...his film adaptation of Solomon Northup’s 19th century slave narrative of the same name. Interpreting McQueen’s film within analytic frameworks including comparative slavery studies, trauma studies, feminist theory, film theory, and the rhetoric of visual cultures, the authors create a wide range of analyses that address several critical questions. The critical conversations surrounding Steve McQueen’s 12 Years a Slave revolves around the film’s realism, specifically its realistic portrayal of the violence and trauma of slavery and the image of the tortured slave body. McQueen creates prolonged, unflinching images of slave torture and suffering, lingering on graphic scenes of brutality, including whipping, hanging, beatings, and rape. In fact, in the very act of attempting to resolve the ambiguity of McQueen’s images, this competing discourse strangely repeats and performs the very paradox of realism itself. In this way, the discourse surrounding McQueen’s realist images of the trauma and violence of slavery perform a fundamental split that continuously reflects and implicates the images themselves. This analysis contextualizes the paradoxical instability of McQueen’s realist images of the trauma and violence of slavery and the discourse that surrounds them within a larger lineage of the history and politics imbedded in the depiction of slavery within visual culture. The audience is confronted simultaneously with the violence of slavery as well as with the inherent impossibility...
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...Holden Caulfield's “Catcher in the Rye” Fantasy Growing up, we have all experienced a particular desire to achieve something; an ambitious state of mind that gives us meaning to life. Holden Caulfield in The Catcher in the Rye, by J.D. Salinger, has a primary ambition - to become the Catcher in the Rye – the protector of the young and innocent, as stated in his conversation with Phoebe (Salinger, 191). Completely imaginary and a hopeless fantasy, this passage underscores what is prevalent throughout the novel - the issue of Holden's black and white perspective on the dark, phony world of adulthood juxtaposed with the light, innocent, world of childhood. The important passage contributes to Holden's clinical depression as a result of his beloved brother's death, therefore his cynical view of adulthood, and his anxiety about growing up, resulting in the overall angst and alienation palpable throughout the novel, leading to his eventual catharsis. Holden's imagery of “catching” children playing in a field of rye before they fall off a cliff is unrealistic, misheard from a little boy, and it serves merely as an escape route from what he fears most about adulthood – the change and overwhelming complexity. Holden wants everything to be easily understandable and eternally fixed, similar to the Eskimos and Indians in the museum. Opposed to acknowledging that adulthood scares and mystifies him, Holden instead invents a fantasy – that childhood is an idyllic field of rye, while...
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...fairy tale place. Director Victor Fleming's classic film, The Wizard of Oz (1939), gave the audience an 'identity', touching on social attitude and the way people play a powerful role in their own lives through escapism and symbolism throughout the film. In 1939, MGM director Victor Fleming, in collaboration with Harold Rosson as cinematographer, released the classic blockbuster fantasy film The Wizard of Oz, starring Judy Garland as young and innocent Dorothy Gale, a young girl from Kansas who is swept away during a tornado along with her dog Toto. During her adventure in the land of Oz she kills The Wicked Witch of the West played by Margaret Hamilton, and embarks on a journey to find the almighty and powerful Wizard played by Frank Morgan in order to find her way home. Along the way she makes new friends, Scarecrow played by Ray Bolger, Tin Man played by Jack Haley, and the Cowardly lion played by Bert Lahr. Each actor portrayed in the film offers their own unique sense and the overall effect of the film clearly shows the actors ability to take on different characters. As one of the most notable fantasy films, this...
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...Often this genre of movie is accompanied by the buddy trope, most often per say in the “Buddy Cop” movies, which in fact are still following the Western format. This buddy trope typically consists of two male characters as the lead, one white man and one man of another race (usually black). This trope was a popular demonstration of the façade that the blacks and the whites get along perfectly and treat each other equally and with equal respect. Although this idea was still just a façade, it was entertaining especially to the American audience. This buddy trope was shown in “The Pioneers” through the use of Natty Bumpo and John Mohegan (Chingachgook), Natty being the white man and Indian John being the man of color in this case. Natty is a woodsman who lives in a cabin with John who used to be a powerful Indian Chief and they both happen to know Fire-Eater, the man who used to own all the land in their area. In general, throughout the story of “The Pioneers” the characters that are not both white and male are treated with disrespect and unfairly. For example, in Chapter 12 while Oliver...
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...The Team & Some Facts ¬ Producer – David Hamilton ¬ Director/ Writer – Deepa Mehta ¬ Cast ♣ Chand – Preity Zinta ♣ Rocky - Vansh Bhardwaj ♣ Maji - Balinder Johal ♣ Papaji – Rajinder Singh Cheema ♣ Aman – Ramanjit Kaur ♣ Baldev – Gourrav Sihan ♣ Kabir – Orville Maciel ♣ Loveleen – Geetika Sharma ¬ Location Shot – Punjab in India, Brampton/Toronto, Niagara Falls. ¬ Interesting Quotes ♣ “Aren’t I who you desire?” – Cobra as Rocky ♣ “How is this possible? To scowl one minute and laugh the next...” - Chand ♣ “Can our desires be so powerful, that they take on human form and walk right into our lives?” – Chand ♣ “Better hell than a heaven with no dignity” – Papaji ♣ “Who were you talking to?”- Rocky “Surely not you...” - Chand ¬ Insight – Deepa Mehta is a renowned Canadian Director working on social issues surrounding the women from different eras. She has given many noticeable works like Earth, Water and Fire. The movie Heaven on Earth was premiered at various film festivals such as Grand Toronto International Film Festival (TIFF), the Edmonton International Film Festival and the Kingston Canadian Film Festival. ¬ Awards – Best Actress (Silver Hugo) award for Preity Zinta (Chand) at the Chicago International Film Festival. ¬ Underlying Concept – The Power of Imagination. ¬ Genre – Family Drama ¬ Inspiration – Nagamandala, a Kannada play. Heaven on Earth (Deepa Mehta, 2008) is family drama of an untold and dark promise...
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...supposedly based on slavery; “Django Unchained” written by Quentin Tarantino, released on December 25, 2012, I was disappointed. The movie Django Unchained mocked slavery and tried to make a serious matter funny. Slavery was nothing closed to a joke, if any slave was asked to describe slavery, the last thing it would be described as is a joke. The movie takes place two years before the Civil War. Actor, Jamie Foxx played the main character, Django, in the movie. Django becomes a bounty hunter in the movie after he is recused by a German dentist/bounty hunter man named Schultz at the beginning of the movie. Django agrees to take the job offered as a bounty hunter because he can think of no better job than to kill white men for money. In the movie he says, “Kill white folks and they pay you for it? What’s not to like?” Shultz, played by Christoph Waltz, offers Django his freedom along with seventy five dollars in exchange to help him track down the Brittle brothers (previous slave owners of Django). After hunting down the Brittle brothers and Django is given his freedom, Django decides to become partners with the German and continue his job as a bounty hunter. Django agrees to...
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...his protection of the socially oppressed. He in fact holds racist viewpoints and is incapable of viewing people as more than instruments to fulfill his agenda. Tod Clifton - He eventually parts ways with the Brotherhood and begins selling Sambo dolls on the street; apparently perpetrating and taunting the stereotype of the lazy and submissive slave that the dolls signify. Ras the Exhorter - Ras...
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...in 1900‘s, is about one woman’s life, from her being a teen to her death in her home. The town’s people did not like her, her family did not like her, but when she died, everybody showed up to Miss Emily’s Funeral. The only person to see Emily was her old manservant, a black man that was the cook and the gardener. The only time that the town would see him was when he went to the grocery store to shop. He would never talk to anybody while he was there. Miss Emily was not always alone. When she was younger, her father lived at the house with her. He was a man without his sanity. When ever a male would come to the house to see Emily, he would greet them at the door, and see them off before Emily could even say hello. The town used this excuse for Emily when her father died. The town had always respected Emily. She was “A slender figure in white,” as contrasted with her father, who was described as “a spraddled silhouette.” After the death of her father she became distant and aloof. Miss Emily seems to live in a sort of fantasy world where death has no real meaning. Miss Emily refuses to accept or even recognize, the death of her father or that of Colonel Sartor is . She does not want to acknowledge the fact that the world around her was changing therefore Miss Emily surrounds her self with death. Everyone in town thought she had gone crazy. Even through all her mysterious actions the town still respected her. She represented something in the past of the community and they kept...
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...if we don’t ask those kinds of questions, then, essentially, we are allowing disney to shape our children’s imaginations.“ [narrator] The walt disney company has been a powerful force in creating childhood culture all over the world. Disney’s massive success is based on images of innocence, magic, and fun. Its animated films in particular are praised as wholseome family entertainment; endorsed by teachers and parents and immensely popular with children. [Dr. Alvin Poussaint, director, media center, judge baker children’s center] “Children, in fact, have been raised on disney for many generations now.” [Henry Giroux, education, pennsylvania state university] “Disney has made a spectacle of innocence. I mean it hides behind innocence in a way that allows it to separate corporate culture from corporate power and it has a kind of romance about it that allows us in some way to treat disney as the ultimate form of fantasy. Fantasy that never needs to be questioned.” [narrator] Disney is a transnational media conglomerate owning tv and radio networks, cable systems, internet sites, music studios, media production companies, magazines, sports teams, theatres, and theme parks. As a result, disney exerts a trememndous influence on national and international popular culture. Media conglomeration raises fundamental concerns about its impact on democracy. Because enormous conglomerates like disney own so much of the media, they exercise unprecedented control over the...
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...and as a man that was never visible. The book is titled “The Invisible Man” because the Ellison wants the readers to be aware he was not invisible by a supernatural cause or and an experiment, but he’s invisible due to the fact of others unwilling to notice his existence because of the color of his skin. The narrator didn’t let his invisibility stop him because he viewed it as a constant aggravation; this suffering pain led his ways to make others recognize him. This literature by Ralph Ellison, “The Invisible Man,” shows an image to its readers what life is like for a black person during that time, they lived life but yet were noticed, they were invisible. The narrator secretly lived for free in a shut-off section of a basement of the Monopolized Light and Power Company, where he was stealing electricity from them in order to have light. What got the narrator through the times was that enjoyed listening to jazz music mainly Louis Armstrong’s music, in his secretive underground basement, this helped calm the narrator’s soul and block out struggles throughout the book. He often went into a fantasy world and escape with the music; he would imagine a scene in a black church and heard voices of a black woman speaking out and how she confessed her love to her white master because she bore his children. The only reason she loved him, (and at the same time hated him) was because he promised to set their children free, but in the end he never did. The narrator tried to question her about...
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...Harms August 20, 2015 The history of anthropology and racism is knotted and complex. Thoughts of human nature and life anthropology need to include replications on anthropology and racism today. The essential to answering the question of what is Anthropology is the real mystery? In this essay we will discover how anthropology and racism are intertwined and affect our lives. Racism today takes the form of financial and political differences, arranged along the collective group of race. These two things are both facts and still very much present. Before saying anything about the human evolution and biology, it would be necessary to understand ideas of the race shape scientific investigation. The human evolution to categorizing hominin species to discussions about Neanderthal and denisovan breeding and potentially entering the race of ideas, configurations of anthropology and racism today. I like to give you a little insight to how we will look into races the black race is a race that has been abused in time past. They tend to be violent especially to themselves. They are group of that have some that think only of themselves or do anything to move up the latter. The things that is so amazing about this group of people is how they will come together when one of there on has been wronged be another race but they turn around and do it to themselves. Figure that out and let me know. Nacirema are culture that is very superstitious and are determined to live a quality of life. The...
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...The novel “Kindred” by Octavia E. Butler covers the topic of the strengths of the black women and the suffering of African Americans. In the narration, the author enlightens several vital social aspects as racism, gender discrimination, and slavery. The aim of the following paper is to analyze the ways Butler expresses the topic of slavery regarding concepts of past and present, the distinguishing of slavery and freedom, and the principle of social unawareness which are utilized to enhance the impact of the book on the target reader. The book involves real historical background and fantastic elements which make it exceptional among the same genre novels. The protagonist is Dana, a black young woman, who experiences time traveling. The...
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...FLST 3160 02 F2 2015 Topics in Film Studies Film Noir Colin Taylor Out of the Past Out of the Past is a 1947 film noir directed by French director Jacques Tourneur from the source novel, “Build My Gallows High” by Daniel Mainwaring and using a script by the author but with hefty additions from the author of The Maltese Falcon, James M Cain as well Frank Fenton, a B-movie writer who rumour has it was responsible for many of the films great one liners. As the AMC film site has it, “The downbeat screenplay was based on Geoffrey Homes' (a pseudonym - his real name was Daniel Mainwaring) 1946 novel Build My Gallows High, a book that consciously imitated Dashiell Hammett's The Maltese Falcon (1941). (An uncredited James M. Cain wrote some of the script.)” Tourneur was an established director whose oeuvre was predominantly what we should call B Movies but all of which had a striking visual style. His three most famous movies before Out of the Past, Cat People, I Walked with a Zombie and The Leopard Man are all about transformation, the night, perversion, the corrosive effects of evil, and the powerful link between violence and sex. Both he and Mainwaring were unapologetic left wingers (Mainwaring had to operate under a pseudonym during the McCarthy witch hunts) who saw evil in greed. Mainwaring’s most famous film script was the “reds under the bed” masterpiece The Invasion of the Body snatchers, another film about changes in people. Out of the Past is such a rich visual and...
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...how a little, black girl is thrown by the curb since she does not exemplify the common model. Instead of our protagonist, Pecola, having one human adversary, we see how most of most of society plays as the antagonist. The wicked acts of society eat up Pecola Breedlove from the inside to the outside, as they rape her, take away her innocence and leave her to go mad. Looking at everything from Pecola’s perspective, we realize that society rapes her constantly, by their critical attitudes towards all that she is. To them, she is black, she is poor, and hence she is ugly. One of the first heinous acts that society presents to Pecola is lust. That being, the desire for “whiteness” or as everyone else in the book believed, the desire for beauty. Pecola is taught from a very early age that beauty is one of the values that she will be held up to. In addition, society expresses to her that the crucial part to being beautiful is being...
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...The Wizard of Oz The Wizard of Oz is a classic American film interpreted from L. Frank Baum’s book published in 1900. We have all seen the film as a child and enjoy it equally as adults. It is a film we watch repeatedly to experience the wonders of our imaginations. There are many key elements that have made this film a notorious childhood memory as well as an American classic that we have treasured for generations. How could we forget the magical characters, the music, and the outstanding cinematography? The theme of the film can be summed up simply from one of the many notable phrases, “there’s no place like home”. Dorothy, a Kansas farm girl dreams of a better place and life. During a tornado she is struck in the head and there begins her journey to Oz. There she meets magical characters, many of which travel on with her also in search of better things. Who can forget the Munchkins, the first of the strange but charming characters Dorothy encounters? Dorothy and her dog Toto also come across the wicked witch the of the west and Glenda the good witch, introducing the good vs. evil of the fairy tale. She sets out on her quest to find a way home when she stumbles upon the Scarecrow who is in search for a brain, the Tinman in search of a heart and the Lion in search of courage. There are parallels to the characters she meets in relation to her family and neighbors back in Kansas, therefore reinforcing her homesickness and the determination to return...
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