...Lord of the Flies is a 1963 British film directed by Peter Brook based on the 1954 novel by William Golding. Both the book and movie of Lord of the Flies represent popular culture in the fact that the book started out being popularized by the working class and would later become a best seller and even move into the category of high culture by becoming required reading in many schools across the world as well as wining the Nobel Prize. The Lord of the Flies and book and movie demonstrate many of the traits that are often reproduced in various form media and often imitated in other works of film, television, and reading. Lord of the Flies was remade into another film in 1990 but the 1963 film is considered to be closer to the book and is the one that is used by this paper. The 1963 Lord of the Flies film is a black and white British film that is presented in the form of a third person narrative in which the audience is a outside party looking in on the cast of the film. The film is about a group of young pre-teen to teenage boys who crash land on an island somewhere is the specific ocean as a result of their plane being shoot down. In the background of the movie there is some type of war but the film never mentioned which war is taking place. With the film being based on a book from the 1950s and the film taking place in the 1960 it can be assumed that the war in question is either World War II or perhaps a future war. In the film the overall theme is that violence and hate...
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...alfred, lord Tennyson Benjamin Franklin The Brontës Charles Dickens edgar allan poe Geoffrey Chaucer George eliot George Gordon, lord Byron henry David Thoreau herman melville Jane austen John Donne and the metaphysical poets John milton Jonathan Swift mark Twain mary Shelley Nathaniel hawthorne Oscar Wilde percy Shelley ralph Waldo emerson robert Browning Samuel Taylor Coleridge Stephen Crane Walt Whitman William Blake William Shakespeare William Wordsworth Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Edited and with an Introduction by Sterling professor of the humanities Yale University harold Bloom Bloom’s Classic Critical Views: William Shakespeare Copyright © 2010 Infobase Publishing Introduction © 2010 by Harold Bloom All rights reserved. No part of this publication may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For more information contact: Bloom’s Literary Criticism An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data William Shakespeare / edited and with an introduction by Harold Bloom : Neil Heims, volume editor. p. cm. — (Bloom’s classic critical views) Includes bibliographical references and index. ISBN 978-1-60413-723-1 (hardcover) ISBN 978-1-4381-3425-3 (e-book) 1. Shakespeare, William, 1564–1616—Criticism...
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