...forms of happiness. But what defines happiness? Happiness is found in different ways for different people. Is it achieved through money? Some people find that wealth ultimately makes them happy. Or could it be the feeling of being accepted by your peers? Trends are followed because people want to fit in. Society can consume someone because the feeling of being accepted can create happiness for that individual. Or could happiness be related to your position in class. Some believe that the poor cannot be happy because they are poor and the wealthy upper classes are the happiest of all. What could make someone truly happy? Different questionings of happiness appear in Leo Tolstoy’s books Family Happiness and Death of Ivan Ilyich. Tolstoy portraits the search for happiness in his two books through society, wealth, and social class. In the book Family Happiness, the main character, a young girl named Masha was driven through the acceptance of society. She wanted to be a part of “the normal”, and believed that would make her happy. Ivan Ilyich of The Death of Ivan Ilyich believed he was happy only when he was wealthy and a part of the upper class. Classes have been molded since civilization truly formed. The Greeks, the Romans, and even the present-day United States have classes. The only thing that has changed is the sizes of each class over the centuries. In Leo Tolstoy’s The Death of Ivan Ilyich the main character is an older man by the name of Ivan Ilyich living...
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...A Confession 1 A Confession by Lev Nikolayevich Tolstoy I I was baptized and brought up in the Orthodox Christian faith. I was taught it in childhood and throughout my boyhood and youth. But when I abandoned the second course of the university at the age of eighteen I no longer believed any of the things I had been taught. Judging by certain memories, I never seriously believed them, but had merely relied on what I was taught and on what was professed by the grown-up people around me, and that reliance was very unstable. I remember that before I was eleven a grammar school pupil, Vladimir Milyutin (long since dead), visited us one Sunday and announced as the latest novelty a discovery made at his school. This discovery was that there is no God and that all we are taught about Him is a mere invention (this was in 1838). I remember how interested my elder brothers were in this information. They called me to their council and we all, I remember, became very animated, and accepted it as something very interesting and quite possible. I remember also that when my elder brother, Dmitriy, who was then at the university, suddenly, in the passionate way natural to him, devoted himself to religion and began to attend all the Church services, to fast and to lead a pure and moral life, we all -- even our elders -- unceasingly held him up to ridicule and for some unknown reason called him "Noah". I remember that Musin-Pushkin, the then Curator of Kazan University, when inviting us to...
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...2. Tolstoy starts out Chapter I at Ivan’s funereal. Why? It exposes us to the environment Ivan was surrounded by. Tolstoy wants us to be exposed to this environment so we can get a familiar feeling with this certain theme. It also exposes how we can look at the upper class. His colleagues do not seem disturbed by Ivan’s death but wonder what Ivan’s demise means for them. Not just his colleagues, but also Ivan’s wife does not take his death to heart at all. Praskovya immediately gets into figuring out schemes on how to get money out of her husband's death from the government. The materialistic things overcome human interaction – like emotions, interactions and pity. It’s rather interesting how Tolstoy manages to satirically write about self-interests,...
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...overcome the threat of non-being. Although I don’t believe of any of the following artists reached the state of complete self-actualization The distinguished author, Leo Tolstoy, knew at a developing age what his moral code was. From a ethical viewpoint, he found himself falling short and knew that everyone else was too. Tolstoy efforts to be a morally good person were often trumped by external influences. Due in part to the nullifying forces, his path to true...
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...Jacqueline Murphy AC504 Unit 2 Lev Nikolayevich Tolstoy is commonly referred to in the English community as Leo Tolstoy was a Russian novelist, a social reformer, a pacifist, a Christian anarchist, and a moral thinker (Contributors, 2008). He was born on September 9, 1828 on his family’s estate in the Tula Province of Russia. He is the youngest of four boys. His mother Princess Volkonskaya, died in 1830 when he was very young. His father County Nikolay Tolstoy died seven years after his mothers’ death. After his fathers’ death his aunt was appointed legal guardian of him and his siblings (Leo Tolstoy, 2013). Tolstoy is broadly considered as one of the utmost of all novelists. He is particularly well-known for his works of War and Peace and Anna Karenina. In those writings he showed that he had insight into human motives. Tolstoy found the pacifist doctrine of nonresistance in the Christian Gospels. He rejected all forms of coercion from both the government and the church. He suffered a spiritual crisis and grew depressed. He struggled to uncover the meaning of life, he came to believe that Christian churches were corrupt and, in lieu of organized religion, developed his own beliefs (Contributors, 2008). Tolstoy should be recognized as a crusader for social justice. He was a constant thorn in the side of the Russian Orthodox Church, the czarist government, and local authorities. His work was banned in the Soviet Union because of his resistance to violence and...
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...Hella: variant of Helga, which is the feminine form of Helge, root is from old norse name Helgi, which was derived fro the word heligar; which means holy, blessed. Ironic because Hella is a vampire, and in the story, is one of the helpers of Woland, all of which is literally the exact opposite of being “holy or blessed”. “Come let me give you a kiss” (pg. 94) is similar to the women vampire in Aleksey Konstantinovich Tolstoy’s The Vampire, who is the nephew of Lev Tolstoy. Italics on pg. 109: His Excellency Had a taste for domestic fowl And was always on the prowl for good-looking chicks!!! Is a parody on the couplets in Dmitry Lensky’s Lev Gurych Sinichkin, the main plot of this story is very similar to the scene we see in chapter 12, with the relationship between Arkady, his wife, and the young actress. The similarity between Lensky’s show and Bulgakov’s scene being that they are almost polar contrasts of each other. Original lines (from Lensky): His Excellency Calls her his own And even patronage Renders to her. In my interpretation, there is an Ironic contrast between the two couplets. Lensky’s original, to me, sounds like the main character: Actor, is giving the young actress respect and admiration. While Bulgakov’s rendition sounds like Arkady is doing the opposite and using the women in his life for his own pleasure, like how he is having an affair with the other actress who got the part of Luisa instead of his relative. Bulgakov might have made...
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...In the novel "War and peace" of L.N. Tolstaya uses reception of an antithesis, opposing the real life — false, true vital values — false, internal beauty — external. An embodiment of external beauty and internal emptiness is in the novel Elaine Bezoukhova, an embodiment of internal beauty, life, love — Natasha Rostova. Natasha — the favourite heroine of Tolstoy. It submits the reader the sincerity, a spontaneity, cheerfulness, poetry, richness of an inner world. "The poetic, full of life, the charming girl" her Andrey Bolkonsky calls. For the first time we meet Natasha in the house Growth, she appears at us the thirteen-year-old girl, absolutely young, touching, direct. "Black-eyed, with a big mouth, the ugly, but living girl, with the children's open coat hanger … with the black curls which got off back, the thin bared hands and small legs in lacy pantalonchik and open shoes, was at that lovely age, when the girl not the child, but the child not the girl yet any more". We see how Natasha matures, goes to the first ball, endures the first love. This heroine is very direct, close to the nature. She admires beauty of a moonlight night in Otradnoye, is very organic in a hunting scene. Natasha is very musical, romantic. She perfectly sings, is thin feels music, Denisov admires her singing. And dancing of Natasha in which all reveals her Russian soul? This dancing delights both the uncle, and Nikolay, and the aunt Anisyyu who suddenly understand that this young girl "was able...
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...War and Peace gives the reader insight into Russian society in the 19th century. The story is presented through the eyes of the characters, which is supposed to give us an unbiased view of the people and culture of this time period. Overall, we are able to experience and learn many different things about the society from these characters. But at times it is clear that Tolstoy’s prospective and biases are leaking into the characters thoughts and actions. From The Cambridge Companion to Tolstoy, it is a fact that Tolstoy came from a very prominent and rich aristocratic family. As a result he never got much exposer or insight on how the middle or lower classes lived. His limited scope was evident in War and Peace because most all of the main characters...
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...WesScholar Division I Faculty Publications Arts and Humanities 1995 Anna Karenina: Tolstoy 's Polemic with Madame Bovary Priscilla Meyer Wesleyan University, pmeyer@wesleyan.edu Follow this and additional works at: http://wesscholar.wesleyan.edu/div1facpubs Part of the Arts and Humanities Commons This Article is brought to you for free and open access by the Arts and Humanities at WesScholar. It has been accepted for inclusion in Division I Faculty Publications by an authorized administrator of WesScholar. For more information, please contact dschnaidt@wesleyan.edu, ljohnson@wesleyan.edu. Recommended Citation Priscilla Meyer. "Anna Karenina: Tolstoy's Polemic with Madame Bovary" Russian Review 54.2 (1995): 243-259. Anna Karenina: Tolstoy's Polemic with Madame Bovary PRISCILLA MEYER D id Tolstoy intend a dialogue with Flaubert's Madame Bovary when he wrote Anna Karenina? Boris Eikhenbaum agrees with the French critics who found traces of Tolstoy's study of French literature in Anna Karenina, though he emphasizes the complexity of Tolstoy's struggle with the tradition of the "love" novel.' George Steiner long ago concluded that "all that can be said is that Anna Karenina was written in some awareness of its predecessor."2 But the evidence of that awareness is so abundant and suggestive that it is worth examining the possibility of a more detailed dialectic than Eikhenbaum and Steiner suppose.3 Tolstoy arrived in Paris on 21 February 1857. Less than a month earlier, on 29 January, Flaubert...
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...order produced by the inception of material progress. Furthermore, Anna Karenina mirrors the “cultural institution” of suicide that erupted in the 1860’s and offers a realistic, albeit fictional, representation of the suicide phenomenon regarding both peasants and nobles. Leo Tolstoy, through use of railroads as a symbol in Anna Karenina, shared views similar with his contemporaries on the negative impact of material progress on the mental health of Russian society. Approximately 30 years before the reforms of the 1860’s, an Englishman who traveled to St. Petersburg, Thomas Raikes, Esq., commented that Russians had not yet experienced the progress of civilization that accounted for the misery leading to suicide. At the time, Russians were not yet privy to the amount of responsibility over their social and political conditions as they would be when the reforms took place, therefore they still lived free of the passion and anguish which reforms promised to bring. But, progress could not be avoided and neither could the culture of suicide that followed it. Progress unveiled all the inadequacies of life to the Russian people, leading to their thirst for “more” that ultimately went unquenched. Leo Tolstoy, heavily influenced by his reading of Charles Dickens’s Dombey and Son, believed the rapid growth of railroads symbolized the...
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...6/16/12 Hadji Murad / Leo Tolstoy Hadji Murad by Leo Tolstoy Translated by Louise and Aylmer Maude eBooks@Adelaide 2010 ebooks.adelaide.edu.au/t/tolstoy/leo/t65h/complete.html 1/124 6/16/12 Hadji Murad / Leo Tolstoy This web edition published by eBooks@Adelaide. Rendered into HTML by Steve Thomas. Last updated Sun Aug 29 19:45:31 2010. This work is licensed under a Creative Commons Licence (available at http://creativecommons.org/licenses/by-nc-sa/2.5/au/). You are free: to copy, distribute, display, and perform the work, and to make derivative works under the following conditions: you must attribute the work in the manner specified by the licensor; you may not use this work for commercial purposes; if you alter, transform, or build upon this work, you may distribute the resulting work only under a license identical to this one. For any reuse or distribution, you must make clear to others the license terms of this work. Any of these conditions can be waived if you get permission from the licensor. Your fair use and other rights are in no way affected by the above. eBooks@Adelaide The University of Adelaide Library University of Adelaide South Australia 5005 ebooks.adelaide.edu.au/t/tolstoy/leo/t65h/complete.html 2/124 6/16/12 Hadji Murad / Leo Tolstoy TABLE OF CONT ENT S Chapter I Chapter II Chapter III Chapter IV Chapter V Chapter VI Chapter VII Chapter VIII Chapter IX Chapter X Chapter XI Chapter XII Chapter XIII Chapter XIV Chapter...
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...during his suffering that the protagonist confronts the meaning of his life and the inevitability of death. Within the narrative, Tolstoy employed powerful themes...
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...Analysis of How Much Land Does a Man Need by Leo Tolstoy Anna Gregor, Yahoo! Contributor Network Dec 23, 2009 "Share your voice on Yahoo! websites. Start Here." * More: * Tolstoy * Leo Tolstoy * * tweet * Print FlagPost a comment AdChoices | | In the short story "How Much Land Does A Man Need" by Leo Tolstoy, Pahom is a peasant living on a small plot of land. When his wife brags that a peasant's life is safer than having money, because with money comes temptation, Pahom agrees, adding that he would not be "afraid of the devil himself" if he only had more land. He buys more land, but is unhappy, for no matter how much more land he gets, he wants more. He becomes greedier and greedier until he loses control of his life and, in the end, loses everything. This story shows us that even if we have enough to get by, the prospect of becoming wealthier is so alluring it can cause us to risk all the good things we already have. At the start, Pahom is a content, hardworking men. Unfortunately, he makes the mistake of thinking that more land would make his life better. Pahom says to himself "our only trouble is that we haven't land enough. If I had plenty of land, I shouldn't fear the devil himself"! When an opportunity arises for Pahom to acquire more land, he jumps at the chance, convinced that more would make him happy. He paid off his debts and had plenty of fertile land to grow his crops and raise his cattle, but he was only satisfied for a short...
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...Crystal Taylor Professor Chambers English 2333-53001 April 8 2014 From Romanticism to Realism in 19th Century The late nineteenth century was a period of incredible change as political empires broke up, independence rose, the power of the middle class replaced that of the dignity, and colonization grew. Although there were efforts to recover spiritual interest, normally organized religion reduced in influence in the late nineteenth century and was replaced by personal spiritual, moral, or theoretical beliefs. Literature developed as the creative standard that best expressed the social, economic, and logical concerns of the day, moving away from the issues and styles associated with Romanticism earlier in the century. Although in literature romantic elements in the Elizabeth and dramas, the English literary romanticism from the publication of Wordsworth and Coleridge's Lyrical Ballads shows romanticism in a different light than other stories. Wordsworth stated his belief that poetry results from "the natural overflow of powerful feelings," and pressed for the use of natural everyday expression in literary works. Coleridge emphasized, the importance of the poet's thoughts and discounted devotion to personal literary rules. William Blake was maybe the most outstanding of the English romantics. His poems and paintings are blissful, creative, and heavily descriptive, indicating the unworldly reality fundamental the physical reality. Romanticism stresses on...
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...Virginia Woolf was an essayist, novelist, publisher, critique, especially famous for her novels and feminist writings. She is considered to be one of the leading figures of modernist literature of the twentieth century. “The Russian Point of View” is Virginia Woolf’s most outstanding essay devoted to Russian literature. Within the essay, Woolf shares her point of view on three Russian writers: Chekhov, Dostoevsky, and Tolstoy. Woolf opens her essay by foregrounding the problem of understanding Russian literature. Language is the largest and most obvious obstacle. While reading translation, we read a text that is fundamentally different from the original. The translators have to face lots of difficulties. They must be skilled enough to translate cultural aspects, humour and other delicate elements. They must know something about the country, its traditions. Woolf points out that the reader cannot blindly depend upon the work of translators. According to the Woolf's point of view, difficulties in understanding Russian literature appear not only due to the barrier of language, but because of cultural difference. Then the author speaks about Chekhov's works. Chekhov is recognized for his originality. On the one hand, he wrote about ordinary events and the relationship of people in small towns and villages. On the other hand, Chekhov’s unusual plots attract many readers. Chekhov’s plots generally lack resolution. He wanted his works to ask the reader questions, not to provide answers...
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