor made his entrance and gave a brief description of the piece that was about to be played. Alexander Borodin’s piece Symphony No. 2 in B minor was composed in the romantic period. He was a member of the group of composers called The five (or "The Mighty Handful"), who were dedicated to producing a specifically Russian kind of art music. It has a homophonic texture and its genre is classical music. There is a wide variety of instruments used in this piece. Among the wind instruments (woodwinds and brass) heard were bassoon, oboe, French horn, and trumpet. The strings played included the violin, viola, cello, and bass. Finally, the percussion instrument used for this piece was the timpani. This movement is broken down into four sections by tempo: Allegro, scherzo, andante, and Allegro. The allegro section begins with a fast introduction at a forte dynamic. This section is in a B minor...
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...JFT2 Organizational Management Task 2 Western Governors University JFT2 Organizational Management Task 2 A1. Utah Symphony Strengths and Weaknesses The Utah Symphony has been a leading arts organization in the western part of the United States for decades. They have a rich, long history. Many strengths have contributed to this success and continue to do today. Financially, the organization is able to raise money through various means. For the fiscal year 00-01, the symphony was able to raise $3.8 million through performance revenues, $3.1 million through government grants, and $4.5 million through fundraising. With another $1 million coming from investments other minor sources, they had an operating budget of $12.4 million for the year. This puts the symphony well over its Group II, as designated by the American Symphony Orchestra League, orchestral peers that average an operating budget of $8.8 million. The symphonies fundraising and performance revenues are projected to increase for the 01-02 fiscal year, proving these a strength despite a slowing economy. A major financial weakness that the Utah Symphony must confront is the full-time salaries of the musicians. The symphony employs 83 musicians and they receive a salary between $50,000-$85,000 along with benefits. These partnered with the associated payroll taxes accounts for almost 60% of the symphony’s budget. In the next two fiscal years, the symphony’s problem isn’t looking better with the musicians...
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