...November 1, 1604, King James I and his court were the first to watch a production of William Shakespeare’s “Othello.” The famous playwright was in the midst of his tragedy period, penning such classics as “Hamlet,” “King Lear,” and “Macbeth.” The story of “Othello” has its roots in the historical events and cultural atmosphere of the late 16th and early 17th centuries. It was a common practice of playwrights at the time to borrow or lift plot ideas from other preexisting stories, and Shakespeare was no exception to the rule. The plot of “Othello” most closely resembles a 1565 story by the Italian writer Giovanni Battista Giraldi Cinzio: a Moorish general is tricked by one of his officers into thinking his wife has been unfaithful. Shakespeare took the basic plot points of this tale and embellished them for dramatic effect, adding characters like Roderigo and Brabanzio and more fully developing the character of the villain, Iago. To heighten and speed up the drama, “Othello” takes place over the span of a few days. The backdrop of “Othello” has its origins in the real-life conflicts between Turkey and Venice that occurred in the late 16th century. The action of the play takes place in Cyprus, a Venetian military outpost that was conquered by the Turks in 1571. A contemporary study of these wars was “The History of the Turks,” written and published by Richard Knolles in 1603—just a year before “Othello” premiered. It is reasonable to assume that Shakespeare, like anybody of...
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...Oliver Parker's Adaptation of 'Othello' - Review Since watching Oliver Parker’s adaptation of ‘Othello’, I have decided to give you my view on Parker’s take on the original play, which I found somewhat disappointing. The film was left shortened and many parts of the original play were omitted, which I think makes it hard for your typical, everyday person to understand. It may be much easier for purist Shakespeare followers to understand, but if you do not know the ins and outs of the book, then getting a grasp on Parker’s adaptation may be confusing, and therefore less enjoyable. Ultimately, I think this was the outcome – less enjoyable, than the original play, for the most of us. I disagree with Jenessa Casey's online review and many of the points that she raised. She claims that Oliver Parker ‘cut many parts of the play's scenes to shorten the film while adding a few to provide a more cinematic and box office-oriented production’. Although this may have been the desired effect, I do not feel that it has truly worked. Instead of making it a better box office production, it actually made it difficult to follow because of all the key, interlinking dialogue that was missed. This can easily sway our opinion on the characters themselves, and after watching the film, it made me view many of the characters very differently because of the way Parker had portrayed them. A vital part which was missed out was the exchange of words between Othello and Desdemona (Act 3 Scene 3). In the...
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...From the very start of Othello, one of Shakespeare’s most tragic plays, the audience is hyper aware of the fact that things are just not going to end well. For me, these formidable sentiments stem from the play’s central antagonist, Iago, who I consider to be the most disturbing villain of all of Shakespeare’s plays. While some villains are blatantly cruel, murderous, or vengeful, real fear is evoked by villains like Iago, whose honest and gentle façade masks the sick mind of a misogynistic sociopath. These thoughts lead me to question what makes Iago powerful enough to have so many people at his emotional disposal. The answer quickly became obvious – his power lies in his speech. Iago implements Aristotle’s very basic methods of persuasive rhetoric, ethos, pathos, and logos, to masterfully manipulate the thoughts, emotions, and actions of characters like Roderigo, Cassio, and Othello. Beginning with Roderigo, whose sheer idiocy we must briefly ignore, Iago uses an intricately simple web of words to ensnare his victim. Roderigo questions Iago’s true feelings towards Othello, to which Iago uses the very essence of ethos, the method of persuasion in which the speaker establishes himself as someone to trust and to be perceived as a figure of authority, to persuade Roderigo of just how intensely he abhors Othello. Iago eloquently and passionately explains how he was overlooked for the position of lieutenant, despite his battle prowess, and goes on to make statements like, “I follow...
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...Hello and welcome to another episode of Othello Exposed, where we delve beneath the words and into the mind of Shakespeare to see the meaning behind his plays. As discussed in our recent episode The making of show, back in 1604 when Othello was first performed there were many racial ideologies towards black Africans–although they were not yet regarded as slaves, ‘the black race was considered inferior’ (shakespearetheater.org). Shakespeare was inspired and constantly looked to challenge his audience to reconsider cultural norms. Therefore, he wrote Othello, a play about a usurper whose hunger and craving for power eventually caused the downfall of the kingdom. This usurper, possibly the most fascinating character in the play, is known as Iago:...
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...Project Othello, the Invisible Wound, To Kill a Mockingbird July 30th 2014 By Eileen Harford Everyone has had a time in their life when they have misjudged a situation. Whether it was assuming someone took your pencil when it is actually in behind you ear, or assuming which character is the killer in our favorite movie, we all have misjudgements all the time in our lives. When was the last time you have mistaken a situation? The theme of false judgement demonstrated in the play “Othello” by Shakespeare, the short story “The Invisible Wound” by Karoly Kisfaludi, and the film “To Kill a Mockingbird”. In these three storylines, the author exhibits the theme of false judgment through a character of innocence that is poorly misjudged and ends tragically for them. Othello accuses his wife, Desdemona of adultery, while the unnamed protagonist in “The Invisible Wound” also inaccurately assumes his wife is cheating. In “To Kill a Mockingbird”, the jury accuses Tom Robinson of a crime that he did not commit all because of the colour of his skin. Given the above, it is clear that these three story lines hold the same theme of an error in judgement occurring. Throughout the play, “Othello” by William Shakespeare, a few of the characters are condemned on untruthful information. Desdemona and Cassio are victims of poor judgement. Accusations towards Desdemona seem to be the most prominent to any reader – which all begin when Othello falls to Iago’s manipulation that causes Othello to poorly...
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...HOW TO TEACH “OTHELLO” (The play by William Shakespear’s) I. INTRODUCTION Othello, like all of Shakespeare’s plays, particularly the tragedies, is complex and subtly nuanced. Through its complexitiesand subtleties, Shakespeare makes us care about the characters who people this story. We understand their weaknesses and their strengths, their passions and their nobility. In our engagement in their lives and our pondering over what has gone wrong and why, we are given the opportunity to analyze human life both in the abstract and in the particular of our own lives. Shakespeare’s ability to involve us in the lives and fortunes of his characters is one of the best reasons for reading and teaching Othello. Othello has particular gifts to offer to teenagers. It is a play about passion and reason. Intense feelings are exhibited here:love, hate, jealousy, envy, even lust. Teenagers struggling with their own passions can empathize with both Roderigo’s and Othello’s plight. It is also a play that examines, as do Shakespeare’s other works, human relationships and interactions. For teenagers in the first rush of attempting to understand how romantic relationships work and when and why they might fail, this text provides much to ponder. In addition, studying the play gives young people a rich literary vehicle for developing their critical thinking and analytical reading skills. The closer they examine this work, the richer they find it. II. SUMMARY OF THE PLAY The play is set...
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...theatrical productions it is all too easy to spot a character in a play who is evidently insane due to their erratic actions and miscellaneous babbling on stage. However, not every case of insanity shows itself as a ranting and raving madman, it can also be cool, calm, and collective.Yet, a characters mental state is not so black and white and it would be an injustice simply label a character as “insane” or “sane”, especially when it comes to more intricate, and developed works of theatrical art, such as one of William Shakespeare’s famous tragedies The Tragedy of Othello. Within the tale of Othello, the main driving force of the plot and sole conductor of Othello’s suicide by the end...
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...in the early 20th century because the presence of Shakespeare on film raised the contemporary estimation of film. Almost all of his works have been adapted on screen in Hollywood and all other film industries. Hollywood has produced around 300 movies based on Shakespeare’s plays and characters. Films based on tragedies like Hamlet, Othello, King Lear, Macbeth, Romeo and Juliet etc., have got very good response by the audience on the silver screen. In Bollywood also many directors adopted the work of Shakespeare. But Vishal Bhardwaj through his films showed that he is the true fan of Shakespeare and knows well how to do justice with the work of such a big writer on silver screen. His film Maqbool (2003) based on Macbeth, and Omkara (2006) based on Othello left very remarkable impression on audience’s hearts. Maqbool had its North American premiere at the 2003 Toronto International Film Festival. Though the film failed to entice much of an audience during its theatrical run in India, critics were appreciative and Pankaj Kapoor went on to win a Film fare Award for Best Actor (Critics) and a National Film Award for Best Supporting Actor. While Othello showcased at the 2006 Cannes Film Festival along with a book on the making of Omkara. It was also selected to be screened at the Cairo International Film Festival, where Vishal Bhardwaj was awarded...
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...26/12/13 Othello, Review The National Theatre The Guardian The infamous ‘green-eyed monster’ is back with a vengeance in Hytner’s portrayal of Shakespeare’s Othello! In this tragic tale of trust, deceit and a magical handkerchief, the audience is treated to an interesting and excellent portrayal of Shakespeare’s Othello. Directed by Nicholas Hytner, this play takes a modern day approach, differentiating itself from previous re-enactments. In this interpretation, the cast is dressed in normal, everyday clothing in the scenes that Hytner interpreted as being in “London or a modern cosmopolitan centre”. Followed by a change in costume (for most characters) into military attire when the play is shifted to Cyprus. Hytner’s road to glory was essentially a U-turn from the original text. His focus was to portray the emotions experienced by characters and to downplay the racial differences. Highlighted when Lester emerges, as confidently as President Barak Obama walking into an important conference, wearing a dark/navy blue suit. The integration of Othello into the rest of the community is witnessed on the army base, when Othello is seen wearing attire that is exactly the same as his Caucasian counterparts. Previous versions such as Jonathan Miller’s 1981 film and Oliver Parker’s 1995 film both focus primarily on the racial difference between Othello and the rest of the cast which, reinforced with Othello often wearing light/white coloured, traditional clothing, which was always...
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...Othello I’ll be reviewing Smooth faced gentlemen’s performance of Othello an all female cast who take on Shakespeare’s work and adapt them. It is britain’s only all-female Shakespeare company who this time decided to take on a captivating tragedy, add a hint of comedy, and thrilling action. Travelling from Venice to the intense heat of Cyprus, Iago conjures a dark twisting plot of revenge, jealousy and violence – destroying Othello’s world in this disturbing thriller. Director Yaz Al-Shaater says his goal with the Gents is “to put on performances so enthralling that the audience forgets they are watching women playing men’s roles.” Without a shadow of a doubt this casting makes you to think about Shakespeare’s politics within gender and our modern ideas on what separate’s men and women. Although it is more interesting to watch the company own these male characters without applying the...
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...Comparing Oedipus and Othello When comparing and contrasting the character's Oedipus and Othello by means Of the different theatrical practices, one must take in account that there have been Many interpretations, and productions of each of their respected plays. The differing Presentations of each may lead someone to think differently about the play than Another would. In comparing and contrasting the dramatic representation of the Protagonists Oedipus and Othello, theatrical presentation, costume design, and Character will lead the reader, and viewer, to have a greater insight into the theatrical Practices of their times and their approaches to the issue of verisimilitude. The theatrical presentation of both plays are very similar. The two plays would Both be presented on a thrust stage, which is a platform surrounded on three sides by The audience. Except for the backdrop which would have some element of scenery, The stage itself would be bare apart from a few scenic elements and props. Othello, Like most of Shakespeare's plays, had what is called an abstract setting. That is a Setting in which the locale may change rapidly, it may not be indicated by the script That it has changed, and was most likely suggested by a few props. Abstract settings Place more emphasis on the language and the performer, which causes the spectator To use their imagination. It also places more emphasis on costuming. This type of 6 6 Setting helped set up the style of representational...
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...Compare & Contrast Othello and “O” Despite working with low-budget and a small crew, Orson Welles makes his Othello interesting and memorable through several techniques. He generates a sense of suspense by placing the final scene in the beginning of the movie. When translating play into film, he creatively rearranges the scenes while keeping the text intact and shoots from odd angles to produce interesting lighting and shadows. Even though some of the characters in the film do not quite live up to the viewer's ideals of the characters, Welles's Othello still achieves remarkable success. In order to accompany the powerful words of Shakespeare, Welles chooses to shoot from either slightly above the usual camera angle or below it to create a dramatic effect. As the movie begins, the cameras angled from the ground up to show off dark, sparsely clouded skies, and soldiers in dark silhouettes marching to a funeral. When Welles shoots the first scene between Othello and Desdemona, he chooses Venice, a traditionally romanticized city, to emphasize the early attraction between them. Although Welles often shoots conversations between a character and a shadow because he couldn't employ additional actors for certain characters in the play, his creativity is seen through his resourcefulness-which is crucial in the success of his Othello. Another aspect of Othello's success is the soundtrack and background music. Welles doesn't choose random notes oblivious to the action and...
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...“Othello is the most domestic of Shakespeare’s tragedies. Its focus is not on the fall of a king, or the collapse of a nation… Rather it is about the end of a marriage and a husband’s murder of his wife. It is intimately concerned with the details of sexual jealousy.” (McLeish and Unwin) A production of Shakespeare’s “Othello”, was presented as “The Twisted Othello” at Bishop Anstey High School East auditorium on November 15th, Saturday. It was directed by Janieka Tudor and captured a new take on the Shakespearean classic. The play is centered on the eminent jealousy of Iago (Renaldo Briggs) directed to Micahel Cassio who had been promoted by Othello (Daniel Waldron). Iago, who coveted the position as Othello’s lieutenant; weaves an intricate web of lies around the ubiquitous and notorious ‘handkerchief’ and ensnares Desdemona (Mishael Martineaux), Othello (Waldron) , Rodriego( Tevin Butler) and other actors. Ultimately Iago (Briggs) plays on the green-eyed monster within Othello (Waldron) and causes his cataclysmic demise. In a review of ‘The Apologetics of Evil: The Case of Iago’ by Richard Raatzsch it is mentioned that, “Iago is memorable and exciting, and universally hated by audiences of ‘Othello’ …. Being cold, manipulative, and impervious to anything but his own perverse will.” (McGinn) In conjunction, at ‘The Twisted Othello’ Renaldo Briggs gave a resounding performance and a new finesse to the character of Iago. Briggs a student of Bishop Anstey Trinity College East...
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...Othello Research Paper Othello is quite an interesting tragedy; full of deception. The Moor, also known s Othello is the undisputed “hero” of our story; but his heroics are no match for the sly antagonism of the character Iago. Iago is a bitter, crafty mind that uses his political prowess and friendly swagger to deceive his victims. Desdemona has her innocence used against her and exposed for a weakness as she is blinded by what’s right in front of her. The Moor, also known as Othello is the undisputed “hero” of our story; but his heroics are no match for the sly antagonism of the character Iago. Othello isn’t our everyday hero; seeing that there aren’t too many black heroes in the seventeenth century; especially in Venice. I feel as though Othello could have done very little as a human being to avoid his fate. When Iago began to manipulate the mind of Othello in Act 3, we finally begin to see the weakness in our “hero”. Othello being the hero and man that he is, we as an audience don’t expect him to be so weak minded in such a fixable situation. This brings thoughts to my mind about how blind love can make people in this world. Sometimes we fall so in love that we can’t see the very thing that stands in the way of our love growing. Being blinded by love doesn’t always end “happily ever after”, sometimes the worst possible thing could happen when you’re in the way of a mad ”blind” man that’s carrying a sword. So if I could ask first time readers of this story a question...
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...Oedipus and Othello For Oedipus and Othello “duty” should have their first priority. Othello’s duty was supposed to be the importance of his marriage, but he listened to Iago, ignored Desdemona, didn’t believe his own conscience, and his own heart. Oedipus’ duty was to defeat the Sphinx(which he does) free Thebes from heavy taxes(which he does) be a great king of Thebes and be a good husband, but instead he offends Creon, his brother-in-law and uncle; insults his friend, Tiresias the blind prophet; kills his father; and destroys Jocasta, his mother and his queen. Fatal flaws demolished the lives of both Oedipus and Othello. Othello was so proud of his honor and bravery that he didn’t recognize his violent temper and Iago’s mind tricks. Oedipus was so proud of his cleverness that he tried so hard to escape his own fate. With all that said, these were honestly just a couple of comparable traits between Oedipus and Othello. When looking for a great leader that would lead your city through anything and everything it is not hard to tell that both Oedipus and Othello could be those leaders. Both had great gifts in leadership. They stood up in what they believed in. Each held exceptional accomplishments and both possessed the ability to be an all-around leader. Othello was a respectable citizen who was usually known for his fighting or war success. He knew how and what the goal was to succeed. Not all leaders knew that. Oedipus was also somewhat the same. He, like Othello, was known...
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