...Bram Stoker’s Dracula is set in the Victorian Era, a time where a woman’s body and the rights to it were not her own, they were either her husband’s or father’s, or the government’s. This time period was one of sexual oppression, especially for women. Women were either both pure and innocent or a wife and a mother, if not, she was considered a whore and scorned by society. Those who did partake in pre-marital sex were left unable to be married due to their lack of purity and the shame it would cause the male to be seen with them. The idea that male sexual pleasure was worth more than female sexual pleasure as it is necessary for reproduction, and female pleasure is not, was a common thought in the Victorian age. This statement shows that this was a very patriarchal one, where men were in control. It was also a time where men began to fear female sexuality; however these feelings were often contrasted with feelings of desire. The fear of female sexuality was created through the idea, that if women gained power of their sexuality, they would also gain control of the men. So in order to prevent this from occurring, female sexuality had to remain oppressed. Bram Stoker was married to Florence Balcombe; however this has never stopped the rumours of his sexuality. As Stoker was around the same time as, and friends with, Oscar Wilde, who was imprisoned for being a homosexual, it is thought that Stoker’s wife may have been a cover up so that he would not be imprisoned also. His novel...
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...“The role of women in the gothic genre is as victims, always subject to male authority.” Compare and contrast the extent to which this interpretation is relevant to your three chosen texts. “The wolf consumes red riding hood – what else can you expect if you talk to strange men, comments Perrault briskly. Let’s not bother our heads with the mysteries of sadomasochistic attraction” Angela Carter; Foreword to Perrault’s Short Stories. In much of today’s feminist writings, the Gothic era is frequently defined as a period in which the oppression of females was at its most intense. In response to fin de siècle anxieties of a social revolution in which gender stereotypes could be overhauled, gothic writers, it is claimed, sought to reassert cultural and gender norms – a reassertion which inevitably resulted in the oppression of women. In view of such contemporary analysis, it is thus all too tempting to offer a sweeping judgement of gothic literature as victimising, oppressive and misogynistic; Dracula’s “victims” are all “unambiguously women[1]”, Poe victimises through an “idealised and dehumanising image of women[2]”, while Carter is a “pseudo feminist” who merely “reinforces patriarchal views” with her “pornographic” writing[3]. Yet such views are largely artificial, and are primarily based on potted summaries of the above works, rather than a closer textual analysis. If one takes the definition of a victim as a being who is subject to the successful predatory actions of...
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...Do the monsters and the victims in horror films have any connection to contemporary social issues? Answer with reference to one or two horror films of your choice. Name: Leopold Riess Course: IR 140 Global Communications, Citizens and Cultural Politics Word Length: 1902 Story telling is an art that has been part of the human civilizations since time immemorial. In the different parts of the world, be it in Africa, the Caribbean or the European nations, the early human societies would use narrations for a variety of purposes such as entertainment, passing time or more importantly to communicate the values, traditions and principles that governed the specific society (Tudor, 1997). With the emergence of different religious schools of thought, narrations and later film work developed an inclination towards the depiction of evil versus good. The descriptions of the horrific nature of hell and the terrible demons there in was meant to scare shaky religious affiliates from deserting their faith. Since then the development of the horror film genre has advanced. According to Hogan (n.d) the first ever horror film to be produced in America was Frankenstein by Thomas Edison. In the contemporary day, the production of horror movies has been exaggerated with hard headed teenagers being the most preferred characters. As a matter of fact, some horror movies such as Friday the 13th and Freddy Vs Jackson were so popular that they made 234.6 and 224.8 million US dollars respectively...
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...role of women in the gothic genre is as victims, always subject to male authority.” By comparing the presentation of women in your three chosen texts, say how far you would agree with this view.” Women are central to the narrative of Angela Carter’s The Bloody Chamber, Bram Stoker’s Dracula and within Christina Rossetti’s poetry. All three texts were written during significant times in history: Rossetti and Stoker’s works during the infamous reign of Queen Victoria, and Carter’s collection during the year Margaret Thatcher became the first female prime minister of Britain. As a genre, the gothic is often regarded as being dominated by men, with women featuring in the role of victim subject to patriarchy. Many early gothic texts feature women in the role of victim under the authority of predatory men, perhaps most notably in Horace Walpole’s The Castle of Otranto and Matthew Lewis’ The Monk. However, Stoker, Rossetti and Carter all at times break with this convention by characterising some of their females as strong, independent and liberated. As writers, they experiment with the characteristic features of the gothic genre, particularly Carter and Rossetti who challenge the traditional conceptions by presenting many of their female characters in dominant, authoritative roles which break convention. There are occasions in all three texts when the passivity traditionally associated with femininity in the gothic genre can be perceived to be a direct result of oppression from patriarchal...
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