...British literature representative of the Middle Ages. In it, a group of travelers tells twenty-four different stories, which each reveal something about their storyteller and audience. Throughout the poem, these revelations provide commentary on the social class system in England of Chaucer’s time; Chaucer’s creativity in “The Pardoner’s Prologue and Tale” allows him to demonstrate several viewpoints of these interactions between the clergy and the commoners. Before examining these viewpoints, it is important to consider the historical context of the text; without it, the significance of Chaucer’s work cannot fully be grasped. Chaucer lived between approximately the years 1343 and...
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...Trinidad Basulto British Literature 2322 Cregar March 7 2016 Irony in Pardoner's Prologue and Tale There are several accounts of irony in the Pardoner's prologue and tale, the Pardoner's profession may be the reason why his story is so ironic, and there are many examples that show this to be true. Although he plays an important role in his church, his true goal is to steal money from anybody he pardon's. He does show remorse for his actions, and he does state that he regrets stealing from the poor; however, he does not say that he will stop. In his prologue, the Pardoner mentions what he does as his profession; however, he tells everybody on the trip that he uses his profession to steal money from innocent people. His profession is to pardon people from the sins that they have committed, he says that his intentions to correct sins are fake, he just wants to con people out of their money. "I wol none of the Apostles countrefete: I wol have moneye, wolle, cheese, and whete, Al were it yiven of the pooreste page, or of the poorest widwe in a village- Al sholde her children sterve for famine", he...
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...In this story Chaucer is describing the story that the Pardoner is telling to the other pilgrims. The Pardoner is what we would consider a priest in the present time. “Then, priestlike in my pulpit, with a frown, I stand, and when the yokels have sat down, I preach, as you have heard me say before, and tell a hundred lying mockeries more.” (Geoffrey Chaucer, Pardoner’s Prologue, lines 9-12, pg. 125). Here the Pardoner says that he preaches to the people what they want to hear. He knows that they are lies, but does not care what he tells them as long as he is benefited by it. In Chaucer’s time period the church was said to be the all holy estate, but here he shows just how hypocritical that I can be. “Out come the pence, and specifically for myself, for my exclusive purpose is to win and not at all to castigate their sin. Once dead what matter how their souls may fare? They can go blackberrying, for all I care!” (Geoffrey Chaucer, Pardoner’s Prologue, lines 20-24, pg. 125-126). Here the Pardoner specifically states that he does not care for those around him, and only for his own personal gain. Chaucer used this satire as a form to hide his hate for the...
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...The Pardoner's Prologue and Tale Summary Apparently deeply affected by the Physician's sad and gruesome tale of Virginia, the Host praises the Physician by using as many medical terms as he can muster. However, he rejects the Physician's moral to the tale and substitutes one of his own: Thus the gifts of fortune and nature are not always good ("The gifts of Fortune and Nature have been the cause of the death of many a person"). Thinking that the pilgrims need a merry tale to follow, the Host turns to the Pardoner. The more genteel members of the company, fearing that the Pardoner will tell a vulgar story, ask the Pardoner for a tale with a moral. The Pardoner then explains to the pilgrims the methods he uses in preaching. His text is always "Radix malorum est cupidatis" ("Love of money is the root of all evil"). Always employing an array of documents and objects, he constantly announces that he can do nothing for the really bad sinners and invites the good people forward to buy his relics and, thus, absolve themselves from sins. Then he stands in the pulpit and preaches very rapidly about the sin of avarice so as to intimidate the members into donating money. He repeats that his theme is always "Money is the root of all evil" because, with this text, he can denounce the very vice that he practices: greed. And even though he is guilty of the same sins he preaches against, he can still make other people repent. The Pardoner admits that he likes money, rich food, and fine living...
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...Corruption of the Church has plagued many Christian societies throughout history as dishonest members misinterpret and misuse the word of God. This is especially true in fifteenth century England. In the Canterbury Tales, Geoffrey Chaucer uses estates satire, ridiculing not only the Clergymen but all three social classes in order to highlight the flaws of society. He uses specifically uses “The Pardoner’s Tale” to highlight the deep-seated corruption of the Church during this particular time. The social commentary is focused around a Pardoner, authorized to grant forgiveness of sins, or indulgences, as a hyperbolic example of the flaws in the Church. Chaucer exposes increasing corruption, issues with clergymen, and the normality of deception...
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...FOREIGN LANGUAGES LINGUISTIC MEANS OF POTRAYING MAIN CHARACTERS IN “THE CANTERBURY TALES” BY GEOFFREY CHAUCER COURSE PAPER PRESENTED BY LILIA YAREMA a fourth year student of the English department SUPERVISED BY SPODARYK O. V. an assistant professor of the English department LVIV 2012 TABLE OF CONTENTS INTRODUCTION…………………………………………………………… 3-4 CHAPTER I. THEORETICAL ISSUES IN LINGUISTIC ANALYSIS…… 5-16 1.1 Linguistic analysis……………………………………………… 5-8 1.2 Discourse and Text analyses….…………….………………….. 9-11 1.3 Stylistic analysis ………………………………………………… 12-16 CHAPTER II. LINGUISTIC ANALYSIS OF CHAUCER’S CHARACTERS 17-28 2.1 “The Wife of Bath’s Tale” ……………………………………… 18-22 2.2 “The Pardoner’s Tale” ………………………………………….. 23-28 CONCLUSION………………………………………………………………. 29-30 REFERENCES...… ………………………………………………………….. 31-32 INTRODUCTION The theme of the course paper is “Linguistic means of portraying main characters in “The Canterbury tales” by Geoffrey Chaucer”. This paper intends to make an analysis of the language in the collection of stories “The Canterbury Tales”, written by Geoffrey Chaucer at the end of 14th century. We will analyze the language used to describe characters. It was based on the idea that every choice made by the author of a sentence is meaningful. Therefore, once we understand the choices the author makes when describing a character, we are able to have a better understanding of what this author expects...
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...The function of a pardoner in Chaucer’s time was to collect money for charitable purposes and to be the pope’s special agent in dispensing or rewarding contributors with certain pardons as a remission for sins. He could visit churches, receive money in the pope’s name and dispense indulgences. The pardoner’s tale displayed how greed and avarice can only bring treachery and death, the money causes them to behave in ways that lead to their demise. In the prologue, the pardoner admits that he is a fraud and is motivated by greed and avarice and many sins that he himself displays. He preaches that money is the root of all evil but sells relics to others which is supposed to bring them great fortune; he also states that many of his sermons are the product of evil intentions. When asked to tell a tale he agrees only after he has food and wine to eat and drink. He begins his tale about a group of young people who spend most of their time drinking and partying excessively, he names gluttony, drunkenness, gambling and swearing as a few sins they commit. As they drink a coffin passes and they are told its one of their old friends who was killed by the hands of death; the three personified death and decided to search for him and slay him in order to avenge the death of their old buddy. On the search they passed an old man who searched for youth again, he said “death won’t even take him” when he said this the three demanded to be lead to where death resided, the old man told them death...
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...oguyguihoi jigijiop jtfuytfrt5 ertyf deree ws 5rgy u The Knight The Knight rides at the front of the procession described in the General Prologue, and his story is the first in the sequence. The Host clearly admires the Knight, as does the narrator. The narrator seems to remember four main qualities of the Knight. The first is the Knight’s love of ideals—“chivalrie” (prowess), “trouthe” (fidelity), “honour” (reputation), “fredom” (generosity), and “curteisie” (refinement) (General Prologue, 45–46). The second is the Knight’s impressive military career. The Knight has fought in the Crusades, wars in which Europeans traveled by sea to non-Christian lands and attempted to convert whole cultures by the force of their swords. By Chaucer’s time, the spirit for conducting these wars was dying out, and they were no longer undertaken as frequently. The Knight has battled the Muslims in Egypt, Spain, and Turkey, and the Russian Orthodox in Lithuania and Russia. He has also fought in formal duels. The third quality the narrator remembers about the Knight is his meek, gentle, manner. And the fourth is his “array,” or dress. The Knight wears a tunic made of coarse cloth, and his coat of mail is rust-stained, because he has recently returned from an expedition. The Knight’s interaction with other characters tells us a few additional facts about him. In the Prologue to the Nun’s...
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...FULL TITLE · The Canterbury Tales AUTHOR · Geoffrey Chaucer TYPE OF WORK · Poetry (two tales are in prose: the Tale of Melibee and the Parson’s Tale) GENRES · Narrative collection of poems; character portraits; parody; estates satire; romance; fabliau LANGUAGE · Middle English TIME AND PLACE WRITTEN · Around 1386–1395, England DATE OF FIRST PUBLICATION · Sometime in the early fifteenth century PUBLISHER · Originally circulated in hand-copied manuscripts NARRATOR · The primary narrator is an anonymous, naïve member of the pilgrimage, who is not described. The other pilgrims narrate most of the tales. POINT OF VIEW · In the General Prologue, the narrator speaks in the first person, describing each of the pilgrims as they appeared to him. Though narrated by different pilgrims, each of the tales is told from an omniscient third-person point of view, providing the reader with the thoughts as well as actions of the characters. TONE · The Canterbury Tales incorporates an impressive range of attitudes toward life and literature. The tales are by turns satirical, elevated, pious, earthy, bawdy, and comical. The reader should not accept the naïve narrator’s point of view as Chaucer’s. TENSE · Past SETTING (TIME) · The late fourteenth century, after 1381 SETTING (PLACE) · The Tabard Inn; the road to Canterbury PROTAGONISTS · Each individual tale has protagonists, but Chaucer’s plan is to make none of his storytellers superior to others; it is an equal company. In the Knight’s...
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