...purple to symbolize the truth and principles within and about the American dream. The colors mentioned the most and used to enforce a greater meaning in the Great Gatsby are: green, yellow, red, blue, grey and white. Each color is a crucial detail in the book relating to intentions and foreboding. Throughout the history of literature colors have been used as motif. *add quote about color motifs in literature* Red commonly means power, danger, passion and love. Yellow is associated...
Words: 960 - Pages: 4
...comes in many different ways depending on our needs and our social positions. When we are finally achieving our desires, it will make us search for more. In F Scott Fitzgerald’s The Great Gatsby, a friend of the main character, Gatsby, who seek to be with the one he loves so much that he let his desire take over him and lead him to the wrong path. Fitzgerald uses the green light to represent Gatsby's desire to be with Daisy. The symbol teaches us that our desire can motivate us to accomplish our goal but it can also harm us if we are not careful with it. In the middle of the novel The Great Gatsby, Nick described the green light as Gatsby’s desire to be with Daisy. At the beginning of Chapter 5, Nick set up a surprise meeting between Gatsby and Daisy but Daisy wasn’t aware of that. Even though Gatsby knew that Daisy is coming, he still feel very nervous about it and almost run away but his desire to be with her motivate him, it gives him the strength to come back to see her. When he is with Daisy, he express that “the green light” at the end of her dock “had diminished by...
Words: 702 - Pages: 3
...The American Dream- a term coined by the rich and defined by the Oxford Dictionary as “the ideal that every US citizen should have an equal opportunity to achieve success and prosperity through hard work, determination and initiative”. In the novel The Great Gatsby, F. Scott Fitzgerald symbolizes the economic hierarchy imposed upon American civilization through characters such as Myrtle and Daisy. The societal pressures that Daisy and Myrtle deal with causes them to act in an inhumane fashion in order to achieve a highly regarded reputation. When asked about her child, Daisy hints that she is critical of the society she lives in, but refuses to speak out since she does not want to put her respectable status in jeopardy. On the other hand,...
Words: 996 - Pages: 4
... The Great Gatsby by F. Scott Fitzgerald reflects the inability of humans to achieve happiness through the three main characters Gatsby, Nick, and Daisy. Throughout the novel, F. Scott Fitzgerald perfectly exemplifies how each character in their diverse reality experiences the same universal issue; lack of happiness. Gatsby has dedicated his entire life to one single goal, Daisy. Daisy is not just the woman he loves,...
Words: 743 - Pages: 3
...Garrett Hinson American Literature II 3/15/13 The Sexuality of Nick Carraway The Great Gatsby’s narrator, Nick Carraway, belongs alongside the most sexually-complicated characters in all of literature, and while his character is seemingly-secondary throughout the novel, his crucial role as narrator requires that we form some sort of understanding of his enigmatic sexuality, for it has extremely significant implications for the rest of the plot. It is difficult to dismiss Nick’s often-sensual descriptions of men, his vague encounter with the party guest Mr. McKee, and his strangely-distant relationship with Jordan Baker as irrelevant to Nick’s perspective as narrator; each seems to suggest at least a latent tendency towards homosexuality. If indeed we are to interpret these behaviors as homosexual, then the entire attraction towards Jay Gatsby that Nick builds his story upon becomes more complicated. Nick would not merely being telling the story of a person he found to be beautiful, but a man he found to beautiful. This distinction refocuses the novel’s purpose entirely. Nick Carrway may in fact be in love with Jay Gatsby, and because Nick (as a possibly unreliable narrator) may not be able to admit this to his readers or to himself, it falls to us, the readers, to draw our own conclusions. In his first mention of Gatsby, Nick admits that “If personality is an unbroken series of successful gestures, then there was something gorgeous about him…” (Fitzgerald 2). While this...
Words: 1288 - Pages: 6
...critical theory today critical theory today A Us e r - F r i e n d l y G u i d e S E C O N D E D I T I O N L O I S T Y S O N New York London Routledge is an imprint of the Taylor & Francis Group, an informa business Routledge Taylor & Francis Group 270 Madison Avenue New York, NY 10016 Routledge Taylor & Francis Group 2 Park Square Milton Park, Abingdon Oxon OX14 4RN © 2006 by Lois Tyson Routledge is an imprint of Taylor & Francis Group, an Informa business Printed in the United States of America on acid‑free paper 10 9 8 7 6 5 4 3 2 1 International Standard Book Number‑10: 0‑415‑97410‑0 (Softcover) 0‑415‑97409‑7 (Hardcover) International Standard Book Number‑13: 978‑0‑415‑97410‑3 (Softcover) 978‑0‑415‑97409‑7 (Hardcover) No part of this book may be reprinted, reproduced, transmitted, or utilized in any form by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfilming, and recording, or in any information storage or retrieval system, without written permission from the publishers. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging‑in‑Publication Data Tyson, Lois, 1950‑ Critical theory today : a user‑friendly guide / Lois Tyson.‑‑ 2nd ed. p. cm. Includes bibliographical references and index. ISBN 0‑415‑97409‑7 (hb) ‑‑ ISBN 0‑415‑97410‑0 (pb) 1. Criticism...
Words: 221284 - Pages: 886