...exclusively between Herr Mozart and Salieri, clashing identities formed feuds, which resulted in tragedy- Salieri, a gifted musician in his own right, wants nothing more than to praise God to exalt him with his music. But instead God choses Mozart- An insulant impenitent child to be his musical regent on earth. Salieri feels he has no choice not to only turn his back on God, but to actually punish God by killing Mozart, an act accomplished by driving the drunkard to work himself to death.(Sholder, Adam) Salieri’s identity was consistent with the Holy Virtues,...
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...MUL 1010 Mozart Research Paper Wolfgang A. Mozart was one of the greatest composer of his time, or maybe the greatest composer that ever existed. He began writing symphonies at a very young age and started to play publicly at the age of 6, which makes him a prodigy. Since, Mozart was considered a genius, many would think that he is very educated, well behaved, and with dignity. But, on the contrary, Mozart was a complicated/dirty little guy that had weird and unique fetishes. While researching about his fetishes, I found out that he had a thing with human feces. He wrote to his cousin that he wanted to discharge fecal matter on her face and watch it drip down her chin. I was surprised and disturbed that he had this type of behavior, because I always thought that he liked to elegantly sit down, drink wine, and enjoy a rich life. But, I had no idea about how messed up Mozart was. To include, I was only able to find out that Mozart rarely wore a wig and he only wore it to official occasions. During Mozart’s life time, he had being traveling to many European countries in which he was presented as a genius composer. He had also traveled to Paris with the purpose of looking for a better job, but he was discontent for how were things going. After a while, with a young age of 24-25, Mozart moved to Vienna in 1781(May 1-May 2). He moved to Vienna because, he noticed the good opportunities and good living that this place was offering to musicians. So, he started to develop as a...
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...Wolfgang Amadeus Mozart In January of 1756, a musical genius was born in the city of Salzburg. From the earliest of ages, it was clear that Wolfgang Amadeus Mozart was going to be special. He showed signs of one day being a music prodigy. He was one of the most influential composers of the Classical era. He was dedicated to his music and before he passed away, he had composed over 600 pieces of work. About the time that Mozart came into the world of music, the world was experiencing a time of transition. Before the Classical era, the Renaissance and Baroque periods ruled the music, art and way of thinking. This time of transition also resembled the transition in government. The Roman Empire was beginning to divide into small, self run governments that were headed by groups of rich aristocrats. The Classical era was a time in which the compositions of music were rich with complex instrumentation. Mozart's works reflected the Classical era, highlighting difficult and well thought out works of art. Music was always a part of Mozart's life. His father was a well known musician in the Salzburg court. His father, Leopold, was a composer, esteemed violinist and assistant concert master. He encouraged Mozart and his lone sister, Maria Anna, to explore the world of music and instruments. After observing his sister, at the age of three, Mozart began to play keyboard. His father tutored him, instilling the importance of fundamentals and the functions of chords. Leopold tried...
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...Amadeus Mozart and how he came about, his early life, glory days, and death. It is told from the standpoint of Antonio Salieri, who is the court musician of Vienna at the time. He tries to destroy Mozart's gifts in music, though secretly and regretfully admiring Mozart's work at the same time. The story begins as the elderly Salieri attempts suicide by slitting his throat while loudly begging forgiveness for having killed Mozart, in association with the playing of Don Giovanni. Placed in an asylum, Salieri is visited by a young priest. Salieri is uninterested but eventually warms to the priest and begins to unburden himself. He reminisces about his youth, and pledges to God to remain celibate as a sacrifice if he can somehow devote his life to music. He describes how his father's sudden death, who choked to death during a meal, was "a miracle" that allowed him to pursue a career in music. He is suddenly an adult joining the 18th century cultural elite in Vienna, the "city of musicians." He is content as the court composer for Holy Roman Emperor Joseph II. Mozart arrives in Vienna with his patron, the Prince-Archbishop of Salzburg. Salieri secretly observes Mozart at the Archbishop's palace, but they are not properly introduced. He also first recognizes the enormous talent displayed in the adult works of Mozart. When Mozart meets the Emperor, Salieri presents Mozart with a "March of Welcome," which he worked to create. After hearing the march only once, Mozart plays...
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...Wolfgang Amadeus Mozart From Wikipedia, the free encyclopedia (Redirected from Wolfgang amadeus mozart) "Mozart" redirects here. For other uses, see Mozart (disambiguation). [pic] [pic] [pic] Mozart c. 1780, detail from portrait byJohann Nepomuk della Croce [pic] [pic] Mozart's signature Wolfgang Amadeus Mozart (German: [ˈvɔlfɡaŋ amaˈdeus ˈmoːtsaʁt], English see fn.), baptismal name Johannes Chrysostomus Wolfgangus Theophilus Mozart (27 January 1756 – 5 December 1791), was a prolific and influential composer of the Classical era. Mozart showed prodigious ability from his earliest childhood. Already competent on keyboardand violin, he composed from the age of five and performed before European royalty. At 17, he was engaged as a court musician in Salzburg, but grew restless and travelled in search of a better position, always composing abundantly. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his death. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons. Mozart learned voraciously from others, and developed a brilliance and maturity of style that encompassed the light and graceful along with the dark and...
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...Wolfgang Amadeus Mozart was and still is one of the greatest composers to ever live. His name, music, and reputation are known to the world over, and to the majority of people worldwide, despite the fact that most people know little to nothing about Mozart or his music. Mozart’s fame stemmed from his start in composing music when he was just four, as well as his start in writing minuets by the age of five. As Mozart grew, he started to write symphonies around the age of eight or nine. His very first opera was performed when he was just eleven years old. Mozart also played numerous instruments during his lifetime; by the age of 3, he was already playing the harpsichord. Mozart was extremely talented on the keyboard and knew how to play...
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...low strings, which decrescendos and repeats. The repeated runs in the second violins and flutes provide a mysterious tone and the mood eventually changes to something a bit playful and bouncy. There is also a line repeated by the upper voices to represent femininity and low sustains to show authority and power, which ties into the rest of the opera very well. The end goes into a beautiful soli that maybe used to represent love. Mozart uses these and many techniques to portray emotions felt by characters in the opera. "Mozart - Flute Concerto No. 1 in G Major (K. 313) By Emmanuel Pahud Soloist...
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...Mozart was born on January 27 1756. He was born in Salzburg, Austria. Mozart was a multi-instrumental who started playing in public at the age of 6. His career began at age six, when his father decided to showcase the talent of both his children, with performances in European Courts. For the next three years, Mozart toured Europe with his father and sister, giving performances at major cities and in front of royalty such as Louis XV at Versailles and George III in London. They played the piano and violin and astonished their audiences with their musical prowess. The tour ended in 1766, however the Mozart family set for another tour of Vienna only nine months later due to a significant increase in demand for his music performances. At age nine Mozart wrote his first three symphonies and by his teenage years he had mastered the piano, violin, and harpsichord. In order to improve and learn new skills in music, Mozart did not tour again until 1770, upon which he made three trips to Italy throughout the next three years. During this tour, he wrote two Wolfgang’s mother, Anna Maria Pertl, was born to a middle class family of local community leaders. His only sister was Maria Anna. Her nickname was “Nanner”. With their father’s encouragement and guidance, they both were introduced to music at an early age. Soon Mozart had 2 kids. In 1784, Mozart became a Freemason, a fraternal order focused on charitable work, moral uprightness, and the development of fraternal friendship...
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...Student’s name Professor’s name Course name Date Mozart Introduction According to Fisher (15), Wolfgang Amadeus Mozart was a powerful Austrian composer whose success can precisely be dated from his childhood. The composer was born in Salzburg in 1756 and died in 1791 having written over 600 pieces of work of which many remain popular to date. Mozart could play clavichord at the age of three and began writing short compositions at the age of four. When he was 5, he gave his first public performance at Salzburg University. Between 1763 and 1766, Mozart, Nannerl, his sister who was talented in music, together with their father who was a musician as well toured Europe. They visited Paris, London among several other places where Mozart gave several successful concerts, even performing before royalty. This research paper examines the crucial role Mozart played during The Enlightenment. It further highlights the contribution made by the Austrian composer in the transition to romantic from the Enlightenment. Before and during the time of Mozart, composers served the royal courts or church as highly-skilled servants. In the same manner, he began his carrier by working for Salzburg’s Archbishop. Notably, his travels to France as well as England gave him an exposure to the ideals of equality and independence as well. This exposure prompted him to sever his loyalty to the master who employed him to offer services in a very rigid manner. He left for Vienna where he...
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...attempting to take his life. I believe Salieri came to this conclusion after he could no longer the shame of his role in Wolfgang Amadeus Mozart's death. Although some may easily assume the central conflict in the movie was man versus man, I would have to disagree because Mozart was never in competition with Salieri and considered Salieri to be a colleague and friend; even though Salieri was always competing with Mozart, it takes two to compete. Some may also assume the central conflict is man versus nature, God the creator, since Salieri questions God's actions. Salieri even prayed to God to make him a great composer, famous to the world and a miracle to occur that would allow him to pursue a career in music against his father's wishes. So when his father met an early demise Salieri thought it was a miracle! I believe the central conflict was man verse self, but it was hidden by his disgust for Mozart. Mozart was everything Salieri vowed to not become; a giggling dirty minded creature. Salieri was jealous of Mozart, which is the foundation of the conflict. It did not matter how famous or wealthy Salieri would become, he would never be as gifted or have the musical genius of Mozart. Even though Salieri was a fan of Mozart, his ego could not rationalize how genius Mozart truly was. Salieri made several references to the perfection of Mozart's music, as if it holy like a scripture from the Bible. Oddly enough, this fueled Salieri's hatred and jealousy for Mozart even more. He made...
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...Throughout the movie Amadeus, Mozart is an interesting and unique character. Mozart starts with such promise in his career; he has been making music since he was an infant and has been driven by his father to be great. He loves his music and believes in his own talent. He is so big-headed that he cannot stand that so many other people do not understand his work. The inner drive and self-destructive behavior are what make him a brilliant man, but also a weak man, his constant partying and drinking breaks him down. He has plenty of skill, but his personality is what hurts him. Mozart does not know how to succeed, like many brilliant people. He doesn’t know how to make it in the real world and that is what does him in. The story is told from the perspective of Antonio Salieri, another composer. The other music heard in the movie is his. Salieri, now in a mental hospital, talks with a priest and shares with him the story of his life. Salieri wants nothing more than making beautiful music for the world. To be “touched by God.” He has given to charities, and believes for a while, that his deal with God has been answered. Then he runs into Mozart. He hears this young man is the creator of very beautiful music. When Salieri looks at the original works Mozart has done, he is amazed. Salieri is then determined to bring Mozart down and find a way to make himself look as good. Salieri plots the whole movie to be better than Mozart. Mozart’s final work was his Requiem. He began writing...
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...parents’ gene and it may be possible for a musically educated parent to pass on his or her musical gene to the child. One example is Wolfgang Amadeus Mozart (1756-1791). He was known as a child prodigy and started performing around major capitals of Europe as young as six years old. His father, Leopold Mozart, was a highly regarded violin teacher of that period and taught little Mozart how to compose and play keyboard at the tender age of four, which resulted in him having the ability to write big works and play many musical instruments proficiently by the age of twelve. He also had an exceptional hearing and memory that he notated almost an entire choral piece after hearing it once during his visit to Rome. He wrote many concertos (especially the piano concertos) and sonatas for his own virtuosic performance during the trip. Talent may helped in one’s musical journey but most importantly, it was Mozart’s passion in performing and music writing that won acclaim from the rich. Clara Wieck (1819-1896) is another example of a child prodigy born in a musically inclined family. Both parents played the piano and encouraged Clara to perform regularly at a very young age. She held concerts throughout Europe during her adolescence and was a very well-known piano virtuoso...
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...Wolfgang Amadeus Mozart change music? That is what this research paper will be about. To me, Mozart’s music is at level of perfection that is unreached by any other composer. Unlike most composers where a composer would only excel in one aspect of music, Mozart excelled in all aspects of music. Mozart had melodic grace like Handel, harmonic complexity like Bach and intellectual developmental techniques as well as emotional content like Beethoven. Mozart also reigned supreme in all styles of music including: fugue, sonata, symphony, concerto, opera, choral music, cannon and cetera. Mozart could do anything. However from what I have learned, there is something deeper inside his music moving as a fundamental undertone throughout his music and ability. As I analyzed the works of the other great composers of this time like Bach, Beethoven and Handel, I noticed how these composers methodically and systematically wrote their music. For example, the sharp melodies and odd intervals in a Bach fugue suggest that his melodies are harmonically born. Bach wrote his music with a harmonic mindset and writes his melodies so that they fit his harmonies. In the opposite way, Handel wrote his music in a way that his harmonies are derived from his melodies. Beethoven had a very logical approach to his music. Starts off with a short theme and that forms the basis of the rest of the movement. So in saying all this, what I mean is their music was manageable. However, with Mozart, I am rather...
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...soloist in each example? • In which piece does the orchestra and soloist play the same “theme”? • In which piece does the accompaniment part include many repeated tones? • In which piece are there more sudden and extreme changes in dynamics? • Which one has a basso continuo? • Which one features a more “singable” melody? • What purpose do you think each piece was intended to serve? |[pic]Four Seasons: Winter |[pic]Piano Concerto No. 21 C major | |[pic] |[pic] | |Antonio Vivaldi |Wolfgang Amadeus Mozart | | | | |Born: 1678 |Born: 1756 | |Died: 1741 |Died: 1791 | |Period: Baroque |Period: Classical | |Country: Italy |Country: Austria | Listening Prelude This is an excerpt from the first movement of what is arguably...
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...numerous compositions from the tried and tested musical styles. In terms or the world’s greatest, Beethoven only comes second to the likes of Mozart or Bach. Beethoven is best known for his compositions, which include 32 piano sonatas, 5 concertos for piano, 16 string quartets and 9 symphonies (Anderson 1044). He is also known for the composition of other music, choral works and songs. Early Childhood Beethoven was born on the 16th of December, 1770 in Bonn and baptized the following day (Dalhaus & Whittall 6). His father was originally from Brabant, Belgium, but had moved to Bonn where he served as a musician at the local court. Despite his weakness for alcohol, Beethoven’s father was quite influential in shaping the music career of Beethoven as it was through him that young Beethoven was exposed to music. From an early age, Beethoven was taught music by Christiano Gottlob Neefe, a famous opera composer and conductor, and Johann van Beethoven who was his father. Johann envisioned creating a new kind of Mozart in his son and would train him every evening on returning from the court. As a teenager, Beethoven earned some money by serving as an assistant to his teacher Neefe. Beethoven gave his first public performance at the young age of seven in Cologne. Three years later, at the age of 12, Beethoven published his very first work referred to as 9 variations in C minor for piano (Prevot 1). Prevot asserts that the performance by Beethoven was so exemplary that the following...
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