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SNCC: The Student Nonviolent Coordinating Committee

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SNCC (The Student Nonviolent Coordinating Committee) was on of the most important organizations of the American Civil Rights Movement in the 1960s. Founded in 1960 and inspired by the Greensboro and Nashville sit-ins, independent student led groups began direct-action protests against segregation in dozens of southern communities. The most common action of these groups was organizations sit-ins at racially segregated lunch counters to protect the pervasiveness of Jim Crow and other forms of racism. The SNCC was founded by a $800 check by the southern Christian Leadership Conference. SNCC took greater risks in 1961, after a mob of Ku Klux Klan members and other whites attacked integrated groups of bus passengers who defied local segregation

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...The Wall of Respect and the Black Power Movement In 1966, former leader of the Student Nonviolent Coordinating Committee (SNCC) Stokely Carmichael definitively introduced the term “black power” into popular consciousness at a rally in Mississippi. The Movement that would subsequently take the name “Black Power” evolved quickly, most fundamentally from the philosophy of Universal Negro Improvement Association (UNIA) founder Marcus Garvey, who, earlier in the twentieth century, opposed racial integration in favor of a self-reliant black nation. During the 1960s, Malcolm X’s rhetoric of empowerment and the militancy of groups such as the Black Panther Party more directly influenced the character of the Movement. The Wall of Respect’s creation bears striking resemblance to the beginning of the Black Power Movement. For as central as the Wall of Respect was to the beginnings of the Community Mural Movement in the United States and to redevelopment and beautification efforts on Chicago’s South Side in the 1960s, its cultural significance cannot be addressed as separate from or as merely coincidental to the Black Power Movement. Rather, the Wall of Respect was as integral to the evolution of the Movement as the Movement was to the life of the Wall. In partic ular, the condition of the Wall’s creation, celebration, and demise reflect the major stages of the Black Power Movement’s development in the 1960s. Like the Black Power Movement, the Organization of Black American Culture (OBAC)...

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How Far Do You Agree That Black Power Damaged the Civil Rights Movement and Achieved Nothing?

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Freedom Riders Freedom Rides

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