...actual person living or dead is purely coincidental. By :- Patrick Mwange Edited by :- Jimmy Kariuki A blueflame researcher’s publication 2012 PALIDROMIC CONFESSIONS By:- Patrick Mwange 2010 Edited by:- Jimmy R Kariuki 2012 PRELUDE:- [Stage opens to reveal a wedding ceremony setting with so many colorful flowers everywhere] (A group of youngsters enter singing) Young 1: You know what, …just can’t help this wait, it’s killing me! Young 2: You say you but wow, I myself,… can’t imagine what a marriage sometimes God comes immaculately. Young 3: (he enters) Hi friends! This is our most expected day! (They start singing a marriage song) [Bemula {Samantha brother} enters amazed] Bemula : Wow! I can see clearly what a magnificent! Young 1: Friends, get ready to receive Samantha’s brother… BEMULA! (They shout and scream appraisingly) Bemula : I still can’t...
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...destruction of World War I, the Theatre of the Absurd is a reaction to World War II in which the war survivors felt as though death was inevitable and therefore nothing in one’s existence mattered since material possessions would not travel with one after death. Samuel Beckett’s Waiting For Godot exemplifies the characteristics of the Theatre of the Absurd, not only through its content and dialogue, but also through its language and structure. The structure of dialogue chosen by Beckett, mixes short and concise sentences with meaningful ideas and opinions about the human condition. Although the dialogue appears to be an illogical banter, it would be a mistake to make the assumption that it has no meaning. For instance, throughout the play, Estragon and Vladimir repeat the lines “nothing to be done” and “nothing happens.” Such references along with the cyclical nature of the dialogue, suggest Beckett’s vision that human existence is bleak and that nothing significant ever really happens in our lifetimes, but instead the same situations are repeated throughout life. Beckett’s style revolutionizes the traditional play as he deviates from the orthodox playwright by creating a play with no central plot or storyline. There is no progression of the characters in the play. They simply wait for a man named Godot. Although nothing changes in the lives of the two main characters, Estragon and Vladimir, signs of progression of time are revealed throughout the play. For example, the tree on...
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...B. Reyes First Performance: The Filipino Players, under the author’s direction, at St. Cecilia’s Hall, November 21, 1940 CHARACTERS: DON FRANCISCO (the father) DOÑA PETRA (the mother) NENA (their daughter) ROBERTING (their son) DOÑA DOLORES FRED (her son) FRANCISCO (the servant) PABLO (the mayordomo) TIME : One Sunday morning, at about eleven. SCENE: The living-room. Simply furnished. A window on the right. At the rear, a corridor. A door on the left Sofa, chairs, etc. at the discretion of the director. When the curtain rises, DON FRANCISCO, about sixty, is seen sitting on the sofa, smoking a cigar He wears a nice-looking lounging robe. Presently ROBERTING, his twenty-year old son, good-looking, well-dressed, enters. He wants to ask some. thing from his father, but before he gathers enough courage, he maneuvers about the stage and clears his throat several times before he finally approaches him. ROBERTING (Clearing his throat). Ehem-ehem-ehem! FRANCISCO (Looking up briefly). Ehem ROBERTING. -Father- FRANCISCO (Without looking at him). What? ROBERTING. Father- FRANCISCO. Well? ROBERTING. Father- FRANCISCO. Again? ROBERTING. Well, you see it's like this- FRANCISCO. Like what? ROBERTING. It's not easy to explain, Father FRANCISCO. If it isn't then come back when I'm through with the paper ROBERTING. Better now, Father. It's about-money. FRANCISCO. Money! What money? ROBERTING. Well, you see- FRANCISCO (imitating his tone). Well, you see-I'm...
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...under the author’s direction, at St. Cecilia’s Hall, November 21, 1940 CHARACTERS: -DON FRANCISCO (the father) -DOÑA PETRA (the mother) -NENA (their daughter) -ROBERTING (their son) -DOÑA DOLORES -FRED (her son) -FRANCISCO (the servant) -PABLO (the mayordomo) ------------------------------------------------- TIME : One Sunday morning, at about eleven. SCENE: The living-room. Simply furnished. A window on the right. At the rear, a corridor. A door on the left Sofa, chairs, etc. at the discretion of the director. When the curtain rises, DON FRANCISCO, about sixty, is seen sitting on the sofa, smoking a cigar He wears a nice-looking lounging robe. Presently ROBERTING, his twenty-year old son, good-looking, well-dressed, enters. He wants to ask some. thing from his father, but before he gathers enough courage, he maneuvers about the stage and clears his throat several times before he finally approaches him. ROBERTING (Clearing his throat). Ehem-ehem-ehem! FRANCISCO (Looking up briefly). Ehem ROBERTING. -Father- FRANCISCO (Without looking at him). What? ROBERTING. Father- FRANCISCO. Well? ROBERTING. Father- FRANCISCO. Again? ROBERTING. Well, you see it's like this- FRANCISCO. Like what? ROBERTING. It's not easy to explain, Father FRANCISCO. If it isn't then come back when I'm through with the paper ROBERTING. Better now, Father. It's about-money. FRANCISCO. Money! What money? ROBERTING. Well, you see- FRANCISCO (imitating his tone). Well, you see-I'm...
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...Description: What could be more hell-like agonizing than waking up in a mysterious room with the people you’d least want to be stuck with, with all of you having nothing to remember about who you were and why you are there? And then a man would enter, call himself the custodian and reveal that you are no doubt in hell itself. As you observed the room, you begin to far consider it as hell since it is not a thing as you imagined hell to be. The room had no corners with only about ten normal steps in diameter. It is also glass-walled but with nothing beyond it in sight. Then you noticed the ceiling which produces the brightness of the room. It is a whole ceiling flat with light wherein no switch in the room can be sighted. The floor was also fully made with cushion, making it comfortable to sleep at, except the man emphasized that drowsiness in that room does not exist. Minus the fact that it has no furniture or anything, it could have been a pleasant room, way better than hell as imagined. The custodian left, and since the room has nothing left to offer, you have no choice but to notice the two other people there with you. The girl must be in her early twenties. She seemed to be in middle class with a flabby body structure and a white complexion. One irritating thing about her is her screechy voice, which have been surrounding the room since she gained consciousness because of her constant crying. The man on your opposite side, who must be in her late forties, chose to be...
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...customer or user. 5. Variable’s name and variable’s data type 6. Nothing, the variable hasn’t been assigned a value Algorithm Workbench 1. Declare real height Display “How tall are you?” Input height Display “this is how tall you are: “, height 2. Declare string color Display “what is your favorite color?” Input color Display “this is your favorite color: “, color 3. 2 + a = b b x 4 = a a/3.14 = b b – 8 = a Programming exercises 1. Display “enter your name.” Input name Display “enter your address with city, state, and zip Input address Display “Enter your telephone number” Input telephone number Display “what is your college major?” Input college major Display “here is your information: “, name, address, telephone number, college major 4. Display “Enter price 1” Input price 1 Display “enter price 2” Input price 2 Display “enter price 3 Input price 3 Display “enter price 4” Input price 4 Display “enter price 5” Set subtotal = price1+price2+price3+price4+price5 Display subtotal Set tax = 6% Set total = subtotal + tax Display “your total is “, total 6. display “Enter purchase price” Input price Set state tax = 0.04 Set county tax = 0.02 Set total = price(State tax + county tax) + Price Display “Your total after tax is “, total 8. Display “enter food amount” Input food Set tip = 15% Set tax = 7% Set total = food + tip + tax Display “here is your total after tip and taxes “,...
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...KING LEAR KING LEAR William Shakespeare 1606 KING LEAR Dramatis Personae Lear, King of Britain. King of France. Duke of Burgundy. Duke of Cornwall. Duke of Albany. Earl of Kent. Earl of Gloucester. Edgar, son of Gloucester. Edmund, bastard son to Gloucester. Curan, a courtier. Old Man, tenant to Gloucester. Doctor. Lear's Fool. Oswald, steward to Goneril. A Captain under Edmund's command. Gentlemen. A Herald. Servants to Cornwall. Goneril, daughter to Lear. Regan, daughter to Lear. Cordelia, daughter to Lear. Knights attending on Lear, Officers, Messengers, Soldiers, Attendants. Scene: - Britain. KING LEAR ACT I. KING LEAR SCENE I. [King Lear's Palace.] Enter Kent, Gloucester, and Edmund. [Kent and Glouceste converse. Edmund stands back.] Kent. I thought the King had more affected the Duke of Albany than Cornwall. Glou. It did always seem so to us; but now, in the division of the kingdom, it appears not which of the Dukes he values most, for equalities are so weigh'd that curiosity in neither can make choice of either's moiety. Kent. Is not this your son, my lord? Glou. His breeding, sir, hath been at my charge. I have so often blush'd to acknowledge him that now I am braz'd to't. Kent. I cannot conceive you. Glou. Sir, this young fellow's mother could; whereupon she grew round-womb'd, and had indeed, sir, a son for her cradle ere she had a husband for her bed. Do you smell a fault? Kent. I cannot wish the fault undone, the issue of it being so proper...
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...The Tragedy of King Lear by William Shakespeare An Electronic Classics Series Publication 2 The Tragedy of King Lear is a publication of The Electronic Classics Series. This Portable Document file is furnished free and without any charge of any kind. Any person using this document file, for any purpose, and in any way does so at his or her own risk. Neither the Pennsylvania State University nor Jim Manis, Editor, nor anyone associated with the Pennsylvania State University assumes any responsibility for the material contained within the document or for the file as an electronic transmission, in any way. The Tragedy of King Lear by William Shakespeare, The Electronic Classics Series, Jim Manis, Editor, PSUHazleton, Hazleton, PA 18202 is a Portable Document File produced as part of an ongoing publication project to bring classical works of literature, in English, to free and easy access of those wishing to make use of them. Jim Manis is a faculty member of the English Department of The Pennsylvania State University. This page and any preceding page(s) are restricted by copyright. The text of the following pages are not copyrighted within the United States; however, the fonts used may be. Copyright © 1997 - 2013 The Pennsylvania State University is an equal opportunity University. 3 The Tragedy of KING LEAR by William Shakespeare: His true Chronicle Historie of the life and death of King Lear and his three daughters. With the unfortunate life of Edgar, sonne and heire to...
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...The Merchant of Venice ACT I SCENE I. Venice. A street. Enter ANTONIO, SALARINO, and SALANIO ANTONIO In sooth, I know not why I am so sad: It wearies me; you say it wearies you; But how I caught it, found it, or came by it, What stuff 'tis made of, whereof it is born, I am to learn; And such a want-wit sadness makes of me, That I have much ado to know myself. SALARINO Your mind is tossing on the ocean; There, where your argosies with portly sail, Like signiors and rich burghers on the flood, Or, as it were, the pageants of the sea, Do overpeer the petty traffickers, That curtsy to them, do them reverence, As they fly by them with their woven wings. SALANIO Believe me, sir, had I such venture forth, The better part of my affections would Be with my hopes abroad. I should be still Plucking the grass, to know where sits the wind, Peering in maps for ports and piers and roads; And every object that might make me fear Misfortune to my ventures, out of doubt Would make me sad. SALARINO My wind cooling my broth Would blow me to an ague, when I thought What harm a wind too great at sea might do. I should not see the sandy hour-glass run, But I should think of shallows and of flats, And see my wealthy Andrew dock'd in sand, Vailing her high-top lower than her ribs To kiss her burial. Should I go to church And see the holy edifice of stone, And not bethink me straight of dangerous rocks, Which touching but my gentle vessel's side, Would scatter...
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...The Tragical History of Doctor Faustus by Christopher Marlowe From the Quarto of 1604 Edited by Rev. Alexander Dyce THE TRAGICALL HISTORY OF D. FAUSTUS. AS IT HATH BENE ACTED BY THE RIGHT HONORABLE THE EARLE OF NOTTINGHAM HIS SERUANTS. WRITTEN BY CH. MARL. 2 In reprinting this edition, I have here and there amended the text by means of the later 4tos,--1616, 1624, 1631.—Of 4to 1663, which contains various comparatively modern alterations and additions, I have made no use. DRAMATIS PERSONAE. THE POPE. CARDINAL OF LORRAIN. THE EMPEROR OF GERMANY. DUKE OF VANHOLT. FAUSTUS. VALDES, ] friends to FAUSTUS. CORNELIUS, ] WAGNER, servant to FAUSTUS. Clown. ROBIN. RALPH. Vintner. Horse-courser. A Knight. An Old Man. Scholars, Friars, and Attendants. DUCHESS OF VANHOLT LUCIFER. BELZEBUB. MEPHISTOPHILIS. Good Angel. Evil Angel. The Seven Deadly Sins. Devils. Spirits in the shapes of ALEXANDER THE GREAT, of his Paramour and of HELEN. Chorus. Dr. Faustus Christopher Marlowe 3 Enter CHORUS. CHORUS. NOT MARCHING Mars did mate the Carthaginians; NOW in fields of Thrasymene, Where Nor sporting in the dalliance of love, In courts of kings where state is overturn’d; Nor in the pomp of proud audacious deeds, Intends our Muse to vaunt her heavenly verse: Only this, gentlemen,--we must perform The form of Faustus’ fortunes, good or bad: To patient judgments we appeal our plaud, And speak for Faustus in his infancy. Now is he born, his parents base of stock, In Germany...
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...unconstitutional, Immoral, and discriminatory against Muslims. This ban that has been put in place is taking away the freedom of people who got freedom via a visa. A visa says that a passport holder is allowed to enter, leave, or stay for a specified period of time in a country. This ban is just taking away the freedom of people who have done nothing wrong. The people who have bought a passport and have had it endorsed should be allowed to come into the United States since they have been promised freedom already. The only countries that have the ban in effect are countries with muslims. Here is the thing, President Trump is discriminating against the Muslim religion since he won’t let them into the country. This ban is unconstitutional due to the fact of it is taking freedom away from people who are try to get away from all bad things in there countries they are trying to leave. This is ban is also immoral, President Trump just will not accept the way the Muslims look or what they believe in....
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...Ramierz Guildenstern: Norman Chen Rosencrantz: Delmy Lopez ACT IV Scene 1: [Enter KING and QUEEN, with ROSENCRANTZ and GUILDENSTERN] King: What’s wrong? Where’s Hamlet? Queen: Rosencrantz and Guildenstern, can you give us a moment? [ROSENCRANTZ and GUILDENSTERN exit] You won’t believe what I saw today! King: What do you mean? What did Hamlet do? Queen: He was acting crazy! He was mad as hell. He apparently heard something behind the curtains and thought it was a rat so he pulled out his knife and stabbed it. The rat turned out to be Polonius! King: What?! Well, well, well.. what should we do now?! We were supposed to keep an eye on him and now look what happened… We can’t let anyone know about this. Where is he? Queen: He took the Polonius’s body with him. But please don’t be too harsh on him. He’s my only son. I think he regrets what he has done. King: Gertrude, you don’t understand. We need to send Hamlet away before anyone finds out about this. Rosencrantz! Guildenstern! Come in! [Enter ROSENCRANTZ and GUILDENSTERN] Listen to me, you two. Hamlet just killed Polonius and took the body with him. You need to find him immediately and bring the body back to church. HURRY! [ROSENCRANTZ and GUILDENSTERN exit] Gertrude, call up our closest and most trusted friends. Tell them what happened. Maybe they can help us figure out what to do. (41-45) [They exit] Scene 2: [Enter HAMLET] Hamlet: Haha, the body’s now safe and hidden. Gentlement: Hamlet, sir! ...
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...ACT TWO Scene 6 Interior, Peabody Hotel, Grand Ballroom, New Years Eve 1919. BENJAMIN's real age is 59 BENJAMIN's Physical age is 21 MARGARET is 64 HATTIE is 49 VERN is 55 BENJAMIN enters and almost runs into LINDA a 19 years old who looks and acts very similar to DOROTHY from Act Two, Scene 3. BENJAMIN I didn't see you there, forgive me. LINDA No problem, it's my fault. I'm trying to get to the roof to see the fireworks before midnight. You should come up. BENJAMIN Wow, WOW! You are so familiar, this is all so familiar. You're not here with a friend are you? LINDA No, I'm here with my parents. They met here 20 years ago today. BENJAMIN You're kidding? LINDA It's true, New Years Eve 1899. The turn of the century. (VERN enters. He is...
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...No Fear Shakespeare – A Midsummer Night’s Dream (by SparkNotes) Original Text -1- Modern Text Act 1, Scene 1 Enter THESEUS, HIPPOLYTA, and PHILOSTRATE, with others THESEUS and HIPPOLYTA enter withPHILOSTRATE and others. THESEUS Now, fair Hippolyta, our nuptial hour Draws on apace. Four happy days bring in Another moon. But oh, methinks how slow This old moon wanes! She lingers my desires, 5 Like to a stepdame or a dowager Long withering out a young man’s revenue. THESEUS Our wedding day is almost here, my beautiful Hippolyta. We’ll be getting married in four days, on the day of the new moon. But it seems to me that the days are passing too slowly—the old moon is taking too long to fade away! That old, slow moon is keeping me from getting what I want, just like an old widow makes her stepson wait to get his inheritance. HIPPOLYTA Four days will quickly steep themselves in night. Four nights will quickly dream away the time. And then the moon, like to a silver bow 10 New bent in heaven, shall behold the night Of our solemnities. HIPPOLYTA No, you’ll see, four days will quickly turn into four nights. And since we dream at night, time passes quickly then. Finally the new moon, curved like a silver bow in the sky, will look down on our wedding celebration. THESEUS Go, Philostrate, Stir up the Athenian youth to merriments. Awake the pert and nimble spirit of mirth. Turn melancholy forth to funerals. 15 The pale companion...
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...Here was a question which was also a matter of life and death for the five million people of Jammu and Kashmir. Here was a question which involved the peace and stability of Asia. But the Council was content with meeting, hearing parties and adjourning sine die. When, through the years, we warned the Security Council that the problem should be resolved before it led to an explosion, our warnings either went unheeded or were termed an empty threat. I again ask the Members of the Assembly: What language is one supposed to speak when one wants to bring out the urgency of a situation and the grave dangers in its remaining unresolved? Pakistan spoke that language: it spoke the language of reason and remonstrance; it made constructive proposals such as the induction of a United Nations force pending a plebiscite. But nothing made India budge an inch. Nothing moved the primary organ of the United Nations into action. Such was the position in the Security Council. Outside the Council, from 1949 to this day, India has spurned every offer, rejected every suggestion, and barred every avenue for the peaceful settlement of the dispute. It has ruled out recourse to the International Court of Justice. It has rejected mediation, conciliation and even good offices, including those of the Secretary-General. Whenever India has made a show of willingness to enter into bilateral negotiations with Pakistan, it has been only to tide over some crisis in its internal or foreign relations. In the long...
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