...Which play, in your opinion, was more tragic – Hamlet or Agamemnon? Be sure to explain your opinion clearly and support it with direct references to both plays and to the elements of tragedy that you have learned so farWhich play, in your opinion, was more tragic – Hamlet or Agamemnon? Be sure to explain your opinion clearly and support it with direct references to both plays and to the elements of tragedy that you have learned so farWhich play, in your opinion, was more tragic – Hamlet or Agamemnon? Be sure to explain your opinion clearly and support it with direct references to both plays and to the elements of tragedy that you have learned so farWhich play, in your opinion, was more tragic – Hamlet or Agamemnon? Be sure to explain your opinion clearly and support it with direct references to both plays and to the elements of tragedy that you have learned so farWhich play, in your opinion, was more tragic – Hamlet or Agamemnon? Be sure to explain your opinion clearly and support it with direct references to both plays and to the elements of tragedy that you have learned so farWhich play, in your opinion, was more tragic – Hamlet or Agamemnon? Be sure to explain your opinion clearly and support it with direct references to both plays and to the elements of tragedy that you have learned so farWhich play, in your opinion, was more tragic – Hamlet or Agamemnon? Be sure to explain your opinion clearly and support it with direct references to both plays and to the elements...
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...In comparing the play of Hamlet to the play of Agamemnon, I believe the story of hamlet to be superiorly tragic. They are both tragedies as they both fulfill Aristotle’s definition of tragedy. Each play depict the downfall of decent if flawed person, through some fatal error or misjudgment, leading to the protagonist death, and arousing pity on the part of the audience. The tragic nature of Hamlet is superior to Agamemnon in three key ways, hamlets status as the primary character compared to Agamemnon’s as mere secondary character. Hamlets siliques reveal his emotions while little is revealed of Agamemnon’s thoughts. Finally The most important reason that Hamlet is more tragic, in my opinion, is because the protagonist, Hamlet, is an integral part of the play and his character is much more developed. In Agamemnon, the protagonist, Agamemnon, is a secondary character to his wife who, in my opinion is the main character. Hamlet is a tragic hero, as is Agamemnon, following Aristotle’s criteria for the elements of a tragic hero. For example, they both evoke the audience’s pity and fear, have a major flaw of character and are destined to fall in some way (“Tragedy in Drama”). However, because Hamlet is the main character, we see, hear and understand more of his character. When Hamlet delivers his many dramatic soliloquies about mortality, betrayal, and the futility of life, he shows us his tortured world and the anguish, grief, and uncertainty which eventually takes over his life...
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...I think that Hamlet was more tragic in comparison to Agamemnon. The reason being is because in Hamlet Claudius is driven to kill his own brother, King Hamlet, just so he can marry his own sister-in-law. Hamlet is plotting to kill his own uncle and is speaks of his own mother in a hateful manner e:g Within a month, Ere yet the salt of most unrighteous tears Had left the flushing in her gallèd eyes, She married. O most wicked speed, to post With such dexterity to incestuous sheets! A son is talking about her own mother like this and at the same time he has lost hope in life. Hamlet claims that he wants to die, if only suicide wasn’t forbidden by God. Oh, that this too, too sullied flesh would melt, Thaw, and resolve itself into a dew, Or that the Everlasting had not fixed His canon 'gainst self-slaughter! So from the beginning of the play the protagonist is in a pitiful state. This was not the case with the protagonist of Agamemnon. In Hamlet the protagonist was driven to avenge his own father death and in the process ended up killing 4 innocent person. His own love of his live Ophelia, and mom, Queen Gertrude was killed by the poisonous drink which was meant for Hamlet. Ophelia's father and brother ended up dead. In Agamemnon only two innocent lives were lost, Cassandra and Iphigenia. In my opinion i think Agamemnon deserved his tragic end. He had made many mistakes, he abused Clytemnestra then killed his husband and married her, then after sacrificed his own...
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...think that Hamlet was more tragic in comparison to Agamemnon. The reason being is because in Hamlet Claudius is driven to kill his own brother, King Hamlet, just so he can marry his own sister-in-law. Hamlet is plotting to kill his own uncle and is speaks of his own mother in a hateful manner e:g Within a month, Ere yet the salt of most unrighteous tears Had left the flushing in her gallèd eyes, She married. O most wicked speed, to post With such dexterity to incestuous sheets! A son is talking about her own mother like this and ...isn't an essay you were looking for? GET THAT PERFECT ONE starting from $7.50 per page only! YOUR E-MAIL ORDER NOW at the same time he has lost hope in life. Hamlet claims that he wants to die, if only suicide wasn’t forbidden by God. Oh, that this too, too sullied flesh would melt, Thaw, and resolve itself into a dew, Or that the Everlasting had not fixed His canon ‘gainst self-slaughter! So from the beginning of the play the protagonist is in a pitiful state. This was not the case with the protagonist of Agamemnon. In Hamlet the protagonist was driven to avenge his own father death and in the process ended up killing 4 innocent person. His own love of his live Ophelia, and mom, Queen Gertrude was killed by the poisonous drink which was meant for Hamlet. Ophelia’s father and brother ended up dead. In Agamemnon only two innocent lives were lost, Cassandra and Iphigenia. In my opinion i think Agamemnon deserved his tragic end. He had...
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...Oscar Wilde percy Shelley ralph Waldo emerson robert Browning Samuel Taylor Coleridge Stephen Crane Walt Whitman William Blake William Shakespeare William Wordsworth Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Edited and with an Introduction by Sterling professor of the humanities Yale University harold Bloom Bloom’s Classic Critical Views: William Shakespeare Copyright © 2010 Infobase Publishing Introduction © 2010 by Harold Bloom All rights reserved. No part of this publication may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For more information contact: Bloom’s Literary Criticism An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data William Shakespeare / edited and with an introduction by Harold Bloom : Neil Heims, volume editor. p. cm. — (Bloom’s classic critical views) Includes bibliographical references and index. ISBN 978-1-60413-723-1 (hardcover) ISBN 978-1-4381-3425-3 (e-book) 1. Shakespeare, William, 1564–1616—Criticism and interpretation. I. Bloom, Harold. II. Heims, Neil. PR2976.W5352 2010 822.3'3—dc22 2010010067 Bloom’s Literary Criticism books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please...
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...it describes. First-person narration: A narrative in which the narrator tells the story from his/her own point of view and refers to him/herself as “I.” The narrator may be an active participant in the story or just an observer. When the point of view represented is specifically the author’s, and not a fictional narrator’s, the story is autobiographical and may be nonfictional (see Common Literary Forms and Genres below). Third-person narration: The narrator remains outside the story and describes the characters in the story using proper names and the third-person pronouns “he,” “she,” “it,” and “they.” • Omniscient narration: The narrator knows all of the actions, feelings, and motivations of all of the characters. For example, the narrator of Leo Tolstoy’s Anna Karenina seems to know everything about all the characters and events in the story. • Limited omniscient narration: The narrator knows the actions, feelings, and motivations of only one or a handful of characters. For example, the narrator of Lewis Carroll’s Alice’s Adventures in Wonderland has full knowledge of only Alice. • Free indirect discourse: The narrator conveys a character’s inner thoughts while staying in the third person. Gustave Flaubert pioneered this style in Madame Bovary, as in this passage: “Sometimes she thought that these were after all the best days of her life, the honeymoon, so-called.” Objective narration: A style in which the narrator reports neutrally on the outward behavior...
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...Essays Essays Part II. 2, 2.] Part II. 2, 2.] Essays The Project Gutenberg EBook of Essays, by Ralph Waldo Emerson This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Essays Author: Ralph Waldo Emerson Editor: Edna H. L. Turpin Release Date: September 4, 2005 [EBook #16643] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK ESSAYS *** 1 Essays Produced by Curtis A. Weyant , Sankar Viswanathan and the Online Distributed Proofreading Team at http://www.pgdp.net ESSAYS BY RALPH WALDO EMERSON Merrill's English Texts SELECTED AND EDITED, WITH INTRODUCTION AND NOTES, BY EDNA H.L. TURPIN, AUTHOR OF "STORIES FROM AMERICAN HISTORY," "CLASSIC FABLES," "FAMOUS PAINTERS," ETC. NEW YORK CHARLES E. MERRILL CO. 1907 CONTENTS INTRODUCTION LIFE OF EMERSON CRITICAL OPINIONS CHRONOLOGICAL LIST OF PRINCIPAL WORKS THE AMERICAN SCHOLAR COMPENSATION SELF RELIANCE FRIENDSHIP HEROISM MANNERS GIFTS NATURE SHAKESPEARE; OR, THE POET PRUDENCE CIRCLES NOTES PUBLISHERS' NOTE Merrill's English Texts 2 Essays 3 This series of books will include in complete editions those masterpieces of English Literature that are best adapted for the use of schools and colleges. The editors of the several volumes will...
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