Free Essay

Narrative Digest

In:

Submitted By iamcris28
Words 3208
Pages 13
Scent of Apples
Bienvenido N. Santos

When I arrived in Kalamazoo it was October and the war was still on. Gold and silver stars hung on pennants above silent windows of white and brick-red cottages. In a backyard an old man burned leaves and twigs while a gray-haired woman sat on the porch, her red hands quiet on her lap, watching the smoke rising above the elms, both of them thinking the same thought perhaps, about a tall, grinning boy with his blue eyes and flying hair, who went out to war: where could he be now this month when leaves were turning into gold and the fragrance of gathered apples was in the wind?
It was a cold night when I left my room at the hotel for a usual speaking engagement. I walked but a little way. A heavy wind coming up from Lake Michigan was icy on the face. If felt like winter straying early in the northern woodlands. Under the lampposts the leaves shone like bronze. And they rolled on the pavements like the ghost feet of a thousand autumns long dead, long before the boys left for faraway lands without great icy winds and promise of winter early in the air, lands without apple trees, the singing and the gold!
It was the same night I met Celestino Fabia, "just a Filipino farmer" as he called himself, who had a farm about thirty miles east of Kalamazoo.
"You came all that way on a night like this just to hear me talk?"
"I've seen no Filipino for so many years now," he answered quickly. "So when I saw your name in the papers where it says you come from the Islands and that you're going to talk, I come right away."
Earlier that night I had addressed a college crowd, mostly women. It appeared they wanted me to talk about my country, they wanted me to tell them things about it because my country had become a lost country. Everywhere in the land the enemy stalked. Over it a great silence hung, and their boys were there, unheard from, or they were on their way to some little known island on the Pacific, young boys all, hardly men, thinking of harvest moons and the smell of forest fire.
It was not hard talking about our own people. I knew them well and I loved them. And they seemed so far away during those terrible years that I must have spoken of them with a little fervor, a little nostalgia.
In the open forum that followed, the audience wanted to know whether there was much difference between our women and the American women. I tried to answer the question as best I could, saying, among other things, that I did not know that much about American women, except that they looked friendly, but differences or similarities in inner qualities such as naturally belonged to the heart or to the mind, I could only speak about with vagueness.
While I was trying to explain away the fact that it was not easy to make comparisons, a man rose from the rear of the hall, wanting to say something. In the distance, he looked slight and old and very brown. Even before he spoke, I knew that he was, like me, a Filipino.
"I'm a Filipino," he began, loud and clear, in a voice that seemed used to wide open spaces, "I'm just a Filipino farmer out in the country." He waved his hand toward the door. "I left the Philippines more than twenty years ago and have never been back. Never will perhaps. I want to find out, sir, are our Filipino women the same like they were twenty years ago?"
As he sat down, the hall filled with voices, hushed and intrigued. I weighed my answer carefully. I did not want to tell a lie yet I did not want to say anything that would seem platitudinous, insincere. But more important than these considerations, it seemed to me that moment as I looked towards my countryman, I must give him an answer that would not make him so unhappy. Surely, all these years, he must have held on to certain ideals, certain beliefs, even illusions peculiar to the exile.
"First," I said as the voices gradually died down and every eye seemed upon me, "First, tell me what our women were like twenty years ago."
The man stood to answer. "Yes," he said, "you're too young . . . Twenty years ago our women were nice, they were modest, they wore their hair long, they dressed proper and went for no monkey business. They were natural, they went to church regular, and they were faithful." He had spoken slowly, and now in what seemed like an afterthought, added, "It's the men who ain't."
Now I knew what I was going to say.
"Well," I began, "it will interest you to know that our women have changed--but definitely! The change, however, has been on the outside only. Inside, here," pointing to the heart, "they are the same as they were twenty years ago. God-fearing, faithful, modest, and nice."
The man was visibly moved. "I'm very happy, sir," he said, in the manner of one who, having stakes on the land, had found no cause to regret one's sentimental investment.
After this, everything that was said and done in that hall that night seemed like an anti-climax, and later, as we walked outside, he gave me his name and told me of his farm thirty miles east of the city.
We had stopped at the main entrance to the hotel lobby. We had not talked very much on the way. As a matter of fact, we were never alone. Kindly American friends talked to us, asked us questions, said goodnight. So now I asked him whether he cared to step into the lobby with me and talk.
"No, thank you," he said, "you are tired. And I don't want to stay out too late."
"Yes, you live very far."
"I got a car," he said, "besides . . . "
Now he smiled, he truly smiled. All night I had been watching his face and I wondered when he was going to smile.
"Will you do me a favor, please," he continued smiling almost sweetly. "I want you to have dinner with my family out in the country. I'd call for you tomorrow afternoon, then drive you back. Will that be alright?"
"Of course," I said. "I'd love to meet your family." I was leaving Kalamazoo for Muncie, Indiana, in two days. There was plenty of time.
"You will make my wife very happy," he said.
"You flatter me."
"Honest. She'll be very happy. Ruth is a country girl and hasn't met many Filipinos. I mean Filipinos younger than I, cleaner looking. We're just poor farmer folk, you know, and we don't get to town very often. Roger, that's my boy, he goes to school in town. A bus takes him early in the morning and he's back in the afternoon. He's nice boy."
"I bet he is," I agreed. "I've seen the children of some of the boys by their American wives and the boys are tall, taller than their father, and very good looking."
"Roger, he'd be tall. You'll like him."
Then he said goodbye and I waved to him as he disappeared in the darkness.
The next day he came, at about three in the afternoon. There was a mild, ineffectual sun shining, and it was not too cold. He was wearing an old brown tweed jacket and worsted trousers to match. His shoes were polished, and although the green of his tie seemed faded, a colored shirt hardly accentuated it. He looked younger than he appeared the night before now that he was clean shaven and seemed ready to go to a party. He was grinning as we met.
"Oh, Ruth can't believe it," he kept repeating as he led me to his car--a nondescript thing in faded black that had known better days and many hands. "I says to her, I'm bringing you a first class Filipino, and she says, aw, go away, quit kidding, there's no such thing as first class Filipino. But Roger, that's my boy, he believed me immediately. What's he like, daddy, he asks. Oh, you will see, I says, he's first class. Like you daddy? No, no, I laugh at him, your daddy ain't first class. Aw, but you are, daddy, he says. So you can see what a nice boy he is, so innocent. Then Ruth starts griping about the house, but the house is a mess, she says. True it's a mess, it's always a mess, but you don't mind, do you? We're poor folks, you know.
The trip seemed interminable. We passed through narrow lanes and disappeared into thickets, and came out on barren land overgrown with weeds in places. All around were dead leaves and dry earth. In the distance were apple trees.
"Aren't those apple trees?" I asked wanting to be sure.
"Yes, those are apple trees," he replied. "Do you like apples? I got lots of 'em. I got an apple orchard, I'll show you."
All the beauty of the afternoon seemed in the distance, on the hills, in the dull soft sky.
"Those trees are beautiful on the hills," I said.
"Autumn's a lovely season. The trees are getting ready to die, and they show their colors, proud-like."
"No such thing in our own country," I said.
That remark seemed unkind, I realized later. It touched him off on a long deserted tangent, but ever there perhaps. How many times did lonely mind take unpleasant detours away from the familiar winding lanes towards home for fear of this, the remembered hurt, the long lost youth, the grim shadows of the years; how many times indeed, only the exile knows.
It was a rugged road we were traveling and the car made so much noise that I could not hear everything he said, but I understood him. He was telling his story for the first time in many years. He was remembering his own youth. He was thinking of home. In these odd moments there seemed no cause for fear no cause at all, no pain. That would come later. In the night perhaps. Or lonely on the farm under the apple trees.
In this old Visayan town, the streets are narrow and dirty and strewn with coral shells. You have been there? You could not have missed our house, it was the biggest in town, one of the oldest, ours was a big family. The house stood right on the edge of the street. A door opened heavily and you enter a dark hall leading to the stairs. There is the smell of chickens roosting on the low-topped walls, there is the familiar sound they make and you grope your way up a massive staircase, the bannisters smooth upon the trembling hand. Such nights, they are no better than the days, windows are closed against the sun; they close heavily.
Mother sits in her corner looking very white and sick. This was her world, her domain. In all these years, I cannot remember the sound of her voice. Father was different. He moved about. He shouted. He ranted. He lived in the past and talked of honor as though it were the only thing.
I was born in that house. I grew up there into a pampered brat. I was mean. One day I broke their hearts. I saw mother cry wordlessly as father heaped his curses upon me and drove me out of the house, the gate closing heavily after me. And my brothers and sisters took up my father's hate for me and multiplied it numberless times in their own broken hearts. I was no good.
But sometimes, you know, I miss that house, the roosting chickens on the low-topped walls. I miss my brothers and sisters, Mother sitting in her chair, looking like a pale ghost in a corner of the room. I would remember the great live posts, massive tree trunks from the forests. Leafy plants grew on the sides, buds pointing downwards, wilted and died before they could become flowers. As they fell on the floor, father bent to pick them and throw them out into the coral streets. His hands were strong. I have kissed these hands . . . many times, many times.
Finally we rounded a deep curve and suddenly came upon a shanty, all but ready to crumble in a heap on the ground, its plastered walls were rotting away, the floor was hardly a foot from the ground. I thought of the cottages of the poor colored folk in the south, the hovels of the poor everywhere in the land. This one stood all by itself as though by common consent all the folk that used to live here had decided to say away, despising it, ashamed of it. Even the lovely season could not color it with beauty.
A dog barked loudly as we approached. A fat blonde woman stood at the door with a little boy by her side. Roger seemed newly scrubbed. He hardly took his eyes off me. Ruth had a clean apron around her shapeless waist. Now as she shook my hands in sincere delight I noticed shamefacedly (that I should notice) how rough her hands were, how coarse and red with labor, how ugly! She was no longer young and her smile was pathetic.
As we stepped inside and the door closed behind us, immediately I was aware of the familiar scent of apples. The room was bare except for a few ancient pieces of second-hand furniture. In the middle of the room stood a stove to keep the family warm in winter. The walls were bare. Over the dining table hung a lamp yet unlighted.
Ruth got busy with the drinks. She kept coming in and out of a rear room that must have been the kitchen and soon the table was heavy with food, fried chicken legs and rice, and green peas and corn on the ear. Even as we ate, Ruth kept standing, and going to the kitchen for more food. Roger ate like a little gentleman.
"Isn't he nice looking?" his father asked.
"You are a handsome boy, Roger," I said.
The boy smiled at me. You look like Daddy," he said.
Afterwards I noticed an old picture leaning on the top of a dresser and stood to pick it up. It was yellow and soiled with many fingerings. The faded figure of a woman in Philippine dress could yet be distinguished although the face had become a blur.
"Your . . . " I began.
"I don't know who she is," Fabia hastened to say. "I picked that picture many years ago in a room on La Salle street in Chicago. I have often wondered who she is."
"The face wasn't a blur in the beginning?"
"Oh, no. It was a young face and good."
Ruth came with a plate full of apples.
"Ah," I cried, picking out a ripe one. "I've been thinking where all the scent of apples came from. The room is full of it."
"I'll show you," said Fabia.
He showed me a backroom, not very big. It was half-full of apples.
"Every day," he explained, "I take some of them to town to sell to the groceries. Prices have been low. I've been losing on the trips."
"These apples will spoil," I said.
"We'll feed them to the pigs."
Then he showed me around the farm. It was twilight now and the apple trees stood bare against a glowing western sky. In apple blossom time it must be lovely here. But what about wintertime?
One day, according to Fabia, a few years ago, before Roger was born, he had an attack of acute appendicitis. It was deep winter. The snow lay heavy everywhere. Ruth was pregnant and none too well herself. At first she did not know what to do. She bundled him in warm clothing and put him on a cot near the stove. She shoveled the snow from their front door and practically carried the suffering man on her shoulders, dragging him through the newly made path towards the road where they waited for the U.S. Mail car to pass. Meanwhile snowflakes poured all over them and she kept rubbing the man's arms and legs as she herself nearly froze to death.
"Go back to the house, Ruth!" her husband cried, "you'll freeze to death."
But she clung to him wordlessly. Even as she massaged his arms and legs, her tears rolled down her cheeks. "I won't leave you," she repeated.
Finally the U.S. Mail car arrived. The mailman, who knew them well, helped them board the car, and, without stopping on his usual route, took the sick man and his wife direct to the nearest hospital.
Ruth stayed in the hospital with Fabia. She slept in a corridor outside the patients' ward and in the day time helped in scrubbing the floor and washing the dishes and cleaning the men's things. They didn't have enough money and Ruth was willing to work like a slave.
"Ruth's a nice girl," said Fabia, "like our own Filipino women."
Before nightfall, he took me back to the hotel. Ruth and Roger stood at the door holding hands and smiling at me. From inside the room of the shanty, a low light flickered. I had a last glimpse of the apple trees in the orchard under the darkened sky as Fabia backed up the car. And soon we were on our way back to town. The dog had started barking. We could hear it for some time, until finally, we could not hear it anymore, and all was darkness around us, except where the headlamps revealed a stretch of road leading somewhere.
Fabia did not talk this time. I didn't seem to have anything to say myself. But when finally we came to the hotel and I got down, Fabia said, "Well, I guess I won't be seeing you again."
It was dimly lighted in front of the hotel and I could hardly see Fabia's face. Without getting off the car, he moved to where I had sat, and I saw him extend his hand. I gripped it.
"Tell Ruth and Roger," I said, "I love them."
He dropped my hand quickly. "They'll be waiting for me now," he said.
"Look," I said, not knowing why I said it, "one of these days, very soon, I hope, I'll be going home. I could go to your town."
"No," he said softly, sounding very much defeated but brave, "Thanks a lot. But, you see, nobody would remember me now."
Then he started the car, and as it moved away, he waved his hand.
"Goodbye," I said, waving back into the darkness. And suddenly the night was cold like winter straying early in these northern woodlands.
I hurried inside. There was a train the next morning that left for Muncie, Indiana, at a quarter after eight.

Similar Documents

Free Essay

6th Ed Jesus

...Running Head: JESUS 1 Jesus History, Character, Purpose, and Plan Armon Q. Parker English 1300 Composition II National American University August 2012 JESUS 2 Table of Contents Abstract……………………………………………………………………………………………3 Introduction………………………………………………………………………………………..4 History……………………………………………………………………………………………..5 Character……………………………………………………………………………………..........5 Purpose…………………………………………………………………………………………….5 Plan………………………………………………………………………………………………..5 Conclusion………………………………………………………………………………………...6 References…...……………………………………………………………………………………7 JESUS 3 Abstract This paper will provide the readers with basic information concerning the history of Jesus, his character, purpose and plan. This paper is not written to sway anyone form any other belief system that they may have. It is only to give information in regards to whom He was and is. This will be done by answering four questions: What is His history, character, purpose and plan? As a result, the answering of following questions will leave the reader more informed about what he/she may not have known regarding the man known as—Jesus. JESUS 4 Jesus History, Character, Purpose, and Plan Jesus has gone down in history as one of the most influential people who has ever walked the earth, and because of whom He claimed to be, churches, movements, and even religions have become established all over the world...

Words: 2009 - Pages: 9

Premium Essay

Ranch Golf Club Case Study

...Ranch Golf Club Case Study The Ranch Golf Club opened in 2001 in Southwick, Massachusetts. The Hall family decided to turn their dairy farm into a golf club. They would provide their land, while they enlisted the help of Rowland Bates to coordinate the project. Bates found investors to provide the capital and they started work. The investors were Peter and Korby Clark, Bernard Chiu, and Ronald Izen. It is the Ranch’s goal to be the best golf club in New England. In 2007, the Ranch Golf Club was ranked as the number one best public golf course in Massachusetts. Communication is important in any aspect of life, especially in managing a business. Without clear communication the managers at The Ranch would be unsure of expectations. Communication is not a one-time thing; it must be continual in order to be effective. Communication involves a give and take. To communicate you cannot just talk; there has to be giving and receiving, or feedback. According to Lussier and Achua, feedback is “the process of verifying messages and determining if objectives are being met” (Lussier & Achua, p. 197). As it says in the case study, “Nothing takes the place of sitting down face-to-face during regular weekly meetings and listening to each other to continually improve operations” (Lussier & Achua, p. 197). As manager of The Ranch, Peter Clark must be prepared to receive feedback, which is critical for success. Management at The Ranch uses feedback to ensure “the players are getting service...

Words: 568 - Pages: 3

Free Essay

Description

..."A description is an arrangement of properties, qualities, and features that the author must pick (choose, select), but the art lies in the order of their release--visually, audibly, conceptually--and consequently in the order of their interaction, including the social standing of every word." (William H. Gass, "The Sentence Seeks Its Form." A Temple of Texts. Alfred A. Knopf, 2006) Ads #1 Reason Men Pull Away www.beirresistible.com The Biggest Mistake Women Make That Kills A Man's Attraction Fast Easy Self-Publishing outskirtspress.com/selfpublishing You keep 100% of your royalties. You keep 100% of your rights. Show; Don't Tell "This is the oldest cliché of the writing profession, and I wish I didn't have to repeat it. Do not tell me that the Thanksgiving dinner was cold. Show me the grease turning white as it congeals around the peas on your plate. . . . Think of yourself as a movie director. You have to create the scene that the viewer will relate to physically and emotionally." (David R. Williams, Sin Boldly!: Dr. Dave's Guide To Writing The College Paper. Basic Books, 2009) Selecting Details "The descriptive writer's main task is the selection and verbal representation of information. You must choose the details that matter--that are important to the purposes you share with your readers--as well as a pattern of arrangement relevant to those mutual purposes. . . . "Description can be an engineer describing the terrain where an embankment must be built, a novelist...

Words: 1393 - Pages: 6

Premium Essay

Life of Pi: Adapting Survival, Spirituality, and Philosophy

...Life of Pi by Yann Martel is a story about a young Indian boy who finds himself alone in a lifeboat after his ship sinks - his only companions are a hyena, an orangutan, a wounded zebra, and Richard Parker, a 450-pound Bengal tiger. Throughout his journey, the protagonist, Piscine Molitor "Pi" Patel, an Indian boy from Pondicherry, explores issues of spirituality and practicality from an early age. The book was published in 2001 and was adapted by Ang Lee for the big screen in 2012, winning four awards from eleven nominations, including Best Director. Unlike several book-to-film adaptations, Life of Pi did not disappoint its many fans. Instead of losing fans and falling victim to critics, it gained more fans. This was largely due to how they handled the original material. The book is well know and well loved for the inner struggle and triumph of Pi, whose main goal is simply to survive, while his secondary goal is to spiritually come to terms with what has happened. What is most surprising, though, is that the screenplay is only 75 pages compared to the 400 plus pages of the book. As a general rule of thumb, one page in a screenplay equals one minute on the screen. However, due to the stunning cinematography and the computer graphics, the movie is 127 minutes long. These visuals replace the inner monologues that the book uses to show the changes in Pi. Excluding the monologues was the biggest risk David Magee, the screenwriter, took when he adapted the book. The book focuses...

Words: 1535 - Pages: 7

Premium Essay

Bechdel's Mise-En-Page Analysis

...little information tags as parts of the temporal focus of the comic. When it comes to the spatial aspects, in addition, the reader is meant to pay attention to Bechdel’s use of drawing reflections in the mirror, mood, facial expressions. Despite the fact that there are only two panels on this page, there is a lot happening and there is a lot of vital information being given to the reader. The reader begins to understand that Bruce and Alison are, in a way, inverts of one another, and that Bruce continuously tries to see femininity in her. The attention to multiple details is what really makes this page and its significance towards Bruce and Alison’s similarities and differences standout. Finally, on page 232, the final page of the graphic narrative, Bechdel illustrates a two paneled page wherein the reader is given their his or her last opportunity to analyze Bruce and Alison’s peculiar relationship. The front of the truck that killed Bruce fills the first panel as a form of sentimental salute that leads into the final panel. Bechdel draws herself jumping off of a diving board, seemingly into the arms of her father in the pool. Alison is posed in the air and her father’s arms are out ready to catch her. This is another way of highlighting the distance in their relationship. Forest Helvie states in his article, “Comics as Catharsis: Alison Bechdel’s Fun Home”, “The action is suspended, and unlike a movie or traditional text that would deliver resolution to the reader, Alison and Bruce...

Words: 1456 - Pages: 6

Premium Essay

Reading

...Fatima B. Niog Introduction to Research BSEd-English 3A Dr. Pedro D. Abanador Problem : Factors Affecting Reading Comprehension of Students Solutions: A. Interactive 1. Story Retelling 2. Story Grammar Training 3. Question-Answer 4. Reading Tutorial 5. Recitation B. Self-Enrichment 1. Inferring 2. Synthesizing 3. Summarization 4. Paraphrasing Strategy 5. Repeated Readings C. Assessment 1. Giving exam 2. Giving assignments 3. Book report 4. Impromptu Speech 5. Story Mapping INTERACTIVE Story Retelling Retelling is a reading skill that demonstrates comprehension. Retelling is the ability to read or listen to a story, then summarize it in paraphrased form. Children begin learning the basics of retelling in kindergarten where teachers start to informally assess the students' overall understanding of a story. Retelling is a useful assessment tool throughout school because it can measure simple to advanced comprehension, as well as help the students improve their listening and speaking skills. Instructions 1. Review retelling strategy. Model it again for those who may struggle. Read a short story aloud to the class, then summarize the important details in the correct sequence. Write each summarizing statement on chart paper. Number the statements so students understand how to retell in the order that events happened. 2. Choose an instructional level text, like a short story from...

Words: 7645 - Pages: 31

Premium Essay

A Rose for Emily

...multiple paths from point A to point B” (Malone). In other words, non-linear plot structures consist of back-and-forth storytelling, or flashbacks. Because of this non-conventional plot structure, “A Rose for Emily” has been described as an “emotionally complex and chronologically confusing narrative” (Petry 53). However, the story has also been cited as “one of Faulkner’s most carefully constructed stories” (Everett 165). The effectiveness of the disordered chronology can be likened to the preciseness of an equation. As Faulkner misdirected his readers through the use of flashbacks, he revealed Miss Emily’s disoriented mental state in her dealings with the passage of time. Faulkner efficiently complicates the narrative situation by opening “A Rose for Emily” with the death of the main character. The first sentence captures the reader’s attention immediately, evoking a collective sympathy for the main character: “When Miss Emily Grierson died, our whole town went to her funeral” (Faulkner 33). One paragraph later, the narrator explains: “Alive, Miss Emily had been a tradition, a duty, a care; a sort of hereditary obligation upon the town” (Faulkner 34). Before readers have time to digest the death of the main character, they are forced to return to the days when she was alive. The use of this flashback allows readers little time to feel much positive consideration for...

Words: 1257 - Pages: 6

Free Essay

17 Again

...be found in the movie. What’s more, the lighting in this film is high-key lighting which connotes the meaning of happiness and serenity. Moreover, the mode of address in this film is indirect to the audience which was used the third person angle to encode the meaning to the audience. On the other hand, I choose this movie because of few reasons. Firstly, I love the main character- Zac Efron very much. He has acted in many teenage romance films before, for instance, High School Musical 1, 2 and3. After I watched the High School Musical, I admire his out-looking and his acting skills. Therefore, I choose this film. Besides, the narrative of this movie is very special, which is a non-linear structure and always include some flashback scenes. Firstly, I am going to analyzing the narrative structure of this text. As Todorov mentioned; narrative structure can be divided into 5 parts, which are equilibrium, disequilibrium conflict, recognition of disequilibrium, attempt to...

Words: 1387 - Pages: 6

Free Essay

Point of View

...October 31, 2012 Point of View The short story, The Lady with the Pet Dog, written by Anton Chekhov is narrated in the omniscient, third person style. “From this point of view, the narrator can move from place to place and pass back and forth through time” (136). Also, “this narrator can report the characters’ thoughts and feelings aw well as what they say and do” (136). The all knowing speaker of this story tells us, the readers, all about the whirl wind affair of Dmitry Dmitrich Gurov and Anna Sergeyevna in such a way that we can draw our own conclusions about their characters. The narrator, who plays no character part in this story, does seem to know everything about the lovebirds. S/he also explains each character’s personality and quips portions of their conversations. The conversations that we are told about give the reader insight into the feelings of Dmitry and Anna. We learn about their comings and goings from the narrator. In Yalta, the narrator tells us of the many social scenes like the esplanade, confectionery shop and a public garden. The narrator sees into the romantic situations of Dmitry and Anna’s hotel room encounters and the private conversations that also welcome the reader into the relationship. The pain and restraints of each character’s home and life are addresses by the narrator also. Whether ensconced in safe houses and relationships or free to roam while on vacation the reader learns it all from the narrator. The point of view of this...

Words: 406 - Pages: 2

Premium Essay

Movie Critic Review of Crash

...Crash: Of Racial Discrimination and Stereotypes November 3rd, 2011 Crash: Of Racial Discrimination and Stereotypes Directed by Paul Haggis and produced in 2004, Crash was the Oscar Awards winner of Best Picture in 2006. Aside from Best Picture, the movie won only one other award: Best Original Screenplay for Paul Haggis and Robert Moresco. Despite its little recognition, Crash is an important movie to watch. Plot The plot of Crash is not about a typical, narrative story in the usual sense. Instead, it focuses on a theme or message and weaves several linked stories to highlight the theme. The movie is essentially about racial discrimination and the consequences of stereotyping people. Set in LA, the story covers a 24-hour period. The movie depicts the stories of several people whose lives are intertwined by accidental and casual encounters, usually on the streets. The characters in the story are people of varying ethnic groups: a bad and a good cop, a group of police investigators, a couple of teenage robbers, a DA and his wife, an Arab family, a Hispanic locksmith and his family, and an affluent African American movie director and his wife. The story revolves around how all of these people have deeply ingrained prejudices and how they themselves could suffer from discrimination. Theme and depiction Discrimination and stereotyping of people sometimes happen as a result of reinforcement of the behavior of the people being discriminatory...

Words: 784 - Pages: 4

Free Essay

Mrs.Terry-Williams

...Appendix C Rhetorical Modes Matrix Rhetorical modes are methods for effectively communicating through language and writing. Complete the following chart to identify the purpose and structure of the various rhetorical modes used in academic writing. Provide at least 2 tips for writing each type of rhetorical device. |Rhetorical Mode |Purpose – Explain when or why |Structure – Explain what organizational |Provide 2 tips for writing in | | |each rhetorical mode is used. |method works best with each rhetorical mode. |each rhetorical mode. | |Narration |Anytime you tell what happened |The organizational method that works best |Two tips for narrative writing| | |or tell a story you use |with narrative writing is chronological |are decide if the story is | | |narration. |order. |factual or fictional, and use | | | | |transitional words and | | | | |phrases. | | |The purpose of an illustration |Order of importance is the best way to |One tip is to use transitional| |Illustration |essay is to show or demonstrate |organize an illustration essay. |words...

Words: 772 - Pages: 4

Free Essay

Pnin

...This excerpt from Nabokov's Pnin focuses on the main character Pnin and how he is obsessed about his health and assumes every worst possibilities that could happen to him. In this extract Pnin is in a station waiting to board a bus to Cremona. Due to circumstances he has to leave his bag in the station and board the bus and that's when he starts getting paranoid and anxious that something is happening to him and he thinks to himself that it's because he left his bag in the station and something bad is going to happen to him. So he stops the bus, gets his refund and lands in the middle of a strange town and starts thinking more about why he is feeling the way he is. He manages to pull out all sort of discomfort he is feeling at that moment and questions everything he did the day earlier. It seems like this story was written from the viewpoint of Pnin's Physician and he knows that Pnin has always had the tendency to over think every situation that comes his way and has a way to make it look bad, like it's written in the excerpt, “...That the repulsive automation he lodged had developed consciousness of its own”. Pnin has also kept track of and noted down the date of all those time he got the same anxious feeling and he's very specific about it. He seem like a very fidgety and a nervous person as a whole. The narrators of this story sounds like he is also in the same state of mind as Pnin's because of the way he ponders about life, death and the world. Pnin seems very confused...

Words: 457 - Pages: 2

Free Essay

Compare and Contrast the Secret Life of Walter Mitty and I’m Going

...“The Gift of the Magi” Milton Wiscovitch Jr. ENG 125 Prof. Jennifer Chunn November 26, 2012 Theme and Narrative Elements of “The Gift of the Magi” O Henry’s short story written in 1906 “The Gift of the Magi” identifies the theme elements as poverty and love. The lack of money and living in a poor neighborhood affected both Della and Jim. They expressed their unconditional love for each other by sacrificing their most prized possessions in order to buy a Christmas gift. Through this act of love both Della and Jim saw how much they really loved each other by wanting to make their partner happy. This short story identifies that love has no boundaries over having money through self sacrifice when it comes to giving all you have for the one you love. The couple sacrificed items that brought them joy such as Della’s hair and Jim’s watch which was important to the both of them but wasn’t worth much financially (Clugston, 2010). The plot’s analysis centers around the initial situation which states that Della only has $1.87 to purchase her husband Jim a gift on Christmas Eve. Both Della and Jim are poor and love her husband more than in the whole world. Della’s long hair and Jim’s gold watch were the only things they had and gave them up for one another. In the conflict, Della sells her hair to get the money in order to purchase her husband Jim a gift. This solves the problem of not having enough money and later she finds the perfect present for her husband. This opposes...

Words: 839 - Pages: 4

Premium Essay

The Role of Sound in the Thin Red Line

...The Role of Sound in The Thin Red Line Terrence Malick attempts to recreate a part of the war in the pacific on screen through the use of a variety of techniques in The Thin Red Line (1998). One of the most prevalent of these techniques is the use of sound in the movie. Unlike the majority of war movies this movie doesn’t feature a soundtrack that glorifies the battle scenes. The presence of periodic narration and a focus on natural sounds like wind and water moving across the landscape also set this film apart. These audio features combine flawlessly with video to create a very deep and seemingly realistic depiction of the horrors of war. There is little, if any, soundtrack in the intense scenes of battle. This stands out in contrast to the blockbuster action flicks that portray intense action as thrilling and exciting with high tempo musical scores. By creating this contrast with typical action movies Malick lets the audience know that this movie should not go down the same way as the latest Rambo movie does. When a musical soundtrack is present it is often sad and low or it is associated with the environment of the film, such as native islanders singing or sticks drumming against one another. The toned-down soundtrack gives the movie a more authentic feel. The musical soundtrack is most lighthearted when Pvt. Witt is with the natives, separated from the army and civilization. Malick also uses the soundtrack to highlight shifts in emotional scenes. An excellent example...

Words: 660 - Pages: 3

Premium Essay

Comm155

...Associate Program Material Appendix C Rhetorical Modes Matrix Rhetorical modes are methods for effectively communicating through language and writing. Complete the following chart to identify the purpose and structure of the various rhetorical modes used in academic writing. Provide at least 2 tips for writing each type of rhetorical device. |Rhetorical Mode |Purpose – Explain when or why |Structure – Explain what organizational |Provide 2 tips for writing in | | |each rhetorical mode is used. |method works best with each rhetorical mode. |each rhetorical mode. | |Narration |Is to tell a story, an event or |The organizational method that will work best| The 2 tips for narration is | | |series of events |is chronological order. |to decide if the story is | | | | |factual or fictional and use | | | | |transitional words or phrases.| | |Is to show a point to the reader|Organize the evidence in terms of importance,|Vary the phrases of | |Illustration |and uses evidence to support it |either from least important to most important|illustration you use. | | | |and vice versa ...

Words: 479 - Pages: 2