1)Like rap in the United States, bachata began as a music of the poor and dispossessed. Originating in the shantytowns of the Dominican Republic, it reflects the social and economic dislocation of the poorest Dominicans. Derived from the Latin American tradition of guitar music, bachata emerged in the 1960s only to be denigrated by the media, mainstream musicians, and middle- and upper-class Dominicans, mainly because the lyrics often about hard drinking, women troubles, illicit sex, and male bravado were considered vulgar and worthless.
The first Dominican bachatas were recorded immediately after the death of Trujillo, whose 30-year dictatorship was accompanied by censorship.
Merengue was first mentioned around the middle of the 19th century and has locally been very popular since then. The genre was later promoted even more by Rafael Trujillo, the dictator from 1930 to 1961, who turned it into the country's national music and dance style.
Up until the 1930s, the music was considered to be "immoral" by the general population. Its more descriptive and colorful name, perico …show more content…
Although he was from the south rather than the Cibao, he did come from a rural area and from a lower-class family, so he decided that the rural style of perico ripiao should be the Dominican national symbol. He ordered numerous merengues to be composed in his honor. With titles like "Literacy", "Trujillo is great and immortal", and "Trujillo the great architect", these songs describe his virtues and extol his contributions to the country. Trujillo's interest in and encourangement of merengue created a place for the music on the radio and in respectable ballrooms. Musicians like Luis Alberti began to play with "big band" or orquesta instrumentation, replacing the accordion with a horn section and initiating a split between this new, mostly urban style and mostly rural perico