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Venus Of Willendorf: Paleolithic Art Analysis

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The sculpture of The Nude Woman (Venus of Willendorf) is Paleolithic Art. This sculpture is a tiny 4-inch high figure carved of stone. It is also a female form that is highly abstracted with emphasis on her anatomical parts such as, her breasts large stomach and hips. The sculpture also has small, thin arms that are lay on the breast.
The sculpture of Two gypsum statuettes with folded hands (Votive Figures) is Sumerian Art. This sculpture is of two figures of a man and woman with their hands folded in front of their chests in a signal of prayer. The men wear belts and fringed skirts and most men have beards and shoulder-length hair. The women wear long robes, with the right shoulder bare. Comparable figures from other locations have writings, …show more content…
For example, The Nude woman culture is Paleolithic and Two gypsum statuettes with folded hands is Sumerian Art. Paleolithic art is the oldest time period that made artwork with their limited supplies or technologies their drawings and sculptures are midst the earliest acknowledged examples of representative image-making this was how men would represent women and how fertility would become their bodies. While the Sumerian Art shows aims to portray naturalism that are sometimes overly determined. Sumerian art displays many worship sculptures. Thus, Sumerian people were the first to establish their own religion. This shows how advance they came with their artwork, they built monumental architecture, advanced sculptures, craft and …show more content…
Fertility and reproduction were the basis in life around the time period. The sculpture has no face because she is seen as a reproductive product and nurturer, not as an actual being.
The sculpture of Two gypsum statuettes with folded hands is symbolic of significant mortals, rather than gods or goddesses, with their hands this relationship between the man and woman who were decorated with oversized eyes and the tiny hands clutching their chests.
The sculpture Statue of Khafre is ideology of the artist’s approach of representing the king as a supreme, godlike monarch. This statue is also an example of the usual understanding of a seated king as a predictable subject. Khafre sits on a throne, a majestic chair. Overall, the statue expresses a sense of overwhelming power and dignity through the skilled carving and dynamic appearance of the

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