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The Expression of Religious Beliefs in the Arts

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With the final legalization of Christianity the styles of Christian art continued to develop, and took on more monumental and iconic character. With more space more biblical scenes and paintings started to appear. Stations of the Cross are a series of paintings devoted to Passion of Christ or Christ’s crucifixion and His final hours (Wikipedia, 2012).
Newman’s series is purely abstract; there are fourteen scenes that were painted over the course of eight years. The artist used a palette of only black, raw canvas, and white. He wanted to work in such a way that “the whole canvas would become color and have a sense of light.” It appears that Barnett Newman was improvising new composition for each painting instead of working systematically. As he said: “work grow out of work; a human scale for the human cry.” (Philadelphia Museum of Art, n.d.). Newman painted The Stations of the Cross in terms of his gesture, he was taking possession of the traditional theme on his own terms, but these terms included his tribute to the original content. His concern with religious and mythical concept never delivered an idol but a presence. The presence is one that the artist shared with any induced hero or God because it is in his work that the presence was constructed and revealed (Alloway, 1996).
Fourteen painted panels from Notre-Dame-des-Champs, Avranches is a traditional form of The Stations of the Cross. They are portrayed in the following order: Jesus is condemned to death; Jesus carries the cross; Jesus falls the first time; Jesus meets his mother; Simon helps Jesus to carry the cross; Veronica wipes the face of Jesus; Jesus falls the second time; Jesus meets the women of Jerusalem; Jesus falls the third time; Jesus’ clothes are taken away; Crucifixion; Jesus’ death; Disposition; Jesus is laid in the tomb. Each of fourteen stations reminds us of an event of

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