...supported the professions emergence (Westwood & Linnell, 2001). As art therapy literature continues to grow, contemporary art therapists are assuming an “electical” orientation borrowing from the disciplines of object relations, family therapy approaches, learning and development approaches and humanistic approaches, to name a few (Rubin,1987). Skaife (2001, 2008) deconstructing Mann (2006) & Maclagan’s (2005) binary perception, moved towards a performative understanding of art therapy. Influenced by Merleau-Ponty’s (1962) key contribution to the concept of inter-subjectivity which relies that we experience ourselves both as subjects and objects (Skaife, 2008). Unlike psychodynamic theory inter-subjectivity does not place the problem in the individual. The process of making art is about making something visible; applying an inter-subjectivity approach means addressing the individual and an embodied response in relation to their environment (Skaife, 2008). To demonstrate my personal understanding of the theories discussed and explore my personal location in this debate, an art response was created. The art response created in Figure 1, consists of two images a) and b) presents a dual viewpoint: emotional and cognitive in response to the debate between “Art in therapy” vs “Art Psychotherapy”. a) b) Figure 1: Cut paper with acrylic paint on cartridge (A3) Title: How I see it a) Emotional Response b) Cognitive Perspective The commentary below in italics are my reflections on...
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...History 200 14 December 2010 1 Mysticism and Diabolic Witchcraft: Female Susceptibility of the Italian Renaissance During the Italian Renaissance, Christianity experienced a heavy resurgence in mysticism. Mysticism was a type of devout faith or spirituality found throughout the convents in Italy and primarily exercised by Christian Italian women (Sheldrake 93-95). These women underwent vivid connections with God which involved an awakening of consciousness and awareness for God’s divine will. In extreme cases, women fell into a transcendental union with God in which they experienced ultimate illumination. In these rare occurrences, women could encounter faith miracles such as stigmatas, ecstasies, or the re-living of Christ’s Passion. During this period, Italy also experienced another intense spiritual movement labeled diabolic witchcraft (Tavuzzi 150). In the case of diabolic witchcraft, again experienced primarily by females, women underwent a concentrated level of worship and contractual relations with Satan. Historical examples show these women developing sexual relations with Satan, as well as maleficia or harmful magic (Tavuzzi 153). The women involved in diabolic witchcraft were pursued by the Church’s legal arm, the Dominican Inquisitors. They were put on trial, accused of heresy, and either imprisoned or killed. Similarly, the Dominican Inquisitors investigated women who were involved in mysticism and upon the examinations performed by the inquisitors;...
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...Italian Renaissance v. Northern Renaissance Christopher Garrett University of Phoenix Renaissance comes from the Latin renasci, which means to be born, or rebirth or revival (Merriam-Webster Dictionary, 2014). The Renaissance was an era that influenced countries for over 200 years, and transformed culture and religion. Starting toward the end of the 13th century, the renaissance was an integral part of developing countries in both north Europe and Italy. These renaissance periods are the Italian and the Northern renaissance. Even though both renaissances had similarities and made an impact within European countries, they both had differences as well that made them each unique. The Italian Renaissance began at the end of the 13th century and lasted until the beginning of the 1600’s. This period could be considered the transition period between the Middle ages and medieval period to modern Europe. During the Italian Renaissance, humanists labeled the “rebirth” as the Dark Ages. The Italian Renaissance focused more on the common man and everyday realities of life, which heavily influenced the culture and art (Beougher, 2010). The Northern Renaissance was influenced by Italian Renaissance; however, the northern movement carried different characteristics and strengths and affected European countries outside of Italy. During the Northern Renaissance, the north held onto the Gothic art and architecture. The north also had fewer centers of free commerce, unlike in Italy...
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...Amanda Whitley Ashley Morgan ENG 2003 D2 29 November 2015 Courtly Love – Annotated Bibliography Boase, Roger. The Origin and Meaning of Courtly Love: A Critical Study of European Scholarship. Towota, New Jersey: Manchester UP, 1977. This rather compressed study covers an amazing variety of sources, taking up how numerous periods of literary scholars commented on courtly love, the various locations where courtly love arose in the medieval period (and why), and how the significance of courtly love itself has been understood across time, geography, and literary movements. Eventually, after surveying the field, Boase argues that courtly love appear on behalf of as a wide-reaching traditional trend, arising predominantly in a court-based Christian culture, influenced by predominantly Spanish (and relatedly, Arabic) concepts of love and relationships between men and women. He detects courtly love strictly in the fictive world of poetry, denying that any person actually meant to apply its principles to the ‘real-world’ – this element of ‘play’ recognized courtly love as an acceptable aristocratic manifestation of passion. Cherchi, Paolo. “The Ambiguity of Courtly Love in Andreas Capellanus’ Model.” Andreas and the Ambiguity of Courtly Love. Toronto: U of Toronto P, 1994. 3-41. The emphasis in this chapter is on courtly love as it is conveyed by musicians – among the many poets and geographies to choose from. Troubadours focus on...
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...constructions whose signifier is the body. Claims have been made that the class is coming to an end25 while others maintain that each dancer waits in anticipation for their own examination26. If viewing the painting at eye-level, either may be true. The cropped field of vision places the viewer in close proximity to the class. He is confronted with an unsettling cacophony of poses and gestures and scattered figures across the slanted floor. The Ballerina is awkward; she itches her back and adjusts her dress. The Ballerina is tired; she works and she sweats and she rubs her eyes. The Ballerina is graceful; her toes remain pointed as she sits and her shoulders remain upright as she stands. She commands attention, yet she has no face. She is both mystical and human, lovely and invisible. The scene both “supports and subverts” typological representations of the ballerina and her life; these inconsistencies create a social and psychological tension that leaves a sense of malaise. What occurs over time is the slow dissolution of “traditional categories of judgment27” and by necessity, a hybrid system of classifications and...
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...Terry Cong Tam Tran Instructor Vanstrom English Composition 3 1 March 2012 Officially Outlawed Hero The movie directed by James Cameron, Avatar, is considered to be one of the biggest and most popular films ever. This film provides many insights about the social and cultural aspects of what heroes are imaged as in American’s 21st century society. The film heavily revolves around the different traits that are idolized in “official” and “outlaw” heroes. Avatar’s work of glamorizing the characters in the movie enables viewers identifies with the heroes and ultimately aspires to be them. The film has long reflected common trends and contradictions in current society’s myths and values. One of the most common patterns seen in movies is the character being able to possess opposite traits that enable to the character to overcome binary oppositions (Ray 342). In this particular movie, Jake Sully is identified as the main character, who was formerly military personnel who ironically protested against his military organization’s missions. Because Jake Sully shares these diametrically opposite traits and identities, he represents both the image of an “Official Hero” and an “Outlaw Hero.” He is an Official Hero in the sense that he follows the mundane standards of rules the military has him carry out. In the military, orders are meant to be followed with no questioned asked; this limits the creativity and the ability to make personal decisions leading him down the path...
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...The Trinity and The Church Dirk Weber DeVry University The Trinity and The Church In Christianity no discussion of ecclesiology should begin without addressing the nature of the One who gives the church meaning and purpose. It is the Triune God that brings the church; unity of substance, differentiated in personhood that is understood in perichoretic co-activity. The universal church received God’s full self-revelation in the person and work of Jesus Christ, and God’s Holy Spirit communicates that revelation to us even today. To what purpose? It is in the universal Christian church that God creates a matrix of categorical understanding in Jesus Christ and through the Holy Spirit. Within that Christian context, the universal church becomes the “Body of Christ” where all people from various Christian movements and denominations come together with the purpose of building a society based on relationship instead of wealth, power and glory. Why did God endure history, transform history, in the first place? The answer goes to the very heart of the Trinitarian relationship; a relationship humanity struggles to explain fully even two millennia after God’s full self-revelation, but humanity begins to understand when the community of faith reflects upon the whole scriptural witness. The passage in the Christian text that most effectively summarizes the relationship between the persons of the Trinity is found in 1 John 4:8, “God is love” (1 Jn. 4:8, New International Version). Love...
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...Mystic – someone who has undergone a transformation from which they emerge in the realized oneness of god, ourselves and all things. Although I am not God, I am not other than God either. That there is a oneness that wholly pervades the divisions and fragmentations of our lives, and the realization of this oneness the divisions and fragmentations loses their tyranny over our heart for we live in the intimate experience of the oneness that wholly pervades the divisions and fragmentations. And they live with a sense of joy and sense of freedom from fear, that fear has no foundations, a sense of peace in the midst of life as it is. Its not the peace that’s dependent on the outcome of our efforts to have the situation turn out the way we want it to. Rather it is a peace that invincibly pervades the whole process and the outcome itself regardless of the outcome. Mystics bear witness to this realized oneness with a sense of respect even reverence for life, for all things, manifested most concretely as love. As the Buddhists say, compassion is the body of emptiness, Aquinas, charity is the form of faith, that love is the shape of our faith, that faith configures itself as love. The mystic is hidden in the world as God is hidden in the world, but some are called upon to be mystic teachers, called upon to offer guidance and encouragement to us who feel interiorly called to this path of realized oneness. To be amazed and humbled that this applies to you, to be interiorly awakened...
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...“Metropolis” is one of those timeless classics that withstand the test of time. Rather than becoming forgotten and obsolete, “Metropolis” is increasingly relevant as many of its predictions are becoming reality. We will look at the underlying occult message of the film and the usage of its imagery in the acts of pop stars such as Lady Gaga, Madonna, Beyonce, Kylie Minogue and others. Metropolis is a silent science-fiction movie released in 1927 by Fritz Lang, a master of German Expressionism. Set in a futuristic dystopia divided into two distinct and separate classes—the thinkers and the workers—Metropolis describes the struggles between the two opposite entities. Knowing that it was produced in 1927, viewing this movie today is quite an experience as many “sci-fi” aspects of the plot are eerily close to reality. Metropolis describes a society where the “New World Order” has already taken been implemented and a select elite live in luxury while a dehumanized mass work and live in a highly monitored hell. As we have seen in previous articles on The Vigilant Citizen, Metropolis is excessively echoed in popular culture, especially in the music business. Whether it be in music videos or photo shoots, pop stars are often portrayed as the character Maria, an android programmed to corrupt the morals of the workers and to incite a revolt, giving the elite an excuse to use violence repression. Are pop stars used by the elite in the same matter, to corrode the morals of the masses? Movie...
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...From: Cervantes: Bulletin of the Cervantes Society of America 19.1 (1999): 158-76. Copyright © 1999, The Cervantes Society of America FORUM Against Dualisms: A Response to Henry Sullivan* HOWARD MANCING n a recent essay entitled “Don Quixote de la Mancha: Analyzable or Unanalyzable?” published in this journal, Henry W. Sullivan makes the case for the psychoanalysis of literary characters. While there is much to ponder in Sullivan's essay, there are two points, both involving dualisms, that I would like to discuss. In the first case, Sullivan argues insightfully and convincingly against an absolute distinction between how we know and think about fictional characters and how we know and think about real people. In the second case, however, Sullivan insists on an absolute (Cartesian) mind-body dualism as a cornerstone of psychoanalytic theory. I would like to repeat and extend Sullivan's argument in the first case, but refute it and deny its validity in the second. First dualism: Fact/Fiction Sullivan cites as representative of a certain widely-shared approach Maud Ellmann's insistence that there is an important distinction between a “human being made of flesh and character made of words” (5), a distinction that allows us to make one kind statement about the former but not the latter. Ellmann is not alone in making the real-life/fictional distinction a fundamental matter of ontology. We are all familiar with arguments like hers, having heard * For a response to this...
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...09/26/2012 Organizational Behavior Leadership Styles There are many great leaders and thinkers in the history of man kind, but I have chosen three that intrigued me the most. The first two are from the same country of origin and the same time frame as well, but two very different views on life. I felt that Lao Tzu and Confucius would show a good contrast in two different thought processes. The third person I chose to write about is from a completely different country and time frame. Machiavelli is more similar to that of Confucius but with his own twist of life and what needs to be accomplished to govern a population successfully. The following is a very small and basic explanation of the thought processes of these great thinkers. According to (Cotterell 2003) Lao Tzu was the man also known as the ‘madman of Ch‘u’, or the first of the ‘irresponsible hermits’, according to the Confucians, was Li Er who was born around the time of 604 BC, but has become usual in China to refer to the founder of Taoism as Lao-tzu, the Old Philosopher. He was the keeper of the royal archives at Loyang, but few details are known of his life. Lao-tzu was ‘a hidden wise man’, who was reluctant to form a school and gather a following, and partly because of this the Confucians believed he was irresponsible. More so however it is because of the way he lived while teaching others in his way. Confucians believed in structure and hierarchy, and this was the...
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...mTELECOURSE STUDY GUIDE FOR The Examined Life FOURTH EDITION author J. P. White Chair, Department of Philosophy Santa Barbara City College contributing author Manuel Velasquez Professor of Philosophy Santa Clara University This Telecourse Study Guide for The Examined Life is part of a collegelevel introduction to philosophy telecourse developed in conjunction with the video series The Examined Life, and the text Philosophy: A Text with Readings, tenth edition, by Manuel Velasquez, The Charles Dirksen Professor, Santa Clara University. The television series The Examined Life was designed and produced by INTELECOM Intelligent Telecommunications, Netherlands Educational Broadcasting Corporation (TELEAC/NOT), and Swedish Educational Broadcasting Company (UR) Copyright © 2007, 2005, 2002, 1999 by INTELECOM Intelligent Telecommunications All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without the written permission of INTELECOM Intelligent Telecommunications, 150 E. Colorado Blvd., Suite 300, Pasadena, California 91105-1937. ISBN: 0-495-10302-0 Contents Introduction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . v Lesson One — What is Philosophy? . . . . . . . . . . . . . . . . . . . . ....
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...Anna Calabrese Ch107 December 3, 2011 The Gnostic Movement(s) and the role of Women There is current pop cultural obsession with Gnosticism. A glimpse at the documentary section of Netflix will prove this to be true. Gnosticism is often presented as a mystical and poetic alternative to the patriarchal hierarchy of the Christian Church. It is also often presented as a safer and more holistic religious home for women, free of many of the misogynistic barriers of the larger institution of the church. But how much of this is true? What is Gnosticism anyway and what does it really have to say about women? This paper will explore these questions by giving an overview of what Gnosticism really is, beyond a new shelf in the Christian self-help section at Barnes and Noble. I will explore this through two Gnostic theologians, Valentinus and Ptolemy. From there, the second section will deal with women and Gnostic thought, giving focus to the role of Mary Magdalene in the Pistis Sophia, The Gospel of Mary, and The Gospel of Phillip. In order to being this exploration of Gnosticism, it is more accurate to begin by discussing Gnosticisms, acknowledging primarily that Gnosticism was more than just one movement but a series of movements that shared a common belief in salvation through knowledge.[1] These movements, or this style of “speculative religious metaphysics”[2], pre-exist Christianity and came to have largest impact on Christianity in the 2nd and 3rd centuries. According...
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...Emerson prefaced the prose text of the 1836 first edition of Nature with a passage from the Neoplatonic philosopher Plotinus. The 1849 second edition included instead a poem by Emerson himself. Both present themes that are developed in the essay. The passage from Plotinus suggests the primacy of spirit and of human understanding over nature. Emerson's poem emphasizes the unity of all manifestations of nature, nature's symbolism, and the perpetual development of all of nature's forms toward the highest expression as embodied in man. Nature is divided into an introduction and eight chapters. In the Introduction, Emerson laments the current tendency to accept the knowledge and traditions of the past instead of experiencing God and nature directly, in the present. He asserts that all our questions about the order of the universe — about the relationships between God, man, and nature — may be answered by our experience of life and by the world around us. Each individual is a manifestation of creation and as such holds the key to unlocking the mysteries of the universe. Nature, too, is both an expression of the divine and a means of understanding it. The goal of science is to provide a theory of nature, but man has not yet attained a truth nbroad enough to comprehend all of nature's forms and phenomena. Emerson identifies nature and spirit as the components of the universe. He defines nature (the "NOT ME") as everything separate from the inner individual — nature, art, other...
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...THE ART OF FICTION by Henry James [Published in Longman's Magazine 4 (September 1884), and reprinted in Partial Portraits (Macmillan, 1888); paragraphing and capitalization follow the Library of America edition.] I SHOULD not have affixed so comprehensive a title to these few remarks, necessarily wanting in any completeness, upon a subject the full consideration of which would carry us far, did I not seem to discover a pretext for my temerity in the interesting pamphlet lately published under this name by Mr. Walter Besant. Mr. Besant's lecture at the Royal Institution--the original form of his pamphlet--appears to indicate that many persons are interested in the art of fiction and are not indifferent to such remarks as those who practise it may attempt to make about it. I am therefore anxious not to lose the benefit of this favourable association, and to edge in a few words under cover of the attention which Mr. Besant is sure to have excited. There is something very encouraging in his having put into form certain of his ideas on the mystery of story-telling. It is a proof of life and curiosity--curiosity on the part of the brotherhood of novelists, as well as on the part of their readers. Only a short time ago it might have been supposed that the English novel was not what the French call discutable. It had no air of having a theory, a conviction, a consciousness of itself behind it-of being the expression of an artistic faith, the result of choice and comparison. I do...
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