...For my practical production I have created a 3 minute opening sequence and a 3 page magazine article which includes the front page for my film which is called Deception. My opening sequence is about a young girl who wakes up in her home to be haunted by something supernatural. In the brief you had certain topics you could pick to do your production on and I picked the secret because it sounded like it was something to do with horror so I picked it as I was planning to do a production which was based on something like dark drama or horror. In addition to this I chose to do a magazine article to promote my movie. The genre for my opening sequence is horror based. In my opening sequence there are a number of conventions that would signify that it is a horror related movie. First off the film title “Deception” would reveal straight away to my audience that my film is somewhat horror related because it is quite a typical horror film name (one word which is often dark, e.g. insidious, saw…). The film also has a dark atmosphere which helps the target audience identify the genre. The film is uncomfortable throughout which is effective because you want the audience to feel on edge and to anticipate what is going to happen next. My movie is horror so the audience type for my independent film is simply people who like horror films or dark films. My production suits the independent film genre because compared to a big blockbuster film it wasn’t expensive too shoot (it cost me nothing) and...
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...task My brief was to create a 2-3 minute opening sequence for a horror film and produce a storyboard. I decided about doing a horror film sequence because I love watching horror films due to the thrill it gives me. Therefore the chance to make a part of a horror film was an opportunity and challenge which I wanted to take on. My assignment implicated me to research my target audience, creating a storyboard and producing the opening sequence. I set out to make an opening sequence that would create tension for the audience and grip them to watch the whole movie to find out what happens next. For the sub-genre, I did my research on the internet and looked at various different websites including Internet Movie Database (IMDB) and the British board of film classification (BBFC). I also looked at movie reviews on BBC and several newspaper websites which included the Guardian and The Times. I also researched into the age ratings of the film. My research showed that the most popular sub genres were action horror, science fiction horror and slasher horror. I already knew from experience as an avid film watcher that an opening sequence needs to capture its target audience and make them want to see the whole movie. Watching these films like ATM (2012), Scream (1997) and Texas Chainsaw massacre (2003) gave me an excellent understanding of the conventions of opening sequences and the use of mise-en-scene elements. In these movies the opening creates a huge tension which grips the audience...
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...forensics(4 years), then finish medical school and four years of residency, it will eventually all be worth the wait. The educational path required to achieve my goal of becoming a forensic scientist will be a long, exhausting process. The different characteristics of forensic science- like the use of analytical techniques- is what sets itself apart from just any other science degree(Thorpe). Being just a junior in high school, KEES money plays a major role in helping me decide where I go...
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...In any film the opening scene is one of the most important scenes as it helps the veiwer know if it's worth watching or not. In the film 'Stand by me'it has a very simple opening. It starts with a black screen with only text. Plain bold, large and says, of course, 'Stand by me'. it then goes onto a scene of the countyside, in the morning. We know this as you can see the sun hasn't fully come up and therefore the scene has low key lighting. In the scene there is a car sitting stationary off centre. There is the diagetic sound of birds singing which also gives off the feeling this car is in the middle of nowhere which gets the veiwer thinking 'why is this car here and nothing else is?'. It then goes onto a closer veiw of the car which is now midshot. You can hear soft and relaxing music playing in the background.The camera continues to close up on the car and you can now see there is a man in this car. It then cuts to a close up of the man in the from the left hand side from with a low angle shot. It looks as if he is thinking about something. The car is no longer a barrier between us and the man in the car. He sighs and moves slightly and looks at a newspaper on the passenger seat. We then get a point of view shot of the newspaper which states it is 'Wednesday, September 24th, 1985' and has a headline saying 'Attorney Christopher Chambers fatally stabbed in restaurant.'It then brings up the question 'what was the connection between the man in the can and Christopher Chambers?'...
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...compared to the book The Curious Incident where it only shows just some information on how autistic people communicate. I will be giving quotes from the movie explaining why the movie Temple Grandin is better.showing autism. The movie Temple Grandin best shows people communicate. A scene where you saw communication was shown at the very end of the movie when Temple was at an autism convention and people around her were discussing how to help their kids autism. Temple just stand up and say some intelligent things and then said she had autism and they all didn't believe her. I picked this part because it shows Temple talking and how it is not much different all from someone without autism. This is showing why communication in the movie was more understandable than just reading The Curious Incident....
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...Company, opened based on the film and has since expanded to multiple locations worldwide. The scene of Gump running across the country is often referred to when real-life people attempt the feat. In 2011, the Library of Congress selected Forrest Gump for preservation in the United States National Film Registry as being "culturally, historically, or aesthetically significant". It was an adaption of a novel of Forrest Gump, by Winston Groom. The film differs substantially from Winston Groom's novel, including Gump's personality and several events that were depicted. Robert Zemeckis was the director of the movie, and he made great decisions about the camera techniques to be used in each scene. The movie stars Tom Hanks, Robin Wright, Gary Sinise, Mykelti Williamson, and Sally Field. Principal photography took place in late 1993, mainly in Georgia, North Carolina, and South Carolina. Released in the United States on July 6, 1994, Forrest Gump became a commercial success as the top grossing film in North America released in that year. The story depicts several decades in the life of Forrest Gump, a slow-witted and gullible, but good-hearted and athletically prodigious man from Alabama who witnesses, and in some cases influences, some of the defining events of the latter half of the 20th century in the United States; more specifically, the period between 1944 and 1982. The opening scene of the movie is filmed very beautifully, especially with the...
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...The Simpsons: Miserable but still trying… Homer: Kids you tried your best, and you failed miserably. The lesson is never try. (“Burns Heir” – Season 5, Episode 18)1 Carl’s Matheson’s essay “The Simpsons, Hyper-Irony, and the meaning of life” is a critical analysis of the animated family comedy show The Simpsons. The essay delves into how the show is failing miserably on humoring its viewers and the idea of promoting positive social purpose is not really what it seems after all. According to Matheson, as the show infuses its episodes with heavily induce quotations as a way to humor its viewers. In the process, the show ceases to be funny at all. From these observations, Matheson points out that while the show employs a great deal of quotations and hyper-irony as a form of comedy, it also detaches itself from its viewers in the process. Therefore, losing its audience shared sense of humor as well as the audience itself in the end. The shows critics’ reviews of the early episodes praise the show for its wit, realism, and intelligence. However, in the late 1990s, the tone and emphasis of the show began to change. Some critics started calling the show "tired”. By 2000, some long-term fans had become disillusioned with the show, and pointed to its shift from character-driven plots to what they perceived 1 http://www.buzzfeed.com/louispeitzman/the-100-best-classic-simpsons-quotes#.woxOwzdRev 1 as an overemphasis on zany antics.2 Fast forward to Season 26, the...
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...Oscar Wilde uses setting in the opening of his novel, ‘Dorian Gray’, in a similar way yet different way to Iain Banks and his novel ‘The Wasp Factory’. Wilde uses nature to set the tone for one of the major themes of his novel as he describes the air smelling like “the rich odour of roses”. The adjectives “rich” and odour” connote intensity and this may exemplify the plot of the novel as it possesses density and deep and meaning, especially with the philosophical Henry Wotton who poses statements such as “you know more than you think you know, just as you know less than you want to know”. Wilde furthers the use of the olfactory senses with the sweet smell of “delicate perfume of the pink-flowering thorn.” The juxtaposition of “delicate” and “thorn” possibly may convey that, in Wilde’s mind, all nature is beautiful and “delicate”. Despite a “thorn” connoting pain it is still a part of nature and should be relished for its beauty. This novel was published in the 19th century which coincided with rise of the ‘Romantic Movement’ which was created in reaction to the industrial revolution in England. The aesthetics of this opening scene is one of beauty with the nouns of “roses” and “lilacs” and adjectives such as “delicate”. Wilde may be implying that nature is truly beautiful no matter what it can do and that aesthetics bring one of the greatest pleasures as looking at nature in this idyllic, pastoral scene leaves the reader with a stunning image in their mind. However, Wilde also...
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...symbolisation to create an ominous atmosphere; in effect this makes the horror aspect in the film really stand out as it leaves the viewer deciding what happens in specific parts of the film, which all ties in with the films ending. This all makes the film very subjective and leaves much of the opening scenes open to interpretation which is very enticing for a horror movie. The films opening sequence contains many things which symbolise the events in the movie and starts to define what genre the movie is, because the music is fairly ambient and deep suggesting danger which implies it’s a horror or a thriller movie. When the opening credits appear light effects illuminate the names in a circle like manner, only showing only parts of the credits. The part of the view is cut because it cleverly foreshadows the events to come in the film; the illuminating light implies the flash lights the crew hold and the cut of view of the credits suggest that they wont be able to see everything down in the caves. The opening shot is a long shot of the trees and the sky to show the isolation as well as being a clear representation of Mise-en-scène because everything in the shot is well thought out and crafted; you can see more things than what the obvious may just suggest, because there is a contrast between light and dark (sky and the trees) which symbolises a barrier between good and bad (binary opposites). The trees also foreshadow the ending of the film where Sarah crawls up the bones to escape...
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...of the audience are often times more vivid and memorable if it is done in an interesting way. In Robert Altman’s The Player, the positioning and movement of the camera in the eight-minute-long opening scene displays a unique usage of the sequence shot, as well as other film techniques. Made popular in Orsen Welles’ Touch of Evil, the opening scene of The Player follows a variety of characters on a film set, using one sequence for an extended period of time just as Welles did in the opening scene of his 1958 classic. Throughout the opening sequence of The Player, the camera follows various characters in one swift motion. Without cutting or using multiple shots, Altman positions the camera in various places to frame the character. It starts off with a high angle as a car drives through the parking lot, before shifting from the car to a walking pair of characters. Reframing is used from here on out; as the camera moves from character to character, the camera moves in order to keep moving persons or objects centered in the frame. While a character walks from one place to another, the camera moves with them as well from either the front or the side, giving the impression that the camera is walking at the same pace from a close proximity. Altman explores a limited yet open space in the scene, as everything that takes place is either in the parking lot or rooms in the office from the outside window. Due to the random nature of the camera, we learn just how much can happen in a small...
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...of ‘My Big Fat Greek Wedding’ * At the beginning of the film, she is very upset because she was different and of different culture to the kids in her school, but then the movie gradually shows that it is actually a positive because that is what Ian liked about her. * In the opening segment, there is the use of voiceover, which is a reflective technique. * What she said when in the first scene, she said she wanted to be blond girls, that later Ian likes her because she is different and not blond. She didn’t want to go to Greek school but that was what Ian liked. During the scene with her in Greek school, there was Greek music playing in the background which emphasises how distinctly Greek she is. * When it shows their house, it pans across the street and there is a medium shot of the house. Their family is mono-culture. Gus has very set beliefs and he is so convinced that all of the human accomplishments have been because of the Greeks, that’s why he wants her to marry a Greek. * The main thing is humour. It conveys the message of this film in an interesting way. * The film introduces the usage of repeated motifs with the Greek language, Windex and the idea that you have to get married, have babies and feed everyone. * We are showed that when she was young, she was embarrassed by her parents. The irony that when she was young, she didn’t want to be Greek but in the later years, this is what was made her special. They brought her grandma, just...
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...Film i Engelsk Bilag 1a FILM ANALYSIS – an introduction (Source: http://www.filmeducation.org) – bearbejdet af Mi og LK, Favrskov Gymnasium Reading a film is just like reading a book, except that instead of looking at a written page we are looking at the cinema screen. Reading a film works in exactly the same way as a written text, or a picture, except that the tools that are used to create meaning are different. We call these tools film language. The opening sequence From the moment we first start watching a film, we begin to get involved. The first few minutes of a film (the opening sequence) are very important to us as they give us lots of clues about the film: 1) what will the film be about (conflicts/themes); 2) who are the most important characters (hero, villain, love interest); 3); what is the setting of the film (time and place); 4) the genre; and finally, 5) what sort of film language characterizes the film? We look at all these elements and begin to put them into context. Based on their environment, how they look, what they say and what we see them do, we make assumptions about the characters, their roles in the film and their relationship to each other. We also recognize so-called genre markers (things we associate with one particular genre) which tell us if we are watching a Western or a Sc-Fi film and, thus, form specific expectations about what is going to happen during the rest of the film. At the same time, we listen to the sounds and the music...
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...group of people who enjoy shows in which ‘they just talk’. Pinter therefore uses mockery of class and lack of intelligent understating as a comedic device with Meg. Pinter uses dramatic irony to push this, like Meg’s speech in Act 2, which confirms her naivety. This conforms to conventional clichés of the comedy genre, in which class and social aspects are frequently used. Studies have shown[1] that the middle class use comedy to assert social authority as a form of veiled snobbery, suggesting that Meg is simply a comic fool. However, I see Meg less as a simple source of humour but more as a moving representation of isolation. A lot of the humour when Meg is portrayed as a comic fool, and thus the conforming to the comic genre arises out of her general social awkwardness. The non-sequiturs and awkward pauses highlight her social ineptitude, contrasting deeply the mellow tones of Petey, like in the discourse: ‘PETEY: Yes, it gets light later in winter’, to which Meg replies simply ‘Oh. (Pause) What are you reading?’ For me, this creates a certain amount of sympathy for Meg’s domestic condition. We see Meg striving to please her housemates with a large amount of maternal fussiness. This can be seen with Meg’s incessant and perhaps paranoid need to ask Petey whether or not he likes his breakfast: MEG: ‘Are [the cornflakes] nice?’ PETEY: ‘Very Nice’. On the other hand, some people could view Meg...
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...Could you imagine what life would be like if you were forced to follow everyone’s expectations and traditions while living in the constant fear of others forcing you to leave your home? This was what life was like for the characters in the play Fiddler on the Roof by Joseph Stine, performed by Stockdale High School. The play explores the traditions, activities, events, and horrors of life for the Jewish community during 1905 in Anatevka, a small village in Russia. There were many terrible occurrences the community had to endure, but they got through it all with the help of their traditions. However, one family’s daughters break the traditions and decide to go their own way, with or without the approval of their father. This eye-opening play takes the audience on a journey through unbelievable...
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...Hannibal Lector as a mentor to help catch the serial killer. Lector is a brilliant psychiatrist who is also a powerful psychopath who is serving life in the penitentiary for murder and cannibalism. Over time Lector guides her closer and closer in the direction of catching Buffalo Bill. I will be examining the opening sequence of this film, which contains eighteen different shots. 1. The opening,...
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