.../ written by Jens Jeppesen Pale green walls is a short story by Clara Wigfall from 1997. The short story is about the relationship between a child and it´s parents and about upbringing. In this short story, the parents are having problems with understanding Violets view of an Image in a newspaper which leads to big frustrations from both of her parents. The story is also very focused around Christianity. This essay will dig deeper into the story and try to analyze Violet describing how she sees the environment. The main theme in the short story is upbringing. The short story clearly shows the need of love, attention, and understanding from parents to its children. In this case Violet Is dealing with the need of love from Virgin Mary. She is struggling with jealousy in Mary loving another child, and her struggles becomes a frustration for her parents. The priests describes her signs of jealousy as “Very worrying” and none of them really realizes that she’s only just a child and how should she understand what Christianity is about in such an young age. It really shows how important it is not to worry too much when trying to understand your child and instead show her all of the love she in this case defiantly is searching for. All of this really comes down to upbringing and how sometimes you need to let kids be kids. Violet in a very young girl and are going through a state of her childhood where she tries to understand a lot of things. She is mute which affect her relationship...
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...Desirae Talley Foundation of Writing January 25, 2013 Descriptive Essay As a little girl, I was ecstatic about growing up. I always imagine having a nice sized house and having my own car. I always imagine living the American dream. I had a wonderful family which included my husband, a little girl named Carmen and a little boy named Cameron, and a fluffy dog, named Spot. Together we would live happily in a nice neighborhood. When someone walks in they would be greeted by my massive two tier chandelier in the corridor. It would be filled with painting from world known artist. To the left there would be the den that would have decorated in chocolate and cream. There would be a chocolate leather couch, a chocolate leather chair and ataman. On the couch there will be cream throw pillows and a cream and tan blanket draped over the back of the couch. On the right of the corridor, there will be the kitchen. The kitchen would be the most vibrant room in the house. The walls in the kitchen would be a pale pink with rose lining. The appliances would be stainless steel and black in color. The tablecloth and curtains would change every week, but on this specific day, they were a marigold with pink and purple trimming. Straight ahead is the hallway that would lead to upstairs. Walking up the grand staircase that had 32 plush carpeted stairs you will see the banister that will be hand crafted by my brother who wants to be an architect. On the left of the staircase it will be my...
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...Essay about: On Pale Green Walls - Mikkel Vinther ”On Pale Green Walls” is a short story written by Clare Wigfall in 1997. The main theme of the short story is the relationship between children and their parents about upbringing and education. The author wants to show how children’s curiosity and wondering can be misunderstood by the adults and leads to frustration but also, how children, in this case Violet, have a desperate need for attention, understanding and love. Another theme is Christianity and religion. The short story sets medias res on a cold day where a little girl, the main character, “pretends to be smoking, clamping imaginary cigarettes between her lips before exhaling with a billowy mist of breath”(Line 3). The girl and her family are on their way to church to celebrate Christmas. The girl, Violet, is little and curious. Even though she’s mute she is still interested and aware of the environment. She has a really lively imagination and when she walks in to the church her eyes catches a painting of a woman dressed in blue. The painting is surrounded by lots of candles, and is placed “higher than the rest of us”(line 28). At this time, she’s not aware that she’s looking at Virgin Mary – the holy mother of Jesus. She loves her. The relation and connection she feels talks to her in a way she does not know. This scene brings us to the whole conflict of the text and a big change in Violets life and mind. Because then, on a Sunday, she is drawing an imaginary painting...
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...On Pale Green Walls English Essay Every action we do often has a deeper meaning. If we hit someone, it is most likely because we are mad at them. If we kiss someone, it is maybe an act of love, or just physical attraction. When children do something, it is noticed very by the world around, because it might say something about the development of their personality and who they will grow up to be. They act on their feelings, emotions and thoughts. On Pale Green Walls is a short story written by Clare Wigfall in 2007. The short story takes place around christmas time in an unknown city, where a little girl named violet lives with her family. I believe the main themes in this short story to be: love, hate, jealousy, acceptance, fascination and despair. We are through the text following the life of Violet and her first meeting and impression of one specific woman. “I remember the first time i saw her. […] She stood higher than the rest of us, surrounded be candles”. In this quotation Violets first meeting with the women is described, but also the fact that it is no ordinary woman. The little girl has gotten a fascination of the Virgin Mary. The first glance she laid on her was probably a statue standing in the city to celebrate christmas. She is after this moment upsets with the Virgin Mary, and notices her everywhere she goes. It is in the following quotation told, that the are pictures of the virgin many places that she’s been before, for example and described...
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...young man “Bartleby, the Scriver”, where life is meaningless to him. In this essay I will prove how Bartleby physically, mentally and verbally isolates himself from society and existence, and how gradually he loses the desire to live and the understanding of humanity. Bartleby starts to become mentally disturbed when he used to work at the Dead Letter Office in Washington. We learn at the conclusion of the story that Bartleby had worked there as a clerk reading the letters of people who were sick, needed help or money, or were going through extreme conditions and probably "died un hoping; good tiding for those who died of unrelieved calamities"(86). This explains Bartleby's mental condition and that it was only going to decay. This kind of work made him psychologically ill because, he wasn’t able to do any thing to help these people. The only thing he could do was to read and take that pain and make it his own. Bartleby was unconsciously repressing over these letters that were collecting in his mind. He was not even aware how all these dead letters became part of his life and eventually lead to mental disturbance and isolation. Another way Bartleby loses interest in life is torturing him self physically. When he leaves from his past job and finds a new job, which made his conditions only worse. From the beginning Bartleby is isolated within the confines of his work place. “I procured a high green folding screen, which might entirely isolate Bartleby from my sight, though...
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...A Write an essay (900-1200 words) in which you analyze and interpret Karen Shephard’s short story “Popular Girls”. A part of your essay must focus on the narrative technique and the many references to labels and certain locations in New York City. Popular Girls A short story by Karen Shepard You know who we are. We're Kaethe and Alina, CJ and Sydney. Stephanie. Our hair is blonde or brown or black. Rarely red, rarely curly. It's thick and straight, and falls back into place after we run our fingers through it and hold it away from our faces long enough for you to see our striking eyes. When we do this, you get shivers. It's 1982, and we sit on the benches lining our New York private school's entrance, after classes are over and before we head home. They are old church pews, and we are from another world. Our canvas book bags mass at our feet. They're from Sweden. They come with an excess of zippers, a plastic ID tag on a small chain, and a ruler that we never use. We buy them at Chocolate Soup, on Madison, the store for cool kids. We say things like "Tenth grade is the Howard Johnson's of school life." You can sit on these benches too, but we do not notice you. Last fall we excised some of you from our group by taking you aside five minutes before chapel and saying "It just isn't working out." We see everyone who walks past us, in and out of our 200-year-old originally Episcopalian school. We sweep you with our eyes as if you were a landscape. We've seen...
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...The Hell of Nineteen Eighty-Four. ). Did Orwell realise quite what he had done in Nineteen Eighty-Four? His post-publication glosses on its meaning reveal either blankness or bad faith even about its contemporary political implications. He insisted, for example, that his 'recent novel [was] NOT intended as an attack on Socialism or on the British Labour Party (of which I am a supporter)'.(1) He may well not have intended it but that is what it can reasonably be taken to be. Warburg saw this immediately he had read the manuscript, and predicted that Nineteen Eighty-Four '[was] worth a cool million votes to the Conservative Party';(2) the literary editor of the Evening Standard 'sarcastically prescribed it as "required reading" for Labour Party M.P.s',(3) and, in the US, the Washington branch of the John Birch Society 'adopted "1984" as the last four digits of its telephone number'.(4) Moreover, Churchill had made the 'inseparably interwoven' relation between socialism and totalitarianism a plank in his 1945 election campaign(5) (and was not the protagonist of Nineteen Eighty-Four called Winston?). If, ten years earlier, an Orwell had written a futuristic fantasy in which Big Brother had had Hitler's features rather than Stalin's, would not the Left, whatever the writer's proclaimed political sympathies, have welcomed it as showing how capitalism, by its very nature, led to totalitarian fascism? With Nineteen Eighty-Four, it is particularly necessary to trust the tale and not...
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...I shall introduce the origins of fused glass art, detailing where and when Toots Zynsky and Klaus Moje appear in relation to the movement. I shall also introduce their contemporaries and discover how the artists have influenced (and been influenced by) their peers. Towards the end of the dissertation I intend to see what the future holds for the artists, their work and the artistic movement as a whole. My conclusions shall be based on what I have learned from this dissertation and how the artists have affected me on my journey. Fused Glass Origins There is some debate as to the true origins of fused glass art. According to the ancient-Roman historian Pliny in his book Historia Naturalis the process was invented accidentally around 5000 BC by Phoenician (Syrian) sailors: Once a ship belonging to some traders in natural soda put in here and... scattered along the shore to prepare a meal. Since, however, no stones suitable for supporting their cauldrons were forthcoming, they rested them on lumps of soda from their cargo. When these became heated and were completely mingled with the sand on the beach a strange translucent liquid flowed forth in the streams; and this, it is said, was the origin of glass. However, my belief is that although this a trustworthy recorded source, it was plainly an accident and not a contrived attempt to make art. With this in mind I would suggest that the true origins of producing glass as an art form began not with the Syrians but with the Egyptians...
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...http://nyti.ms/1Kv55ax Far Away From Here In travel photography, as in writing, there's no shortcut to finding your own voice. By TEJU COLE SEPT. 23, 2015 Only a few slender strings were attached: two public readings and a commitment to spend the majority of the six months in the country. Beyond that, I would be left to my own devices. An apartment would be provided, and a stipend. I didn’t think about it for very long. I wrote back: Yes. The invitation had come from the Literaturhaus in Zurich, one of those wonderful arts institutions of which Europe seems to have so many. Every six months they selected one writer, from anywhere in the world, to stay in the apartment they ran with a foundation. When I received the invitation, I felt as though I’d won a raffle I didn’t even know I had a ticket for. Switzerland: The place comes with an easy set of mental associations. But I suspected there was more to it than its reputation for calendar-pretty landscapes, secretive bankers and regular trains, and here was a chance to see for myself. Besides, I had a manuscript to work on, a nonfictional narrative of Lagos, Nigeria, the city in which I grew up. Where better to write about chaotic, relentless, overpopulated Lagos than in modest, quietly industrious Zurich? There would be so little else to do in Switzerland anyway (according to my less-than-enthusiastic friends) that I would be mainly absorbed in writing during my time there. Perhaps I might even continue...
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...FAHRENHEIT 451 by Ray Bradbury This one, with gratitude, is for DON CONGDON. FAHRENHEIT 451: The temperature at which book-paper catches fire and burns PART I IT WAS A PLEASURE TO BURN IT was a special pleasure to see things eaten, to see things blackened and changed. With the brass nozzle in his fists, with this great python spitting its venomous kerosene upon the world, the blood pounded in his head, and his hands were the hands of some amazing conductor playing all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history. With his symbolic helmet numbered 451 on his stolid head, and his eyes all orange flame with the thought of what came next, he flicked the igniter and the house jumped up in a gorging fire that burned the evening sky red and yellow and black. He strode in a swarm of fireflies. He wanted above all, like the old joke, to shove a marshmallow on a stick in the furnace, while the flapping pigeon-winged books died on the porch and lawn of the house. While the books went up in sparkling whirls and blew away on a wind turned dark with burning. Montag grinned the fierce grin of all men singed and driven back by flame. He knew that when he returned to the firehouse, he might wink at himself, a minstrel man, burntcorked, in the mirror. Later, going to sleep, he would feel the fiery smile still gripped by his face muscles, in the dark. It never went away, that. smile, it never ever went away, as long as he remembered...
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...Investigation Criteria for Full Markings (Syllabus Excerpt) • Analyses and compares perceptively art from different cultures and times, and considers it thoughtfully for its function and significance. • Demonstrates the development of an appropriate range of effective skills, techniques and processes when making and analysing images and artifacts. • Demonstrates coherent, focused and individual investigative strategies into visual qualities, ideas and their contexts, an appropriate range of different approaches towards their study, and some fresh connections between them. • Demonstrates considerable depth and breadth through the successful development and synthesis of ideas and thoroughly explained connections between the work and that of others. • Demonstrates effective and accurate use of the specialist vocabulary of visual arts. • Uses an appropriate range of sources and acknowledges them properly. • Presents the work effectively and creatively and demonstrates effective critical observation, reflection and discrimination. • Presents a close relationship between investigation and studio. Outline and Explanation: • Introduction Page- introduce the studio work you plan on investigation, brainstorming and creating. Explain why you are interested in that specific studio work creation. Give a few minor sketches of how you visualize the project. • Brainstorming Page- brainstorm your ideas. The brainstorming page may turn...
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...[pic] ББК 81.2.1. Англ. М41 Рецензенты: кафедра английского языка Новгородского государственного университета им. Ярослава Мудрого (зав. кафедрой, доцент, кандидат филологических наук Е. Ф. Жукова) доцент кафедры английской филологии № 2 Санкт-Петербургского государственного университета М. В. Сорокина Меркулова Е. М., Филимонова О. Е., Костыгина С. И., Иванова Ю. А., Папанова Л. В. М41 Английский язык для студентов университетов. Чтение, письменная и устная практика. Серия «Изучаем иностранные языки».— СПб.: Издательство Союз, 2000.— 384 с. ISBN 5-87852-114-8 Настоящая книга представляет собой вторую часть учебного комплекса "English For University Students". Учебник включает текстовый материал и комплексную систему упражнений для отработки навыков устной и письменной речи на продвинутом этапе обучения. Материал отредактирован профессором кафедры современных языков и литератур Оклевдского университета Н. Ф. Лонганом. Все права защищены. ( «Издательство Союз», 2000 ( Меркулова Е. М.. Филимонова О. Е., Костыгина С. И., Иванова Ю. А., Папанова Л.В., 2000 ( В.А. Гореликов, художественное оформление, 2000 ISBN 5-87852-114-8 CONTENTS Lesson 1 FAMILY LIFE 3 Lesson 2 HOME 16 Lesson 3 DAILY ROUTINE 29 Lesson 4 DOMESTIC CHORES 41 Lesson 5 SHOPPING FOR FOOD 54 Lesson 6 SHOPPING FOR CONSUMER GOODS 68 Lesson 7 MEALS AND COOKING 81 Lesson 8 COLLEGE LIFE 96 ...
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...For a charity auction a few years back, the photographer Patrick Demarchelier donated a private portrait session. The lot sold, for a hundred and fifty thousand dollars, to the wife of a very rich man. It was her wish to pose on the couple’s yacht. “I call her, I say, ‘I come to your yacht at sunset, I take your picture,’ ” Demarchelier recalled not long ago. He took a dinghy to the larger boat, where he was greeted by the woman, who, to his surprise, was not wearing any clothes. “I want a picture that will excite my husband,” she said. Capturing such an image, by Demarchelier’s reckoning, proved to be difficult. “I cannot take good picture,” he said. “Short legs, so much done to her face it was flat.” Demarchelier finished the sitting and wondered what to do. Eventually, he picked up the phone: “I call Pascal. ‘Make her legs long!’ ” Pascal Dangin is the premier retoucher of fashion photographs. Art directors and admen call him when they want someone who looks less than great to look great, someone who looks great to look amazing, or someone who looks amazing already—whether by dint of DNA or M·A·C—to look, as is the mode, superhuman. (Christy Turlington, for the record, needs the least help.) In the March issue of Vogue Dangin tweaked a hundred and forty-four images: a hundred and seven advertisements (Estée Lauder, Gucci, Dior, etc.), thirty-six fashion pictures, and the cover, featuring Drew Barrymore. To keep track of his clients, he assigns three-letter rubrics, like...
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...Name: |Date: | |Graded Assignment First Semester Final Exam Directions • Mark your answers to the multiple-choice questions on the answer sheet at the end of the multiple-choice section. Use a black or blue pen. • Remember to complete the submission information on every page you turn in. Multiple-Choice Questions (1 hour) Section 1 consists of selections from prose works and questions about their content, form, and style. Questions 1-10. Read the following passage, from "The Yellow Wallpaper," by Charlote Perkins Gilman (1899) carefully before you choose your answers. You may refer to the passage as often as necessary while answering the questions. It is very seldom that mere ordinary people like John and myself secure ancestral halls for the summer. A colonial mansion, a hereditary estate, I would say a haunted house and reach the height of romantic felicity—but that would be asking too much of fate! Still I will proudly declare that there is something queer about it. Else, why should it be let so cheaply? And why have stood so long untenanted? John laughs at me, of course, but one expects that in marriage. John is practical in the extreme. He has no patience with faith, an intense horror of superstition, and he scoffs openly at any talk of things not to be felt and seen and put down in figures. John is a physician, and perhaps—(I would not say it to a living soul, of course, but this is dead paper and a great relief to my mind)—perhaps...
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...2013B Carefully read the following excerpt from the short story “Mammita’s Garden Cove” by Cyril Dabydeen. Then write a well-organized essay in which you analyze how Dabydeen uses literary techniques to convey Max’s complex attitudes toward place. ‘Where d’you come from?’ Max was used to the question; used to being told no as well. He walked away, feet kicking hard ground, telling himself that Line he must persevere. More than anything else he knew 5 he must find a job before long. In a way being unemployed made him feel prepared for hell itself even though he knew too that somewhere there was a sweet heaven waiting for him. How couldn’t it be? After all he was in Canada. He wanted to laugh all of 10 He continued walking along, thoughts drifting back to the far-gone past. Was it that far-gone? He wasn’t sure . . . yet his thoughts kept going back, to the time he was on the island and how he used to dream about 15 being in Canada, of starting an entirely new life. He remembered those dreams clearly now; remembered too thinking of marrying some sweet island-woman with whom he’d share his life, of having children and later buying a house. Maybe someday he’d even own 20 a cottage on the edge of the city. He wasn’t too sure where one built a cottage, but there had to be a cottage. He’d then be in the middle class; life would be different from the hand-to-mouth existence he was used to. 25 His heels pressed into the asphalt, walking on. And slowly he...
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