...During Tudor England, religious identity was extremely important, and therefore religious ‘revolution’ was going to affect the people, and the country significantly. Edward VI came to power in 1547, at the age of just nine, and therefore he was assigned a ‘protectorate’ and in the first half of his reign it was his Uncle, the Duke of Somerset. Somerset did himself appear to be Protestant, welcoming religious radicals such as John Hooper and Thomas Becon into his household. He also made a start on reforming religion; in July 1547 he introduced the Book of Homilies and paraphrases, a religious document that had to be placed in every Church. And in December 1547 the Act of Six Articles was repealed, it had been a document that re-established Catholic Doctrines. All of these policies were reforming religion and moving towards the Protestant way of running the Church, and Edward hoped that the introduction of Protestant readings, for example the Cranmer’s first prayer book in 1548, would lead people to begin to convert to Protestantism. After Somerset fell from power, religious revolution progressed further under John Dudley, the Duke of Northumberland. Despite originally being more conservative himself, and supporting that side of the Privy Council, he understood the need for religious reform under Edward and in 1550 all conservatives and Catholic Bishops, such as Gardiner, were removed from the Privy Council. He furthered Protestantism through the introduction of the Second Book...
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...The Tudors: A Very Short Introduction VERY SHORT INTRODUCTIONS are for anyone wanting a stimulating and accessible way in to a new subject. They are written by experts, and have been published in more than 25 languages worldwide. The series began in 1995, and now represents a wide variety of topics in history, philosophy, religion, science, and the humanities. Over the next few years it will grow to a library of around 200 volumes- a Very Short Introduction to everything from ancient Egypt and Indian philosophy to conceptual art and cosmology. Very Short Introductions available now: ANCIENT P H I L O S O P H Y Julia Annas THE ANGLO-SAXON AGE John Blair ANIMAL RIGHTS David DeGrazia ARCHAEOLOGY Paul Bahn ARCHITECTURE Andrew Ballantyne ARISTOTLE Jonathan Barnes ART HISTORY Dana Arnold ARTTHEORY Cynthia Freeland THE HISTORYOF ASTRONOMY Michael Hoskin ATHEISM Julian Baggini AUGUSTINE HenryChadwick BARTHES Jonathan Culler THE B I B L E John Riches BRITISH POLITICS Anthony Wright BUDDHA Michael Carrithers BUDDHISM DamienKeown CAPITALISM James Fulcher THE CELTS Barry Cunliffe CHOICETHEORY Michael Allingham CHRISTIAN ART Beth Williamson CLASSICS Mary Beard and John Henderson CLAUSEWITZ Michael Howard THE COLD WAR Robert McMahon CONTINENTAL PHILOSOPHY Simon Critchley COSMOLOGY Peter Coles CRYPTOGRAPHY Fred Piper and Sean Murphy DADAAND SURREALISM David Hopkins DARWIN Jonathan Howard DEMOCRACY Bernard Crick DESCARTES TomSorell DRUGS Leslie Iversen TH E EARTH Martin Redfern EGYPTIAN...
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...not been previously submitted as part of the assessment requirements for any academic reward. Signed: Contents Abstract 3 Introduction 4 Chapter 1: Visual Culture 8 Chapter 2: Ancient Practices 21 Chapter 3: Beliefs and Superstition 30 Conclusion 41 Bibliography 43 Appendix 56 Abstract This dissertation will demonstrate cultural changes in England through the period c.700-1660. The changes studied will focus on visual sources, or visual culture; ancient practices, or festivals and the cult of saints; and superstition and belief. It will show how changes occurred around political and religious change, and that different areas were affected by different factors. Introduction This dissertation will assess the extent to which ancient beliefs and practices survived the introduction of Christianity and their subsequent development in England. This will be achieved through the study of visual culture; the survival of ancient practices; and an investigation into superstition and the changing acceptance of witchcraft. Visual Culture will be used to group together several different areas, for instance knot work and grotesques in architecture and manuscripts. Other artefacts such as The Franks Casket will also be investigated. Ancient culture will be defined as an umbrella term covering everything from pagan or Anglo-Saxon festivals to...
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...sources agree that? Introduction: Explain what you can learn from each source Briefly cross reference the sources Provide an argument in response to the question Main paragraphs: State a similarity or difference between the sources – make sure you focus on ‘How Far’ Select relevant information from the sources to support this point Place this in context using your brief own knowledge Use provenance to explain this similarity/difference Conclusion: Sum up how far the sources agree based on content and provenance Section B Essays: Do you agree with the view that? Introduction: State your line of argument – how far do you agree with the view? State the main similarities and differences between the sources Main paragraphs: State a reason for yes/no. Make sure you phrase this in a way that links to your line of argument and answers the question. Remember that each source will suggest a different reason for yes/no. Support this reason with evidence from the sources and your own knowledge Cross-reference between the sources Weigh up the evidence of the sources. Consider provenance for primary sources and judge secondary sources based on the evidence included and the weight given to certain evidence Link back to your line of argument Conclusion: Explain how your argument has been proven with reference to the sources and your own knowledge Unit 2 – Pre-Reformation Church Key Questions: 1. How important was the Church in the everyday lives of the people...
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...Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Bloom's Classic Critical Views alfred, lord Tennyson Benjamin Franklin The Brontës Charles Dickens edgar allan poe Geoffrey Chaucer George eliot George Gordon, lord Byron henry David Thoreau herman melville Jane austen John Donne and the metaphysical poets John milton Jonathan Swift mark Twain mary Shelley Nathaniel hawthorne Oscar Wilde percy Shelley ralph Waldo emerson robert Browning Samuel Taylor Coleridge Stephen Crane Walt Whitman William Blake William Shakespeare William Wordsworth Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Edited and with an Introduction by Sterling professor of the humanities Yale University harold Bloom Bloom’s Classic Critical Views: William Shakespeare Copyright © 2010 Infobase Publishing Introduction © 2010 by Harold Bloom All rights reserved. No part of this publication may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For more information contact: Bloom’s Literary Criticism An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data William Shakespeare / edited and with an introduction by Harold Bloom : Neil Heims, volume editor. p. cm. — (Bloom’s classic critical views) Includes bibliographical references...
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