...Denise Weinman The arts of the Renaissance era were highly inspired from the new way people were thinking of themselves, their surroundings and their religion.“Renaissance,” defined as “rebirth,” represented European culture from about fourteen hundred to the mid sixteenth century. It is largely credited to the literature and philosophy of Ancient Greece and Rome that inspired new interest in art and sculpture with respect to the individual and with the natural world. Art took a complete shift away from religion as individuals were inspired to understand what it really meant and looked like to be human. Seventeenth century Baroque artwork came about largely from the effort of the papacy to evoke intense emotion in magnifying and glorifying the Catholic religion. It is because of the majority patronage of arts by the papal courts that most works once again began to focus around religion in all of its grandeur. The early nineteenth century became known as the romantic era, a time of heightened political influence and industrialization. The Romantics were a group of writers, artists, composers, and thinkers, that challenged these influences to say that the human feels, as in emotion, before thinking, that the heart was just as important as the head and emphasized the emotion in individuals by focusing on the beauty of nature, the power of love, the world of dreams, the exotic, the mysterious and the strange. With the focus on natural goodness and empathy for the oppressed, it...
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...The Renaissance :The English Renaissance was a cultural and artistic movement in England dating from the late 15th and early 16th centuries to the early 17th century. It is associated with the pan-European Renaissance that is usually regarded as beginning in Italy in the late 14th century; like most of northern Europe England saw little of these developments for more than a century later. The beginning of the English Renaissance is often taken, as a convenience, to be 1485, when the Battle of Bosworth Field ended the Wars of the Roses and inaugurated the Tudor Dynasty. Renaissance style and ideas, however, were slow in penetrating England, and the Elizabethan era in the second half of the 16th century is usually regarded as the height of the English Renaissance .The dawn of the Renaissance came first to Italy and a little later to France. To England it came much later, roughly about the beginning of the sixteenth century. The light of the Renaissance came very slowly to the isolated island of England, so that when it did come in all its brilliance in the sixteenth century, the Renaissance in Italy had already become a spent force. Literature:The humanists and their reverence for the classics in Greek and Rome, had the effect of stifling the growth in creative literature. Their extreme reverence had the effect of encouraging the close imitation and copying of classical authors. However, as exploration continued, the interest in the world increased as did the natural curiosity...
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...Vincent Van Gogh 1853 – 1890 "And my aim in my life is to make pictures and drawings, as many and as well as I can; then, at the end of my life, I hope to pass away, looking back with love and tender regret, and thinking, 'Oh, the pictures I might have made!'" Vincent van Gogh Letter 338 19 November 1883 Early Years – Vincent Van Gogh makes one of the most tragic lives in the history of painting, which began on March 30, 1853 at Groot-Zundert, in Dutch Brabant, near the Belgian frontier. Vincent’s father, Theodorus, was a pastor and the son of a pastor. His mother, Anna Cornelia Carbentus, was the daughter of a Court bookbinder at The Hague. Their married life was happy and uneventful. Anna and Theodorus had a first child, Vincent-Wilhelm, only to die at the age of six weeks. A year to the very day after, the Anna bore a second son, Vincent Van Gogh. Anna then delivered five more children, Theo, Vincent’s favorite brother, his supporter and guide, Cornelius, Anna, Elisabeth-Huberta and Willemien. Vincent lived in his native village till he was twelve years old. He was very quiet, liable to sudden bursts of impatience or high spirits, which alternated with long periods of depression. Secretive, he did not mix with other children. Vincent was not antisocial; he shared in the family life and showed great affection for his home circle. His childhood was outwardly dull and he was a lonely boy, but stubborn and determined. His time was spent in...
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...The Tudors: A Very Short Introduction VERY SHORT INTRODUCTIONS are for anyone wanting a stimulating and accessible way in to a new subject. They are written by experts, and have been published in more than 25 languages worldwide. The series began in 1995, and now represents a wide variety of topics in history, philosophy, religion, science, and the humanities. Over the next few years it will grow to a library of around 200 volumes- a Very Short Introduction to everything from ancient Egypt and Indian philosophy to conceptual art and cosmology. Very Short Introductions available now: ANCIENT P H I L O S O P H Y Julia Annas THE ANGLO-SAXON AGE John Blair ANIMAL RIGHTS David DeGrazia ARCHAEOLOGY Paul Bahn ARCHITECTURE Andrew Ballantyne ARISTOTLE Jonathan Barnes ART HISTORY Dana Arnold ARTTHEORY Cynthia Freeland THE HISTORYOF ASTRONOMY Michael Hoskin ATHEISM Julian Baggini AUGUSTINE HenryChadwick BARTHES Jonathan Culler THE B I B L E John Riches BRITISH POLITICS Anthony Wright BUDDHA Michael Carrithers BUDDHISM DamienKeown CAPITALISM James Fulcher THE CELTS Barry Cunliffe CHOICETHEORY Michael Allingham CHRISTIAN ART Beth Williamson CLASSICS Mary Beard and John Henderson CLAUSEWITZ Michael Howard THE COLD WAR Robert McMahon CONTINENTAL PHILOSOPHY Simon Critchley COSMOLOGY Peter Coles CRYPTOGRAPHY Fred Piper and Sean Murphy DADAAND SURREALISM David Hopkins DARWIN Jonathan Howard DEMOCRACY Bernard Crick DESCARTES TomSorell DRUGS Leslie Iversen TH E EARTH Martin Redfern EGYPTIAN...
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...Helping the Poor Helping the Poor Friendly visiting, dole charities and dole queues Robert Whelan based on research by Barendina Smedley Civitas: Institute for the Study of Civil Society London First published October 2001 © The Institute for the Study of Civil Society 2001 The Mezzanine, Elizabeth House 39 York Road, London SE1 7NQ email: books@civitas.org.uk All rights reserved ISBN 1-903 386-16-0 Typeset by Civitas in New Century Schoolbook Printed in Great Britain by St Edmundsbury Press Bury St Edmunds, Suffolk Contents Acknowledgements Authors vi viii Introduction: Hand-outs and Leg-ups Section 1: The Visiting Charity The Charity Organisation Society 1. The Organisation of Charity 2. Preaching the ‘Gospel of Social Reform’ in West London 3. The Fulham and Hammersmith Committee and Its Cases Section 2: The Dole Charity The Mansion House Fund 4. From West End to East End 5. Lord Mayor Aid 6. The Aftermath 7. Moralities and Mathematics Appendices Appendix 1 Applications for Relief Received by the Fulham and Hammersmith District Committee of the COS, November 1879 - October 1880 Appendix 2 The 27 Extant Fulham and Hammersmith Casebooks Appendix 3 The Charity Organisation Society by Miss Octavia Hill Notes Index 1 9 24 39 51 59 85 90 99 137 164 166 182 v Acknowledgements This book has been made possible by a generous grant from the Wincott Foundation. The author would like to express his thanks to the trustees. The research...
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