...Bound The night had been cold and wet. Even the cave walls felt extremely cold and looked umber. The floor is so hard and would be such a pain to sleep on. She is a silly one to sleep out here on the floor. Her head was placed near the Kang as she layed there peacefully. The cold morning air would surely still be biting at her toes. I stood over Xing Xing, “wake up and drink this,” I ordered. Xing Xing awoke with a confused and dazed look on her face. I made Xing Xing a warm potion as I knew she would have to awake ill. I mixed wild tea leaves with shallots, ginger and dogwood. I had made it in hope that it would calm her qi. Xing Xing drank it; I could see her eyes were heavy. I wanted to make her go and do chores but in fear that the ancestors...
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...Personal Essay Assignment Write a personal essay on a topic or experience of your choice (either narrative or reflective.) Review the handout on personal essays and the examples we studied. Remember: ➢ a narrative essay deals with an experience of some importance to you. You must convey not just the play-by-play of events, but the meaning of tose events. What did you learn from the experience? What might others learn? Choose the details that will support this perspective. ➢ a reflective essay deals with a topic/issue of importance to you. Your aim is to present the reader with a glimpse inside your mind as you consider that subject. ❖ The difference: narrative essays tell “what happened” to the writer; reflective essays tell what the writer thinks/feels about a subject Take note: 1. Use the English Essentials for both assignment formatting and essay guidelines (note: because this is a personal essay you may use personal pronouns (I, we) and some contractions (I’m, don’t) if it is appropriate. 2. You are not bound by the “five paragraph essay” format. Use new paragraphs as you see fit. Requirements: 1. Writing Variables 2. Outline 3. Rough draft (with evidence of peer editing and revision) 4. Final typed copy Suggested length: 2 – 3 pages (typed, double-spaced) Due date: PERSONAL ESSAY OUTLINE 1. Topic or experience: 2. Main point about topic or experience (implied...
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...fairytale; there was a pretty princess and a handsome prince, but I was an evil villain.” And has grown to “Through her diction, Walls creates various tones in order to convey to her audience that despite obstacles, it is possible to escape from a dysfunctional family in hopes of a brighter future.” Using How to Say Nothing in 500 Words, I will be evaluating my own writing by discussing my strengths, weaknesses, and how I have grown as a writer. Writing narratives have always been a personal struggle for me. Unless I passionately come up with a story, and immediately write it on paper, my narratives are bland. It is hard to write personal life-changing stories when I have a deadline. One weakness of mine is using colorful words. For example, a sentence from my personal narrative was written as “It was magnificent with its stained green carpet and plenty of wooden bookshelves stocked with colorful books.” In retrospect, this is how it could have been written, “The spacious library had wooden bookshelves stuffed with leather-bound books, which rested on gritty emerald carpet.”...
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...Olaudah Equiano was a man that went through hell and back. Throughout his life time he experienced slavery, pain, and loneliness. Equiano wrote of this amazing and detailed journey and shared the things he saw and experienced throughout his life. In this essay I will be talking about his journey in two ways. The Interesting Narrative of the Life of Olaudah Equiano, he explains his detailed experience and in his biography it explains less details about Equiano but it goes into detail when it comes to location, facts, and slave work force. In my essay I will compare and contrast the differences and similarities between the interesting narrative of Olaudah Equiano and his biography. I will prove that Equiano interesting narrative is true based off the comparison of his biography....
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...therapy, Narrative Reconstruction (NR) aims to “create a cohesive and chronological narrative of the trauma while simultaneously addressing the personal significance of the trauma and integrating it in the patient’s autobiographical memories” (Peri and Gofman, 2014). The patients are often encouraged to recall and write about the trauma in an organized manner to identify the thoughts they relate to the event (Vitelli, 2014 pg. 203) and confront the negativity by consolidating every detail of the trauma to fully comprehend the situation. PTSD patients suffer from difficulty in recalling coherent images of the trauma due to: “Confused temporal order, unfinished thoughts, and inability to recall important details,...
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...The Gender Politics of Narrative Modes I want to challenge two linked assumptions that most historians and critics of the English novel share. The first is that the burgeoning of capitalism and the ascension of the middle classes were mainly responsible for the development of the novel. The second is that realism represents the novel's dominant tradition. [note 1] I want to propose instead that, as surely as it marked a response to developing class relations, the novel came into being as a response to the sex-gender system that emerged in England in the seventeenth and eighteenth centuries. [note 2] My thesis is that from its inception, the novel has been structured not by one but by two mutually defining traditions: the fantastic and the realistic. [note 3] The constitutive coexistence of these two impulses within a single, evolving form is in no sense accidental: their dynamic interaction was precisely the means by which the novel, from the eighteenth century on, sought to manage the strains and contradictions that the sex-gender system imposed on individual subjectivities. For this reason, to recover the centrality of sex and gender as the novel's defining concern is also to recover the dynamism of its bimodal complexity. Conversely, to explore the interplay of realist and fantastic narratives within the novelistic tradition is to explore the indeterminacy of subjectivities engaged in the task of imposing and rebelling against the constraining order of gender difference. ...
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...CHAPTER ONE METHODOLOGY, THEORETICAL FRAMEWORK AND LITERATURE REVIEW This chapter sets out to examine the methods used in this study, the importance of methodology in research and it also, examines the types of theories necessary for the study. METHODOLOGY This refers to the theoretical approach(es) employed in the work. It is the systematic study method that are, can be, or have been applied within a discipline. Methodology here refers to both methods of data collection and method of data analyses. Field work is the very first step to come up with this work. The method use in collecting data in this study are based on interviews and personal participation in the performance which serves as primary sources.in order to collect data, the researcher acted as part of the audience meanwhile, the performance was recorded without the performers knowledge because it would have been difficult for materials to be collected through other methods such as dialogue, for example. THEORETICAL FRAMEWORK Theoretical framework refers to the concept that are related to the research topic to determine the statistical relationship the paper will measure. The approach that will suit this topic is the sociological approach. In the sociology of literature, Diana Laurenson and Swing Wood argue that: Essentially the scientific objective study of man, society, the study of social processes, seek to answer the question of how society is possible, how it works, why it persists. Through a rigorous...
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...Taylor Hutson Dr. Dennis Winston English-104 13 October 2015 Writing in My Field Radio expands far beyond the bounds of hip-hop, rhythm and blues, and pop music streamed from countless stations across the nation. It is much more than mundane news, traffic and weather updates and is not limited to sports broadcasts. Much like a painted canvas radio paints a mental masterpiece, filled with life stories, musical applications and paired with contextual reporting and analysis. For me, radio grasps my mind from the familiar confines of the world around me and places me in a world far beyond anything that I have actually experienced. Accounts of how a French scuba diver nearly drowned to death in a pursuit to save the life of another diver followed by the scary reality of death among the lives of senior citizens in hospice care are only some of the many intriguing stories that inspire me write for radio broadcasting. “How A Woman’s Plan to Kill Herself Helped Her Family Grieve” written by Alex Spiegel is another story that specifically captures the listener within the confines of its broadcast. Sandy Bem had Alzheimer’s disease—a disease that corrupts the mind’s capacity to remember important family members, read, and write. This disease left Sandy feeling helpless and depressed, later causing her to “commit” suicide—assisted suicide. As Sandy’s health began to deteriorate her feelings of helplessness grew to the point of despair. After wallowing in sadness for countless months...
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...homes or schools. Overall, Susan Cain's Quiet illustrates the unique perception introverts have of the world and the value they hold in it. Narrative (1st Person) A story or written account of events The novel is frequently interspersed with first-person narrative, where the author accounts for her own personal journeys. The use of this thematic element broadens the message in allowing for more emotional appeal and casual prose. It separates itself from a more informative, textbook-like feel and reiterates the fact that this book, at its core, is about humanity. Quiet mentions the idea that introversion and human experience are not black and white; the first-person narrative brings this principle to the forefront by letting perspective shape the writing. "I've paid $895 in exchange, according to the promotional materials, for learning how to be more energetic, gain momentum in my life, and conquer my fears. But the truth is that I'm not here to unleash the power within me (though I'm always happy to pick up a few pointers); I'm here because this seminar is the first stop on my journey to understand the Extrovert Ideal" (Cain 35). The author, Susan Cain, writes about her experience going to a seminar. Rather than describing events like this in objective detail, she tells her own personal tale. The writing includes personal touches and feelings. It welcomes (even urges) the reader to see the world through an introvert's eyes and consider her point of view. In describing...
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...Synthesis *Disclaimer: the views represented in the synthesis essay may not necessarily represent my personal opinions (I won’t write this disclaimer on the AP test). To live a meaningful life is awfully vague, for it can mean a life of happiness, of financial superiority, and of success. But the reason behind why the definition remains vague is clear: we become too obsessed with external factors and often forget ourselves--our character and our individuality. Thus, the prospect of a meaningful life continues to run away from us as we grow jealous of others who have more resources than we. To live a truly meaningful life that embraces both controllable and uncontrollable factors, we must resist trying to please others by avoiding the tendency...
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...In the uplifting and informational book of The Help we come to learn as the reader the many injustices that are brought upon a black maid in the depths of Southern Mississippi. The narrative depicts good and evil through snooty, rich white woman such as Hilly Holbrook and hard-working, tiresome maids such as Aibileen Clark and Minnie Jackson, while incorporating the occasional humble white woman (such as Skeeter Phelan) who want to do right for mistreated African American maids. The political aspects of this novel are held on a personal level for women of color who face harsh the Jim Crow laws that ultimately stopped them from being trusted to shine things such a silver or use indoor bathrooms the same as whites, but trusted them to raise white children that would soon oppress them due to society. The character of Hilly Holbrook stands for the way in which many privileged white women lived in the south. Her rude and manipulative mannerisms towards black maids such as Minnie were exactly why political was made personal throughout the book. She treated women of color as if they weren’t even woman at all by accusing them of stealing or making them use separate bathrooms because they weren’t “worthy” enough to use the...
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...the works of writers such as Marcel Proust or Jorge Luis Borges that the best exemplifications of the subjective experience of memory are to be found. However, from a strictly mnemonic point of view, literature provides more than a means of reflecting on memory: it is also the site of the rebirth and construction of individual and collective memories, which can then serve as a foundation for the writing of fictional works. Creative writing has a meiotic function and is as such a powerful tool capable of rescuing memories from oblivion and bringing them back to life, thus reconciling the past with the present. The present article seeks to bring to bear new perspectives on the relationship between a novelist’s personal memories, collective memory, and the fictional narratives partially inspired by these two types of memory. In the first section we briefly examine the distinction traditionally made between individual memory and collective memory, which we then try to reconcile so as to arrive at an approach to the mnemonic phenomenon that best fits the needs of literary scholars. In the second section we challenge the conventional distinction made between memory and fiction, showing instead how the two concepts are linked and focusing, among other things, on the theory of “memory plasticity,” which holds that imagination plays an important role in the formation and perpetuation of memories. Finally, we study the relationship between fiction and reality and discuss the specific powers...
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...Family Counseling Approach: Narrative Lisa R. Murray Liberty University Online Abstract Narrative therapy is a therapeutic approach that is used alone or in conjunction with other methods of therapy. This particular method of therapy is used in family therapy to help clients focus on gaining access to preferred story lines in reference to their lives and identities the family dynamics that may affect them. The preferred story line will replace the place of the previous negative and self-defeating narratives about themselves. Helping clients within a family counseling to begin to become the author of their own story is important in many cases to overcoming multigenerational affects. Narrative therapy aids in this process. This comprehensive evaluation of narrative therapy within the structure of family therapy and the integration of faith will be constructed in the following pages. Keywords: self-defeating, Narrative therapy, multigenerational, therapeutic Introduction Narrative therapy is considered apart of the Social Construction Model. This particular type of therapy, the counselor or therapist is not a dominant entity or focal point of the process. Instead the therapist is seen as an influential individual to the client. The counselor will aid the client with the process of internalization and the creation of new stories or narratives within themselves that help them to draw new assumptions about themselves. This is done through the process of the client...
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...ASSIGNMENT MODERNIST SHORT STORY Submitted By: Steffy Johnson 11/PELA/026 INTRODUCTION Modernist literature is the literary expression of the tendencies of Modernism, especially High modernism. Modernistic art and literature normally revolved around the idea of individualism, mistrust of institutions mainly government and religion, and the disbelief of any absolute truths. Modernism as a literary movement reached its height in Europe between 1900 and the middle 1920s. Modernist literature addressed to aesthetic problems and can be viewed largely in terms of its formal, stylistic and semantic movement away from Romanticism, examining subject matter that is traditionally mundane. It often features a marked pessimism, a clear rejection of the optimism apparent in Victorian literature. It attempted to move from the bonds of Realist literature and to introduce concepts such as disjointed timelines. Modernism as a literary movement is seen, in large part, as a reaction to the emergence of city life as a central force in society. Furthermore, an early attention to the object as freestanding became in later Modernism a preoccupation with form. Modernist writers were more acutely conscious of the objectivity of their surroundings. The most prominent modernist authors are: T. S. Eliot, W. B. Yeats, Virginia Woolf, James Joyce, D. H. Lawrence, E. M. Forster, Ernest Hemingway, Joseph Conrad, Franz Kafka, Knut Hamsun, Gertrude Stein, Mikhail Bulgakov, MarcelProust, John Steinbeck...
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...melancholy feel that shows how profound the loss of a loved one can be. The speaker switches from iambic tetrameter, when using language to describe the fallen friend, to iambic dimeter, when speaking directly to the friend as if he is still alive. The tone of the narrative helps describe how difficult it is for the speaker to move on from such a staggering loss, and also demonstrates hope that they will be reunited in the afterlife. In the opening stanza, the speaker describes the qualities that he loves about his friend: “Never feared for anything / Never shamed but never free” (1-2). These two lines speak about the way the subject lived his life, never fearing anything and also never doing anything for which he should be ashamed. The next two lines of the stanza continue to show admirable qualities of the speaker’s friend: “A light that healed a broken heart / With all that it could” (3-4). The poet uses a metaphor comparing his friend’s life to a light that tried to bring hope to anyone who is in darkness. In the first two lines of the second stanza, the speaker continues by saying: “Lived a life so endlessly / Saw beyond what others see” (5-6). With these lines, he shows that his friend’s life knew no bounds, and he saw good things on the inside of people that were not apparent to others. The next two lines are critical because they show that the speaker regrets not being able help his friend and puts blame on himself for his death: “I tried to heal your broken heart /...
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