...There have been many instrumental versions of this song, most entitled Lachrimae (or Lachrymae, literally "tears"). In this case the instrumental version was written first, as Lachrimae pavane in 1596, and lyrics were later added. It is believed that the text was written specifically for the music, and may have been written by Dowland himself. Lachrimae exists in over 100 manuscripts and printings in different arrangements for ensemble and solo. The Lachrimaes tend to be much more abstract than other music based on dance forms of the time, and do not completely follow the structure of the standard pavan in terms of length of phrases; they are also more contrapuntal. Instrumental versions by Dowland include Lachrimae for lute, Galliard to Lachrimae for lute and Lachrimae antiquae (1604) for consort. Dowland also published Lachrimae, or Seaven Teares (London, 1604), a collection of consort music which included a cycle of seven Lachrimae pavans based on the falling tear motif. Thomas Morley set the "Lachrimae Pauin" for the six instruments of a "broken consort" in his First Booke of Consort Lessons (London, 1599). Other composers have written pieces based on the work, including Jan Pieterszoon Sweelinck and Thomas Tomkins, while John Danyel's Eyes, look no more pays clear homage to the piece, as does John Bennet's Weep, O Mine Eyes. In the 20th century, American composer and conductor Victoria Bond wrote "Old New Borrowed Blues (Variations on Flow my Tears)". Benjamin Britten...
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...René Magritte’s Le Viol (Rape), is an oil painting made in 1934, during the Surrealist movement. It is basically a face on female body without a face. An assumption is that this female body is Magritte’s mother who drowned and was then found with her naked body showing and her face being hidden by her gown. Therefore, it is clear why Magritte chose to eliminate her facial characteristics. There are several interpretations, one of which is the way men see women. The fact that the face is not present illustrates how men objectify women and that they see them as sexual objects. That’s something Magritte probably wanted to show to the viewers by the title given. On the other hand, Magritte may have done that painting in order to just shock...
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...took advantage of the detailed use of polyphony, which is the texture which consists of 2 or more melodic tones that are woven together and played simultaneously, opposed to music that just consists of a single melodic voice or one with a more dominant melodic voice which would then be accompanied by chords. The orchestra itself was carried by a variety of different instruments including: Strings -Violin, The origins of the violin date back to as far as the 9th century and were thought to be first used by the Persian geographer named Ibn Khurradadhibih. JS Bach, Antonio Vivaldi and Arcangelo Corelli were well known for being talented violinists; Violins replaced Viols which were much weaker sounding in the Baroque period. -Viol These were typically played in a consort (a group of differently sized viols playing together), consorts were however outdated by and through the development of the orchestra. It possesses a sound similar to the violin and also has different size variations meaning that there are also different size variations including Pardessus (high treble),...
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...Transformation dans La Fille Bègue Le roman La Fille Bègue, par Annette Saint-Pierre, et un drame tourné autour du personnage central, Lucie Lauzon, un enfant mal aimé dans une famille dysfonctionnelle. Ce roman touches à des thèmes et des problèmes actuels, qui se produisent encore à ce jour, comme le viol, l'effritement de familles et l'insertion sociale des handicapés. Toutefois, l'un des thèmes les plus évidents dans le livre est celui de l’abus. Tout au long du roman, nous avons témoigné un forme ou l’autre de l’abus envers Lucie. Elle a due endurer l’abus psychologique, l’abus physique puis l’abus sexuel. L'abus psychologique est un acte d'emprisonnement, d'isolement, de violence verbale, d'intimidation ou un acte qui diminue le sentiment d'identité ou d'estime de soi. Il comprend les injures, cris, insultes, menaces, isolement et le mépris. Lucie a été abusée psychologiquement pendant toute son enfance par sa propre famille, ses camarades de classe et par la société. Cependant, la personne qui a eu l'impact le plus pire sur Lucie était sa mère. Martha, la mère de Lucie, ne l'a jamais montré l'amour, puis la seulement monter le dégoût toute sa vie. Même après des années de ne pas voir Lucie et Lucie, devenant ainsi la femme forte qu'elle est, Martha trouve toujours le moyen d'insulter et de dégrader sa fille en lui disant, "Tu as des hommes, hein ? Now, it's your turn,"(Saint-Pierre 100), en disant cela Martha essaie de faire sa fille sentir comme si elle ne vaut rien...
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...first debuted on stage, it is probable that the double bass first took the shape of a violone. At the beginning of the seventeenth century, Michael Praetorius (1571-1621) drew a violon de gamba sub-bass (a double bass with five strings, tuned to DD EE AA D G, and over eight feet tall). The neck of said bass appeared fretted and the bow was held underhand—as is the manner with viols. Nevertheless, this bass’s appearance appeared modeled after the violin shape, not the viol. Another “rough draft” of the double bass was Silvestro Ganassi’s bass viola de gamba from Venice in 1542. Ganassi’s bass is often seen as the “progenitor” of the double bass. Along with Praetorius’s double bass, it featured frets. However, instead of having five strings, Ganassi’s bass had six strings tuned to D2, G2, C3, E3, A3 and D4. Less than forty years later, another attempt at changing bass structure came from Ventura Linarol of Padua in 1586. He created a bass viola de gamba whose tuning was serendipitously E1, A1, D2, G2, C3, and F3. As one can see, the bass had trouble finding its niche as it featured a mix of the violin and viol family and could not be classified neatly. The early Baroque period (1600 to 1720) sporadically used the bass. Its heavy, thick strings and monstrous size made it a challenge to use in anything smaller than a church. Pieces composed at this time rarely featured the double bass in smaller settings. Around 1700, the double bass was accepted into the opera orchestra mainly by...
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...PREMIUM BACKGROUND REPORT Kimberly S. Wallace 3111 Long Rifle Dr Wimauma, FL 33598 NOTICE: This information may NOT be used in connection with decisions about consumer credit, employment, insurance, tenant screening, or any other purpose subject to the Fair Credit Reporting Act. Table of Contents Type of Data Section Personal Information Names and Aliases 1.1 Birth Information 1.2 Social Security Numbers 1.3 Voter Registration 1.4 Phone Numbers 1.5 Previous Phone Numbers 1.6 Email Addresses 1.7 Location Information Address History 2.1 Relatives and Associates Possible Related Persons 3.1 Possible Associates 3.2 Possible Neighbors 3.3 Criminal History Possible Matching Arrest Records 4.1 Businesses Business Affiliations 5.1 Possible Associates 5.2 Assets Properties Owned 6.1 Liens 6.2 Accidents Detailed Accident Information Type of Data 7.1 Section Marriage and Divorce Records Marriage Records 8.1 Divorce Records 8.2 Licenses FAA Licenses 9.1 DEA Licenses 9.2 Social LinkedIn Profile 10.1 Facebook Profile 10.2 Amazon Account 10.3 Disclaimer DISCLAIMER: You may not use our service or the information it provides to make decisions about consumer credit, employment, insurance, tenant screening, or any other purpose that would require FCRA compliance. United States Background Checks does not provide consumer reports and is not a consumer reporting agency. (These terms have special meanings under the Fair Credit Reporting Act, 15...
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...APA Referencing Style Alhabib, S., Nur, U., & Jones, R. (2010). Domestic Violence Against Women: Systematic Review of Prevalence Studies. J Fam Viol, 25, 369–382. Grovert, A. J. (2008). Domestic Violence Against Women: A Literature Review. Retrieved from http://commons.pacificu.edu/cgi/viewcontent.cgi?article=1037&context=spp. United Nations. (1993). Declaration on the Elimination of Violence Against Women. Retrieved from http://www.un.org/documents/ga/res/48/a48r104.htm. Runyan, A. S., & Peterson, V. S. (2013). Global gender issues in the new millennium. 4th ed. Arizona: Perseus Books. Violence Against Women Act (VAWA). (1994). Violence Against Women Act (VAWA) Law & Legal Definition. Retrieved from http://definitions.uslegal.com/v/violence-against-women-act-vawa/. Matthews, D. D. (2004). Domestic violence sourcebook. 2nd ed. Detroit, MI: Omnigraphics. Tjaden, P., & Thoennes, N. (2000). Extent, nature and consequences of intimate partner violence: findings from the national violence against women survey. United States Department of Justice: Office of Justice Program. Turner, J. S. (2002). Families in america. Santa Barbara, .CA: ABC-CLIO, Inc. Garcia-Moreno, C., Jansen, H., Ellsberg, M., Heike, L., & Watts, C. (2006). Prevalence of intimate partner violence: Findings from the WHO multi-country study on women’s health and domestic violence. Lancet, 368, 1260–1269. Khawaja, M., & Barazi, R. (2005). Prevalence of wife beating in Jordanian refugee camps:...
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...SURVEY QUESTIONNAIRE Dear Respondent, This is a questionnaire for the research entitled “Perception of MMC College Students on the revival of death penalty” This survey was made to understand how perception of college students in the revival of death penalty. Please answer the questionnaire as accurately and honestly as possible please do not leave any item unanswered. There is no wrong answer; rest assured that your answer would be treated with utmost confidentiality. Thank you very much. Sincerely, Researchers _________________________________________________________________ Direction: Please put a check () mark on the blank corresponding to your answer. NAME: (optional) _________________________________ 1. PROFILE OF RESPONDENTS 1.1 Age : __________ 1.2 Gender: ____ Male ____ Female 1.3 Program enrolled in: ____ BS Criminology ____ BS Business Administration ____ BS Education 1.4 Year level: _____ 1st year _____ 2nd year _____ 3rd year ____ 4th year 1.5 Religion: _____ Catholic _____ INC _____ Christian _____ (other’s) ________________ 2. below are question to test your opinion on death penalty, please put a check () mark on the blank corresponding to your answer. 2.1 Are you aware of death penalty? _____ YES _____ NO 2.2 Are you in favour on the current suspension of death penalty? _____ YES _____ NO 2.3 Are you in favour in the revival of death penalty? _____ YES _____ NO 2.4 Do you think death penalty...
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...The Great Gatsby: Gatsby’s Party To some people, life is one big celebration. In Fitzgerald’s The Great Gatsby, Nick (the narrator) recalls the many parties his neighbor, Gatsby, has “hosted” and the type of people who attended. Through the use of polysyndeton and metaphors/similes, the author conveys Gatsby’s parties as lavish and the people as reckless. For instance, Gatsby’s orchestra hired for the party was “no thin five-piece affair, but a whole pit-full of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums.” Through the use of polysyndeton, Fitzgerald exaggerates the amount of instruments in the orchestra, capturing how huge it is. As a special guest to Gatsby and his parties, Nick reveals...
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...æggende Kraft endnu jeg et Gentryk fornemmer. Thi det er et Minde fra sorgløse Aar, før Hykleriet og Vaaset 15 fik trykket vor unge Lyst ihjæl, om ej det vor Mund fik laaset, Da lidt blev favnet, men meget nydt og alt og alle begæret, da Sindet laa aabent og Blodet frit 20 som Sommerhavet og Vejret. Jeg husker de brune Øjne, hvor trist hun blev da hun saa' os drage; thi det var paa Skanderborg Station, der stod hun alene tilbage. 25 Men jeg drog mod Nord, over Land og Sø, og sommerberust mig kendte, og da jeg sov ind paa Himmelbjærget, de brune Øjne mig brændte. De brændte saa sødt, de brændte saa hedt. 30 Jeg drømte, jeg tog hende med mig. Hun dufted af Blomster, Viol og Reseda, og kyssede Lindring og Fred mig. Saa stærke Kys fra en ærbar Mund. Var Kaffen ej bleven serveret, 35 den unge Frøken fra Skanderborg vist havde sig kompromitteret. Aa disse ærbare Borgerbørn, de maa deres Hjærter ave, pyntelig blomstrer den stærke Reseda 40 i Faderens lille Have. Der findes saa mange Borgerbørn, som gør vore Tanker forfløjne. (Jeg mindes vel tyve med himmelblaa og ti med brune Øjne). 45 Der findes saa mange sirlige smaa, som gav os en Dans og en Rose, Rejseminder og Alfe-Bedrag, der svinder for Dag over Mose! Men disse Blomster fra unge Aar, 50 dem sankede jeg til Dynge; og naar jeg mærker den flygtige Duft, begynder mit Blod...
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...John Donne the pre-eminent representative of the metaphysical poets. noted for their strong, sensual style and includesonnets, love poems, religious poems, Latin translations, epigrams, elegies, songs, satires and sermons. noted for its vibrancy of language and inventiveness of metaphor, especially compared to that of his contemporaries. Donne's style is characterised by abrupt openings and various paradoxes, ironies and dislocations. These features, along with his frequent dramatic or everyday speech rhythms, his tense syntax and his tough eloquence, were both a reaction against the smoothness of conventional Elizabethan poetry and an adaptation into English of European baroque and mannerist techniques. His early career was marked by poetry that bore immense knowledge of English society and he met that knowledge with sharp criticism. important theme in Donne's poetry is the idea of true religion, something that he spent much time considering and about which he often theorized. He wrote secular poems as well as erotic and love poems. He is particularly famous for his mastery of metaphysical conceits *metaphysical poets: work was characterized by the inventive use of conceits, and by speculation about topics such as love or religion. The Metaphysical Poets are known for their ability to startle the reader and coax new perspective through paradoxical images, subtle argument, inventive syntax, and imagery from art, philosophy, and religion using an...
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...What stylistic features make Flow My Tears a piece of Renaissance music? Composed in 1596, Flow My Tears is a ‘Lute song’ - a style that emerged during the Renaissance period - typically consisting of a voice (a counter tenor or alto in this case) accompanied by a lute. It could also be accompanied by more than one instrument in what was known as a ‘mixed’ or ‘broken’ consort. This performance uses a bass viol. This can be seen as reminiscent of the development of the bass line in defining the harmonic structure of music that was occurring at the time (assuming even greater significance during the baroque era). The texture is melody and accompaniment, however often with enough separate movement in the parts to be contrapuntal. An example of this is a four-part chord in the lute part which creates five parts with the voice in Bar 1 and playing six notes in Bar 16. This is indicative of the period because much of Renaissance music (including Lute songs) employed both homophony and counterpoint. Counterpoint itself developed strongly throughout the Renaissance and Baroque era, featuring heavily in the works of well known composers of the time such as Orlando Gibbons and William Byrd. The tripartite structure of the song relates to the structure of the stanzas - verses 1 and 2 are sung to the same notes whereas verses 3 and 4 are sung to a different melody as is the 5th verse. Whilst the structure itself is not greatly indicative of the period, the through-composed nature...
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... aerophones using enclosed reeds fed from a constant reservoir of air in the form of a bag. The term is equally correct in the singular or plural, although in the English language, pipers most commonly talk of “pipes”. 2. FIDDLE (VIOLIN) – Any violin may be informally called a fiddle, regardless of the kind of music being played with it, it is considered to be the predecessor of today’s violin. The instrument arrived late in the 17th century, and is first mentioned in 1680 in a document from Newbattle Abbey in Midlothian, Lessones For Ye Violin. Like the violin, it tended to have four strings, but came in a variety of shapes and sizes. Another family of instruments which contributed to the development of the modern fiddle are the viols, which are held between the legs and played vertically, and have fretted fingerboards. 3. GUITAR – The guitar is a musical instrument with ancient roots that is used in a wide variety of musical styles. It typically has six strings, but four, seven, eight, ten, eleven, twelve, thirteen and eighteen string guitars also exist. Traditionally guitars have usually been constructed of combinations of various woods and strung with animal gut, or more recently, with either nylon or steel strings. Guitars are made and repaired by luthiers. There are many brands of guitars, but some commonly known...
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...Literature Review Family Structural Changes and Juvenile Delinquency To develop a well-formulated theory on family structural changes playing an impact on juvenile delinquency, it is imperative to discern what other information exists surrounding the topic. There are multiple sources that seek to determine what factors influence kids/teens to turn into delinquents, from either a stable, loving home or a place filled with toxic disasters. This study is focused on analyzing how these various factors within a family within a family impact a child's likelihood of experiencing juvenile delinquency, but more specifically how family changes are a factor. My proposed research studies the question by studying individuals, making persons my phenomena. Using the existing studies as a basis of knowledge will provide the framework for a new theory involving the significance of family structural changes. One of the major functions of the family is to protect, teach, and train children so that they become competent, productive adults and if that job is not done properly, then it can be assumed that the family has failed to do its job (Kunz, 2001b). Variable: DIVORCE We first have to look into whether juvenile delinquency is related to divorce. Cynthia Price and Jenifer Kunz created a meta-analysis, involving 72 studies where meta-analysis is the quantitative statistical analysis of several separate but similar experiments or studies in order to test the pooled data for statistical significance...
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...The Impact of Stress on a Developing Child Rowena G. Henderson Liberty University References Frances S. Chen, Julian Schmitz, Gregor Domes, Brunna Tuschen-Caffier, Markus Heinrichs, Effects of acute social stress on emotion processing in children, Psychoneuroendocrinology, Volume 40, February 2014, Pages 91-95, http://dx.doi.org/10.1016/j.psyneuen.2013.11.003. Summary- This article explores the question of how stress impacts a child’s emotional development. The study investigated the effect of stress on children’s processing of facial expressions of emotion. The boys who went through the stress procedure were more likely to categorize angry faces as fear versus the boys who were tested with a controlled condition. The conclusion was that decreased sensitivity to anger cues following a stressful experience could represent a coping mechanism. And an increased level of sensitivity to fear cues could represent a child’s own emotional state or an interpretation of another’s emotional state. Strengths and Weaknesses- The study does a great job of breaking down each step and describing the different parts of the study. The weakness of the study is not going into detail how or why the participants were chosen. It does not seem like there was a lot of variety in the demographics of the participants. Evaluation- I think it was a good study but it didn’t...
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