...In 1956 Ted Hughes and Sylvia Plath, spent their honeymoon in Paris . About twenty years later Hughes explored they both explored their respective feelings for the city. Hughes’ poem “Your Paris”, from his anthology of poems entitled “Birthday Letters”, is his representation of their time in Paris, as it shows his perspective on the city and on each other. Plath’s journal entries from March 6 and 26, 1956 show her perspective and purpose of her first visit to Paris, which was without Hughes to resume a relationship with an ex-lover (Richard Sassoon). Both texts show each composer’s outlook on their visit to Paris and the experiences that have shaped their perspective on Paris. The purpose of Ted Hughes’ “Birthday Letters” was to “open a direct, private, inner contact” with Sylvia Plath and to “evoke her presence” to himself. The series of 88 poems, in which all but two are addressed to Plath, were written around 30 years after Plath committed suicide. The poems show Hughes’ raw emotion, passion and personal opinion on their relationship, showing why he has chosen the form of poetry to show us his thoughts. However, Plath’s journal entries show her reflecting on what happened on her first trip to Paris and how this has influenced her attitude on their honeymoon. Her journal entries are also very personal and she used them as a therapeutic method of coping with the difficulties she faced in life. The title of Hughes’ poem “Your Paris” refers to Plath and her...
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...We can do this by analysing the viewpoints presented by Ted Hughes’ confessional poems, The Minotaur and Red from his anthology The Birthday Letters (published 1998) and the feature article, Face of a People Smuggler by Fenella Souter, featured in Good Weekend (April 21, 2012). Through our analysis, we are able to separate fact from fallacy. The ‘truths’ presented by Ted Hughes’ The Minotaur are questionable because of the context in which Hughes released this poem. The Minotaur was published in 1998, after the controversial suicide of Sylvia Plath in 1963, and much of the blame for her death was placed upon Hughes. Feminist supporters of Plath especially vilified Hughes and upheld Plath as a ‘martyr to a misogynistic husband’. Through The Minotaur, Hughes aims to shift the general public’s perspective of Plath from the ‘martyr’ to ‘monster’. Hughes does this by introducing Plath in the first stanza as a paranoid, irrational and violent woman, incapable of considering anyone except herself, as she smashes his “mahogany table-top” which undoubtedly held sentimental value as it was his “mother’s heirloom sideboard … mapped with the scars of [his] whole life”. The strong imagery presented within this stanza is amplified by utilising the onomatopoeic word “smashed”, which has the effect of enhancing the reader’s imagination, allowing Hughes to shape and distort the manner in which he depicts Plath’s character. Hughes continues to heighten the...
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...to conflicting perspectives. A relationship between two successful people that finds its way into the public eye will always reveal conflicting perspectives. Think about TomKat or Branjelina, the media jumped on speculations and rumours about their relationships immediately. The same thing can be said about Ted Hughes and Sylvia Plath. Hughes remained silent about their relationship until he published Birthday Letters (hereafter BL) in 1998, thirty five years after Plath’s death. BL is a suite of poetry which commemorates Plath, their life together and gives Hughes’ perspective. This can be contrasted with the views of Erica Wagner’s Ariel’s Gift (AG) and Sylvia Plath: The Poetics of Beekeeping by Frederike Haberkamp. AG attempts to make all sides of the story clear, allowing readers to make their own perspective of Hughes’ and Plath’s relationship. Wagner approaches the topic with an objective view to establish ideas and reveal the complex nature of their relationship by exposing the conflicting perspectives. Sylvia Plath: The Poetics of Beekeeping is a critical analysis of Plath’s life and literary works in reference to her relationship with her father and Ted Hughes. This analysis focuses on Plath’s poetry and her silence. By electing the form of an analysis and biography both Haberkamp and Wagner provide reliability and validity for their opinions, persuading readers to believe that their perspective is the...
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...My interpretation of "Daddy" by Sylvia Plath Marlene Williams Eng/125 December 15, 2012 Michele Watson My interpretation of "Daddy" by Sylvia Plath “Daddy” by Sylvia Plath is a dark and solemn journey through the thoughts of a young girl scorned. This young girl becomes the woman who continues to carry the burden of her childhood in her adult life. The setting and feeling of the poem is dismal and full of rage, a rage Sylvia Plath claims to put behind her in the last line “ / Daddy, daddy, you bastard, I’m through. / “(Plath, 1963) but in reality she was never capable of escaping the pain. The poem “Daddy” if the wording is taken literally as opposed to figuratively and or symbolically, the leads the reader to believe that Sylvia Plath was raised in a military family by an oppressive father who brought his work home with him. The poem entails so much more than what is on the surface, there is a darkness buried deep within the words left for the reader to unearth by searching beyond the words and into the soul of the poet. “Daddy” is engorged with metaphoric references to a dark and oppressive past where Plath equates her father’s hand to that of a Nazi. The reader can be eluded to believe in the third stanza that Plath is describing the uniform of a soldier. ” / And a head in the freakish Atlantic. / Where it pours bean green over blue. / “(Plath, 1963). In reality Sylvia Plath’s father was not in the military, Otto Plath was actually “a professor of biology...
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...‘From the Life and Songs of the Crow’ by Ted Hughes God tries to teach Crow to say LOVE: ‘Crow gaped, and the white shark crashed into the sea’. (Crow’s First Lesson) Background – where did the idea for ‘Crow’ come from? In 1957 Ted Hughes met the American sculptor, engraver and publisher Leonard Baskin. Baskin was obsessed by corpses, and a variety of other things attended this obsession, including crows which he engraved with disturbingly anthropoid (human-like) characteristics. An invitation from Baskin to Hughes to write a few little poems to accompany his engravings was the cause of the first Crow poems. Crow: From the Life and Songs of the Crow was first published by Faber in 1972. The poems included in Crow are part of a large number of poems which make up a ‘vast folk epic’ which tells the story of Crow. Hughes’s account of the creation of the figure of Crow is thus: God, having created the world, has a recurring nightmare. A huge hand/ voice comes from deep space, takes him by the throat, half-throttles him, drags him through space, ploughs the earth with him then throws him back into heaven in a cold sweat. Meanwhile man sits at the gates of heaven waiting for God to grant him audience. He has come to ask God to take life back. God is furious and sends him packing. The nightmare seems to be independent of the creation, and God cannot understand it. The nightmare is full of mockery of the creation, especially of man. God challenges the nightmare to...
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...Born and raised in Jamaica Plain, Massachusetts during the Great Depression, Sylvia Plath endured an oppressive and depressing childhood. On the surface, Plath appeared to be intelligent, sensitive, and flawless, but inside she was living in misery. Sylvia Plath's emotional life, and her arduous past with her father's death, her tragic break up with Ted Hughes, feminism, and bipolar disorder played an immense part in her career as a poet by inspiring her to create her somber masterpieces. Despite all her troubles, Sylvia Plath excelled as a student at Smith College, won awards, and prizes for her writing, and was a straight a student. Then, she met her future husband and ex-husband, Ted Hughes, whom she would have two children with. Sylvia Plath, was an extremely prodigious poet, she published her first poem, Circus in Three Rings, at age eight. By writing over 121 compelling poems and one stellar novel based on her life experiences, women's rights and injustices, she became the face of 20th century feminism. Sylvia Plath’s poetry is mainly about 20th century feminism and women’s social injustices. "The poem Daddy criticizes the male aggression and depicts men being responsible for all the social injustices" (Hunt). In Sylvia Plath's versification Daddy, she illustrates how men are dominant over women, by comparing herself to Jews, and men to the Nazis. “I may be a bit of a Jew. I have always been scared of you” (Plath, "Daddy"). She outlines how women are a minority, and don’t...
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...Ted Hughes • Hughes’ destruction of Plath’s diaries ( influenced by Plath’s own morbid curiosity for her dead parent. Fulbright Scholars • 1st poem in Birthday Letters. • Personal, a ‘letter’ to plath. Personal pronoun unlike Hughes other poems – hughe’s rarely used 1st person. • Personal pronouns: “you,” “I,” “your,” “my” • Harsh “i” alliteration, “it,” – trying to pinpoint exact memories. • Questions: Could be a critisism of the public obsession with his life ie. He is asking US, or could be questioning his own hazy memory. • Conjectures – ability to tell the truth is limited by our own knowledge. • Alliteration “m” sounds: mumbling,confused, remembering. • Peach || biblical apple. ( symbolic of loss of innocence. • 1 stanza – stream of consciousness • The haziness of the memory gives the impression that hughes is being truthful, although gives the impression of incomplete or disjointed truths. Also allows hughes to utilise creative license. • Juxtaposition of initial haziness with final, clear, peach image. Precise image, if hughe’s can remember the peach he is being truthful about not recalling the photograph. • Appearance vs reality, as when hughe’s described plath’s appearance – “your veronica lake bang – not what it hid.” The picture presents one image but hughes “knows” the “truth.” • Photograph – photographs only show their subjects from the outside: appearance vs. Reality...
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...Jessica Sutherland English 1102 What Does Internal Mean to Eternal Man? The poem “Fever 103°”, written by Sylvia Plath, reveals competing satire and radical takes on the poem. A formal analysis and reader-response will explore the poems two meanings and how they are shaped and built within the work. The work in short is an expression of sex and sensuality versus safe guarding ones purity and oneself. As it opens with Cerberus at the gates of hell, unable to lick clean the feverish tendon, then to love as in the smell of a snuffed candle, next to the smoke breaking the speaker’s neck. The poem continues to compare adulterers to devilish leopards, but in the next stanza she pleads and her sheets grow heavy. The elements of allusion, diction and, imagery come together to highlight the poem’s ambiguity. Its ambiguity, the two views of taking the poem as the speaker being straight forward in presenting the celibate as more godly, and as a result the impure unworthy of them, and the perspective that the speakers god-complex and displayed self-importance is satire to mock the pure who find themselves so mighty. The two takes on the work are hidden from another once it is read within the internal perspective view of the reader. “Fever 103°” is a poem of two foils chosen to created make a mockery of the reader, the views are pinned together to show the human self-servient manner to choose what gives them self-justification...
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...particular time in her life inspired her to write her novel, The Bell Jar. She recovered and returned to Smith College in 1955. She then received a scholarship to attend Newnham College, an extension of Cambridge College in England, where she continued to participate fully in the college newspaper as well as writing her own poetry on the side. In 1956, Plath met the poet Ted Hughes at a Cambridge College gathering. The two became very close and ended up married in the same year. She finished up school at Cambridge and they moved back to the states, where Plath taught at her Alma Matter. After a few years, she felt that working so much was taking away from her writing, so she decided to instead work as a receptionist at a mental institution and write in her expanded free time (Kirk). This opened her up to write more about her experiences and feelings, therefore, emancipating confessional poetry. Years later, Plath and Hughes moved back to England in 1957, and their first child, Frieda was born in 1961. Their second child, Nicholas was born in 1962. Shortly after the birth of their daughter, however, Hughes began to have an affair that wasn’t discovered by Plath until later on. Once she did discover this, the couple separated. Plath moved into a different house with the children during one of the coldest winters in England’s history. The pipes froze often and the children were almost always sick. Plath dropped into a deep depression at this time and wrote a total of 26 poems,...
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...her poems of which many were published in her early years itself. However, inspite of such perfections in her academic life she felt anything but perfect in her own skin. Her poems show her deep anguishes with her own life involving her broken marriage with Ted Hughes, unresolved issues with her parents with so much light on the passing of her father when she was only eight and her own vision of herself. At the time of her undergraduate years she has started showing symptoms of severe depression and already had a history of mental illness since childhood which ultimately lead her to her death. Her conditions led her to try to commit suicide not once but twice before she finally succeeded the third time. She had a sort of disturbed mind which can be felt through her much personal poems such as “daddy” which brings out her deep insecurities of being “fatherless” Feminists potrayed Sylvia as a woman driven to madness by a domineering father, unfaithful husband and demanding duties of motherhood. The hardness of her life increased her need to write ,which she could not fulfil due to her work and children. Finally, on February 11 ,1963 Sylvia Plath killed herself with cooking gas at the age of 30. Followed by her death Ted Hughes published her last collections of poems Ariel which was one of the best of her work. After her death she was awarded the Pulitzer Prize for her collected poem, she was also elevated to the status of feminist icon and pioneer woman...
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...These reading of her earlier poems are hard to escape when looking back, but it is important to not always take her writing as purely autobiographical. This too is a difficult task as many of her most popular works, namely ‘Daddy’ and the poems found in Selected Poems, were written as such, though they would later on hold many wider connotations. These readings and scrutinies spilled over into her life. Critics and fans analysed her entire life from her troubled childhood, to her bouts with severe depression, attempted suicides, her troubling and rocky marriage to Ted Hughes, all of which that finally to her unfortunate and gruesome...
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...speaker’s inability to reconcile two personalities in this poem leads to her demise. This is illustrated though textual and literary devices, as well as mythological allusions. Plath’s background along with Greek myths allows the reader feel a part of Plath’s dilemma and relate her problem to many women. Sylvia Plath was born in 1932. The death of Plath's father in 1940 led to her extreme depression, which never subsided. She had two unsuccessful suicide attempts at ages 10 and 20. However, in 1954, things began to seem optimistic, with Plath receiving scholarship to Harvard summer school and then in 1955 with her graduation from Smith and attending Cambridge University on Fulbright fellowship. On June 16, 1956, Sylvia Plath married Ted Hughes. Plath was known to be a feminist, which is evident in this poem, “Two Sisters of Persephone.” When her hard-working self was presented with marriage, Plath was confronted with a crisis that is represented in the poem. With her new marriage, she questioned whether or not she should remain herself and work, or become the stereotypical wife, stay home, and merely bear children. The emotional effects on Plath from the death of her father ultimately led to her suicide at the age of 30. The poem is based around a mythological allusion to Persephone, the goddess of the underworld and fertility in Greek mythology, and Hades, Persephone’s duality. Persephone, a beautiful, young, well-loved woman, was abducted by Hades. Broken-hearted...
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...a feminist-martyr to patriarchal society, sex-based roles, and psychiatric care. Noted for the blend of intense imagery and humorous use of alliteration and rhyme, Plath associating her works with her personal battles of anguish and depression, further solidified her mark on American history. Sylvia Plath was born in 1932 in Winthrop, Massachusetts, to an academically well-established family. Her father died when she was eight, marking the beginning of her lifelong internal battles of depression, hence her poem Daddy. Ambitiously driven and exceptional student, from a young age she kept journals, published poems in reginal magazines and newspapers. She later attended Smith and Cambridge University, where she met and married the poet, Ted Hughes, birthing two children. Throughout her life, Plath suffered deep depression and...
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...standards” and often felt her work was not of the quality it needed to be (O’Connor 1). The majority of her work was composed from the early fifties up till her death from suicide in 1963. There were not a lot of female poets at this time in the 1950’s and “women were encouraged to believe their main roles in life were those of wives and mothers” (Carmean 1). She was determined to forge ahead and make a name for herself. She was focused solely on her writings and didn’t want to involve herself in anything that would prevent her from the creative process. She wanted to be famous and have her work published in the best magazines. When she was in England “she studied as a Fulbright Fellow at Cambridge University….she met and married poet Ted Hughes” (O’Connor 1). She “[dedicated] much effort to her husband’s poetic career” and as a result she put her aspirations on hold (O’Connor 1). Before her death “[she] had established herself as one of the most promising writers of her generation and as one of the foremost modern interpreters of the female experience” (O’Connor 1). She suffered from depression most of her life and dealt with self-doubt as a result and expressed this in many of her poems. She was not afraid to ‘tell it like it is’ in her poems and was able to display “considerable objectivity, even when the material is her childhood, her Muses, her pregnancy” (Wagner-Martin 31). “She has been linked with the confessional school of poetry of the late fifties…..[who] wrote largely...
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...Phillip Hughes, a young cricketer previously hyped as a promising star within the Australian and South Australian batting line up, was induced into a coma following an incident that occurred on Tuesday the 25th of November 2014. The incident occurred when Sean Abbott delivered a short ball that struck Hughes on the neck, subsequently causing internal bleeding and pressure on Hughes’s brain. Phillip Hughes was unable to be rescued and died on the 27th of December surrounded by his loved ones. His death evoked immense shock and grief within the national and international cricket community. Sean Abbott, Hughes former teammate, endured an extremely traumatic experience, consequent to his delivery of a short ball. This incident has resulted in the questioning of bouncers, and if action should be taken in regards to this form of bowling. Others are questioning the batters headgear, claiming that it didn’t provide enough coverage....
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