...months, I learn a lot from Mr./ Mrs. Blum and my colleague. They teach me not only professional knowledge/ skill, but also how to be independent when I’m facing the problem. According to Mrs. Blum, I am the youngest student they have ever been. Therefore, Mrs. Blum treats me as her daughter. For the professional aspect, she taught me almost every detail I know now, such as, the basic communication skill, the wine knowledge, the table manner, and the efficiency of the work. At the beginning, she always checking us during the services that if we did something wrong, she will tell us after the service, which can let us learn from the mistake. On the other hand for the personal aspect, she takes care of me during and after the work. She taught me what I can and can’t do, when I down by the...
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...things - style, looks, language and manners. Mrs. Mendoza / Aling Atang, mother of Kikay, has been carried away by her daughter's way of living. She tries to converse with everybody in broken English. Tony, sweetheart of Kikay, decides to visit and catch things up with his friend. He is a simple guy who got secretly engaged with their other childhood friend, Nena. Nena is a tomboyish type of girl. On her visit in Kikay's house, she finds her friend different and weird. She gets irritated. Totoy, the Tondo "canto boy" is their other friend who is funny and has a secret love for Nena which has only been revealed when the two females had a clash. Scene 1: *doorbell rings* Mrs. M: (Gets up from seat) Visitors, always visitors, nothing but visitors all day long. I'm beginning to feel like a society matron. (opens door) Mrs. M: Tony! I thought you were on the province. Tony: Is that you Aling Atang? Mrs. M: of course it's me, foolish boy. Why? Tony: You don't look like Aling Atang.Mrs. M: I had a haircut. Think it's horrible? Tony: Oh, no, no. You look just wonderful. Aling Atang for a moment, I thought you were Kikay. Mrs. M: Oh, you are so palikero as ever, Tony. But come in. Here, sit down. (Tony takes a seat) How is your mother? (Hands him a glass of juice from the table) Tony: Thank you. Oh, my poor mother. She's homesick for Tondo. (Sips juice) She wants to come back here at once. Hey, this is pretty good. Mrs. M: Thank you. How long have you been away? (Tony...
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...and she stands on it. Next, she faces to the audience, and adjusts her stance. Now, she starts to tell the story. Directional Light points to her, and other parts of the stage become dark. NARRATOR: Yan and John visited her father’s apartment, after a while, her father suddenly passed out. All of them are in hospital now, and Mr. Fang is still in a coma. After a cell phone rings, JOHN DOC walks to the STAGE RIGHT, and he pick up the phone. YAN helps Mrs.Fang sit down on the sofa, and she sits down on the chair in front of the hospital bed. She holds her father’s left hand, and put on her face. After that, she turns her head toward the audiences. She views the audiences as herself, and she starts to soliloquy. YAN: Why! Why my father have to suffer this? Since he bring me back from the orphanage, he always sick. God! A year has 365 days, and he has to stay in hospital almost 200 days. It is really because of me? Am I the hoodoo? YAN is crying badly....
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...figures most people cower in their presence. People are sometimes too afraid to stand up for themselves when they think the authority figure is wrong. To a certain extent this is acceptable because authority figures are supposed to guide you and keep you safe. Nevertheless, when an authority figure asks you to do something you know is wrong it's up to you to be brave. This is what I do when an authority figure is wrong. It could be a teacher or coach, and if they are doing something wrong I will call them out on it. When I moved to in Chatham in sixth grade, I realized this is not the case for most of my classmates. I witnessed multiple students blindly accept punishment or chastisement from a teacher even when the teacher was...
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...Second, DGG can try to arrange some sort of partnership with Global. This appears to me as the best option because it not only maintains a good relationship; it can also bring in steady income from the partnership. Lastly, DGG can find another company to take on the Luna Pens instead of the partnership with Global. Though this choice can be just as good financially, this will likely create a bad relationship between DGG and Global and stir up inconveniences in the future. DGG’s main aim is to find a way to get them the most benefit for their own company from these pens, now sold by Global. Global, however, just wants to continue using the brand “Luna” to sell their products without any troubles. This is an important brand name to Global, and it is not so much more important to DGG because they had abandoned it years ago. The issue only comes up because of the realization that someone else is receiving benefits from a brand that their own company worked hard to advertise. In the first situation, out of the 4 options I believed that D was the best option. Erika chose this choice and the outcome was shocking. Contrary to my initial belief, Mr. Feng of Global did not take Erika very seriously. I do believe it was because of her gender that caused this, however this could have probably been predicted if she studied Chinese culture enough. With this fax she sent, she appears to be too flexible for Mr. Feng and she could have definitely been more aggressive. I...
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...stoop and try To measure fully My flexibility? I might have been the bamboo, But I will be a man. Bend me then, O Lord, Bend me if you can. NEW YORKER IN TONDO Marcelino Agana, Jr. SCENE: The parlor of the Mendoza house in Tondo. Front door is at right. Curtained window is at left. Left side of stage is occupied by a rattan set –sofa and two chairs flanking a table. On the right side of the stage, a cabinet radio stands against a back wall. Open door-way in center, background, leads into the rest of the house. MRS. M: (As she walks toward the door) –Visitors, always visitors. Nothing but visitors all day long. Naku, I’m beginning to feel like a society matron. (She opens door. Tony steps in, carrying a bouquet. Tony is 26, dressed to kill, and is the suave type. Right now, however, he is feeling a trifle nervous. He starts slightly on seeing Mrs. Mendoza.) MRS. M : Tony! I thought you were in the provinces. TONY : (Startling) –But is that you, Aling Atang? MRS. M : ( Laughing) --- Of course. It’s I, foolish boy. Who did you think …Carmen Rosales? TONY : You …you don’t look like Aling Atang. MRS. M : (shyly touching her boyish bob) – I had my hair cut. Do I look so horrible? TONY : Oh, no, no … you look just wonderful, Aling Atang. For a moment I thought you were your own daughter. I thought you were Kikay. MRS. M : (Playfully slapping his cheek) --- Oh, you are as palikero as ever, Tony. But come in, come in. (She moves...
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...page is something called a Medi-Talker. It is perfect for me so I print out the page for it and bring it home. Once I got to Mrs. V’s house I point to my backpack and she opens it and looks over the papers and shows them to mom. Once mom gets home she looks at the papers and once she decides that it is perfect for me she orders it online. It finally arrives on the Wednesday before Christmas. Once I opened it Mrs. V helped me program lots of words and sayings into it. The next day I showed up at school and showed everyone my new computer they were so surprised that it talked everybody crowded around my desk like they did for Rose. About a month after I got the Medi-Talker it was time for the Whiz Kids Competition. We all took tests to see who would make it even I took...
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...name was Old Mrs. Pan, and unfortunately, her son, Billy pan, brought her to new York because she is too old to live alone in their house and he is worried because there has a Local bullies in there. But when mrs. pan is in the new York, she felt uncomfortable and felt useless, A lot of things are different there in New York, the water are taste like metal while in china, the water taste naturally earth, the food are not fresh unlike in china, and there has a machine that there has no in china, she didn’t know what it is and how to use it. So she decided to die that to live like that, she never eat and did not want to outside of her room, she never bother to look at the window because there has a machine like car. Sophia, her son’s wife worried because of her, so she asked a help to her social worker friend who are Chinese too. Sophia: Mother, this is my social worker friend, her name was Miss lili yang, she came to see you. (Mrs.Pan is about to stand up but lili stops her) Lili yang: You must not rise to one suchyounger. Old mrs pan: You speak so much good in Chinese! Lili yang: My parents taught me. Old mrs pan: Have you ever been in our Village? Lili yang: That’s sorrow, I never been there, im here to listen to you to tell me. Sophia: excuse me, I must prepare the dinner. Old mrs pan: She is always busy. Anyway, I was seventeen when I live in china! Our village is beautiful, Wait, how old are you? Lili yang: im 27. Old mrs pan: 27?...
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...THE DIARY OF A YOUNG GIRL : THE DEFINITIVE EDITION Anne Frank Edited by Otto H. Frank and Mirjam Pressler Translated by Susan Massotty -- : -BOOK FLAP Anne Frank's The Diary of a Young Girl is among the most enduring documents of the twentieth century. Since its publication in 1947, it has been read by tens of millions of people all over the world. It remains a beloved and deeply admired testament to the indestructable nature of the human spirit. Restore in this Definitive Edition are diary entries that had been omitted from the original edition. These passages, which constitute 30 percent more material, reinforce the fact that Anne was first and foremost a teenage girl, not a remote and flawless symbol. She fretted about, and tried to copie with, her own emerging sexuality. Like many young girls, she often found herself in disagreement with her mother. And like any teenager, she veered between the carefree nature of a child and the full-fledged sorrow of an adult. Anne emerges more human, more vulnerable, and more vital than ever. Anne Frank and her family, fleeing the horrors of Nazi occupation, hid in the back of an Amsterdam warehouse for two years. She was thirteen when the family went into the Secret Annex, and in these pages she grows to be a young woman and a wise observer of human nature as well. With unusual insight, she reveals the relations between eight people living under extraordinary conditions, facing hunger, the ever-present threat of discovery and death, complete...
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...focuses on 17 rule of management. Below is a transcribed version of our conversation. My questions are identified as "Me:" and Mr. Thanh’s responses as "Mr. Thanh:" Me: What is the main direction of your company? Mr Thanh: With slogan "Foundation for Sustainable Development - Foundation for the sustainable development" collective TeidVina are gradually developed and integrated into the development of the whole country as well as the world, the sustainable development of each individual ,collective, and the country is always Meng our actions. TeidVina always appreciate your support, cooperation and shared with partners in its development stage. My comment: he is a good strategic planner because he know what exactly direction of his company. He set a long-term target for his company. Me: Annually, Do you set some new policies for your company and normally what is its purpose? Mr Thanh: Yes, of course. Our company always wants to become the first one in this area so we usually have change to be able to satisfy the customer needs. Annually, we have some new policies to encourage our staff. Moreover, we fix some old rule to suitable for current situation. My comment: he established annually new policies, rules and he care avbout his staff so he is a organizer and good leader. Me: How do you maintain the relationship with long-term customers or supplier? Mr Thanh: Currently, we have close relationship with HANYANG ENG cooperation from Korea. To maintain this...
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...rhetorical choices Stevenson makes in the section. Just Mercy Ch. 15 “Broken” (pgs. 1). 236-237) What is the overall effect of the rhetorical choice on the audience? Rhetorical Question Mr Mr. Stevenson was reflecting on what had happened after Mr. Dill’s case by using imagery. He describes the overwhelming experience through his office as it displays what his mind was feeling. I was in my office, talking to Jimmy Dill on the night of his execution, and I realized I was thinking about something that had happened nearly forty years earlier. I also realized that I was crying. The tears were sliding down my cheeks, runaways that escaped when I wasn’t paying attention. Mr. Dill was still laboring to get his words out, desperately trying to thank me for trying to save his life. The guards were making noise behind him, and I could tell he was upset that he couldn’t get his words out right, but I didn’t want to interrupt him. So I sat there and let the tears fall down my face....
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...Agatha Christie - Third Girl CHAPTER ONE HERCULE POIROT was sitting at the breakfast table. At his right hand was a steaming cup of chocolate. He had always had a sweet tooth. To accompany the chocolate was a brioche. It went agreeably with chocolate. He nodded his approval. This was from the fourth shop he had tried. It was a Danish patisserie but infinitely superior to the so-called French one near by. That had been nothing less than a fraud. He was satisfied gastronomically. His stomach was at peace. His mind also was at peace, perhaps somewhat too much so. He had finished his Magnum Opus, an analysis of great writers of detective fiction. He had dared to speak scathingly of Edgar Alien Poe, he had complained of the lack of method or order in the romantic outpourings of Wilkie Collins, had lauded to the skies two American authors who were practically unknown, and had in various other ways given honour where honour was due and sternly withheld it where he considered it was not. He had seen the volume through the press, had looked upon the results and, apart from a really incredible number of printer's errors, pronounced that it was good. He had enjoyed this literary achievement and enjoyed the vast amount of reading he had had to do, had enjoyed snorting with disgust as he flung a book across the floor (though always remembering to rise, pick it up and dispose of it tidily in the waste-paper basket) and had enjoyed appreciatively nodding his head on the rare occasions when such...
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...The Project Gutenberg EBook of Sense and Sensibility, by Jane Austen This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Sense and Sensibility Author: Jane Austen Release Date: May 25, 2008 [EBook #161] [This file last updated September 6, 2010] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK SENSE AND SENSIBILITY *** SENSE AND SENSIBILITY by Jane Austen (1811) CONTENTS CHAPTER I CHAPTER VI CHAPTER XI CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV CHAPTER XVI CHAPTER XVII CHAPTER XXI CHAPTER XXII CHAPTER CHAPTER XXVI XXVII CHAPTER CHAPTER XXXI XXXII CHAPTER CHAPTER XXXVI XXXVII CHAPTER XLI CHAPTER XLII CHAPTER CHAPTER XLVI XLVII CHAPTER XVIII CHAPTER XXIII CHAPTER XXVIII CHAPTER XXXIII CHAPTER XXXVIII CHAPTER XLIII CHAPTER XLVIII CHAPTER XIX CHAPTER XX CHAPTER XXIV CHAPTER XXIX CHAPTER XXXIV CHAPTER XXXIX CHAPTER XLIV CHAPTER XLIX CHAPTER XXV CHAPTER XXX CHAPTER XXXV CHAPTER XL CHAPTER XLV CHAPTER L CHAPTER 1 The family of Dashwood had long been settled in Sussex. Their estate was large, and their residence was at Norland Park, in the centre of their property, where, for many generations, they had lived in so respectable a manner as to...
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...an English playwright and poet. Congreve was born in Bardsey, West Yorkshire, England (near Leeds). William Congreve wrote some of the most popular English plays of the Restoration period of the late 17th century. By the age of thirty, he had written four comedies, including Love for Love (premiered 30 April 1695) and The Way of the World (1700), and one tragedy, The Mourning Bride (1697). Unfortunately, his career ended almost as soon as it began. After writing five plays from his first in 1693 until 1700, he produced no more as public tastes turned against the sort of high-brow sexual comedy of manners in which he specialized. He reportedly was particularly stung by a critique written by Jeremy Collier to the point that he wrote a long reply, “Amendments of Mr. Collier’s False and Imperfect Citations.” A member of the Whig Kit-Kat Club, Congreve's career shifted to the political sector, where he held various minor political positions despite his stance as a Whig among Tories. Congreve withdrew from the theatre and lived the rest of his life on residuals from his early work. His output from 1700 was restricted to the occasional poem and some translation. Congreve never married in his own era and through subsequent generations, he was famous for his friendships with prominent actresses and...
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...sometimes despised him. His father, Mr Sawyer, was a strange man. Nobody could make out what he was doing in our part of the world at all. He was not a planter or a doctor or a lawyer or a banker. He didn't keep a store. He wasn't a schoolmaster or a government official. He wasn't — that was the point — a gentleman. We had several resident romantics who had fallen in love with the moon on the Caribees — they were all gentlemen and quite unlike Mr Sawyer who hadn't an 'h' in his composition. Besides, he detested the moon and everything else about the Caribbean and he didn't mind telling you so. He was agent for a small steamship line which in those days linked up Venezuela and Trinidad with the smaller islands, but he couldn't make much out of that. He must have a private income, people decided, but they never decided why he had chosen to settle in a place he didn't like and to marry a coloured woman. Though a decent, respectable, nicely educated coloured woman, mind you. Mrs Sawyer must have been very pretty once but, what with one thing and another, that was in days gone by. When Mr Sawyer was drunk — this often happened — he used to be very rude to her. She never answered him. 'Look at the nigger showing off,' he would say; and she would smile as if she knew she ought to see the joke but couldn't. 'You damned, long-eyed, gloomy half-caste, you don't smell right,' he would say; and she never answered, not even to whisper, 'You don't smell right to me, either.' The story went that...
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