...Freud once referred to the human nature in terms of repressed sexual desires for the safety of societies (Freud, 1950; 1973; 2003; 2005; 2006; Storey, 2012). According to Freud, living in community means humans abandoning their sexual instincts in order to coexist with others (Freud, 1973). Freud’s major contribution to psychology is the understanding of the unconscious as a place, in the human psyche, where repress desires exist and can only be fitfully repressed (Freud, 1973; 2003; 2005; 2006). Through the lens of Sigmund Freud, his work on Psychoanalysis (1973), The Dreamwork (2006), Totem and Taboo (1950), Civilization and Its Discontents (2005), and The Uncanny (2003); this paper will describe the foundations of the unconscious and how...
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...Psychotherapy Volume 32/Winter 1995/Number 4 DOES THE OEDIPUS COMPLEX EXIST? JOEL KUPFERSMID PSI, Twinsburg, Ohio The Oedipus complex is considered to be the nucleus of neurosis for Freud and many psychoanalysts. Examination of the nature and origins of the Oedipus complex presented by psychoanalysts and critics suggests, that as a hypothetical construct, there is little evidence to support its existence. sity students taking courses in psychology. Thus, it appears that an examination of the historical roots and current status of the Oedipus complex might aid psychotherapists as well as others who have been introduced to the concept. The primary focus of this article will be on the validity of the Oedipus complex and the reasonableness of believing that it is a viable hypothetical construct in the analysis of human psychopathology and, thus, that it should be placed at the core of clinical procedures. What Is the Oedipus Complex? The Oedipus complex has two forms, one for the male and one for the female. Freud's writings on both forms spans several decades. There is no single publication in which he fully described all aspects of the Oedipus complex for both males and females. A researcher must piece together the nature of both forms from his many writings on the topic. The essence of the Oedipus complex is a desire on the part of the child to have a sexual relationship with the opposite sex parent and feelings of hostility toward the same sex parent. These desire/feelings...
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...prefer long-term partners who resemble the mental representation of their parent of the opposite sex. Furthermore, mating preferences were found to be shaped in the process of attachment; those mothers were most frequently used as mental models for their sons’ mate choice who provided more emotional warmth and less avoidance to their sons during childhood. The implications of the study’s results for the contemporary interpretation of Freudian theory are discussed. Key Words: Oedipal relationship; Mate preferences; Evolutionary psychology. Freud’s theory It is well known that the Oedipus complex plays a pivotal role in Sigmund Freud’s theory. This complex characterizes the early stage (between 3-5 years) of boys’ sexual objectchoice (Freud, 1905, 1938). During this period, boys have sexual feelings towards their mother, while they are jealous of their father and consider him a rival party. In Freudian theory, boys at this age have a primary incestuous urge towards their mother while they feel fear and anxiety toward the father because they suppose that the father would Corresponding author: Tamas Bereczkei, Institute of Psychology, University of Pécs, Ifjúság u. 6, Pécs, H-7624, Hungary....
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...leaving women to become subjected to the associations of these artists in the reality outside of the painting (Baker). Though the symbol was prominent and important to the development of the misogynistic ideas which characterize the movement, these conceptions did not originate in the symbolism behind the mantis. The Surrealists were a closed circle of individuals which held onto certain communal ideas between them, meaning that the Surrealist movement contained these misogynistic nuances early on in its history (Caws). Influential Figures To understand where the misogynistic overtones originated from, it is important to look at a number of individuals who influenced the surrealist artists, including Andre Breton, Edgar Allen Poe, and Sigmund Freud, and their historical influence. When considering the history of any art movement, each is, by nature a reaction to a prior event, and the release from reality that characterized the Surrealist Movement found its roots in the “anti-art” and overwhelming discontent of the Dada Period. The pure mockery of traditional art created an environment of experimentation, one which would translate into the Surrealist doctrine. French poet and “father” of Surrealism, Andre Breton described the movement as “pure psychic automatism” and automatism as “the actual functioning of thought... in the absence of any control exercised by reason, exempt from any aesthetic or moral concern” (Belton). Though this sense of free expression had its advantages, one...
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...Art history From Wikipedia, the free encyclopedia Jump to: navigation, search This article is about the academic discipline of art history. For an overview of the history of art worldwide, see History of art. For other uses, see Art history (disambiguation). This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (November 2011) Venus de Milo on display at the Louvre Art history has historically been understood as the academic study of objects of art in their historical development and stylistic contexts, i.e. genre, design, format, and style.[1] This includes the "major" arts of painting, sculpture, and architecture as well as the "minor" arts of ceramics, furniture, and other decorative objects. As a term, art history (also history of art) encompasses several methods of studying the visual arts; in common usage referring to works of art and architecture. Aspects of the discipline worms. As the art historian Ernst Gombrich once observed, "the field of art history [is] much like Caesar's Gaul, divided in three parts inhabited by three different, though not necessarily hostile tribes: (i) the connoisseurs, (ii) the critics, and (iii) the academic art historians".[2] As a discipline, art history is distinguished from art criticism, which is concerned with establishing a relative artistic value upon individual works with respect to others of...
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...Sigmund Schlomo Freud BRIEF OVERVIEW Although Sigmund Freud was not the first person to formally study psychology, many consider him the most pivotal figure in the development of the field as we know it today. Freud changed the way society has come to think about and treat mental illness. Before Freud, mental illness was thought to result from deterioration or disease of the brain. Freud changed all of this by explicitly rejecting the purely organic or physical explanations of his predecessors. Instead he believed that unconscious motives and drives controlled most behavior. During a career that spanned 58 years, beginning with an earned medical degree in 1881 and continuing to his death in 1939, he developed and repeatedly revised his theory of psychoanalysis. Most of Freud’s theory was developed from contact he had with patients seen in his private practice in Vienna. This type of “clinical” work was a radical departure from the laboratory research that was practiced by most leading psychologists of the day. When Freud first presented his ideas in the 1890s, many of his contemporaries reacted with hostility. In fact, throughout his career, Freud faced enormous opposition to many of his ideas. Those especially controversial included notions about the role of the unconscious in behavior, childhood sexuality, and how the mind was governed (id, ego, and superego). But despite the opposition, Freud eventually attracted a group of followers that included well-known theorists 1856–1939...
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...Instincts and their Vicissitudes Sigmund Freud This Page Left Intentionally Blank - 109 - This Page Left Intentionally Blank - 110 - Editor's Note to "Instincts and their Vicissitudes" James Strachey (a) German Editions: 1915 Triebe Und Triebschicksale Int. Z. Psychoanal., 3 (2), 84-100. 1918 Triebe Und Triebschicksale S.K.S.N., 4, 252-278. (1922, 2nd ed.) 1924 Triebe Und Triebschicksale G.S., 5, 443-465. 1924 Triebe Und Triebschicksale Technik und Metapsychol., 16-187. 1931 Triebe Und Triebschicksale Theoretische Schriften, 58-82. 1946 Triebe Und Triebschicksale G.W., 10, 210-232. (b) English Translation: 1925 ‘Instincts and their Vicissitudes’ C.P., 4, 69-83. (Tr. C. M. Baines.) The present translation, though based on that of 1925, has been very largely rewritten. Freud began writing this paper on March 15, 1915; it and the following one (‘Repression’) had been completed by April 4. It should be remarked by way of preface that here (and throughout the Standard Edition) the English word ‘instinct’ stands for the German ‘Trieb’. The choice of this English equivalent rather than such possible alternatives as ‘drive’ or ‘urge’ is discussed in the General Preface to the first volume of the edition. The word ‘instinct’ is in any case not used here in the sense which seems at the moment to be the most current among biologists.1 But Freud shows in the course of this paper the meaning which he attaches...
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...Native American Cultures Maya Civilization The Empires of the Incas and the Aztecs The Spanish in the Americas and the Aftermath of Their Conquest The Impact of Technology Christian Humanism and the Northern Renaissance Luther and the Protestant Reformation The Spread of Protestantism The Catholic Reformation 2 WESTERN CIVILIZATIONS The French Revolution Napoleon Bonaparte The Industrial Revolution Advancing Industrialism Colonialism China and the West Social and Economic Realities Nineteenth-Century Social Theory: conservatism, liberalism & socialism The Radical View of Marx and Engels Picasso and the Birth of Cubism Futurism, Fauvism and Non Objective Art The Birth of Motion Pictures Freud and the Psyche Total War and Totalitarianism The First World War The Russian Revolution Nazi Totalitarianism The Second World War Identity and Liberation: Gandhi, Martin Luther King and Malcolm X 3 WESTERN CIVILIZATIONS The Black Death The most devastating natural catastrophe of the early modern era was the bubonic plague, which hit Europe in 1347 and destroyed one third to one half of its population within less than a century. Originating in Asia and spread by the Mongol tribes that dominated that vast area, the disease devastated China and the Middle East, interrupting long-distance trade and crossnatural encounters...
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...3673 THE ‘UNCANNY’ (1919) Freud - Complete Works. Ivan Smith 2000. All Rights Reserved. 3675 THE ‘UNCANNY’ I It is only rarely that a psycho-analyst feels impelled to investigate the subject of aesthetics, even when aesthetics is understood to mean not merely the theory of beauty but the theory of the qualities of feeling. He works in other strata of mental life and has little to do with the subdued emotional impulses which, inhibited in their aims and dependent on a host of concurrent factors, usually furnish the material for the study of aesthetics. But it does occasionally happen that he has to interest himself in some particular province of that subject; and this province usually proves to be a rather remote one, and one which has been neglected in the specialist literature of aesthetics. The subject of the ‘uncanny’ is a province of this kind. It is undoubtedly related to what is frightening - to what arouses dread and horror; equally certainly, too, the word is not always used in a clearly definable sense, so that it tends to coincide with what excites fear in general. Yet we may expect that a special core of feeling is present which justifies the use of a special conceptual term. One is curious to know what this common core is which allows us to distinguish as ‘uncanny’ certain things which lie within the field of what is frightening. As good as nothing is to be found upon this subject in comprehensive treatises on aesthetics, which in general prefer to concern...
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...Glossary of Sociological Terms |11-Plus Exam |Examination introduced with the 1944 Education Act, sat by all pupils in the state sector| | |at the age of 11. If they passed they went to the selective Grammar School, or if they | | |failed to the Secondary Modern School. This exam still exists in some counties such as | | |Kent and also in Northern Ireland. | |12-Plus Exam |Exam made available only to a minority of 'high-flyers' in Secondary Modern schools, | | |offering a late chance to go to Grammar School at the age of 12. | |'30-30-40 society' |A term associated with Will Hutton to describe an increasingly insecure and polarised | | |society. The bottom 30 per cent is socially excluded by poverty from the rest of society.| | |The next 30 per cent live in fear and insecurity of falling into poverty. Only the top 40| | |per cent feel secure and confident. ...
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...1 J. William Worden El tratamiento del duelo: Asesoramiento psicológico y terapia. Ed. Paidós, Barcelona, 1997 [pp. 23-39] CAPÍTULO 1 EL APEGO, LA PÉRDIDA Y LAS TAREAS DEL DUELO LA TEORÍA DEL APEGO Antes de poder entender plenamente el impacto de una pérdida y el comportamiento humano al que va asociada, se debe entender un poco el significado del apego. Existe una cantidad considerable de escritos en la bibliografía psicológica y psiquiátrica sobre la naturaleza del apego —qué es y cómo se desarrolla—. Una de las figuras clave y uno de los principales pensadores dentro de esta área es el psiquiatra británico John Bowlby, que ha dedicado gran parte de su carrera profesional al área del apego y de la pérdida, y ha escrito varios libros importantes y algunos artículos sobre el tema. La teoría del apego de Bowlby nos ofrece una manera de conceptualizar la tendencia de los seres humanos a establecer fuertes lazos emocionales con otras personas y una manera de entender las fuertes reacciones emocionales que se producen cuando dichos lazos se ven amenazados o se rompen. Para desarrollar su teoría, Bowlby ha ampliado sus redes y ha incluido datos de la etología, de la teoría de control, de la psicología cognitiva, de la neuropsicología y de la biología evolutiva. Está en contra de aquellos que creen que los vínculos de apego entre las personas se desarrollan sólo para cubrir ciertos impulsos biológicos, como el impulso hacia la comida o el sexo. Hace referencia...
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...Does science make belief in God obsolete? Yes, if by… No, and yes. Absolutely not! Not necessarily. Of course not. No. No, but it should. No. Yes. No, not at all. It depends. Of course not. No, but only if… Steven Pinker Christoph Cardinal Schönborn William D. Phillips Pervez Amirali Hoodbhoy Mary Midgley Robert Sapolsky Christopher Hitchens Keith Ward Victor J. Stenger Jerome Groopman Michael Shermer Kenneth Miller Stuart Kauffman 2 4 7 9 11 13 15 17 19 21 23 25 27 Does science make belief in God obsolete? irteen views on the question Online at www.templeton.org/belief INTRODUCTION T he John Templeton Foundation serves as a philanthropic catalyst for research on what scientists and philosophers call the Big Questions. We support work at the world’s top universities in such fields as theoretical physics, cosmology, evolutionary biology, cognitive science, and social science relating to love, forgiveness, creativity, purpose, and the nature and origin of religious belief. We encourage informed, open-minded dialogue between scientists and theologians as they apply themselves to the most profound issues in their particular disciplines. And, in a more practical vein, we seek to stimulate new thinking about wealth creation in the developing world, character is booklet neatly embodies our approach to the Big Questions: the contributors are education in schools and universities, and programs for cultivating the talents of the gifted. scholars and thinkers of the...
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...LACAN AND CONTEMPORARY FILM EDITED BY TODD McGOWAN and SHEILA KUNKLE OTHER Other Press New York Copyright © 2004 Todd McGowan and Sheila Kunkle Production Editor: Robert D. Hack This book was set in 11 pt. Berkeley by Alpha Graphics, Pittsfield, N.H. 10 9 8 7 6 5 4 3 2 1 Allrightsreserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without written permission from Other Press LLC, except in the case of brief quotations in reviews for inclusion in a magazine, newspaper, or broadcast. Printed in the United States of America on acid-free paper. For information write to Other Press LLC, 307 Seventh Avenue, Suite 1807, New York, NY 10001. Or visit our website: www.otherpress.com. Library of Congress Cataloging-in-Publication Data McGowan, Todd. Lacan and contemporary film / by Todd McGowan & Sheila Kunkle. p. cm. Includes bibliographical references and index. ISBN 1-59051-084-4 (pbk : alk. paper) 1. Motion pictures-Psychological aspects. 2. Psychoanalysis and motion pictures. 3. Lacan, Jacques, 1901- I. Kunkle, Sheila. II. Title. PN1995 .M379 2004 791.43'01 '9-dc22 2003020952 Contributors Paul Eisenstein teaches literature and film in the English department at Otterbein College, Columbus, Ohio, and is the author of Traumatic Encounters: Holocaust Representation and the Hegelian Subject (SUNY Press, 2003). Anna Kornbluh...
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...Reading the Novel in English 1950–2000 i RTNA01 1 13/6/05, 5:28 PM READING THE NOVEL General Editor: Daniel R. Schwarz The aim of this series is to provide practical introductions to reading the novel in both the British and Irish, and the American traditions. Published Reading the Modern British and Irish Novel 1890–1930 Reading the Novel in English 1950–2000 Daniel R. Schwarz Brian W. Shaffer Forthcoming Reading the Eighteenth-Century Novel Paula R. Backscheider Reading the Nineteenth-Century Novel Harry E. Shaw and Alison Case Reading the American Novel 1780–1865 Shirley Samuels Reading the American Novel 1865–1914 G. R. Thompson Reading the Twentieth-Century American Novel James Phelan ii RTNA01 2 13/6/05, 5:28 PM Reading the Novel in English 1950–2000 Brian W. Shaffer iii RTNA01 3 13/6/05, 5:28 PM © 2006 by Brian W. Shaffer BLACKWELL PUBLISHING 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford OX4 2DQ, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of Brian W. Shaffer to be identified as the Author of this Work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and...
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...e eBook Collection This is a Protected PDF document. Please enter your user name and password to unlock the text. User Name: Password: Unlock Remember my user name and password. If you are experiencing problems unlocking this document or you have questions regarding Protectedpdf files please contact a Technical Support representative: In the United States: 1-877-832-4867 In Canada: 1-800-859-3682 Outside the U.S. and Canada: 1-602-387-2222 Email: technicalsupport@apollogrp.edu. This document is published by:Apollo Group, Inc. ISBN 1-256-49231-0 joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka jokaGlossary joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka joka ...
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