...Several explosions on the planet mars!!! In the radio drama “the war of the worlds” by Orson Welles shows us that it lead to panic and thousands believed it was true. Radio drama The War of the Worlds produced by Orson Welles. was live on the radio intentionally to give a scare on Halloween night in 1938. Radio listeners created chaos over the radio drama on Halloween eve, this would've never happened if they listened to all of it. The listeners believed the attack on earth from Mars was real because the actors were well trained, sound effects seamed realistic and how they made it seem like breaking news. Thousands of people believed the attack on earth from Mars was real. Many believed this was actually happening do with how the actors...
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...In his renowned film Citizen Kane, director, writer, actor, and producer Orson Welles employs an innovative use of shadows, darkness, and angles to portray hidden emotions and thought provoking social commentary; setting a precedent for all films to come. This movie, called the “father” of film noir, employs an ingenious use of lighting and focus to create new depths that add to the characters, drawing our attention to details that shape the story. This film presented to the world a fresh take on the boundaries of story telling, and ground breaking innovations that influence film making to this day. Take, for example, the short film obituary for Charles Kane, “News on the March”; it would seem from afar that Charles Kane was simply a rich, influential man who had lived a full and happy life. But as soon as we are pulled out the documentary and back into the real world, we are immediately met with the darkness and seclusion that dominates the film. An obvious aspect we notice in that first lapse back to present time is within the room of reporters we are never able to completely see any faces- the light from behind creating an eerie shadow over all of the actors. This overshadowing of the reporters continues through the time we spend following the reporter, Jerry Thompson, in his quest. This was done to draw the viewer’s attention away from the obvious, and push us to delve deeper into the story. Obviously, this was...
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...It’s Not So Lonely Being Single In the words of Jo Coudert, “You do not need to be loved, not at the cost of yourself. The single relationship that is truly central and crucial in a life is the relationship to the self. Of all the people you will know in a lifetime, you are the only one you will never lose" (131). I could not agree more with Coudert. People should not sacrifice themselves in order to be loved. Your relationship with yourself is the most important relationship you will ever have. Being single can be very liberating; there are financial upsides to singlehood versus marriage as well as having the freedom to live your life without having to consider someone else first. There are many issues folks are not exposed to which couples have to deal with throughout their relationship. People often assume their single friends are lonely. As for me, I do not believe simply because a person lives the single life means he or she is lonely. Think of the financial advantages unattached people have compared to those in a relationship. In 2011, the average wedding budget in the United States was $27,021 (Jaeger). In the same year, couples spent an average of $15,000 to get divorced (Alterman). Washington State had 41,509 marriages in 2011 and 26,860 divorces and/or annulments (Center for Health Statistics, Washington State Department of Health, Table 1 and Table 5). Altogether, Washingtonians could have saved over a trillion dollars simply by not getting married in the first...
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...What is mise-en-scene? Mise-en-scene is the arrangement of scenery and properties to represent the place where a movie is enacted. It is most commonly used to show the setting of the movie. But if used correctly can be used to portray the feelings of the characters and to help tell the story. Orson Welles made sure to use the props, actors, and even the camera to use mise-en-scene to tell the story of Charles Foster Kane to its fullest. Character positions, camera angles and music, and framing used to tell the story in Citizen Kane. It’s use of mise-en-scene made it not only ahead of its time, but it made it a masterpiece. Citizen Kane uses mise-en-scene is multiple scenes to help tell the narrative. A perfect example is when the parents of the Charles Kane are speaking with Walter Thatcher in the house. As Kane’s parents are discussing giving Kane over to Thatcher, we see Kane as a boy playing in the snow through the window. This scene represents the innocence that is stolen from him in this exact moment. When he was a child he was pure and innocent and naïve, but we never see him like this again after he is taken and brought up by Thatcher. The boy stays in the middle of the frame the whole scene making this part one of the most import scenes in the movie. As the live changing scene goes on we just watch as Kane plays in innocence, completely oblivious to what is going on in his home. The entire movie is affected by this one scene and links to his dying word, rosebud. This...
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...Sleight of Hand, Sleight of Mind Orson Welles' F for Fake and the Art of the Cinematic Con Orson Welles' 1974 "film essay" F for Fake opens with a scene of Welles, in the role of a magician, performing a sleight of hand trick with a young child, "transforming" the key the young boy has presented him into a coin and then showing how the young boy had the key all the time in his pocket. The magic was the perfect illustration of Welles' purpose in the film. F for Fake was a film about fraud and deceit, about how the makers of art (and, in particular, film) use "trickery" to fool their intended audience into believing something that is not true. The film focuses on three known "charlatans" (Elmyr de Hory, Clifford Irving, and Welles himself) who used their talents to produce such magnificent forgeries that they were able to fool everyone (even so-called "experts") into believing in the truth of their claims. Despite the status of this film as one of Welles' "minor" films from late in his life (it was one of the last films he completed prior to his death in 1985), it has had a tremendous impact on filmmaking, both in a technical sense (the film's complex editing of various film stocks and styles) and in a textual sense. Welles' identification of the ways in which an audience can be manipulated into believing anything as long as it has the "air" of authenticity has had a tremendous impact on current filmmaking, especially in the realm of horror filmmaking with the current crop...
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...**** ******** Humanities 17 Mr. **** 10/20/12 Citizen Kane, Orson Wells (1941): employed new cinematographic advances for film. Wells, use of camera placement, movement and the entire editing process paved the way for a new era of filmmaking. His brilliant use of Iconic imagery, help to tell the story of Charles Foster Kane. The opening of this scene seems to be one of childhood innocence. A young Charles, sledding down a hill. The blind edit straight to the snowball hitting the sign of Mrs. Kane’s boarding house can be considered an iconic image for what’s to come. The over the shoulder shot of his mother talking to Charles still has the focus on Charles and his innocence. As the camera pulls backwards you get a better idea of what’s going on. In the negative space, while mother and father are talking to Mr. Thatcher you see Charles still childishly playing in the snow. Having no idea he is about to given away. The camera following Mrs. Kane back to the window then the close-up of her face shows the intensity of her emotion she has for selling her son. The close-up of Charles face makes you feel his pain and anger as it transitions to another iconic image of the empty sled gathering snow, letting you know Charles is gone. In the dining room with Emily the lighting is focused on Emily who is centered in the shot. The lighting and her appearing brighter shows that for now she is the main focus. As the camera moves in it accentuates the love between them. The straight...
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...Introduction “Rosebud”, has one cryptic word carried such weight since? Charles Foster Kane is a figure as enigmatic as he is influential, a multimillionaire media tycoon, a failed politician, but most of all, a man looking for something he lost. The role, based in large part on the newspaper don William Randolph Hearst, drew its share of attention before its release, when Hearst attempted to ban any reference to the film from appearing in his papers, and tried to shut down its production. Unfortunately for Hearst, his suppression was unsuccessful, and only cemented the connection between the film and himself. Today, Orson Welles’s Citizen Kane is widely regarded as one of the best films of all time, not only for its narrative, but for its...
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...information. Media’s objectivity is filtered and censored by the media owners, advertisers, newsmakers, news sharpers, and the pressure groups. All of the affect media while its doing its job. Media’s job is to inform. Because of the filters of media, it usually uses for propaganda, having profit and power. Many people think media is the most powerful means for propaganda. Lord Beaverbrook (1879-1964), who is owner of the Daily Express and founder of The Sun, and he used his newspaper for entirely for propaganda without taking into consideration of the purposes of media (Watson, 84). Media works same in Turkey as the world. The bosses, who have newspapers and television channels, use them for their propaganda. Moreover, this propaganda works very well because they have power over the people and having amounts of profit owing to media. Media is mass communication, a connection all over the world that informs, entertains, and influences people. It is powerful because most people talk about what they see on the news. Therefore, we can easily say media primarily control people’s opinion, and beliefs. Due to this, media must do its job impartially. In addition to this, the basic criteria of the media would be always say truth. On the other hand, the anxiety of rating and getting power entails media taking sides. It would seem that the media is using...
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...Citizen Kane has been referenced in so many different mediums in my life. I had never seen the film, but the scene where Kane is giving a political speech with his massive image towering in the background has been mimicked in countless TV shows, even cartoons. I knew Rosebud has a sleigh, but never knew anything about the plot. More importantly, I never knew what the big commotion was over this film. I went and rented the Criterion Collection edition of Citizen Kane from the local video store for 50 cents, and with it came a simple commentary from the clerk. “This laid down the basics for all films today.” After listening to Roger Ebert’s commentary, I know understand why this is considered a masterpiece, and why it still stands as one of, if not thee, greatest films of all time. The film is simply full of special effects. A casual viewer would almost think there are no special effects in it, compared to what we are used to in this era of film. The film was visually deceiving you almost the whole time. . The film actually did not have a massive budget, and instead of building massive sets, they had to improvise wherever they could. Matte drawings are continuously used throughout the film. They are used from the onset, simply depicting Xanadu as an ominous, decrepit castle in the distance. The editors took this device and used it in ways never seen before in film. They created the effect of a hall full of spectators watching a speech, using only few actors, a...
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...views of the text The complexity of the human experience is shaped by individual’s attitudes, morals and perceptions. Orson Welles Citizen Kane explores this complexity through its portrayal of media tycoon Charles Kane, highlighting the centrality of ambition and corruption in an individual’s pursuit of power and relationships. Wells employs avant grande cinematography to engage and persuade the audience of the instability of the human experience. Citizen Kane demonstrates how despite the individuals desire for relationships; their ability to forge connections can be undermined by their personal perceptions and ideals. Kane’s moral vacuity and ambitious nature is central to his inability to sustain meaningful relationships. Leland apathy notes, “All he (Kane) ever wanted out of life was love”, with this desire for love resonating in the motif of ‘Rosebud’, emblematic of his mothers love. Nonetheless, Kane’s superficial pursuit of transient pleasures and ambition results in the corruption of his relationships. This is accentuated in the breakfast montage, which depicts Kane and his wife Emily at progressive breakfasts throughout the course of their marriage. To begin with Kane seems to be the ideal husband – he compliments her, spends time with her, and smiles at her. This is visually and aurally reflected by the physical closeness of the two, as well as the light, romantic violin music. However throughout the montage the two become progressively tenser and terser, as they...
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...Between Dreams and Reality: The Citizen Kane Effect “If I hadn’t been very rich, I might have been a really great man.” Charles Kane has said to audiences since 1941. Citizen Kane has been a staple in the classrooms of film studies as well as on lists of classic movies. Although meant to have been premiered on February 14, 1941 at Radio City Music Hall, the intense threats of William Randolph Hearst, who it is believed Orson Welles modeled the fictional character of Kane from, caused most theatres unwilling to risk backlash and thus striking the film from their show lineups. Financial success at the box office was assured to be nonexistent and eventually caused Welles departure from RKO Studios and restricted direction freedom on his future projects. The controversy surrounding the film didn’t stop there. True authorship will forever be debated with credit being distributed between co-writers Mankiewicz and Welles. Although either side you take gain perspective on the core audience they developed their groundbreaking story for and undoubtably had the greatest impact on: the middle class liberal males of the 1940’s and 1950’s. “The people are going to see Citizen Kane, and not one of them will be quite the same person after seeing it as he was before. It is profoundly moving an experience as only this extraordinary and hitherto unexplored medium of sound-cinema can afford in two hours. You leave it with regret, wishing you could see it all through again, feeling...
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...The term ‘mise-en-scene’ is used to “signify the director’s control over what appears in the film frame” (1) and covers such elements as setting, lighting, costume and the movement and actions of figures appearing within the film. The iconic Citizen Kane (Welles, 1941), a biopic that traces the life of fictional newspaper magnate Charles Kane, uses the elements of mise-en-scene to reinforce ‘loss’ as a recurring theme throughout the film. As a faceless reporter goes about collecting personal recounts of Kane, the stories told suggest that throughout the majority of his life, Kane was “moving inevitably toward [an inner state of] bitterness, disappointment and loss” (2). The first flashback scene shown (set at Kane’s childhood home) begins Kane on this aforementioned negative emotional journey. Kane is shown in the background of the scene, while in the foreground, his parents and Mr. Thatcher discuss his future. Kane appears visually trapped within the frames of a window, echoing the way in which he is being ‘trapped’ into Mr. Thatcher’s guardianship. During this scene, a close up of Kane’s indignant expression fades out slowly to reveal the sleigh he happily played with moments before. Having unwillingly left his simplistic home for the riches and supposedly assured success Thatcher can offer him, the sleigh is all that remains, shown abandoned in the foreground, covered in snow. Snow in itself bears “connotations both of burying [the past] and freezing [this idealised memory...
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...Compare & Contrast Othello and “O” Despite working with low-budget and a small crew, Orson Welles makes his Othello interesting and memorable through several techniques. He generates a sense of suspense by placing the final scene in the beginning of the movie. When translating play into film, he creatively rearranges the scenes while keeping the text intact and shoots from odd angles to produce interesting lighting and shadows. Even though some of the characters in the film do not quite live up to the viewer's ideals of the characters, Welles's Othello still achieves remarkable success. In order to accompany the powerful words of Shakespeare, Welles chooses to shoot from either slightly above the usual camera angle or below it to create a dramatic effect. As the movie begins, the cameras angled from the ground up to show off dark, sparsely clouded skies, and soldiers in dark silhouettes marching to a funeral. When Welles shoots the first scene between Othello and Desdemona, he chooses Venice, a traditionally romanticized city, to emphasize the early attraction between them. Although Welles often shoots conversations between a character and a shadow because he couldn't employ additional actors for certain characters in the play, his creativity is seen through his resourcefulness-which is crucial in the success of his Othello. Another aspect of Othello's success is the soundtrack and background music. Welles doesn't choose random notes oblivious to the action and...
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...Essay Shot Breakdown Touch of Evil Scene: Opening Tracking Shot 1. Close up of a man’s hands setting off a ticker attached to a bomb. This can be seen as a symbol as if the tracking shot is being timed. 2. The camera follows the man as he proceeds to run to a nearby car to plant the bomb into the trunk. 3. The man runs off and the camera drifts upwards. 4. Overhead shot of a couple approaching the car and entering, unaware of the bomb being planted. 5. The car is started and the crane follows the direction of the car but a building blocks our vision of the car for a few seconds building suspense. 6. The car reappears on screen and turns and stops at an intersection where a police officer is directing traffic. As this happens the camera pans backwards leaving the car in a further distance from the camera. 7. The car starts to move towards the camera until it stops at the next intersection. 8. A couple walking together cross at this intersection and the car drives out of the shot and we now focus on the couple walking. 9. We continue to follow the couple as the car reappears driving behind them. Festive Mexican music is heard in the background. 10. Many vendors with their carts run across the couple numerous times scurrying around, showing it is a busy street. 11. The couple walks side by side with the car as they approach the U.S/Mexican border. The couple shows the border officers their identification...
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...Orson Welles caused a revolutionary change in the film industry with his production of Citizen Kane. With the help of cinematographer Gregg Toland, and music by Bernard Herrmann, the movie received recognition for it’s narrative structure, sound and cinematography. The story is centered around Charles Foster Kane and his mysterious last words, “Rosebud.” As the audience, we are put in the position to piece together the puzzle from the various stories we are told by different points of views. The narrative structure isn’t in chronological order, but told in a series of flashbacks from 5 confidants of Kane. The passage of time is easy to follow because of the structure and sound of the film. Because the film only shows the opinions of others, we get to see a whole range of different perspectives. The “News on the March” sequence used a range of different voices and newspaper headlines to create buzz and show...
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