...is a lack of societal rules and the conflict can resolve leading to the formation of a new society, indicated by some kind of party or festival (Frye 163). Frye further explains that this structural component of comedy is the origin of comedic form. At first William Shakespeare’s play, The Taming of the Shrew seems to have a clear message that the green world theory does not define the structure of the play and that Petruchio tames Katherine. While this could be an interpretation of the play, I find it unlikely that this is the case. The analysis of the film, 10 Things I Hate About You, opens the door visually to see the green world theory in action, which allows the reader to appreciate The Taming of the Shrew as a comedy as well as reinterpret its conclusion. The green world theory is the structural backbone of The Taming of the Shrew, and commands that Katherine and Petruchio change over the course of the play and ultimately both are tamed. The green world theory can be seen in 10 Things by analyzing Frye’s key elements of comedy, such as form, character type, and repetition. The movie opens in an old society where Kat and Bianca’s father, who plays the role of the senex (as Frye suggests, a character in charge of the plays society) and strictly controls the environment in a way that is not fitting for the time period (Frye 171). He does not allow either of his daughters to date, and this becomes a problem for the young men interested in dating Bianca. The plot is propelled...
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...10 Things I Hate About You and the Pursuit of Happiness 10 Things I Hate About You is a Shakespearian parody that is based on his literary work, Taming the Shrew, but also pays homage to his other works as well. This film is a loose adaptation that uses modern day teenage problems and settings as well as modern day language in place of Shakespeare’s old world customs and a language that has long since been put to rest. While this film has many archetypical characters, concepts, themes and symbols, one thing sticks out the most and that is the concept of the pursuit of happiness. No matter what day in age we are in this is a concept that we as humans are always trying to obtain. The induction of this film surrounds around the character Cameron (Joseph Gordon-Levitt), a new-comer that is being shown around by school by his new friend Michael, as he burns, pines and perishes over the sweet, sexy and much adored innocence that is Bianca Stratford (Larissa Oleynik). It is here that you learn that she is untouchable as her tyrannical father will not let her date. At this time, you are also introduced to a few key characters such as Joey Donner (Andrew Keegan), the egocentric king of the popular crowd and Katarina “Kat” Stratford (Julia Stiles), the polar opposite of her younger sister and plays an ill-tempered harridan with cutting wit that is hell bent to not be tempted by the idiocies of teenage life. It is here that the pursuit of happiness starts. Cameron (Joseph Gordon-Levitt)...
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...Shakespeare: An Observation of Life What is it about Shakespeare’s characters and stories that make us all able to relate in some way or another 400 years after they are written? Maybe it’s his take on inner conflict, or is it how he never portrays a hero as perfect, or a villain as all evil? There is a certain universal truth about the human condition in every story. Whether it is the tragic outcome of unchecked greed and ambition, an unrelenting desire for revenge, or the pursuit of love, his representation of human nature is just as real and as relevant today, as it has been through the centuries. Most of Shakespeare’s characters are complex personalities led into tragedy by their shortcomings (Johnson). Even Shakespeare’s heroes are never just heroes; Shakespeare tends to build his stories through “false heroes” such as Othello, Anthony and Brutus, and “good villains” or “villains with a conscious” like Macbeth (Johnson). It is this type of inner conflict that makes Shakespeare’s stories so insightful and relatable. People love to identify with the hero. They like to think of themselves as heroes in their own lives and the success of a hero in a story makes them feel better about their chances of success in their own lives. While a hero may be the object of any story, a hero is only as great as the obstacle he can overcome (Pattison). The obstacle can be almost anything, it could be a tornado ripping through a city or a killer great white shark, but it is the human villain...
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...The Shrew And The Strength Katherine is a very complex character in Taming Of The Shrew and Ten Things I Hate About You. Kat knows exactly where she stands and is confident enough to open her mouth even when it can be little overbearing. Kat has a strong sense of self but can be blinded by love and I use the term “love” loosely in her taming of the shrew self because she isn’t really loved she is “loved’ because is tamed. In the movie though she is much harder to barge from the anchors the hold her to her rough demeanor but she keeps her anchors and incorporates Patrick into her personality instead of throwing it into the trash for a him. She is loved despite the fact she isn’t tamed. Let’s start at the very beginning of when we first meet Kat. A strong and independent women who stays true to herself and won’t let anything stumble in her path of feminism and strength “Why should I live up to other people's expectations instead of my own? -10 things” Kat proclaims. Though we can say she was strong and independent some may see that as snappy, rude and well the “B” word. “People...
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...claim to have known that they were supposed to be with someone the second they met them, and some say that one cannot experience love at first sight because one does not really know someone until they spend quality time with the person they believe that they are meant to be with. The concept and accepted, societal definition of a real, serious relationship has changed so much throughout history, and Taming of the Shrew and 10 Things I Hate About You are two examples that show this progression. In the 1600’s, relationships and love were very rare, men just wanted to marry the most beautiful woman; whereas in modern times, relationships are portrayed as much more casual. In Shakespeare’s play, Taming of the Shrew, marriage is a very important concept, but it is very different than it is now. It is the fathers job to give away his daughters to the most wiling suitor, or the man who makes the best deal. If a suitor is interested in pursuing and marrying someone, the suitor will approach the daughter’s father and meet with him. They write a contract, willing things to the suitor and the father’s daughter for when the father dies, such as large proportions of land, or his home. If the daughter has multiple suitors, the father will choose who presented him with the best contract, not necessarily who loves his daughter the most or who his daughter wants to be with. Petruchio and Katharina’s marriage is a good example, because her father gives Katharina to Petruchio because of the contract...
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...In the play The Taming of the Shrew and the movie 10 Things I Hate about You there are many similarities and differences. They both have the same plot, characters have the same names and/or characteristics in the play and movie, and they have similar settings and themes. But they are also different in ways. In the play Taming of the Shrew the main characters are a man named Petruchio who wants to marry Katherine, who has a bad temper. Then there is Lucentio, who is in love with Bianca, Katherine’s pure, loving, kind, younger sister, and will do anything to win her over. In 10 Things I Hate about You, we have Patrick, who falls in love with Kat, a bad-tempered girl, and Cameron, who falls in love with Bianca Stratford, a loving girl and who...
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...In 1593, William Shakespeare wrote “The Taming of the Shrew” and in 1999 “10 Things I Hate About You” made its debut in theaters as a modern adaptation of Shakespeare’s play. Both works are comedies that deal with the theme of gender playing a part in character’s roles in society. The modern adaptation, directed by Gil Junger, sets the plot in a high school and adds more of a teenage romance twist on the story. Although “10 Things I Hate About You” may not follow the exact storyline of William Shakespeare’s “The Taming of the Shrew”, there are many similarities between the two works including characters, dialogue, and theme (Andrews vi, IMDb). William Shakespeare was born in 1564 in Stratford-upon-Avon to John and Mary Shakespeare. In 1582,...
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...Introduction Are you from tenesses cause you are the only ten I see. That is something a bad boy would say to a lady or to a women walking down the street. Or on the other hand a bad girl can tell that phase to a boy or a men pasting by them. In this essay the reader is going to be able to known and identify the stereotypes of rebels. The reader is also going to known the stereotypes of rebel teenage girls and teenage boys. The bad boy and the bad girls are seen in movies and in television shows and they are known as the rebels. The rebels in movies and in television shows are shown as impulsive, negative attitudes, girls getting pegerent, boys doing delinquents, teenagers being bullies, and the rebels have their own dressing style. For...
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...Tahzma Wicker Ms.Pescia British Literature 29 October 2015 Unit 1 Essay: Evil in Literature Evil has taken over the world. It is a cynical type of way of expressing yourself. Evil is profoundly immoral. The concept is universal. It is one thing that most of the human society have in common. Evil can come from within a person’s soul, the hatred towards another, and the jealousy a person feels. One source of evil can come from a person’s soul. “By the pricking of my thumbs, something wicked this way comes.” (Macbeth, III, I, 44-45) When one of the witches says that something evil is coming then Macbeth enters the room is the witches feeling the evil in their soul. Jim Jones said “To me death is not a fearful thing, it’s living that’s cursed.” (Jones, p. 2) Basically if you have a bad feeling about something 9/10 it’s going to become true especially if it is a bad feeling. Another source of evil is the hatred people have towards another person. “Out damned spot! Out. I say!” (Macbeth, I, I. 25) That is a quote spoken by Lady Macbeth, she is mad because her guilt is taken over so she is mad at herself. Another quote spoken by Lady Macbeth “What’s done is done.”(Macbeth, III, II. 8-12) meaning that she wants Macbeth to be king so bad that she doesn’t want to look back on the past. Certain characters have so much hate towards another that their willing to do the most demented thing to show vile. The jealousy a person feels can also be a root of evil. In the play Macbeth...
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...A TEACHER’S GUIDE TO THE SIGNET CLASSIC EDITION OF WILLIAM SHAKESPEARE’S MACBETH LINDA NEAL UNDERWOOD S E R I E S E D I T O R S : W. GEIGER ELLIS, ED.D., ARTHEA J. S. REED, PH.D., UNIVERSITY OF GEORGIA, EMERITUS and UNIVERSITY OF NORTH CAROLINA, RETIRED A Teacher’s Guide to the Signet Classic Edition of William Shakespeare’s Macbeth 2 INTRODUCTION William Shakespeare developed many stories into excellent dramatizations for the Elizabethan stage. Shakespeare knew how to entertain and involve an audience with fast-paced plots, creative imagery, and multi-faceted characters. Macbeth is an action-packed, psychological thriller that has not lost its impact in nearly four hundred years. The politically ambitious character of Macbeth is as timely today as he was to Shakespeare's audience. Mary McCarthy says in her essay about Macbeth, "It is a troubling thought that Macbeth, of all Shakespeare's characters, should seem the most 'modern,' the only one you could transpose into contemporary battle dress or a sport shirt and slacks." (Signet Classic Macbeth) Audiences today quickly become interested in the plot of a blindly ambitious general with a strong-willed wife who must try to cope with the guilt engendered by their murder of an innocent king in order to further their power. The elements of superstition, ghosts, and witchcraft, though more readily a part of everyday life for the Renaissance audience, remain intriguing to modern teenagers. The action-packed...
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...the modern society which claims to be liberal and advanced in its thought and action. In a society which claims that its mothers are educated today and have `Devis` like Durga, Kali, Saraswati , Lakshmi etc whom not only women but men also pay obeisance , differentiate between a male child and a female child. All the propagandas of equality between male and female, equal opportunities to women in all the fields are belied. Dattani’s deep preoccupation with gender issues leads to the emergence of the idea of the twin side to one`s self –quite literally embodied in one body and the separation that follows Mahesh Dattani mentioned in one of his interviews with Lakshmi Subramanyam: ``I see Tara as a play about the male self and female self. The male self is being preferred in all cultures .The play is about the separation of self and the resultant angst` Erin Mee writes in the note of the play,``Tara centres on the emotional separation that grows between two conjoined twins following the discovery that their physical separation was manipulated by their mother and...
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...Essays Essays Part II. 2, 2.] Part II. 2, 2.] Essays The Project Gutenberg EBook of Essays, by Ralph Waldo Emerson This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Essays Author: Ralph Waldo Emerson Editor: Edna H. L. Turpin Release Date: September 4, 2005 [EBook #16643] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK ESSAYS *** 1 Essays Produced by Curtis A. Weyant , Sankar Viswanathan and the Online Distributed Proofreading Team at http://www.pgdp.net ESSAYS BY RALPH WALDO EMERSON Merrill's English Texts SELECTED AND EDITED, WITH INTRODUCTION AND NOTES, BY EDNA H.L. TURPIN, AUTHOR OF "STORIES FROM AMERICAN HISTORY," "CLASSIC FABLES," "FAMOUS PAINTERS," ETC. NEW YORK CHARLES E. MERRILL CO. 1907 CONTENTS INTRODUCTION LIFE OF EMERSON CRITICAL OPINIONS CHRONOLOGICAL LIST OF PRINCIPAL WORKS THE AMERICAN SCHOLAR COMPENSATION SELF RELIANCE FRIENDSHIP HEROISM MANNERS GIFTS NATURE SHAKESPEARE; OR, THE POET PRUDENCE CIRCLES NOTES PUBLISHERS' NOTE Merrill's English Texts 2 Essays 3 This series of books will include in complete editions those masterpieces of English Literature that are best adapted for the use of schools and colleges. The editors of the several volumes will...
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...Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Bloom's Classic Critical Views alfred, lord Tennyson Benjamin Franklin The Brontës Charles Dickens edgar allan poe Geoffrey Chaucer George eliot George Gordon, lord Byron henry David Thoreau herman melville Jane austen John Donne and the metaphysical poets John milton Jonathan Swift mark Twain mary Shelley Nathaniel hawthorne Oscar Wilde percy Shelley ralph Waldo emerson robert Browning Samuel Taylor Coleridge Stephen Crane Walt Whitman William Blake William Shakespeare William Wordsworth Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Edited and with an Introduction by Sterling professor of the humanities Yale University harold Bloom Bloom’s Classic Critical Views: William Shakespeare Copyright © 2010 Infobase Publishing Introduction © 2010 by Harold Bloom All rights reserved. No part of this publication may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For more information contact: Bloom’s Literary Criticism An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data William Shakespeare / edited and with an introduction by Harold Bloom : Neil Heims, volume editor. p. cm. — (Bloom’s classic critical views) Includes bibliographical references...
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...Министерство образования и науки Республики Казахстан Кокшетауский государственный университет им. Ш. Уалиханова An Outline of British Literature (from tradition to post modernism) Кокшетау 2011 УДК 802.0 – 5:20 ББК 81:432.1-923 № 39 Рекомендовано к печати кафедрой английского языка и МП КГУ им. Ш. Уалиханова, Ученым Советом филологического факультета КГУ им. Ш. Уалиханова, УМС КГУ им. Ш. Уалиханова. Рецензенты: Баяндина С.Ж. доктор филологических наук, профессор, декан филологического факультета КГУ им. Ш. Уалиханова Батаева Ф.А. кандидат филологических наук, доцент кафедры «Переводческое дело» Кокшетауского университета им. А. Мырзахметова Кожанова К.Т. преподаватель английского языка кафедры гуманитарного цикла ИПК и ПРО Акмолинской области An Outline of British Literature from tradition to post modernism (on specialties 050119 – “Foreign Language: Two Foreign Languages”, 050205 – “Foreign Philology” and 050207 – “Translation”): Учебное пособие / Сост. Немченко Н.Ф. – Кокшетау: Типография КГУ им. Ш. Уалиханова, 2010 – 170 с. ISBN 9965-19-350-9 Пособие представляет собой краткие очерки, характеризующие английскую литературу Великобритании, ее основные направления и тенденции. Все известные направления в литературе иллюстрированы примерами жизни и творчества авторов, вошедших в мировую литературу благодаря...
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...November 4, 1999 ANDREW DELBANCO E-mail Print [pic]Share [pic] [pic]In Plato’s Cave[pic] by Alvin Kernan A couple of years ago, in an article explaining how funds for faculty positions are allocated in American universities, the provost of the University of California at Berkeley offered some frank advice to department chairs, whose job partly consists of lobbying for a share of the budget. “On every campus,” she wrote, “there is one department whose name need only be mentioned to make people laugh; you don’t want that department to be yours.”1 The provost, Carol Christ (who retains her faculty position as a literature professor), does not name the offender—but everyone knows that if you want to locate the laughingstock on your local campus these days, your best bet is to stop by the English department. The laughter, moreover, is not confined to campuses. It has become a holiday ritual for The New York Times to run a derisory article in deadpan Times style about the annual convention of the Modern Language Association, where thousands of English professors assemble just before the new year. Lately it has become impossible to say with confidence whether such topics as “Eat Me; Captain Cook and the Ingestion of the Other” or “The Semiotics of Sinatra” are parodies of what goes on there or serious presentations by credentialed scholars.2 At one recent English lecture, the speaker discussed a pornographic “performance artist” who, for a small surcharge to the price of...
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