...Second Semester Final Exam: Portfolio A: Narrative/Descriptive Writing Parasailing (Vignette) Narrative and descriptive writing is the writing style I enjoy the most. The vignette I wrote about is a story that happened to me when I was younger and this kind of writing allows me to relive this memory on paper. I find this kind of writing easier to write and easy to relate to because it’s all about me. It is harder for me to write and relate to a book that we read in class since it isn’t about my personal life. This kind of writing style helps me reflect on the something I learned because I have seen how much I have grown this school year based off of what I wrote about and my writing style. This kind of writing style allows me to describe...
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...Not only does the unfortunate Mr. Nuttel fall victim to the story's joke, but so does the reader. The reader is at first inclined to laugh at Nuttel for being so gullible. However, the reader, too, has been taken in by Saki's story and must come to the realization that he or she is also inclined to believe a well-told and interesting tale. Style “The Open Window” is the story of a deception, perpetrated on an unsuspecting, and constitutionally nervous man, by a young lady whose motivations for lying remain unclear. Structure The most remarkable of Saki’s devices in “The Open Window” is his construction of the story’s narrative. The structure of the story is actually that of a story-within-a-story. The larger “frame” narrative is that of Mr. Nuttel’s arrival at Mrs. Sappleton’s house for the purpose of introducing himself to her. Within this narrative frame is the second story, that told by Mrs. Sappleton’s niece. Symbolism The most important symbol in “The Open Window” is the open window itself. When Mrs. Sappleton’s niece tells Mr. Nuttel the story of the lost hunters, the open window comes to symbolize Mrs. Sappleton’s anguish and heartbreak at the loss of her husband and younger brother. When the truth is later revealed, the open window no longer symbolizes anguish but the very deceit itself. Saki uses the symbol...
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...important distinctions between class members. In particular, Foucault discusses heterotopia – the public space which carries both physical and psychological gravity. For Foucault, public spaces are characterized by existing without truly existing. The heterotopia serves as a metaphor for a larger context while having the appearance and characteristics of other everyday spaces. Tyndall takes this notion a step further by developing social rules that are attached to consumer places, such as malls and shopping districts (Tyndall, 2009). This version of consumer-driven rules – culled from qualitative research and personal interviews – depicts a new notion of public-ness that is less egalitarian than ever before. It is a version of public space that is not entirely open to the public. Baker adds to this perspective by historicizing the commercialization of public space, dating the use widespread use of public space for advertising purposes to before the dawn of the 20th century (Baker, 2007). This argument inextricably links the notion of “culture” with “consumerism”, and sets the stage for the potential for access to public spaces to be consumed, or purchased. Finally, Klingle underscores this spatial history of consumption, placing the transaction of consumer power contexts as diverse as Thoreau’s Walden to the challenges environmentalists face in today’s high-powered, consumer-driven society (Klingle, 2003). Problem Statement However, a systematic and historical chronology of...
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...THE SOCIAL DEMOGRAPHY OF INTERNET DATING IN THE UNITED STATES* Jessica M. Sautter Rebecca M. Tippett S. Phillip Morgan Duke University Durham, NC *The authors share equal authorship. We thank Doug Downey, Mary Madden, Emilio Parrado, and Lynn Smith-Lovin for comments on earlier drafts and the Pew Internet & American Life Project for making the data used here available. Earlier versions of this paper were presented at the Southern Sociological Society Meetings, March 25, 2006 and the Southern Demographic Association Meetings, November 5, 2005. We acknowledge research support from an NIH contract, “New Approaches to Explaining Family Change and Variation” (N01-HD-3-3354). Direct correspondence to Rebecca M. Tippett: Department of Sociology, Duke University, Box 90088, Durham, NC 27708-0088. E-mail: rtippett@soc.duke.edu APPROX 8,808 WORDS (FULL DOCUMENT, INC ABSTRACT, TABLES, REFERENCES) Social Demography of Internet Dating THE SOCIAL DEMOGRAPHY OF INTERNET DATING IN THE UNITED STATES Abstract: Using the first nationally representative survey to focus on internet dating, we identify those “at risk” of using internet dating, i.e., one must have internet access and have been single in the past five years during the technology’s growth. We identify socio-demographic correlates of both these selective processes and estimate use of internet dating net of these processes. We find that socioeconomic and demographic factors have strong effects on the selective processes...
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...SAFM_1.1_05_art_Jha 1/9/09 3:25 PM Page 65 Studies in South Asian Film and Media Volume 1 Number 1 © 2009 Intellect Ltd Article. English language. doi: 10.1386/safm.1.1.65/1 Looking for Love in All the White Places: A Study of Skin Color Preferences on Indian Matrimonial and Mate-Seeking Websites Sonora Jha Seattle University Mara Adelman Seattle University Abstract A preference for light skinned females is a global bias that affects all areas of human relationships, especially in marital mate selection. Further intensified by the meteoric rise in Internet dating and mate selection, this bias often serves an invalidating function for darker-skinned women. This study (1) analyzed ‘profiles’ and ‘preferences’ of brides and grooms (N=200), and (2) coded ‘success story wedding photos’ (N=200) posted on four Indian matrimonial websites. Results showed an overwhelming bias among males for brides lighter-skinned than themselves. Males were also more likely than females to state a preference for skin color in their prospective brides, and to use qualitative words like ‘beautiful’ and ‘lovely’ to describe their preferred match. Most significantly, the ‘success story’ wedding photos consistently had lighter-skinned brides than grooms. Darkskinned women were almost non-existent in these ‘success stories.’ This research points to a technology-abetted intensification of colorism. That is to say that the powerful profile ‘menu’ options and the visual imagery of predominantly...
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...Mythical Thinking 4 Chapter 4. Transcendence: Basis of Biblical Thinking 5 Chapter 5. The Bible Versus Myth 6 PART II. The Bible and History Chapter 6. The Bible and History: A Problem of Defition 7 Chapter 7. Is the Bible Truly Historical? The Problem of History (1) 8 Chapter 8. Does It Matter Whether the Bible is Historical? The Problem of History (2) 9 Chapter 9. Origins of the Biblical Worldview: Alternatives 10 Conclusions 11 Introduction Oswalt starts with a concise and well-written introduction that is compelling reading. He shares some very revealing personal information dating back to the 1960s, when he attended Asbury Theological Seminary. Oswalt quickly points out that one of the main points the book will focus on is determining if “the religion of the Old Testament [is] essentially similar to, or essentially different from, the religions of its neighbors.” In the introduction, he provides a brief overview of scholarly thought regarding the Old Testament literature and Ancient Near East literature and how perspectives have changed over the last 50 years. Oswalt states at the time he was introduced to the subject, scholars believed the Old Testament and its theology stood alone from other Ancient Near East religions. He now contends...
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...female Egyptian mummies dating from the Eleventh Dynasty (2100 B.C.) show evidence of being tattooed for ritualistic purposes or for therapeutic purposes during pregnancy. Most likely influenced by ancient tattoo practices in Nubia, the women’s tattoos (or mentenu) were blackish blue and were likely applied with a pricking instrument with one or more fish bones set into a wooden handle. The most famous tattooed mummy is the beautiful Amunet, a priestess of the goddess of Hathor at Thebes, who was tattooed with several lines and dots in geometric patterns. A second female mummy, who appears to be a dancer, also exhibits similar patterns as well as a cicatrix pattern over the low pubic region. Several figurines from the Middle Kingdom known as the “Brides of Death” also display similar geometric patterns (Jones 2000). Though Egyptian tattoos have been found on only female mummies, designs which seem to represent tattoos are seen on both men and women in Egyptian art, suggesting tattoos were not restricted to women. While tattooing sprung up independently around the globe, the significant Egyptian influence also helped spread the practice. Ancient Greece and Rome: Tattoos as Marks of Ownership and Criminality The Greeks learned tattooing from the Persians who, as Herodotus informs us, would tattoo slaves, prisoners of war, and even Hellespont with the name or mark of Xerxes. While tattoos sometimes served as a way to transmit secret messages across enemy lines, Herodotus notes that...
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...Poetry, prose, sonnets, drama, plays, short stories and novels are concepts that first came to my mind when I think in the question “What is literature?” The definition of literature has change over time. The only thing that is certain about the meaning of literature is that the definition will change. The concepts about what is literature about also change over time. In order to get a clear understanding of exactly what literature is, first we need to know its definition. According to the Merriam-Webster, literature is defined by “the body of written works produced in a particular language, country, or age; the body of writings on a particular subject: printed matter.” Literature has to do with letters, but some people often think that literature is only one thing, not knowing that it is composed by several elements that we use every day. These important elements include poems, prose, sonnets, drama, plays, short stories and novels. Poetry is created from the soul. It comes from your emotions and it needs every piece of creativity inside you. It has been called the art of “saying the unsayable” because trough this you can express your feelings with no limit, and nobody can tell you that is wrong. If you make a poem and you think it is not good enough, well it is no good. You as the author or the reader, can only judge if it is good or but for you but maybe for some one else it is the opposite as it is for you. A good place to start when looking back at how poetry...
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...XXX10.1177/1529100612436522Finkel et al.Online Dating 2012 Research Article Online Dating: A Critical Analysis From the Perspective of Psychological Science Psychological Science in the Public Interest 13(1) 3–66 © The Author(s) 2012 Reprints and permission: sagepub.com/journalsPermissions.nav DOI: 10.1177/1529100612436522 http://pspi.sagepub.com Eli J. Finkel1, Paul W. Eastwick2, Benjamin R. Karney3, Harry T. Reis4, and Susan Sprecher5 1 Northwestern University; 2Texas A&M University; 3University of California, Los Angeles; University of Rochester; and 5Illinois State University 4 Summary Online dating sites frequently claim that they have fundamentally altered the dating landscape for the better. This article employs psychological science to examine (a) whether online dating is fundamentally different from conventional offline dating and (b) whether online dating promotes better romantic outcomes than conventional offline dating. The answer to the first question (uniqueness) is yes, and the answer to the second question (superiority) is yes and no. To understand how online dating fundamentally differs from conventional offline dating and the circumstances under which online dating promotes better romantic outcomes than conventional offline dating, we consider the three major services online dating sites offer: access, communication, and matching. Access refers to users’ exposure to and opportunity to evaluate potential romantic...
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...MODULE 1: INTRODUCTION This module provides an overview on the subject of art appreciation for those entirely new to the subject. This is a complex topic to deal with and it is impossible to have a truly comprehensive discussion on the topic in such a brief essay. The student is advised to consult more advanced texts to gain further understanding of how to appreciate art more fully. HUMANITIES: What is it? • The term Humanities comes from the Latin word, “humanitas” • It generally refers to art, literature, music, architecture, dance and the theatre—in which human subjectivity is emphasized and individual expressiveness is dramatized. HOW IMPORTANT IS HUMANITIES • The fields of knowledge and study falling under humanities are dedicated to the pursuit of discovering and understanding the nature of man. • The humanities deal with man as a being of purpose, of values, loves, hates, ideas and sometimes as seer or prophet with divine inspiration. • The humanities aim at educating. THE ARTS: What is it? • The word “art” usually refers to the so-called “fine arts” (e.g. pictorial, plastic, and building)– and to the so-called “minor arts” (everyday, useful, applied, and decorative arts) • The word “art” is derived from arti, which denotes craftsmanship, skill, mastery of form, inventiveness. • Art serves as a technical and creative record of human needs and achievements. The word 'art' is often used in our daily lives. However, when...
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...Date: 01-01-2008 Series: UC San Diego Electronic Theses and Dissertations Degree: M.A., UC San Diego Permalink: http://escholarship.org/uc/item/03f2f3vx Local Identifier: b6636008 Abstract: An ongoing project for reconstructing the behavior of the geomagnetic field intensity during the last seven millennia has yielded several new dates for archaeometallurgical sites in the Southern Levant. These dates shed new light on the dawn of metallurgy in the region as well as on the quality of technological development and its relation to social and political structures. This paper introduces the methodology and concepts behind the archaeomagnetic project as well as the principles of the applied dating technique. In addition, the paper presents the archaeomagnetic results, discusses the alternative dating of several archaeometallurgical sites and explores the implication of these results on our understanding of the interaction between technology and society in the past. For the latter, the results particularly challenge the "Standard View of Technology" (Pfaffenberger, 1992), and suggest a complex, nonlinear evolution of copper industry in the Southern Levant eScholarship provides open access, scholarly publishing services to the University of California and delivers a dynamic research platform to scholars worldwide. UNIVERSITY OF CALIFORNIA, SAN DIEGO Technology and Society: Some Insights on the Development of Metallurgy in the Southern Levant in the Light of New Dates of Slag Deposits ...
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...progresses. During a full eight-hour night sleep, most dreams occur in the typical two hours of REM.[5] In modern times, dreams have been seen as a connection to the unconscious mind. They range from normal and ordinary to overly surreal and bizarre. Dreams can have varying natures, such as frightening, exciting, magical, melancholic, adventurous, or sexual. The events in dreams are generally outside the control of the dreamer, with the exception of lucid dreaming, where the dreamer is self-aware. Dreams can at times make a creative thought occur to the person or give a sense of inspiration.[6] Opinions about the meaning of dreams have varied and shifted through time and culture. The earliest recorded dreams were acquired from materials dating back approximately 5000 years, in Mesopotamia, where they were...
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...Arts and the Education of Artists: Art and Story CONTENTS SECTION ONE: Marcel’s Studio Visit with Elstir……………………………………………………….. David Carrier SECTION TWO: Film and Video Narrative Brief Narrative on Film-The Case of John Updike……………………………………. Thomas P. Adler With a Pen of Light …………………………………………………………………… Michael Fink Media and the Message: Does Media Shape or Serve the Story: Visual Storytelling and New Media ……………………………………………………. June Bisantz Evans Visual Literacy: The Language of Cultural Signifiers…………………………………. Tammy Knipp SECTION THREE: Narrative and Fine Art Beyond Illustration: Visual Narrative Strategies in Picasso’s Celestina Prints………… Susan J. Baker and William Novak Narrative, Allegory, and Commentary in Emil Nolde’s Legend: St. Mary of Egypt…… William B. Sieger A Narrative of Belonging: The Art of Beauford Delaney and Glenn Ligon…………… Catherine St. John Art and Narrative Under the Third Reich ……………………………………………… Ashley Labrie 28 15 1 22 25 27 36 43 51 Hopper Stories in an Imaginary Museum……………………………………………. Joseph Stanton SECTION FOUR: Photography and Narrative Black & White: Two Worlds/Two Distinct Stories……………………………………….. Elaine A. King Relinquishing His Own Story: Abandonment and Appropriation in the Edward Weston Narrative………………………………………………………………………….. David Peeler Narrative Stretegies in the Worlds of Jean Le Gac and Sophe Calle…………………….. Stefanie Rentsch SECTION FIVE: Memory Does The History of Western Art Tell a Grand Story?……………………………………...
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...Comics as Archives: MetaMetaMaus Hillary Chute | University of Chicago Abstract: In the view of some critics, the form of comics is a locus of the archival, a place where we can identify an archival turn. Art Spiegelman’s Maus first and perhaps most forcefully established the connection between archives and comics. His groundbreaking work documenting his father’s experience in WWII Poland, where he survived internment in Auschwitz, is a visual narrative based on oral testimony that consistently heightens our awareness of visual, written, and oral archives, and where they interact, overlap, or get transposed one into the other. Hillary Chute recounts and interprets her collaboration with Spiegelman in the process of assembling MetaMaus, a book compiling interviews and archival materials on the making of Maus. MetaMaus, argues Chute, reflects the tension between different kinds of extant archives—oral, written, photographic—and the cross-discursive work of (re)building new archives that motivates Maus. Its defining feature is that it shows the materiality of Spiegelman’s archive; it is about the embodiment of archives. The subject of Maus is the retrieval of memory and ultimately, the creation of memory…. It’s about choices being made, of finding what one can tell, and what one can reveal, and what one can reveal beyond what one knows one is revealing. Those are the things that give real tensile strength to the work—putting the dead into little boxes. – Art Spiegelman (MetaMaus...
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...017. Index Terms: Branching Storyline, Game, Game Development, High School Students, Ren’Py Visual Novel Engine, Story-driven, Visual Novel, ———————————————————— 1 INTRODUCTION In this past decade, computers revolutionized the way of living. Computers make our work faster, more reliable and more accurate. Computers can be in different form like mobile phone, tablet PC, or in the form of desktop computer. Computers help us in numerous ways; communication, transportation, education, entertainment and many more. While computers have entered millions of families in most countries, computer games also became increasingly popular and the main entertainment during leisure time among family members [9]. Today, there many kinds of games from personal computer games like Plants vs. Zombies and Angry Birds to local area network games like Warcraft III, and Counter-Strike up to online games like Special Forces and Audition. And it really becomes...
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