...Part of the reason why The Canterbury Tales as a collection is so memorable is because of its dramatic nature. Some tales create drama through their plots, others create drama through various interjections and responses, and some create drama through their build up. Specifically, in regards to “The Wife of Bath’s Prologue and Tale”, the drama stems from the Wife of Bath as a character, and not as much from the tale itself. As a character, it is obvious that the Wife of Bath is a fierce woman with an I-don’t-give-a-shit type of attitude. She does what she wants and knows how to get her way: “And have this tribulacioun withal upon his flessh, whyl that I am his wyf. I have the power duringe al my lyf upon his proper body, and nought he.” (Chaucer...
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...The Wife of Bath is perhaps the most remarkable figure in The Canterbury Tales. Particularly interesting is the difference between her Prologue, in which she brashly and lustily gives the details of her five marriages, and her Tale, which is both moral and quite charming. Address the difference between the Wife's Prologue and her Tale. How do the two relate and lend meaning to one another? The Wife of Bath ha the longest prologue in The Canterbury Tales. Why does she feel the need to share this personal information with the pilgrims before she begins her tale? The Wife's prologue is unique in that it is longer than the tale itself. The Wife of Bath uses the prologue to explain the basis of her theories about experience versus authority and to introduce the point that she illustrates in her tale: The thing women most desire is complete control ("sovereignty") over their husbands. The Wife speaks on behalf of women everywhere discusses her five marriages and her tactics for gaining power and financial independence through the use of her body. Bawdy, lusty, and strong willed, she refuses to allow men to control her existence and she takes measures to shape her own destiny The Wife’s narrative opens with a defense of her many marriages, all legal, as she points out, i.e. recognized by the Church even though some churchmen frowned on widows re-marrying. The Wife challenges anyone to show her where the Scripture sets a limit to the number of successive legal marriages a...
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...In Geoffrey Chaucer’s The Canterbury Tales, the Wife of Bath presents her bold views throughout the course of her narration. Her prologue provides insight into her real-life experience with marriage, which she seems to view more as a game than as a consecrated relationship. Per the Pardoner’s request, the Wife of Bath shares her stance on marriage through a captivating tale, in which she highlights the idea of gentillesse in her vision of an ideal relationship. However, even though the Wife of Bath’s tale seems to go against the patriarchal society of the Middle Ages, further analysis of the text supports the fact that she views marriage as an opportunity for personal profit and not for equality. Thus, her tale and prologue not only support...
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...As a stark contrast, this concept of celebrating powerful women in “The Wife of Bath’s Prologue and Tale” is almost invisible in the BBC cartoon. Throughout the cartoon, women are continually painted in a negative light—starting off with the Wife of Bath flirting with the Friar (BBC 0:25), as previously mentioned. The aggression and drama surrounding the tale only pertain to the female characters, making them seem as if they are crazy; it severely delegitimizes their actions and attitudes. The old woman who eventually marries the knight is relentlessly made fun of—one scene in particular shows her face up close licking her lips, telling the knight “I want to be your wife and your love!” (BBC 4:43) while his face is utterly disgusted. This depicts...
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...The Wife of Bath symbolizes a character of lust and adventure, presenting herself in a sultry “bold” way. “That art the olde daunce” is the best symbolic paraphase to describe her. She is an interesting read and her untraditional actions make for an exciting descriptive analysis. The “Art the Olde Daunce” can be translated fairly easy, the words are cognates to the new english standard, art does mean the skill of something, a branch of what the common definition of art means today. Old derives from Old English “ald” to Middle’s “olde” to the New “Old”. The origin for the word “dance” is uncertain, although french influence in arts is the most likely founder of the word. (dictionary.com, n.d) The prologue hints at many types of suggestive love...
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...“The Wife of Bath’s Tale”: The Envy of Youth In “The Prologue of the Wife of Bath’s Tale” experience, power-struggles, and manipulations created knowledge, but eventually after time age had belittled: and the envy of the young arose. The main objective is authority, who is engaged by it, who has acquired it, who is deprived or ruined from it; and how can one acquire it. The wife engages her audience by sharing her experiences. She says, “Experience-and no matter what they say in books-is good enough authority” (219). By her disregarding those books, she attempts to show that her experiences have more value; it also suggests the books may be judgmental about her beliefs, character, or life choices. Yet, “good-enough” can also be perceived as a sign of weakness and therefore cause her to lose credibility in her experience. Nevertheless, she soon reveals the advantages of her experiences and shows a great delight in demonstrating her power to control and dominate her marriages. Regarding an older husband, she said, “For during his life I’ve “power of his body” and not he” (223), she is claiming power over an object is proclaiming that until her husband dies, she will have possession over his body. Also makes sure to point out, she has the control, not him. Which also gives a sense of the power struggles between sexes. Her arrogance is so strong that she admits she didn’t value her husband’s love. Then again, why would she? She is only interested in sharing the techniques...
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...Tales Hansen, Elaine Tuttle. "The Wife of Bath and the Mark of Adam." Women's Studies 15.4 (1988): 399-416. JSTOR [JSTOR]. Web. 26 Oct. 2015. Hansen has two facets of her argument about The Wife of Bath from Chaucer’s Canterbury Tales. The first explains how important the Wife is to the feminist critic, while the second paradoxically argues that she can be looked at as antifeminist based on the fact that she is a speaker that in reality is the voice of a man. Her views are manipulated and characterized by a man, therefore they do not allow a true woman's voice to be heard. In part one of her argument she is in favor of the idea of the Wife of Bath...
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...Canterbury Tales The Canterbury Tales written by Geoffrey Chaucer is a book filled with tales and prologues during the late medieval time period. Chaucer was born in 1342 in Paris. Chaucer lived the majority of his life privileged and on the kings’ (Richard II until 1399 then Henry IV) payroll. Chaucer began writing The Canterbury Tales in 1387, and worked on it throughout the 90’s. Of the few tales that I read (“The Prologue”, “The Miler’s Prologue”, “The Miller’s Tale”, “The Wife of Bath’s Tale Prologue”, and “The Wife of Bath’s Tale”), it seems clear that love and marriage are underlying themes throughout. But, love and marriage are two separate things during this time period. What the characters perceive to be love is actually lust. This will become evident throughout the tales. “The Prologue” is where Chaucer introduces all of the characters that will be prevalent throughout The Canterbury Tales. Chaucer describes the season as being April, and goes into detail about each character. It should be noted that the 29 characters that Chaucer mentioned were brought together by chance and did not plan this meeting. Each character had stopped at Tabard Inn, while waiting to embark on the pilgrimage to Canterbury. The night before the pilgrimage was to begin, the host offered a proposition to the pilgrims. He suggested a simple task: Now listen for your good, And please don’t treat my notion with disdain. This is the point. I’ll make it short and plain. Each one...
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...Reaction paper to The Wife of Bath Prologue I love The Wife of Bath. The tale features a character that seems to resemble a feminist. But in Chaucer’s time, feminism was something completely crazy and the pilgrims reacted negatively to it. Even though the pilgrims thought she was bonkers, The Wife of Bath had no fear about displaying herself as she really was. She wasn't ashamed of the fact she had been married five times, and was about to marry again. She hid nothing. She was fierce. In the prologue that I read, the pilgrim did not see the Wife of Bath as an upstanding woman, but she didn't desire to be seen as what one would call an “upstanding woman.” Almost as soon as she began speaking in the prologue, she explained that she had gone through five husbands, and she was on the look out for a sixth. The Wife says that she married for money: "...I’ll tell the truth. Those husbands I had, three of them were good and two of them bad. The three I call “good” were rich and old.” The Wife even goes on saying that she didn’t value her husbands’ love. Then again, why should she have to? She received everything her female heart desired: money, control, and power. She swears if all women were be the controlling factors in marriage, they too would gain their husbands’ money. The The Wife for Bath's character reminds me of many women I know, but one really sticks out at the moment, and that's Blanche Deboroe from the 80s sitcom “The Golden Girls.” The Wife of Bath claims that if women...
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...Geoffrey Chaucer was one of the worlds most famous english written. The Canterbury Tales is by far Chauncer's best known and most acclaimed work..The Canterbury Tales was written by different characters .The Wife of Bath was one of his stories that was told by Alisoun.The Wife of Bath is the most fully developed and discussed women in medieval literature. Although she is the most expierienced woman at her time knowing about marriage and relationships her prologue was viewed as anti-feminist rhetoric. The Wife of Baths is known for her attitude towards marriage and relationships that prohaps make her the best known character in The Canterbury Tales.Some critics love the Wife of Bath and her controversial prologue, proclaiming that she is a...
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...The Wife of Bath. The Wife’s ability to manipulate and gain dominion over her husbands can be a result of her sexual and libidinous nature, as she uses this attraction to gain pecuniary and societal power. Furthermore, marriage is portrayed as a crucial tool in the gaining of power, as it plays an extremely important role in Alyson’s “wynning” of status and money, as without her husbands one would be without these fortunes. However, the Wife’s dominance and power is questioned by the raw youth of her later husbands, as one experiences the endearing aspect of her fifth husband, Jankyn, as he represents the power left in the patriarchal hegemony of the era, withdrawing all the previously gained power the Wife had obtained. Firstly, the gain and control of power in the Wife of Bath can be seen through the role of sex within the tale, as sex not only secures money and land for the Alyson, but also rewards her with great dominance within the patriarchal hegemony: “I wo lde no lenger in the bed abyde, If that I felte his arm over my syde, Til he had maad his raunson unto me; Thanne wolde I suffre hym do his nycetee. And therefore every man this tale I telle, Wynne whoso may, for al is for to selle.” Here, the Wife explains that whenever one of her husbands displayed some sort of misconduct, she would refuse to give him sex. The Wife’s sexual leverage gives her dominion over her husbands’ money and it makes her husbands subject to her every whim. By withholding sex, the Wife ensures...
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...Feminist Criticisms The Wife of Bath is the most revolutionary character in the “Canterbury Tales”. The Wife of Bath is portrayed as a woman who was witty and didn’t care about fitting in as the classic wife. Dame Alyson was aggressive when describing her feministic points of view and puts these views into action. She releases her fury towards men by taking control of them sexually. Dame constantly was antagonizing the common thought of society that a man should be in complete control of a relationship. She seemed crazy to be going against men during this time but that is what made her so revolutionary. Although she narrates herself as a woman who wants power over men she at points contradicts this practice which, creates some harmful stereotypes for feminism. The prologue labels who she is as an actual person and her experience while the tale describes what she is trying to achieve with men. The Wife of Bath lived in a time where men dominated all aspects of life. Dame Alyson opens up her prologue by telling us that during the course of her life she has had five husbands. She was first married at the young age of twelve which was not unusual during this time period. She has been criticized throughout her life because of all the husbands she has had. In the church it is perceived that Christ has only been to one wedding at Cana in Galilee and that it is only acceptable to be married one time. Dame Alyson was able to gain control of these men by using the power of sex to...
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...yokels have sat down, I preach, as you have heard me say before, and tell a hundred lying mockeries more.” (Geoffrey Chaucer, Pardoner’s Prologue, lines 9-12, pg. 125). Here the Pardoner says that he preaches to the people what they want to hear. He knows that they are lies, but does not care what he tells them as long as he is benefited by it. In Chaucer’s time period the church was said to be the all holy estate, but here he shows just how hypocritical that I can be. “Out come the pence, and specifically for myself, for my exclusive purpose is to win and not at all to castigate their sin. Once dead what matter how their souls may fare? They can go blackberrying, for all I care!” (Geoffrey Chaucer, Pardoner’s Prologue, lines 20-24, pg. 125-126). Here the Pardoner specifically states that he does not care for those around him, and only for his own personal gain. Chaucer used this satire as a form to hide his hate for the...
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...In Chaucer’s Canterbury Tales, intertextuality represents specific aspects of the character’s ideals and personalities, and Chaucer uses it to meet his ends by calling attention to the continual misinterpretation of words. In the Wife of Bath’s Prologue, biblical excerpts in the “Book of Wikked Wyves” are misrepresented by both the compiler of the text and the clerk, Jenkyn, current husband of the Wife of Bath. The compiler of the book believed that what he wrote was true, based on pieces of text he picked through to find those that comply with the view he already had of women. The Wife of Bath combats the “Book of Wikked Wyves,” as well as every reading therein, with her question of “Who peynted the leoun, tel me who?” arguing that if women...
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...The Wyf of Bathe’s Prologue Date and Text • The prologue and tale may have been written quite late, probably after the Shipman’s Tale as the Wife’s prologue deals with (some of) the issues raised by the Shipman’s Tale. • In some manuscripts, most notably the Ellesmere (currently housed at the Huntington Library in Pasadena, CA), the Wife’s prologue is the most heavily glossed section of the tales (To Gloss/Glossator: the practice and theory of commentary; source in French, Italian and German legal schools of the 11th and 12th centuries, from which the Roman Law is based on The Digestae or the Codex of Justinian; this work transformed the ancient texts into a living tradition of Medieval Roman Law). • The glosses, which primarily quote the origins of the Wife’s remarks, may go back to Chaucer himself; the glosses could have been notes to the reader, or for Chaucer. Most of the glosses quote from Jerome and his own citations from the Scripture, but rarely from the bible. Comments on astrological disposition are from a Ptolemaic work (Almansoris propositiones). • The dynamic of the glosses reinforce the notion that the Wife’s Prologue is both literary text with authoritative sources, and a shocking instance of female power. Genre • There is no other Prologue like the Wife’s in the Tales – or in Medieval Literature at large. Its materials are primarily derived from antifeminist tracts, but it is not a tract (A Roman Catholic anthem). ...
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